KitPlus | Articles

Slow Motion Video Techniques

Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) wi...

Submitted by Phil

Published 07 June 2018

Recreating a Masterpiece

by Stuart Harris Issue 112 - April 2016 Tell us a bit about yourself Stuart. At the moment I am the acting head of cinematography here at the National Film and Television School. I have been a cinematographer from around 1980 and I have done commercials, music videos, feature films, sort of everything really. I think a creative career was what I wa...

Submitted by Stuart Harris

Published 25 April 2016

Raising the bar at BVE

Azule's Peter Savage managed to drag himself away from his countless BVE meetings (and the show bar) for long enough to discover that ˜easy-to-use' was the tipple of choice at this year's show. Trade shows are funny things. When you arrange a lot of meetings, it is quite easy to spend an entire week at an exhibition and not see any kit or attend an...

Submitted by Peter Savage 2

Published 01 April 2016

BVE and London Entertainment Week

BVE NewsIssue 109 - January 2016 BVE, the premier event for the UK broadcast, media and entertainment industries, is thrilled to announce its schedule for 2016, a year that proves to be the most all-encompassing show yet. BVE 2016 welcomes the launch of London Entertainment Week reflecting the expansion into the Pro AV and Live Entertainment Techno...

Submitted by KitPlus

Published 21 January 2016

Capture and Produce

Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

The First Musketeer

by Neil Oseman Issue 91 - July 2014 Based on The Three Musketeers by Alexandre Dumas, The First Musketeer is a brand new take on this famous adventure. Written and directed by Harriet Sams, director of photography Neil Oseman takes us behind the lens of this new gritty six part mini drama shot on the Blackmagic Cinema Camera. Set in the South of Fr...

Submitted by Neil Oseman

Published 01 August 2014

In the Flesh: On set with the BBC

by Dale McCready Issue 86 - February 2014 Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light. New Zealand born DoP, and Steadicam operator, McCready, has worked on some of Britains most highly rated series such as Atlantis, Dr....

Submitted by Dale McCready

Published 01 March 2014

The invention of LED lighting

by Jonathan HarrisonIssue 82 - October 2013 Video can been seen at: http://youtu.be/z7rHinlAP3EThe invention of LED lighting on one level has been brilliant. The rock and roll business has completely transformed that industry. But rock and roll and theatre are completely different to the environment that we work in. We work in a colour critical env...

Submitted by Jonathan Harrison

Published 01 November 2013

A cinematic makeover with Blackmagic Design

With the announcement of Blackmagic Cinema Camera at NAB 2012, Mark Linnhoff, a France based cinematographer, began to see the future of filmmaking in a new light. “Finally, an affordable acquisition tool that doesn’t compromise on image quality,” he recalled. “When I got the camera, I carried out some tests with a series of Carl Zeiss ZF.2 and Nik...

Submitted by Mark Linnhoff

Published 01 July 2013

Crowd pulling at BVE

There is no better crowd puller at a trade show than a stand using equipment from multiple manufacturers being used in way it will be once unpacked by the customer. This ethos is really the idea behind our monthly live studio show and was also the theme for our stand at this year’s BVE. Pooling stands with Autocue was the first good move as it not...

Submitted by KitPlus

Published 01 April 2013

Creating the illusion: Green screen lighting

The illusionIf good cinematography is about creating the illusion of three dimensional reality, on a two dimensional screen. Working to create reality using background plates offers a whole new variety of technical issues that need to be addressed with skill if it is going to be successful. In this article I will touch on some of the basic issues t...

Submitted by David Morphy

Published 01 March 2013

Twas the issue before Christmas;

As it’s nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, I’ve picked my favourite production technology innovations of 2012. But, as we’re fast approaching the festive season, I’ve compiled them in the form a Christmas shopping list. Yes, I know. It’s genius....

Submitted by Will Strauss#

Published 01 January 2013

Review of Kinoflo Celeb 200

Good quality lighting is at the heart of all great photography, when we use the sun we are at the mercy of the weather and need to take into consideration all the variables from time of day to position of sun to name a few, importantly however we can trust the source to provide a complete spectrum. However when we are shooting with tungsten or with...

Submitted by Will Strauss#

Published 01 November 2012

Camera innovations from IBC

IBC 2012 – ‘Dam, that was a good showFresh from another trip to Amsterdam, Will Strauss picks his ‘best in show’ camera innovations from IBC. I know, I know. It’s October and the chances are that you’ve already had your fill of ‘round-ups’, ‘reviews’ and ‘what I saw in Amsterdam’ type articles. But with so much stuff to choose from at the show, hop...

Submitted by Will Strauss#

Published 01 November 2012

LED - A clean light at the end of the tunnel

We asked DoP & Lighting Specialist Jonathan Harrison to evaluate the current state of the industry. Jonathan has long been critical of LED products and the claims made by manufacturers in regards to their performance for high quality professional image capture, he has also been intimately involved in the development of some of the leading industry...

Submitted by Bob Pank#

Published 01 March 2012