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Sony SXS PRO 8GB

Used SXS PRO 8GB Media Card

Price: £50.00
Location: United Kingdom
Condition: Used
Viewed: 10 times
Date Expires: 17/12/2019
Item ID: 211457

Used SXS PRO 8GB Media Card

Sony SXS PRO 8GB

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Imperial College London and Three Media implement near real time platform optimisation Posted: 12/11/2019
Imperial College London and Three Media implement near real time platform optimisation

Three Media, media specialist and product provider of XEN:Pipeline, today announced the completion of an 18-month project in conjunction with Imperial College London. The goal of the project was to make media supply chain processing more affordable by identifying ways to reduce costs and maximise workflow, process and resource efficiencies.

The project, called Digital Media Data Analytics (DMDA), was initiated and led by Three Media in conjunction with an Imperial College London team headed by Performance Engineering expert Dr Anthony Field. The combined team applied its expert knowledge of data analytics and optimisation techniques to Three Media's XEN:Pipeline development programme.

XEN:Pipeline enables users not only to evaluate and optimise existing workflows and business processes in near real time, but also to model new and changing virtual revenue streams either as stand-alone or alongside the existing. It also provides opportunities to identify, model, and prove new and innovative services and chargeable functions. XEN:Pipeline is a highly configurable, scalable, storage agnostic and performant system that can operate across multiple company and supplier locations and departments, identifying and resolving often-hidden bottlenecks, pinch points and under-utilisation from existing workflows and processes.

Tags: Three Media ,Imperial College London ,XEN:Pipeline ,Digital Media Data Analytics (DMDA) ,media supply chain processing ,workflow ,business process ,simulation modelling ,AI ,ML ,optimisation
Submitted by Page Melia PR
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Visual Data Media Services invests and pound;250k in State-of-the-Art Cinema and Mastering facilities Posted: 14/11/2019
Visual Data Media Services invests and pound;250k in State-of-the-Art Cinema and Mastering facilities

 

Visual Data Media Services, the leading provider of digital supply chain services to global content owners and distributors, has announced the opening of a cutting-edge digital cinema at its leading facility in West London, UK.

The new cinema is fully 4K and Dolby Atmos capable and comprises a 10-seat theatre built around a NEC 4 projector and fed by a Doremi digital cinema server. A Dolby Atmos CP950 sound processor is linked to 28x JBL speakers and 14x 1KW Crown amplifiers.

Of particular interest is the 4-meter-wide acoustically transparent woven fabric screen. This is designed to Dolby and THX standards, and allows users to hear the cinema audio without the distraction of the perforations that are typically required to allow the sound from speakers mounted behind the screen to travel into the auditorium.

“This is the final time that many of our clients will see their film before it is distributed to the cinema network and it’s important that they have no visual distractions and are also assured that they’re reviewing their content in a high-end and fully calibrated environment,” explains David Margolis, Director of Digital Cinema at Visual Data Media Services.

Tags: Visual Data Media Services ,digital supply chain ,global ,digital cinema ,28x JBL speakers ,14x 1KW Crown amplifiers ,4K QC
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DVB Approves DVB-I Specification, an Internet-Centric Solution for Linear Television Services Posted: 13/11/2019
DVB Approves DVB-I Specification, an Internet-Centric Solution for Linear Television Services

DVB, an industry consortium that develops open, interoperable technical specifications for the delivery of digital media and broadcast services, today announced the approval of its DVB-I specification by the DVB Steering Board in Geneva. It has been published as DVB BlueBook A177.

The DVB-I specification aims to ensure that linear television delivered over the internet is as user-friendly and robust as a traditional broadcast television experience. It offers the possibility for linear television services to be delivered to any device with a suitable internet connection and media player, including TV sets, smartphones, tablets and media streaming devices.

"In developing an internet-centric solution for linear television services, we are providing the industry with a crucial missing piece that raises internet-based delivery to the same level in the DVB ecosystem as RF-based content delivery," said DVB Chair Peter MacAvock. "With these building blocks, addressing the discovery of DVB-I services and the delivery of programme metadata, DVB offers broadcasters and operators an exciting new deployment option."

The DVB-I specification defines DVB-I Service Lists, a means for internet-connected devices to find curated sets of linear television services that may be delivered through broadband or broadcast mechanisms. It also defines the methods to retrieve electronic programme data for those services, which can be integrated into a single coherent offering that is accessed through a consistent user interface.

Tags: DVB ,Linear Television Services ,BlueBook A177 ,open technical specifications ,digital media ,broadcast services
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AVer EP65, the ultimate Zoom Rooms conferencing system Posted: 13/11/2019
AVer EP65, the ultimate Zoom Rooms conferencing system

The AVer EP65 is an interactive flat panel featuring Zoom Rooms integration to go along with the latest AVer camera and audio technology, this 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

There’s no need to connect external devices to make a video call, as it comes equipped with a 4K camera with Sony Exmor™ 4K CMOS sensor, 13-element microphone array, and PC module powered by a Windows 10 IoT Intel i7-7700 Processor for true all-in-one capability. The EP65 is a cinch to set up; simply plug in one power cord and enjoy an extremely intuitive user experience in seconds.

Features 4K P-CAP touchscreen with 20 touch points, made of level 7 MoHS toughened glass that is resistant to glare and fingerprints. Users can mount the EP65 on the wall or affix it to a mobile rolling stand to take its powerful features all over the office and create a truly agile workplace.

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PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects Posted: 13/11/2019
PixStor Storage Ensures Jellyfish Pictures Meets A-List Security Requirements For Blockbuster Projects

New PixStor secure multi-tenancy capabilities allow leading VFX and animation house to meet exacting security standards whilst delivering collaborative workflows.

Pixit Media, pioneer of software-defined storage and data-management solutions for Media and Entertainment, is delighted to announce that BAFTA and Emmy award-winning VFX and animation house Jellyfish Pictures is leveraging the power of PixStor’s new secure container services to meet the highest security accreditation standards, whilst supporting collaborative workflows across its multiple sites.

Established in 2001, Jellyfish’s combination of creativity, technological prowess, and reputation for security has established it as a major player in the international VFX and animation industry. Attracting A List clients and with recent blockbuster titles across film and TV including Star Wars, The Innocents, Black Mirror and many more on its slate, it has already worked extensively with the Trusted Partner Network (TPN) to ensure that all its sites are security compliant and certified to protect its clients high-value assets.

A long-term Pixit Media client, Jellyfish relies on PixStor software-defined scalable infrastructure as its central storage platform to unify users, applications and data into a single environment and enable collaboration with guaranteed sustained high-performance - on-premise, across multiple sites and into the Cloud. With content security an increasingly pressing concern and non-negotiable requirement amongst clients such as Netflix and HBO, Jellyfish is now benefiting from PixStor’s new secure multi-tenancy capabilities to isolate client materials in a TPN-compliant manner within the PixStor environment.

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Royal Opera House Prepares for 4K Live Broadcasts with Megahertz Posted: 13/11/2019
Royal Opera House Prepares for 4K Live Broadcasts with Megahertz

Megahertz Ltd., the trusted partner for systems integration with years of experience in delivering cost effective, imaginative designs and solutions for fixed and mobile applications, has completed a UHD/HDR production facility upgrade at one of the most prestigious performance and arts venues in the world; The Royal Opera House (ROH) in London’s Covent Garden.

The ROH has been streaming live ballet and opera performances to cinema audiences around the world since 2008. By making a move to ultra-high definition (UHD), initially for recordings and ultimately for live relays, ROH remains at the forefront of high quality 'live to cinema' performance.

Equipped to meet current high-end production standards and emerging new broadcast standards, the newly fitted £800k Media Suite consists of a full UHD/HDR production gallery and engineering room, which now boasts a tapeless workflow, intelligent network control system, improved recording and playout facilities, 4K monitor wall, state-of-the-art vision mixer, bespoke production desks and enhanced camera talkback system.

Following a rigorous tender process, ROH selected Megahertz to supply the turn-key solution not only to future-proof the facility, but also simplify operations for the varying production crews that use it. Megahertz worked collaboratively with ROH, providing a range of services from consultancy to design, construction/interior design liaison, sourcing of equipment, integration, and installation. Steve Zissler, ROH Sound & Broadcast manager and Peter Byram, Broadcast Consultant canvassed opinions from the freelance broadcast staff, ensuring the design met the users’ requirements.

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LAURA PODOLAK WADDELL JOINS GRAVITY MEDIA TO MANAGE ITS NORTH AMERICAN STRATEGIC PARTNERSHIPS Posted: 11/11/2019
LAURA PODOLAK WADDELL JOINS GRAVITY MEDIA TO MANAGE ITS NORTH AMERICAN STRATEGIC PARTNERSHIPS

 

Gravity Media, the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors, has appointed former Pac-12 Networks Sr. Director, Content Production Laura Podolak Waddell as its new Director, Strategic Partnership Management for North America. Laura joins the team to enhance brand relationships with a focus on an ongoing studio operations project that Gravity Media is overseeing for a major media and technology brand.

After nearly a decade of local news production for radio stations in Colorado and California, Laura became part of Pac-12 Networks’ launch team in 2012. The considerable amount of broadcasting experience she gained during her time there has led her to join Gravity Media where she will bring teams across the country closer together to streamline production processes and improve content output for clients. As Laura emphasises, the role comprises everything that fascinates her about production; “compelling content, a fast-paced environment and all the unique personalities of content creators.”

Laura’s past seven years at Pac-12 Networks were focused on relationship building, enhancing communication across content teams and implementing production best practices. The biggest challenge she’s seen in the broadcasting industry over that time was engaging a young audience, finding out where the younger viewers are consuming content and what sports they’re most interested in watching to entice the next generation of fans. “Nobody can predict exactly where media consumption is going, but what we do know, is that people want to watch engaging content,” she notes.

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disguise gx range powers video intensive MTV 2019 VMA show Posted: 11/11/2019
disguise gx range powers video intensive MTV 2019 VMA and rsquo;s show

In August 2019, MTV hosted its 36th Annual Video Music Awards at the Prudential Center in Newark, USA. The awards saw performances from some of the biggest names in the modern music including Taylor Swift, Shawn Mendes, Missy Elliot, and Miley Cyrus to name but a few. Broadcast globally, the show saw an audience of over 1.5million tune in to watch the show.

The show featured an eye-popping array of video elements throughout the show with used during performances and for stage design and text listings of performers and presenters. Entertainment design firm Visual Noise Creative LLC deployed ten disguise gx 2 media servers to facilitate the video intensive environment.

Jesse Ignjatovic, Co-Founder of the live entertainment production company Den of Thieves, executive produced this year’s show and helped spearhead the use of impressive visuals for the VMAs.

“MTV and Viacom continues to push the limits on television production year over year, and for us that means new scenery with massive amounts of integrated video,” says Trevor Burk, Creative Director and Screens Producer at Visual Noise Creative. “The set that Julio Himede designed this year was no exception and was almost entirely made of video. We needed a platform that enabled us to be creative, flexible and fast enough to get this monster of a show on its feet in a short amount of time.”

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PIX and CODEX Brands to unite under X2X Media Group Posted: 08/11/2019
PIX and CODEX Brands to unite under X2X Media Group

PIX and CODEX have announced that the two companies are to be brought under a single unified brand identity with the establishment of the X2X Media Group. This brand consolidation will further strengthen the Group’s offerings to the entertainment industry, leveraging the two companies’ reputation for pioneering innovation and engineering strengths under a single umbrella while maintaining their strong identities and their independent routes to market.


Tags: PIX ,CODEX ,X2X Media Group ,Entertainment Industry ,Marc Dando
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StreamGear Fuses Smartphone and Dedicated Cameras into New Live Video Production Paradigm with VidiMo Posted: 07/11/2019
StreamGear Fuses Smartphone and Dedicated Cameras into New Live Video Production Paradigm with VidiMo

Video content creators ranging from professionals to social media enthusiasts can soon have a better way to share their vision with their audience through high-quality live productions. Streaming solutions startup StreamGear Inc. will come out of stealth mode at tomorrow's StreamGeeks Summit conference in New York City by launching VidiMo, a new hardware-and-app combination that turns a smartphone and external video source into a full-fledged, virtual video production and transmission facility.

Providing an easier way to create and share engaging live video content, the VidiMo system enables a single person with a smartphone and a video camera to produce multi-source, television-style shows that can be streamed live, recorded or both. While smartphone camera quality has improved over the years, it's still no match for the rich creative functionality -- such as optical zoom, tactile focus, iris control and depth of field -- of a dedicated video or DSLR camera. VidiMo lets users have the best of both worlds, bringing an HDMI video source into their smartphone and combining it with the phone's camera and other sources.

VidiMo -- the Video director on Mobile -- enables anyone to become a social media video star or citizen journalist. In its simplest use, VidiMo lets users capture an external HDMI video source into their iOS or Android smartphone and stream it. But VidiMo's extensive, advanced features and fast, intuitive interface also enable producers to create visually-compelling, professional-looking live shows in real time without needing to edit and upload them later.

The VidiMo system consists of the VidiMo Go hardware and VidiMo App software for iOS and Android smartphones. VidiMo Go's innovative physical design forms a complete handheld production solution, acting as a capture device; attaching any size of smartphone to a professional or sports/action camera; and allowing flexible positioning of the phone for easy interaction with the app. VidiMo Go captures live HDMI and analog audio signals into the smartphone, and is powered by an interchangeable, rechargeable battery. The VidiMo Go hardware's unique combination of functionality and ergonomics led to it being selected as a finalist in the 2019 International Design Excellence Awards (IDEA) by the Industrial Designers Society of America.

Tags: live ,production ,streaming ,capture ,video capture ,switcher ,smartphone ,social media ,journalist ,reporter ,AV ,VidiMo ,StreamGear
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