KitPlus | Articles

Key Grip Woolf Secures the Gear for GUILLERMO DEL TOROS P...

Jonathan Woolf has gathered a wealth of trade secrets from half a century working in the motion picture industry. His recent chapters have led him to key grip the miniatures unit on Peter Jackson’s Lord of the Rings Trilogy and act as a lighting technician on the 2022 Guillermo Del Toro’s Pinocchio. Woolf’s big job on Pinocchio was to find reliable...

Submitted by Kathryn Ferentchak

Published 08 September 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...

Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna

Published 27 June 2023

Avid and Rohde & Schwarz

As the pioneer of non-linear editing for broadcast, Avid retains its position as a popular choice. For many production companies, post houses and individual editors, its familiarity and functionality also make it a natural choice. Challenges begin, however, when leaving such a homogeneous ecosystem and scaling to serve a variety of different produc...

Submitted by Ciaran Doran

Published 15 October 2021

HOLLYLAND LARK 150 Review

HOLLYLAND Lark 150 reviewThe exponential growth of video supercharged a technological revolution that began in the early noughties with the advent of DSLR cameras. The cinematic-style shallow depth of field image video quality from DSLRs was a revelation, but, back then audio was the big drawback. As demand has grown so the technology has improve...

Submitted by Phil Vinter

Published 05 February 2021

Connect A Broadcast-Quality Miniature Camera To Your Comp...

Upgrade any home working or live streaming setup with a broadcast-quality professional webcam. CV503-U3 benefits from a simple plug & play setup, with a single USB 3.0 cable connecting the camera to any computer. Thumbscrew locks on the camera’s USB connector reduces the risk of signal loss due to a loose connection. Any Mac, PC or Linux computer w...

Submitted by Spencer Doran

Published 28 September 2020

The Importance of Audio Production Systems

Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles

Published 26 March 2020

State of the Nation - The chances of anything coming from...

Among the autumn dramas the old-fashioned broadcasters have offered us this year was a new adaptation of the HG Wells classic The War of the Worlds. Writer Peter Harness stayed pretty faithful to the book, retaining its setting of leafy Surrey and focusing on the human stories. But any mention of The War of the Worlds inevitably brings up the CBS R...

Submitted by Dick Hobbs - new

Published 27 January 2020

Gearing up for The Americas with Simon Reeve

For several years, it has been my honour to collaborate as director of photography with Simon Reeve, the well-known British author, adventurer, and TV presenter. Our latest partnership, the popular BBC Two program “The Americas With Simon Reeve,” is our most ambitious project yet, tracing Simon’s journey from the top to the toe of two continents. S...

Submitted by Jonathan Joung

Published 27 January 2020

New Year, New Decade, New Rig

Some time ago I was fortunate enough to take part in a track day at Oulton Park, driving a souped up BMW M4. It was completely insane. Literally the most powerful car I’ve ever driven. From 0-60 in 4 seconds or something like that. I’m not Jeremy Clarkson so I can’t remember the exact figure. Anyway it was a really great experience, and something I...

Submitted by Alex Macleod

Published 27 January 2020

MEDIAPRO leads across the audiovisual value chain

MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative services, our portfolio includes everything from content production, to post production, to media and digital asset management, to the acquisition of sports TV rights, and the distribution and broadcast of television...

Submitted by Marc Andreu Valls

Published 14 November 2019

Creating A Signature Look With Lighting

As an LA-based DP, I view my role as a narrative storyteller. For me, cinematography is not just about getting some nice images – it’s about telling truths. I love being able to weave a story with imagery and capture something that’s real, whether through performance or visual symbolism. Lighting is one of my most important mechanisms for capturing...

Submitted by William Hellmuth

Published 03 November 2019

IBC 2019 Question Time

The media and entertainment industry is in an exciting period of transformation and innovation, and Signiant is thrilled to be in the midst of it. Nowhere was this energy more apparent than at this year’s IBC conference, where we had the opportunity to speak with a wide range of organizations, vendors, and thought leaders to better understand where...

Submitted by Jon Finegold

Published 03 November 2019

IP Technology for Broadcast Audio Routing Systems

As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existing proven AoIP technologies to the benefit of all?IntroductionBy definition, network infrastructure (switches, routers and cables) is protocol and tec...

Submitted by Tom Knowles

Published 10 September 2019

REVIEW Canon UJ111x8_3B UHD Lens

Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie

Published 10 September 2019

Keeping the Show on the Road

There is long-established saying in the media business that, if something goes wrong, at least nobody dies. It is almost true unless you happen to be a TV producer suffering a cardiac arrest because your primary video feed has gone blank during a high-budget programme. First-line maintenance is usually in the hands of the user. If a device malfunct...

Submitted by Andy McKenzie

Published 10 September 2019