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Run Joe Run - 360 degree live streaming running the 2024...


Three years ago to the day the 2024 TCS London Marathon took place, Joe Ramsden found himself suddenly unable to walk and see and was admitted to hospital. Uncontrollably vomiting at every attempt to open his eyes, he had no idea what was happening and nor did the doctors. After four similar incidents and being in and out of hospital – during the l...

Submitted by Joss Armitage
Published 30 April 2024

Driving Content Security Preparedness from Script to Scre...


By: Terri Davies, President, Trusted Partner Network (TPN) According to Cybersecurity Ventures, the global annual cost of cybercrime is predicted to reach GBP 7.5 million (USD 9.5 trillion) in 2024. As we continue to navigate these trends and forecasts, I encourage you to ask yourselves, what is your company’s content security risk management st...

Submitted by Terri Davies
Published 30 January 2024

Spotlight on James Gilbert, Director of Product and Solut...


What vision do you have of the broadcast technology business beyond 2030?Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirem...

Submitted by James Gilbert
Published 25 July 2022

Avid and Rohde & Schwarz


As the pioneer of non-linear editing for broadcast, Avid retains its position as a popular choice. For many production companies, post houses and individual editors, its familiarity and functionality also make it a natural choice. Challenges begin, however, when leaving such a homogeneous ecosystem and scaling to serve a variety of different produc...

Submitted by Ciaran Doran
Published 15 October 2021

How to engage students with live projects


For many employers, how and what we teach at university is sometimes considered to be very mysterious. The responsibility for creating the structure and content within the curriculum is the responsibility of academics. In my experience, the best method for making sure that students and staff are kept up to date with current working practices is to...

Submitted by Martin Andrews
Published 26 March 2020

The Importance of Audio Production Systems


Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles
Published 26 March 2020

The Value of Trade Shows


When you think of trade shows some might consider the relevance in today's digital world where, with the click of a button, you can research the latest technology and, with another click, someone will deliver said item to your door later that day. So on that note let's dispel the naysayers!It’s true that shows can come and go but those that have th...

Submitted by KitPlus
Published 27 January 2020

From Industry to Teaching


Those that cannot do, teach… I did not enjoy typing those words, and for the most part, I do not believe it to be true. There again, I’m am now a teacher, so perhaps you would expect me to say that? I am sure many believe it to be true, that if you really cannot cut it in the ‘real world’, there might instead be a career in teaching. The following...

Submitted by Charlie Watts
Published 27 January 2020

Eye Contact in Documentaries


Eye contact filming (where the interview subject speaks directly into the lens) is now more common in documentaries. But it hasn’t always been possible or acceptable for filmmakers to do. When I studied Screen Documentary in 1998, I was taught that the subject should look to the left or right of the screen. As an interviewer, I sat close to the cam...

Submitted by Sybil Ah-Mane
Published 27 January 2020

A Place For Placements - TVFutures


I've been interested in media all my life… making short films with my mates in Windows Movie Maker when I was little... I never really knew where I wanted to go career wise, but I knew I always liked video production. So it will come as no surprise that I chose a degree that would provide that outlet, and I hoped that dedicating three Years to stud...

Submitted by Luca Di-Maio
Published 03 November 2019

Post Production - Keeping Track


One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to work from, but also where you file them away in your project once imported. In the Avid world this is largely taken care of by the application itself, b...

Submitted by Alex Macleod
Published 10 September 2019

Industry Ready Broadcasting Students


Cardiff Metropolitan University traces its roots back to 1865, when they opened their first school in an old library. Now Cardiff Met is a global, practice-focused and professionally oriented institution, committed to ensure every student fulfills their potential to make outstanding contributions in their future industries. Cardiff Met is also one...

Submitted by KitPlus
Published 16 July 2019

NAB 2019 Highlights


The NAB Show in Las Vegas never loses its capacity to surprise. With NHK already transmitting in 8K and the Tokyo Olympics just a year away, this might have been the year that 8K equipment prices descended from the stratosphere to just plain expensive. The main trends at NAB 2019 were an increasing focus on HD-HDR, Media-over-IP and 4K. 8K was pret...

Submitted by Paul MacKenzie
Published 04 June 2019

TV Futures - Producers Produce


I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt
Published 04 June 2019

Lighting with Gurdip Mahal


Gurdip Mahal’s credits for lighting design are impressive. Including major Awards shows such as BBC Sports Personality of the Year, Children in Need, as well as The Voice, Top Gear and Crystal Maze, his CV would almost certainly include at least one show with which any one of us is familiar. In addition, he has applied his own particular style to p...

Submitted by Ian Muir
Published 04 June 2019