Back to previous page
Search for similar:  Manufacturer OR Model
Canon CN7X17 KAS S E1 - Image #1
Canon CN7X17 KAS S E1 - Image #2

Canon CN7X17 KAS S E1

Canon CN7X17 KAS S E1

Price: £16,500.00
Location: United Kingdom
Condition: New
Viewed: 69 times
Date Expires: 26/03/2019
Item ID: 197048

Canon CN7X17 KAS S E1

Canon CN7X17 KAS S E1

The CN7x17 KAS S E1 offers stunning 4K optical performance, 7x magnification with a 17mm-120mm focal length. Featuring a servo drive unit, it’s ideal for shooting scenarios where mobility is key.

High performance, highly versatile
Using our rich heritage of optical expertise, Canon has created a lens offering outstanding quality -from image centre to image edge. The CN7x17 KAS S E1/P1 supports 4K resolution and incorporates an 11-blade diaphragm to deliver softer, more attractive out of focus areas.

Thanks to an impressive 7x zoom, with focal length spanning 17mm to 120 mm, and maximum T-number of T2.95, the CN7x17 KAS S E1/P1 may be the only lens you need. A 3-group inner focus system developed for Canon lenses reduces focus breathing to an absolute minimum. It is both weatherproof and shockproof – durable enough for every shooting environment.

Designed for broadcast shooting styles
The CN7x17 KAS S E1/P1 employs a servo drive unit, enabling use in broadcast-style shooting environments where cine lenses are impractical. Compact and lightweight, it offers comfortable on-the-shoulder shooting with the familiar feel of a typical TV zoom lens. Focus ring rotation is 180°, balancing the accuracy required for 4K imaging with the speed needed for broadcast use. High resolution encoders mean that actions are precisely repeatable, whilst fast start-up and high-speed operation ensure you never miss a moment. For tripod-based set-ups, existing Canon demand units can be used to control zoom, focus and iris. Virtual studio use is also supported thanks to a sophisticated 16-bit encoder output.

Perfect movie shoots
This lens is also ideal for movie shooting. With the drive unit removed, it can be operated like a traditional cine lens. Industry-standard accessories such as follow focus units are easily attached - 0.8 and 0.5 pitch gears are incorporated into the focus ring. Re-installation of the drive unit is simple. No adjustment of gear positions is required, enabling a fluid, versatile shooting style previously unavailable with large sensor cameras. All Cinema EOS lenses are colour-matched, ensuring easy integration with other Canon cine lenses.

Camera/Lens communication
The CN7x17 KAS S E1/P1 supports multiple lens communication methods for added versatility. Canon’s EF-mount supports lens metadata and other functions such as Peripheral Illumination Correction. A 12-pin serial connection provides an interface found in broadcast environments. Cooke /i Technology is supported in the PL-mount variant, allowing capture of lens data by cameras often used in movie shooting environments.
 


Share:

Advertiser's Terms And Conditions

See Terms And Conditions

Similar products
Canon CN7X17 KAS S P1 Canon CN7X17 KAS S P1
Canon CN-E 18-80mm T4.4 L IS KAS S Canon CN-E 18-80mm T4.4 L IS KAS S
Canon CN7x17 KAS Canon CN7x17 KAS
Canon CN20x50 IAS H E1/P1 Canon CN20x50 IAS H E1/P1
Sony BVM-E171 Sony BVM-E171
Canon CN-E14.5-60mm T2.6L S/L SP Canon CN-E14.5-60mm T2.6L S/L SP
JVC DT-E15L4 JVC DT-E15L4

More products from this seller
Canon CJ12EX4.3B IASE
Canon CJ12EX4.3B IASE
Fujinon A18x8.5BERM-24D
Fujinon A18x8.5BERM-24D
Canon WA-U58
Canon WA-U58
Canon XF200
Canon XF200
Sony BC-L100/120
Sony BC-L100/120
Blackmagic Design URSA Mini Shoulder Kit
Blackmagic Design URSA Mini Shoulder Kit
Blackmagic Design URSA Studio Viewfinder
Blackmagic Design URSA Studio Viewfinder
EVS XHub3
EVS XHub3
IDK MSD-7203UHDTB
IDK MSD-7203UHDTB
Canon XJ72x9.3ESM
Canon XJ72x9.3ESM
Canon EF 70-200mm f/4L USM
Canon EF 70-200mm f/4L USM
Canon 76:1 Lens
Canon 76:1 Lens
See More Kit

Featured items for sale
contact for details
contact for details
Demo as New! Only 11980€
Demo as New! Only 11980€

Related Videos, Shows and Reviews
  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Day 1 of BroadcastShow at IBC

    Day 1 of BroadcastShow at IBC


This News may interest You
Canon launches flagship full frame Cinema EOS camera Posted: 02/04/2018
Canon launches flagship full frame Cinema EOS camera
Canon has released its flagship full frame Cinema EOS camera, the C700 FF. Thanks to a newly developed, next generation Canon full frame 38.1 mm x 20.1mm CMOS sensor, the camera is capable of recording up to 5.9K, delivering ultimate creative freedom and quality. The EOS C700 FF also supports multi-format recording, shooting with EF, PL and anamorphic lenses. When using EF lenses, the C700 FF supports Canon’s innovative autofocus (AF) system, Dual Pixel CMOS AF, which is ideal for full frame format shooting.
Tags: Canon ,4K ,EOS ,EOS Cinema Camera ,C700 ,C700 FF ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
Canon extends reference display line-up with the 12G-SDI capable DP-V2421, DP-V1711 and firmware updates for improved 4K HDR workflow Posted: 02/04/2018
Canon extends reference display line-up with the 12G-SDI capable DP-V2421, DP-V1711 and firmware updates for improved 4K HDR workflow
Canon today expands its industry-leading range of 4K reference monitors with the launch of two 12G-SDI capable models (DP-V2421 and DP-V1711) and an extensive firmware update to enhance HDR monitoring features, streamline workflows and improve collaboration with third party manufacturers. Additionally, a chargeable firmware upgrade will be provided to increase luminance of 17-inch displays DP-V1711 and DP-V1710.
Tags: Canon ,ref display ,reference display ,DP-V2421 ,DP-V1711 ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
Canon launches the CN-E20mm T1.5 L F, a large format super-fast cine prime lens with EF mount to deliver outstanding 4K footage Posted: 02/04/2018
Canon launches the CN-E20mm T1.5 L F, a large format super-fast cine prime lens with EF mount to deliver outstanding 4K footage

Canon has announced the launch of the CN-E20mm T1.5 L F, a wide-angle lens perfect for high-quality cinematic productions. Offering outstanding optical capability and superior lens build, the CN-E20mm T1.5 L F enables the straightforward capture of stunning 4K images and enhances the current cine prime lens range.

Tags: Canon ,4K ,UHD ,Lens ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
Canon strengthens 2 3 and rdquo; broadcast lens range with four new high-quality 4K models Posted: 02/04/2018
Canon strengthens 2 3 and rdquo; broadcast lens range with four new high-quality 4K models
Canon today announces the release of a medium, telephoto field box lens, the UJ66x9B, and three ENG/EFP broadcast lenses - the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. Launched under a completely new lens category, UHDgc, the models feature smooth operability, while maintaining high lens build standards.
Tags: Canon ,4K ,UHD ,Lens ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
IMPRESSIVE NEW PRODUCTS FROM AATON-TRANSVIDEO AT NAB SHOW 2018 Posted: 29/03/2018
IMPRESSIVE NEW PRODUCTS FROM AATON-TRANSVIDEO AT NAB SHOW 2018

New products from Aaton-digital and Transvideo will be exhibited on their partners’ booths at the show:

On the ARRI booth the Transvideo StarliteHD2 monitor-recorder will be on demo with its new firmware upgrade giving increased resolution and reduced latency, enhancing its many capabilities further and making it also an excellent choice now for focus pulling. The upgrade will be available for all existing StarliteHD worldwide for a cost of 145 Euros. (ARRI booth C7925)

Tags: Aaton ,Aaton-Digital ,Transvideo ,Aaton-Transvideo ,Cantar ,StarliteHD-e ,CantarMini ,CantarX3 ,location sound recorder ,16 track multitack recorder ,24 track multitrack recorder ,ARRI ,Cooke ,Zeiss ,Sennheiser ,AMBEO ,Canon ,NAB ,StraliteHD-Canon ,CineMonitorHD8-XSBLTiff ,NAB 2018 ,NAB 2018
Submitted by Mel Noonan, StylusMC
More from this author
ES Broadcast Hire captures more Canon UHD field lenses to meet demand for 4K sports coverage Posted: 08/02/2018
ES Broadcast Hire captures more Canon UHD field lenses to meet demand for 4K sports coverage

ES Broadcast Hire, which is home to one of Europe’s largest 4K rental fleets, has taken delivery of another wave of new UHD lenses from Canon UK. The 20 Canon CJ12ex4.3B IRSE S/IASE S lenses, 10 Canon UHD DIGISUPER 90 (UJ90X9B) lenses and 20 CJ20ex7.8B lenses ES Broadcast Hire has purchased will boost its already extensive inventory of Canon kit.

Tags: Canon ,ES Broadcast ,ES Broadcast Hire
Submitted by Red
More from this author
Presteigne Broadcast Hire invests more than and 2M GBP in 4K Posted: 27/03/2017
Presteigne Broadcast Hire invests more than and pound;2M in 4K
Presteigne Broadcast Hire today announced that is has taken delivery of more than £2M in new broadcast technology from Sony, Canon, Blackmagic, Vinten and others to further strengthen its dry hire stock inventories with the latest technologies.
Tags: Presteigne Broadcast Hire ,Presteigne ,new kit ,Sony ,Canon ,Blackmagic ,Vinten ,Sony HDC-4300 ,Canon 4K studio ,field ,ENG ,telephoto lenses ,4k lenses ,HD camera
Submitted by Manor Marketing
More from this author
Codex delivers recording and workflow for new Canon Cinema EOS C700 camera Posted: 01/09/2016
Codex delivers recording and workflow for new Canon Cinema EOS C700 camera

When it came to developing the RAW recording and workflow system for the next evolution in its digital cinematography product line, Canon once again turned to Codex (www.codex.online). This exciting new stage in the on-going partnership between Canon and Codex has seen the companies engineering teams work closely together to create a high-performance, integrated solution for the brand new Cinema EOS C700 camera.

Tags: Codex ,Canon ,EOS C700 ,workflow ,recorder ,4K ,IBC 2016 ,IBC 2016
Submitted by
More from this author
TLS Announces Re-Engineering of Canon K35 Lenses Posted: 07/06/2016
TLS Announces Re-Engineering of Canon K35 Lenses

True Lens Services (TLS) (www.truelens.co.uk) is pleased to announce the latest development in its re-housing project of the Canon K35 lens series.

Tags: canon ,K35 ,lenses ,regineering ,True Lens Services ,rehousing ,servicing ,housing ,TLS
Submitted by Procam
More from this author
Adorama Headlines NAB 2016 with the Latest Broadcast and Video Equipment from Arri, Canon, Panasonic, Sony, and More Posted: 23/03/2016
Adorama Headlines NAB 2016 with the Latest Broadcast and Video Equipment from Arri, Canon, Panasonic, Sony, and More

Adorama, Sweepstakes prizes include*:

  •        Monday, 5pm: Sony Alpha a7S II Mirrorless Digital Camera (a $2,998 value)
  •        Tuesday, 5pm: DJI Phantom 4 Quadcopter (a $1,399 value)
  •        Wednesday, 5pm: Canon XC10 Ultra High Definition 4K Professional Camcorder (a $1,999 value)
Tags: adorama ,nab ,nab show ,nab 2016 ,video ,broadcast ,tools ,arri ,canon ,panasonic ,sony ,camera ,lens ,tripod ,monitor ,drone ,lighting ,audio ,NAB 2016
Submitted by Zazil Media Group
More from this author
All news

These Articles may interest You
NAB is all about people
John Smith -new The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge.
Tags: iss130 ,media links ,nab ,mdp 3020 ,md8000
Submitted by John Smith -new Read this article in the tv-bay digital magazine
VR and the importance of tracking
KitPlus I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The technology used for this work is entirely different, though equally specialist – therefore it is important to understand the challenges of this kind of production in order to make informed kit choices.
Tags: iss130 ,shotoku ,vr ,live production
Submitted by KitPlus Read this article in the tv-bay digital magazine
Interview with Peter Rowsell, Polar Graphics
Polar If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years.
Tags: iss130 ,polar graphics ,apantac ,bluefish ,cinedeck ,focalpoint ,mediaproxy ,stardom ,storagedna
Submitted by Polar Read this article in the tv-bay digital magazine
Out of the box: Sennheiser Ambeo VR microphone
Jon Pratchett 2 The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the masses to put out reasonable quality, certainly watchable, 360 video.
Tags: iss130 ,vr ,virtual reality ,audio ,ambiosonic
Submitted by Jon Pratchett 2 Read this article in the tv-bay digital magazine
Transforming asset management and monetization
Chad Hamilton FremantleMedia is one of the largest global television-production companies in the world — with one of the biggest and most valuable catalogs. We operate in 36 markets, creating, producing, and distributing content across traditional TV and digital platforms at a rate of more than 10,000 hours of programming per year.
Tags: iss130 ,freemantlemedia ,core ,wazee
Submitted by Chad Hamilton Read this article in the tv-bay digital magazine
Grand slam IPTV and digital signage platform
Joe Walsh Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the stadium, hosting more than 2.7 million fans during its 2015 winning season.
Tags: iss130 ,iptv ,vitec ,eztv
Submitted by Joe Walsh Read this article in the tv-bay digital magazine
Tried and tested: DPA d:vice
KitPlus KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same time as the Olloclip came out we were testing the Fostex AR4i which was a very exciting development at the time. You have a portable device, that you carry everywhere with you, connected to the world but with very limited audio capabilities. A stereo interface with decent microphones was a real boon!
Tags: iss130 ,dpa ,dvice ,iphone ,journalist mic ,filmic ,ios ,microdot
Submitted by KitPlus Read this article in the tv-bay digital magazine
Meet the experts: Six steps for award winning sound design
Chris Turner Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the stadium, hosting more than 2.7 million fans during its 2015 winning season.
Tags: iss130 ,jungle studios ,fairlight ,blackmagic design ,davinci
Submitted by Chris Turner Read this article in the tv-bay digital magazine
Why OTT needs multicast ABR
Damien Lucas Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay.
Tags: iss130 ,ott ,abr ,adaptive bit rate ,cdn ,dsl ,lte
Submitted by Damien Lucas Read this article in the tv-bay digital magazine
TV Futures, Tales on Location
Georgia Thirtle If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the production company behind the upcoming Tomb Raider film, I mean, what!?
Tags: iss130 ,portsmouth university ,tomb raider ,cci tv ,ccitv
Submitted by Georgia Thirtle Read this article in the tv-bay digital magazine
All articles