3D Post at NAB, Wimbledon, and more


Bob Pank#
You may recall that last time 3D Diaries tackled the subject of post production in August 2010, it warned that the ‘fix it in post’ habit was definitely to be avoided. This means shoot it correctly in the first place, as trying to fix errors, especially the 3D ones, in post can get very tricky and, may be expensive. This remains the case even though at NAB there are ever-more sophisticated tools to deal with difficult situations. 3D post is maturing with new releases and more intelligent tools aimed at making it easier to address the business of working seamlessly in all three dimensions.
 
Quite rightly the builders of 3D post kit are themselves moving ever closer to production to get it right ‘in the can’. For this a number of the post manufactures now offer a version that can be conveniently used on set. For example, SGO’s Miskia (NAB stand SL8220) now has an accomplice. Mistika Live is a stereoscopic 3D production tool to correct the geometry and colour of stereo 3D live on-set and ‘on the fly’ – extending a version of its big brother’s stereoscopic 3D post tools into the production arena. At the show look out for Mistika V6 that includes 3D tools for Matching Colour to correct polarisation and illumination with footage from mirror rigs, and Depth Map to solve practical issues such as colour differences. Among many recently reported sales are two additional Mistika post production systems two to BskyB as a part of the expansion of its stereo 3D capacity.
 
Sid is Quantel's (NAB stand SL2014) cost-effective, dedicated Stereo3D workstation. It is available in two configurations – as a full online system and in a simple viewing, conform and mastering version (Sid VCM). Although designed for the needs of the more cost-sensitive post houses it is also fulfilling a role as part of a new initiative to provide 'Slate to Screen' services on 3D productions for Pace HD. It will initially be employed on location in New Zealand as part of the OnSetLab workflow, providing interactive 3D control for the DP and director during dailies on the forthcoming Warner Brothers movie 'Yogi Bear'. The system duplicates the services being provided in Toronto for the production of 'Resident Evil; Afterlife'. New 3D tools at NAB include GeoFix that aims to boost productivity with its use of advanced image analysis to automatically fix camera geometry differences. Also Disparity Checker provides real time measurement of stereo disparity to help customers meet new 3D channel content specifications.
 
Significantly, Steve Owen, Quantel’s Director of Marketing, says, “3D is no longer just about the movies, it's relevant to the many broadcasters producing and delivering 3D content too. So, in recognition of the importance of Stereo3D to all our customers, our proven S3D toolset, including GeoFix and Disparity Checker, will be standard on all products including eQ in V5 software.” Quantel reports over 100 3D editing systems have been delivered.
 
Other companies that are moving their 3D post offerings forward include DVS (NAB stand SL3305) and Assimilate (just outside the halls). A 3D post newcomer is EVS with 3D support for its IPEdit live edit tool. EVS (NAB stand C9508) is introducing production and content management tools for fast-turnaround productions, new live sports production tools for graphic inserts and live 3D editing.
 
During NAB 2009, the US Open Golf was live on air. Since then many big sports events have been broadcast live in 3D including the World Cup soccer. Now ESPN 3D (espn.go.com/3d) is available around the clock. So it was, perhaps, inevitable that this year’s Wimbledon Tennis Championships would also be available in 3D. This is the result of an agreement between Sony and The All England Lawn Tennis Club (AELTC) for a multi-year partnership to bring Wimbledon in 3D to suitably equipped cinemas around the world. The plans for 2011 involve the Centre Court and working with SuperVision Media, its theatrical distribution partners. The AELTC/Sony/BBC production is planned to include the Men’s Singles Semi-Finals and the Ladies’ and Men’s Singles Finals. The footage will be offered to rights holders and interested global broadcasters. There is also a commitment to deliver 3D tennis to a much wider audience over time.
 
In a separate move, Sony has also purchased Hawk-Eye. Given that the famous ball-tracking system must be calculating the trajectory in 3D space, maybe there will be a 3D display of its results included in the Wimbledon 3D coverage.  
 
The equipment manufacturers, most notably those making 3DTV sets, are providing a good deal of support for 3D productions. This is needed as one of the main gripes about 3DTV is the dearth of programming and, as with HD, the industry has to make a big investment in both technology and programming before the public will buy 3D in quantity.
 
The sales of 3DTV sets are perhaps the most significant indicator of the penetration of 3D. The good news is that Samsung Electronics, the world’s largest supplier of flat-screen TVs, expects its sales to jump five-fold to 10 million 3D TVs this year. It is in intense competition with rivals including LG Electronics (the second largest supplier) – expecting 2011 sales of five million. Both manufacturers are rolling out new models and technologies aimed at enhancing the 3D experience. There is a significant technology difference between the two with Samsung offering active (heavier and with a battery) shutter glasses and LG rolling out its new ‘Cinema 3-D TV’ with lighter (passive) glasses with no batteries (like we usually get in the cinema) which, they claim, results in a smoother picture. Who will win? Yoon Boo-geun, president of Samsung's visual display business, commented, "The market will judge. We'll see at the end of this year." On paper I prefer the LG’s passive glasses but without seeing the products and whatever else influences buyers decisions, who can tell?

Tags: iss052 | wimbledon | 3d diaries | nab | 3d post | sid | geofix | onsetlab workflow | quantel | dvs | Bob Pank#
Submitted by Bob Pank# Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Filming kit review from NAB

    Filming kit review from NAB

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • Ross Video at NAB 2016

    Ross Video at NAB 2016

  • Matrox Monarch LCS at NAB 2016

    Matrox Monarch LCS at NAB 2016

  • Matrox X.mio3 at NAB 2016

    Matrox X.mio3 at NAB 2016

  • Infinity Arm - Matthews Studio Equipment at NAB 2016

    Infinity Arm - Matthews Studio Equipment at NAB 2016

  • MultiDyne at NAB 2016

    MultiDyne at NAB 2016

  • Kino Flo at NAB 2016

    Kino Flo at NAB 2016

  • Elemental Technologies VR at NAB 2016

    Elemental Technologies VR at NAB 2016

  • Dynamic Perspectives at NAB 2016

    Dynamic Perspectives at NAB 2016

  • Dedolight at NAB 2016

    Dedolight at NAB 2016

  • Matrox DSX Core at NAB 2016

    Matrox DSX Core at NAB 2016

  • PHABRIX Qx at NAB 2016

    PHABRIX Qx at NAB 2016

  • AudioVideo BrandBuilder Corp at NAB 2016

    AudioVideo BrandBuilder Corp at NAB 2016

  • Forscene at NAB 2016

    Forscene at NAB 2016

  • PHABRIX at NAB 2016

    PHABRIX at NAB 2016

  • Elemental Technologies - AWS acquisition at NAB 2016

    Elemental Technologies - AWS acquisition at NAB 2016

  • PHABRIX TAG and Rx updates at NAB 2016

    PHABRIX TAG and Rx updates at NAB 2016

  • Elemental Technologies cloud innovations at NAB 2016

    Elemental Technologies cloud innovations at NAB 2016

  • Brainstorm Multimedia at NAB 2016

    Brainstorm Multimedia at NAB 2016

  • Boxx TV at NAB 2016

    Boxx TV at NAB 2016

  • ChyronHego Toolbox at NAB 2016

    ChyronHego Toolbox at NAB 2016

  • Marquis Broadcast at NAB 2016

    Marquis Broadcast at NAB 2016

  • Nugen Audio at NAB 2016

    Nugen Audio at NAB 2016

  • Stardom product range - Polar Graphics at NAB 2016

    Stardom product range - Polar Graphics at NAB 2016

  • Minnetonka Audio at NAB 2016

    Minnetonka Audio at NAB 2016

  • Nevion at NAB 2016

    Nevion at NAB 2016

  • Media Links at NAB 2016

    Media Links at NAB 2016

  • Apantac Multiviewer at NAB 2016

    Apantac Multiviewer at NAB 2016

  • ChyronHego CAMIO at NAB 2016

    ChyronHego CAMIO at NAB 2016

  • ChyronHego NewsTicker at NAB 2016

    ChyronHego NewsTicker at NAB 2016

  • Apantac monitoring over IP at NAB 2016

    Apantac monitoring over IP at NAB 2016

  • ROOT6 Technology at NAB 2016

    ROOT6 Technology at NAB 2016

  • AVIWEST at NAB 2016

    AVIWEST at NAB 2016

  • Dalet at NAB 2016

    Dalet at NAB 2016

  • Apantac 4k live demo at NAB 2016

    Apantac 4k live demo at NAB 2016

  • BBright at NAB 2016

    BBright at NAB 2016

  • Vitec Digital Signage at NAB 2016

    Vitec Digital Signage at NAB 2016

  • Vitec portable HEVC encoders at NAB 2016

    Vitec portable HEVC encoders at NAB 2016

  • Volicon Multiviewer at NAB 2016

    Volicon Multiviewer at NAB 2016

  • Volicon at NAB 2016

    Volicon at NAB 2016

  • Cinegy at NAB 2016

    Cinegy at NAB 2016

  • Pliant Technologies at NAB 2016

    Pliant Technologies at NAB 2016

  • Video Devices at NAB 2016

    Video Devices at NAB 2016

  • TMD at NAB 2016

    TMD at NAB 2016

  • TMD Mediaflex at NAB 2016

    TMD Mediaflex at NAB 2016

  • Videosys at NAB 2016

    Videosys at NAB 2016

  • Sound Devices 6-Series mixers at NAB 2016

    Sound Devices 6-Series mixers at NAB 2016

  • Miller Combo Live Pedestal Series at NAB 2016

    Miller Combo Live Pedestal Series at NAB 2016

  • Miller Arrow X Series at NAB 2016

    Miller Arrow X Series at NAB 2016

  • Glensound at NAB 2016

    Glensound at NAB 2016

  • Omnitek at NAB 2016

    Omnitek at NAB 2016

  • IMT DR3 IP Diversity Receiver at NAB 2016

    IMT DR3 IP Diversity Receiver at NAB 2016

  • IMT 58microLite HD Mini at NAB 2016

    IMT 58microLite HD Mini at NAB 2016

  • Dejero at NAB 2016

    Dejero at NAB 2016

  • Clear-Com HelixNet at NAB 2016

    Clear-Com HelixNet at NAB 2016

  • Clear-Com FreeSpeak II at NAB 2016

    Clear-Com FreeSpeak II at NAB 2016

  • Guntermann and Drunck at NAB 2016

    Guntermann and Drunck at NAB 2016

  • GET READY FOR NAB

    GET READY FOR NAB

  • Snell Advanced Media (SAM) 4k workflow at IBC 2015

    Snell Advanced Media (SAM) 4k workflow at IBC 2015

  • Snell Advanced Media (SAM) at IBC 2015

    Snell Advanced Media (SAM) at IBC 2015

  • CLEARCOM LQ SYSTEM at NAB 2015

    CLEARCOM LQ SYSTEM at NAB 2015

  • TMD Chameleon at NAB 2015

    TMD Chameleon at NAB 2015

  • DALET ACADEMY NAB 2015

    DALET ACADEMY NAB 2015

  • APANTAC openGear Solutions at NAB 2015

    APANTAC openGear Solutions at NAB 2015

  • DPA Microphones at NAB 2015

    DPA Microphones at NAB 2015

  • EGRIPMENT G-TRACK at NAB 2015

    EGRIPMENT G-TRACK at NAB 2015

  • SISLIVE Manpak tripod antennas at NAB 2015

    SISLIVE Manpak tripod antennas at NAB 2015

  • ELEMENTAL STATMUX at NAB 2015

    ELEMENTAL STATMUX at NAB 2015

  • TC ELECTRONIC with Clarity X at NAB 2015

    TC ELECTRONIC with Clarity X at NAB 2015

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • FACILIS TerraBlock at NAB 2015

    FACILIS TerraBlock at NAB 2015

  • SGL at NAB 2015

    SGL at NAB 2015

  • APANTAC T# Multiviewer at NAB 2015

    APANTAC T# Multiviewer at NAB 2015

  • RASCULAR HELM at NAB 2015

    RASCULAR HELM at NAB 2015


Related Shows
  • NAB 2014 Summary Show

    NAB 2014 Summary Show


Articles
Females In The Broadcasting Industry
Samantha Arlow Everyone has heard of the FBI right? The US Federal Bureau of Investigation that inspires images of hard talking detectives in dark suits and sunglasses. But if you work in Broadcast, there's another FBI you should know about. This FBI, as the name spells out, is an organisation specifically geared towards Females in the Broadcast Industry; although it too can appreciate a sharp suit and sunglasses combo!
Tags: iss112 | FBI | Broadcasting | Samantha Arlow
Submitted by Samantha Arlow Read this article in the tv-bay digital magazine
Camera Operations (part 2)
Peter Leverick In Part 1 (issue 110) I addressed the practical skills required by Camera Operators aspiring to enter the Broadcast TV market. A good camera operator also needs to have good artistic senses and abilities. Like practical skills this is something that is acquired through training and practice. As with all training and practice the trainee needs to have access to a good trainer and the time to observe & practice. Trainer input alone does not make a good cameraman; a Trainer should give the student an understanding of what is required through explanation and demonstration, from that point on, it is down to the student to watch high end Broadcast output and practice/practice/practice what he or she sees and has learnt.
Tags: iss112 | Cameras | Part 2 | Peter Leverick
Submitted by Peter Leverick Read this article in the tv-bay digital magazine
The Power Of IP
Jamie Shepperd There is little doubt that the adoption of IP technology across the broadcast workflow can bring significant benefit to broadcasters. IP is ubiquitous, it's based on common standards and broadcast can benefit further from the wealth of expertise and technology that exist in other industries. While we are still moving toward complete adoption- from ingest, processing and storage, to media management and distribution- there are areas where IP has been making its mark for some time, providing the industry with a powerful proof point for its wider adoption.
Tags: iss112 | IP | Power of IP | Broadcast | Jamie Shepperd
Submitted by Jamie Shepperd Read this article in the tv-bay digital magazine
Shooting the Extreme
Mel Noonan Steffan Hewitt started covering extreme sports as a cameraman and learnt to ski backwards while shooting skiers in front of him. Surprisingly he survived, and went on to design and use a lightweight pole with an early SD minicam slung at the top operated via a remote pan and tilt head from the other end. He called it Polecam.
Tags: iss112 | Extreme | Cameras | Polecam | Mel Noonan
Submitted by Mel Noonan Read this article in the tv-bay digital magazine
Building Blocks
Dick Hobbs. That is the MIT Media Lab saying, in a typically American academic way, that they want to help producers make better content. That is what you find if you Google "object-based broadcasting".
Tags: iss112 | lego | MIT | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
Waveform Monitors in 4K Production
Alan Wheable Waveforms have always been one of the essential tools for anyone working in the video industry and are used for level alignment, grading and quality control to touch on just a few areas.
Tags: iss112 | Waveform Monitors | 4K | UHD | Alan Wheable
Submitted by Alan Wheable Read this article in the tv-bay digital magazine
Recreating a Masterpiece
Stuart Harris Tell us a bit about yourself Stuart. At the moment I am the acting head of cinematography here at the National Film and Television School. I have been a cinematographer from around 1980 and I have done commercials, music videos, feature films, sort of everything really. I think a creative career was what I wanted to do and I found myself doing lots and lots of commercials which I really enjoy doing and music videos which I also love as well. But we're all storytellers and I don't think at the end of the day whether the film or the card in the camera knows what you're shooting it is what you put on there, that's the most important thing.
Tags: iss112 | digital | masterpiece | Stuart Harris
Submitted by Stuart Harris Read this article in the tv-bay digital magazine
SDI, IP, Uncompressed and Compressed
Phillip Adams KitPlus asked PHABRIX and its founder Phil Adams about the latest in test & measurement solutions.
Tags: iss112 | PHABRIX | SDI | IP | Uncompressed | Compressed | Phillip Adams
Submitted by Phillip Adams Read this article in the tv-bay digital magazine
The Danish Girl
Adam Glasman lorist Adam Glasman reveals how he was inspired by the classics to grade Oscar nominated transgender pioneer biopic, "The Danish Girl". Based on the book by David Ebershoff, "The Danish Girl", which has received four Oscar nominations this year, is the remarkable love story inspired by the lives of Lili Elbe and Gerda Wegener, portrayed by Academy Award winner Eddie Redmayne ("The Theory of Everything") and Alicia Vikander ("Ex Machina"), and directed by Academy Award winner Tom Hooper ("The King's Speech", "Les Miserables"). Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
Tags: iss112 | Danish | Oscar | Adam Glasman
Submitted by Adam Glasman Read this article in the tv-bay digital magazine
Wireless Keyboard Review
Beth Zarkosh Knowing all of the shortcuts can really help you become much more productive and saves you from getting a sore hand from all of those additional mouse clicks you'd have otherwise needed to make. (Thank us later!)
Tags: iss112 | NAB | Wireless Keyboard | Adobe | Beth Zarkosh
Submitted by Beth Zarkosh Read this article in the tv-bay digital magazine
Leaving Las Vegas
John Smith I've had the privilege of being a regular visitor and exhibitor at NAB since the early 1980's. One memorable occasion, our flight home had been overbooked and so an alternative arrangement was made. We wondered why it would take four hours to fly from Vegas to LA? As the pilot turned up in full leather flying gear, including goggles and 20 Sony dealer principals and staff were loaded on to a crop sprayer it became clearer! The request-stop service ended up picking-up and dropping-off additional passengers en-route, however, flying low across the desert offered some of the most stunning views of scenery I've ever seen!
Tags: iss112 | NAB 2016 | Media Links | IP | John Smith
Submitted by John Smith Read this article in the tv-bay digital magazine
The Search For The Coastal Wolf
Bertie Gregory Bertie Gregory, 2012 Youth Outdoor Photographer Of The Year and 2015 Scientific Exploration Society Zenith Explorer, is a professional wildlife photographer, filmmaker and presenter whose first solo assignment for National Geographic will debut in Spring 2016 on their new online platform. This 24 part series, shot in 4k using Canon lenses all supported by the Sachtler V18, follows Gregory on a wildlife adventure where he tracks down and seeks to film the elusive coastal wolf on the west coast of Vancouver Island, Canada.
Tags: iss112 | Coast | 4k | Canon | Canada | Bertie Gregory
Submitted by Bertie Gregory Read this article in the tv-bay digital magazine
Resolute over Resolution
Peter Savage 2 According to an industry think-tank, the end of 2017 will see the tipping point for UHD in the UK. But, ask the people working on the frontline, and that picture is not so clear.
Tags: iss112 | NAB 2016 | Resolution | Resolute | UHD | Peter Savage 2
Submitted by Peter Savage 2 Read this article in the tv-bay digital magazine
TV Futures
Jemma Davis The second year of my degree course gives a variety of options, and one of these is scuba diving and filming. It's something I've never considered before, so when I saw it as an option choice I was delighted to be faced with the opportunity to film underwater. I can also now say it was the best thing I've ever done! My name is Jemma Davis and I am a third year studying BSc Television and Broadcasting at the University of Portsmouth.
Tags: iss112 | NAB 2016 | Student | Jemma Davis
Submitted by Jemma Davis Read this article in the tv-bay digital magazine
The World Of Risk
Leighton Chenery Risk was again the topic of the day. From Brexit to China's debt issues, from migration to food shortage, oil price to climate change, the discussion and debates around the halls centre around how to solve the important issues that threaten the stability of our economies and world security.
Tags: iss112 | Risk | Change | Leighton Chenery
Submitted by Leighton Chenery Read this article in the tv-bay digital magazine
Fact from Fiction - IP transport
Bruce Devlin Wandering around the endless corridors of NAB in 2016, you'll hear much more talk of IP transport than in previous years. If you're lucky then you'll see a few GUIs that might show Software Defined Network (SDN) routings or channel allocations. You might see a GUI that shows the flows of essence, grains, packets or other networked "stuff". If you're really eagle eyed then you might even see some hardware. Yes, that's right hardware - remember the metal boxes that we used to have to supply with electricity and the hook up in the days before cloud? I am certain that there is real hardware to be seen out there.
Tags: iss112 | NAB 2016 | IP | IP Transport | SDN | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
The fushion of content and big data
Yoav Gaziel Today's television viewers have a different set of expectations than they did even just a few years ago. The emergence of smartphones, tablets, and other Internet-connected devices and the subsequent improvements in user-experience has driven viewers to want a more engaging, rich, and interactive television experience, just like they get on their modern devices.
Tags: iss111 | comigo | stb | nlp | pay-tv | Yoav Gaziel
Submitted by Yoav Gaziel Read this article in the tv-bay digital magazine
Getting real with virtual
Dick Hobbs. It's only February (or it is when I am typing this) but already we are suffering from exhibition overload. I did not go to Mobile World Congress, having no real desire to be mugged in Barcelona. But I did look in at BVE somewhere near London where a conversation with an exhibitor and old friend set me thinking. And perhaps wishing I was at Mobile World Congress.
Tags: iss111 | google cardboard | virtual reality | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
A virtual world but call it cloud if you must
Jan Weigner I prefer not to use the word "cloud". It's useful for eight points in Scrabble, but in broadcasting, if we can still call it that, what you're really describing is storing data on someone else's computer or, on an industrial scale, a whole lot of someone else's computers (data centres). Cloud is just a convenient way of saying "shedload of capacity".
Tags: iss111 | cloud | virtual | vrt | amazon web sevices | scrabble | Jan Weigner
Submitted by Jan Weigner Read this article in the tv-bay digital magazine
The importance of maintaining digital audio paths
Larry Schindel A portable, handheld, digital audio stream analyzer/generator is an essential piece of test equipment in the broadcast environment. It allows engineers and system integrators to quickly monitor and verify the composition, and integrity of, audio signals at any point from production all the way through the distribution chain.
Tags: iss111 | linear acoustic | dolby | aes3 | mt2000 | dvb-asi | toslink | smpte 337 | Larry Schindel
Submitted by Larry Schindel Read this article in the tv-bay digital magazine
Grading Temple - Making the future look vintage
Simon Allard Cineground's Simon Allard and Nguyen Anh Nguyen reveal how they used Kowa lenses and an atypical approach to grading to give their new sci-fi cyberpunk thriller, "Temple" a unique vintage look.
Tags: iss111 | blackmagic | grading | temple | resolve | davinci | Simon Allard
Submitted by Simon Allard Read this article in the tv-bay digital magazine
Must haves for wireless camera transmission
John Payne In the days of analog, camera operators were basically tethered to the camera via cable. Additionally, when doing a remote transmission the production required line-of-sight to the receive site or to a satellite. It took a small army and lots of hardware to make an on-location shoot happen.
Tags: iss111 | imt | wireless | transmission | cofdm | ob | mpeg-4 | John Payne
Submitted by John Payne Read this article in the tv-bay digital magazine
Raising the bar at BVE
Peter Savage 2 Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that 'easy-to-use' was the tipple of choice at this year's show.
Tags: iss111 | bve | finance | pxw-z150 | vcc-4k1 | panasonic lt | Peter Savage 2
Submitted by Peter Savage 2 Read this article in the tv-bay digital magazine
The secrets behind live streaming
Thom Holliday Livestreaming can be fraught with perils and pitfalls. For a first timer, it can be daunting to configure each part of a livestream. Each moving part needs your attention, and this can be overwhelming for first timers.
Tags: iss111 | live streaming | larry jordan | rtmp | http | hls | ios | android | streamamg | Thom Holliday
Submitted by Thom Holliday Read this article in the tv-bay digital magazine
4k is a reality for live production
Liam Laminman

Some aspects of the broadcast industry move exceedingly quickly; new cameras are launched seemingly daily, shows are commissioned and shows are axed but the overall pace of the industry remains pretty steady. Would it shock you to hear that NHK in Japan first built its own 4K prototype camera in 2003? (At this point, it's worth clarifying that we're using the term '4K' to reference UHDTV1 (3840—2160) but '4K' seems to have shone through as the saleable name tag.) Today, just a mere 13 years later it looks like we're now ready to adopt 4K. It is now a reality within the industry and for the everyday consumer.

Tags: iss111 | 4k | trickbox | tico alliance | sony f55 | ebu | Liam Laminman
Submitted by Liam Laminman Read this article in the tv-bay digital magazine
IP for live production
John Smith The production and transmission of a live sporting event is one of the most technically challenging assignments for any crew. After all, you can't ask to take the shot again at a live event! Multiple signals in a variety of formats need to be transmitted around the sporting venue, as well as being seamlessly integrated with feeds from a studio or other locations to form a complete broadcast stream.
Tags: iss111 | ip | live production | wan | media links | md8000 | John Smith
Submitted by John Smith Read this article in the tv-bay digital magazine
The work of five viewers with no transcoders
Randy Mills I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours," National Geographic Channel's "Ultimate Survival Alaska," and MTV's "Are You The One?" I'm also the editor for Theory Studios, an online animation studio that produces short cartoons and VFX. I came up in the industry as a camera operator, but in the past five years I have moved into data management.
Tags: iss111 | tnt | hd-vu2 | xdcam | canon mxf | gopro | Randy Mills
Submitted by Randy Mills Read this article in the tv-bay digital magazine
The secret world of the underwriter
Leighton Chenery Am I a good or bad risk? And how much do Insurers really make? In this edition I will be given you a peek behind the underwriter's desk and an insight into how they go about making their money. I think that it is fair to say that all of us feel a little bit aggrieved paying out premiums, particularly those of us who don't make claims.
Tags: iss111 | insurance | underwriter | Leighton Chenery
Submitted by Leighton Chenery Read this article in the tv-bay digital magazine
Object Audio - whats all the noise about
Bruce Devlin We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it.
Tags: iss111 | object audio | dalet | mxf | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Audio Streaming with Larry Jordan
Larry Jordan# If you are thinking about creating your own streaming video podcast or channel, a great place to start is with a live audio podcast because, as you'll discover, the challenges are not in the technology but in the workflow. It is far easier to create an audio show than video. If you plan to expand into video, you can still stream the audio portion of the show.
Tags: iss111 | larry jordan | podcast | streaming | Larry Jordan#
Submitted by Larry Jordan# Read this article in the tv-bay digital magazine
TV Futures - Streaming
Danielle Wiltshire Hello I'm Danielle Wiltshire and I am currently in my final year at the University of Portsmouth studying on the specialist course BSc Television and Broadcasting. One of the things I love about my course is that the academics involved are always striving to be ahead of the curve with teaching, and they care greatly about what aspects of industry practice need to be in the curriculum. For example, IP is now regarded as one of the serious futures of broadcasting, I got the opportunity to set-up a proper outside broadcast as part of my final year project.
Tags: iss111 | portsmouth | cci tv | streaming | news spotter | twitch | Danielle Wiltshire
Submitted by Danielle Wiltshire Read this article in the tv-bay digital magazine
Being heard in the jungle
Andy Clements Professional wireless sound solution specialists, Raycom, were asked in summer 2015 to specify, supply and commission a huge new RF wireless distribution system for ITV's popular reality television show, "I'm A Celebrity Get Me Out Of Here!"
Tags: iss111 | raycom | jungle | celebrity | antennas | Andy Clements
Submitted by Andy Clements Read this article in the tv-bay digital magazine
Traveling Safely with Lithium Ion - Tips and Tricks
Mike Dolan For any location production, organization and pre-planning is key. This mantra goes beyond thinking of shoots and equipment placement to actually how your equipment will get from point A to B.
Tags: iss110 | battery | switronix | lithium ion | Mike Dolan
Submitted by Mike Dolan Read this article in the tv-bay digital magazine
Out with the new, in with the old
Peter Savage 2 Getting the film look with a digital camera requires the correct lens: and sometimes that means going back in time, writes Peter Savage
Tags: iss110 | finance | arriflex | lenses | cooke | pancros | s2 | s3 | s4i | Peter Savage 2
Submitted by Peter Savage 2 Read this article in the tv-bay digital magazine
Camera Operation and Training Part 1
Peter Leverick Whilst it might be argued that may be the only difference between LDs & DOPs, the same is not entirely true for Videographers & Broadcast Cameramen. That is not to say that Videographers are necessarily inferior to Broadcast Cameramen but certainly different.
Tags: iss110 | dop | videographer | lighting | skills | education | ittp | Peter Leverick
Submitted by Peter Leverick Read this article in the tv-bay digital magazine
Gaining insight in a fragmented broadcast world
Keith Bedford The proliferation of mobile devices, on-demand content and the fragmentation of viewing habits makes the task of measuring TV audiences and the level of audience participation a bigger challenge than ever before. While the ways that consumers' access content may have changed radically, broadcasters' need for an accurate view of who is watching what, when and how haven't.
Tags: iss110 | ebs | pawa | mobile | barb | ofcom | listing data | Keith Bedford
Submitted by Keith Bedford Read this article in the tv-bay digital magazine
Are your employees protected while traveling abroad on business
Leighton Chenery In a climate of growing global volatility it's no secret that travel risks have increased as we've seen with sad frequency in recent years. When things go wrong in a foreign country they can go very wrong and it can expose employers to major legal, reputational and business continuity risks.
Tags: iss110 | insurance | employee | travel | Leighton Chenery
Submitted by Leighton Chenery Read this article in the tv-bay digital magazine
Square-division versus two-sample interleave
Kevin Salvidge Following on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluations highlighted two key concerns currently relating to 4K/UHD television production: the relative merits of square-division and two-sample interleave.
Tags: iss110 | leader | LV 5490 | 4k | uhd | Kevin Salvidge
Submitted by Kevin Salvidge Read this article in the tv-bay digital magazine
Smaller Cameras Result in Big Changes in Fluid Heads and Camera Support Solutions
N/A As technology progresses, videographers find themselves dealing with smaller cameras that become the flavor of the week, but are soon replaced six months later by technology that makes them even tinier. With this has come a new way of thinking of camera support solutions. Fluid heads that were originally designed to support smaller, more entry-level type camera models are many times not able to handle all of the camera peripherals, such as lenses and monitors, employed in a more professional shoot.
Tags: iss110 | miller | support | tripods | N/A
Submitted by N/A Read this article in the tv-bay digital magazine
Perfect Horizon Camera Stabilizer
Brian Uranovsky The Perfect Horizon is an innovative camera stabilizer for land and sea, and regardless of bumpy rides or rough waves, this stabilizing device keeps your horizon perfectly stable.
Tags: iss110 | stabiliser | stabilizer | perfect horizon | Brian Uranovsky
Submitted by Brian Uranovsky Read this article in the tv-bay digital magazine
THE EVOLVING DRONE CAPTURE MARKET
Bjorn Olin Although the use of drones to capture content for film and television productions may still seem new to some, Helifilm.com began using drones for photography way back in 2008.
Tags: iss110 | videodevices | drones | apple prores | pix-e5 | pix-e5h | sony a7s | Bjorn Olin
Submitted by Bjorn Olin Read this article in the tv-bay digital magazine
Educating with Robots
Sian Roberts Timeline North's post production director, colorist and VFX artist reveal how they used DaVinci Resolve and Fusion to complete 140 sketches for upcoming CBeebies children's series, Spot Bots
Tags: iss110 | blackmagic | resolve | davinci | aaf | vfx | fusion | mediacity | timeline | spot bots | Sian Roberts
Submitted by Sian Roberts Read this article in the tv-bay digital magazine
Staying within a recognisable landscape
Alan Wheable 2015 saw the maturing development of UHDTV 4K signal technologies and a growing agreement that both SDI and IP will exist in their respective strong application areas, as a solid engineering solution to the differing requirements of live signal handling and programme contribution.
Tags: iss110 | omnitek | uhdtv | 4k | 12g-sdi | eyepattern | Alan Wheable
Submitted by Alan Wheable Read this article in the tv-bay digital magazine
Troubleshooting - Top Tips to Make Files Work
Bruce Devlin So, you built yourself the world's most perfect, IT-based file workflow and you have a state-of-the-art media facility? Congratulations, have a beer, but at some point it's going to go wrong!
Tags: iss110 | dalet | class | academy | sakichi toyoda | openshoft | azure | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Focus Technology in 2016 and Beyond
Lisa J Whelan With the advance of larger camera sensors, faster lenses and complex lighting systems, the role of the 1st AC (Assistant Camera) is more demanding than ever. Fortunately, the world of focus technology is developing new and innovative ways to step up and meet these demands head-on.
Tags: iss110 | focus | spectre | light ranger 2 | optical support | Lisa J Whelan
Submitted by Lisa J Whelan Read this article in the tv-bay digital magazine
Camera Supports Top Tips
Mark Scotton No matter how much money people spend on a camera there always seems to be a temptation to try and cut corners when it comes to tripods. I am not sure why this is the case but it's a regular occurrence when talking to people and it results in several problems.
Tags: iss110 | support | grip | bhague | quick release | slider | jib | Mark Scotton
Submitted by Mark Scotton Read this article in the tv-bay digital magazine
How Your iPad Can Help Your Filmmaking
Beth Zarkhosh The new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however it's rapidly becoming a must-have tool for filmmakers of all shapes and sizes around the world.
Tags: iss110 | ipad | final draft | movie slate | editors keys | usb microphone | garage band | photo soft box | jump start | ac-7 core | imovie | filmic | Beth Zarkhosh
Submitted by Beth Zarkhosh Read this article in the tv-bay digital magazine
Highly Experienced
Dick Hobbs. I was recently asked to write an article on quality of experience in video streaming. Obviously the first thing I did was ask Saint Google to find me recent research on the subject.
Tags: iss110 | streaming | bt | broadband | professor pitts | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
TV Futures
Lloyd Ashton University radio is a great starting platform- hearing something being broadcast that started out as a few ideas in a notebook is quite incredible. My name is Lloyd Ashton and I'm currently a third year Television and Broadcasting student at the University of Portsmouth. Over the past three years, I have been introduced to many modes of broadcasting, yet it's radio that has left an everlasting impression.
Tags: iss110 | students | tvfutures | ccitv | portsmouth | university | education | training | Lloyd Ashton
Submitted by Lloyd Ashton Read this article in the tv-bay digital magazine
Saving your laptop from spills
Beth Zarkhosh Whether you're a wedding videographer or a small production company, we all know the stress of the edit process, nothing adds to that stress more than the full destruction of your PC or Mac. So its the New Year and youre finishing off that last bit of mulled wine from over Christmas and ooops! You accidentally spill it all over your laptop! What do you do? Well here we explain some handy tips to take
Tags: iss109 | editors keys | keyboard | spills | damage | microfiber | cover | Beth Zarkhosh
Submitted by Beth Zarkhosh Read this article in the tv-bay digital magazine