Back to previous page
Search for similar:  Manufacturer OR Model
Canon EF-S 18-55mm f/3.5-5.6 IS II - Image #1
Canon EF-S 18-55mm f/3.5-5.6 IS II - Image #2
Canon EF-S 18-55mm f/3.5-5.6 IS II - Image #3

Canon EF-S 18-55mm f/3.5-5.6 IS II

Canon EF-S 18-55mm f/3.5-5.6 IS II
Price: £155.00
Location: United Kingdom
Condition: New
Viewed: 49 times
Date Expires: 23/03/2019
Item ID: 196986

Canon EF-S 18-55mm f/3.5-5.6 IS II

Canon EF-S 18-55mm f/3.5-5.6 IS II

Compact, lightweight, and versatile, the EF-S 18-55mm f/3.5-5.6 IS II from Canon is a standard zoom offering a 28.8-88mm equivalent focal length range. One aspherical element is featured in the lens design and helps to control spherical aberrations and distortion throughout the zoom range for consistent sharpness and clarity. A Super Spectra coating has also been applied to individual elements to control flare and ghosting for increased contrast and color accuracy in all lighting conditions. Complementing the imaging capabilities is a four-stop-effective Image Stabilizer system that minimizes the appearance of camera shake for sharper handheld shooting. Additionally, a Micro Motor autofocus system delivers quick focusing performance and a minimum focusing distance of 9.8" is available at all focal lengths for close-up shooting.

Affordable, high-quality zoom
The EF-S 18-55mm f/3.5-5.6 IS II is a high-quality, standard zoom lens that will appeal to photographers who prefer to travel light. With a focal length equivalent of 29-88mm in 35mm format, the lens’ wide zoom range is suitable for most general photography. For close-up work, the working distance is just 0.25m (25cm) throughout the zoom range.

Image Stabilizer
To minimise risk of image blur, the EF-S 18-55mm f/3.5-5.6 IS II incorporates Canon’s four-stop Image Stabilizer technology. This allows photographers to use shutter speeds up to four times slower than normal with no perceptible increase in image blur - ideal for shooting in low light.

Aspherical lens element with Super Spectra coating
As well as ensuring true colour balance and sharp, high contrast images, Super Spectra coatings combat ghosting and flare by absorbing light reflecting off digital camera sensors or internal lens elements. An aspherical lens element delivers crisp, high contrast images - even with the aperture fully open.

Circular aperture
For shots taken at wide apertures, a circular aperture diaphragm gives a smooth, even blur to your background, helping to emphasise foreground subjects and remove distractions.

Lead-free glass
Only environmentally-friendly, lead-free glass is used in the construction of the EF-S 18-55mm f/3.5-5.6 IS II.

Accessories
The EF-S 18-55mm f/3.5-5.6 IS II is supplied with a lens cap and dust cap. A lens hood (EW-60C) and lens soft case (LP814) are available as optional accessories.
Share:

Advertiser's Terms And Conditions

See Terms And Conditions
Similar products
Canon EF-S 18-55mm f/4-5.6 IS STM Canon EF-S 18-55mm f/4-5.6 IS STM
Canon EF-S 18-55mm f/3.5-5.6 IS STM Canon EF-S 18-55mm f/3.5-5.6 IS STM
Canon EF-S 55-250mm f/4-5.6 IS STM Canon EF-S 55-250mm f/4-5.6 IS STM
Canon EF 85mm f/1.4 L IS USM Canon EF 85mm f/1.4 L IS USM
Canon EF 24-105mm f/3.5-5.6 IS STM Canon EF 24-105mm f/3.5-5.6 IS STM
Canon EF 24-70mm f/4L IS USM Canon EF 24-70mm f/4L IS USM
Canon EF 24mm f/2.8 IS USM Canon EF 24mm f/2.8 IS USM
More products from this seller
Canon CJ12EX4.3B IASE
Canon CJ12EX4.3B IASE 		Fujinon A18x8.5BERM-24D
Fujinon A18x8.5BERM-24D 		Canon WA-U58
Canon WA-U58 		Canon XF200
Canon XF200 		Sony BC-L100/120
Sony BC-L100/120 		Blackmagic Design URSA Mini Shoulder Kit
Blackmagic Design URSA Mini Shoulder Kit
Blackmagic Design URSA Studio Viewfinder
Blackmagic Design URSA Studio Viewfinder 		EVS XHub3
EVS XHub3 		IDK MSD-7203UHDTB
IDK MSD-7203UHDTB 		Canon XJ72x9.3ESM
Canon XJ72x9.3ESM 		Canon EF 70-200mm f/4L USM
Canon EF 70-200mm f/4L USM 		Canon 76:1 Lens
Canon 76:1 Lens
See More Kit
Featured items for sale
Demo as New! Only 11980€
Demo as New! Only 11980€ 		contact for details
contact for details
Related Videos, Shows and Reviews
  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Day 1 of BroadcastShow at IBC

    Day 1 of BroadcastShow at IBC

This News may interest You
Sony unleashes refined creativity with the new FS5 II Posted: 09/04/2018
Sony unleashes refined creativity with the new FS5 II

Sony has today expanded its Large Format Sensor category with the launch of the new XDCAM handheld camcorder FS5 II (Body: PXW-FS5M2, Lens Kit: PXW-FS5M2K). Complete with stunning 4K*¹ HDR and 120fps*² performance and RAW capabilities, the new Super 35 mm camcorder marries outstanding image quality with an ergonomic modular frame, offering content creators ultimate creative flexibility.
Tags: Sony ,NAB ,FS5 ,FS5 II ,Sensor ,camera ,camcorder ,HDR ,NAB 2018 ,NAB 2018
Submitted by Sony Professional Europe
More from this author
Canon extends reference display line-up with the 12G-SDI capable DP-V2421, DP-V1711 and firmware updates for improved 4K HDR workflow Posted: 02/04/2018
Canon extends reference display line-up with the 12G-SDI capable DP-V2421, DP-V1711 and firmware updates for improved 4K HDR workflow
Canon today expands its industry-leading range of 4K reference monitors with the launch of two 12G-SDI capable models (DP-V2421 and DP-V1711) and an extensive firmware update to enhance HDR monitoring features, streamline workflows and improve collaboration with third party manufacturers. Additionally, a chargeable firmware upgrade will be provided to increase luminance of 17-inch displays DP-V1711 and DP-V1710.
Tags: Canon ,ref display ,reference display ,DP-V2421 ,DP-V1711 ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
Canon launches the CN-E20mm T1.5 L F, a large format super-fast cine prime lens with EF mount to deliver outstanding 4K footage Posted: 02/04/2018
Canon launches the CN-E20mm T1.5 L F, a large format super-fast cine prime lens with EF mount to deliver outstanding 4K footage

Canon has announced the launch of the CN-E20mm T1.5 L F, a wide-angle lens perfect for high-quality cinematic productions. Offering outstanding optical capability and superior lens build, the CN-E20mm T1.5 L F enables the straightforward capture of stunning 4K images and enhances the current cine prime lens range.
Tags: Canon ,4K ,UHD ,Lens ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
Canon strengthens 2 3 and rdquo; broadcast lens range with four new high-quality 4K models Posted: 02/04/2018
Canon strengthens 2 3 and rdquo; broadcast lens range with four new high-quality 4K models
Canon today announces the release of a medium, telephoto field box lens, the UJ66x9B, and three ENG/EFP broadcast lenses - the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. Launched under a completely new lens category, UHDgc, the models feature smooth operability, while maintaining high lens build standards.
Tags: Canon ,4K ,UHD ,Lens ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
Canon launches flagship full frame Cinema EOS camera Posted: 02/04/2018
Canon launches flagship full frame Cinema EOS camera
Canon has released its flagship full frame Cinema EOS camera, the C700 FF. Thanks to a newly developed, next generation Canon full frame 38.1 mm x 20.1mm CMOS sensor, the camera is capable of recording up to 5.9K, delivering ultimate creative freedom and quality. The EOS C700 FF also supports multi-format recording, shooting with EF, PL and anamorphic lenses. When using EF lenses, the C700 FF supports Canon’s innovative autofocus (AF) system, Dual Pixel CMOS AF, which is ideal for full frame format shooting.
Tags: Canon ,4K ,EOS ,EOS Cinema Camera ,C700 ,C700 FF ,NAB 2018 ,NAB 2018
Submitted by Red
More from this author
IMPRESSIVE NEW PRODUCTS FROM AATON-TRANSVIDEO AT NAB SHOW 2018 Posted: 29/03/2018
IMPRESSIVE NEW PRODUCTS FROM AATON-TRANSVIDEO AT NAB SHOW 2018

New products from Aaton-digital and Transvideo will be exhibited on their partners’ booths at the show:

On the ARRI booth the Transvideo StarliteHD2 monitor-recorder will be on demo with its new firmware upgrade giving increased resolution and reduced latency, enhancing its many capabilities further and making it also an excellent choice now for focus pulling. The upgrade will be available for all existing StarliteHD worldwide for a cost of 145 Euros. (ARRI booth C7925)
Tags: Aaton ,Aaton-Digital ,Transvideo ,Aaton-Transvideo ,Cantar ,StarliteHD-e ,CantarMini ,CantarX3 ,location sound recorder ,16 track multitack recorder ,24 track multitrack recorder ,ARRI ,Cooke ,Zeiss ,Sennheiser ,AMBEO ,Canon ,NAB ,StraliteHD-Canon ,CineMonitorHD8-XSBLTiff ,NAB 2018 ,NAB 2018
Submitted by Mel Noonan, StylusMC
More from this author
Elenos to Launch Itelco America and 4K Solutions at 2018 NAB Show Posted: 29/03/2018
Elenos to Launch Itelco America and 4K Solutions at 2018 NAB Show

Following the purchase of United States firm Broadcast Electronics, Elenos Group will officially launch the opening of Itelco America at the 2018 NAB Show, which runs from April 7–12 in Las Vegas. Both BE and Itelco America will be present on booth N6106.
Tags: Elenos ,ItelcoAmerica ,Radio ,Broadcast ,4K ,MEX II ,Exciter ,NAB 2018 ,NAB 2018
Submitted by XPresso Communications
More from this author
Triveni Digital Offers Mobility, Increases Video Analysis Efficiency With New StreamScope Portal II Posted: 28/02/2018
Triveni Digital Offers Mobility, Increases Video Analysis Efficiency With New StreamScope Portal II
Triveni Digital today announced the next generation of its award-winning StreamScope® Portal analyzer product line, the StreamScope Portal II. The StreamScope Portal II simplifies troubleshooting of DTV transport streams through its sleek two-in-one hardware platform design, high-res touch-screen interface, advanced RF spectrum analysis capabilities, rules-based troubleshooting, and ultraportability factor. The StreamScope Portal II can be upgraded with professional ATSC 3.0 analysis capability via StreamScope XM MT software, enabling users to deliver flawless services during the next phase of broadcast television.
Tags: Triveni Digital ,Mobility ,Video Analysis ,StreamScope Portal II ,streamscope
Submitted by 202 Communications
More from this author
ES Broadcast Hire captures more Canon UHD field lenses to meet demand for 4K sports coverage Posted: 08/02/2018
ES Broadcast Hire captures more Canon UHD field lenses to meet demand for 4K sports coverage

ES Broadcast Hire, which is home to one of Europe’s largest 4K rental fleets, has taken delivery of another wave of new UHD lenses from Canon UK. The 20 Canon CJ12ex4.3B IRSE S/IASE S lenses, 10 Canon UHD DIGISUPER 90 (UJ90X9B) lenses and 20 CJ20ex7.8B lenses ES Broadcast Hire has purchased will boost its already extensive inventory of Canon kit.
Tags: Canon ,ES Broadcast ,ES Broadcast Hire
Submitted by Red
More from this author
Germanys RTL II Selects Nevion for Video-over-IP Solution Posted: 12/10/2017
Germanys RTL II Selects Nevion for Video-over-IP Solution
Nevion, award-winning provider of virtualized media production solutions, today announced that German broadcaster RTL II has selected Nevion and partner LOGIC media solutions to deliver a video-over-IP solution for its OTT-playout.
Tags: Nevion ,RTL II
Submitted by
More from this author
All news
These Articles may interest You
VR and the importance of tracking
KitPlus I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The technology used for this work is entirely different, though equally specialist – therefore it is important to understand the challenges of this kind of production in order to make informed kit choices.
Tags: iss130 ,shotoku ,vr ,live production
Submitted by KitPlus Read this article in the tv-bay digital magazine
Grand slam IPTV and digital signage platform
Joe Walsh Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the stadium, hosting more than 2.7 million fans during its 2015 winning season.
Tags: iss130 ,iptv ,vitec ,eztv
Submitted by Joe Walsh Read this article in the tv-bay digital magazine
Interview with Peter Rowsell, Polar Graphics
Polar If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years.
Tags: iss130 ,polar graphics ,apantac ,bluefish ,cinedeck ,focalpoint ,mediaproxy ,stardom ,storagedna
Submitted by Polar Read this article in the tv-bay digital magazine
NAB is all about people
John Smith -new The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge.
Tags: iss130 ,media links ,nab ,mdp 3020 ,md8000
Submitted by John Smith -new Read this article in the tv-bay digital magazine
Tried and tested: DPA d:vice
KitPlus KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same time as the Olloclip came out we were testing the Fostex AR4i which was a very exciting development at the time. You have a portable device, that you carry everywhere with you, connected to the world but with very limited audio capabilities. A stereo interface with decent microphones was a real boon!
Tags: iss130 ,dpa ,dvice ,iphone ,journalist mic ,filmic ,ios ,microdot
Submitted by KitPlus Read this article in the tv-bay digital magazine
Out of the box: Sennheiser Ambeo VR microphone
Jon Pratchett 2 The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the masses to put out reasonable quality, certainly watchable, 360 video.
Tags: iss130 ,vr ,virtual reality ,audio ,ambiosonic
Submitted by Jon Pratchett 2 Read this article in the tv-bay digital magazine
Transforming asset management and monetization
Chad Hamilton FremantleMedia is one of the largest global television-production companies in the world — with one of the biggest and most valuable catalogs. We operate in 36 markets, creating, producing, and distributing content across traditional TV and digital platforms at a rate of more than 10,000 hours of programming per year.
Tags: iss130 ,freemantlemedia ,core ,wazee
Submitted by Chad Hamilton Read this article in the tv-bay digital magazine
Meet the experts: Six steps for award winning sound design
Chris Turner Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the stadium, hosting more than 2.7 million fans during its 2015 winning season.
Tags: iss130 ,jungle studios ,fairlight ,blackmagic design ,davinci
Submitted by Chris Turner Read this article in the tv-bay digital magazine
Why OTT needs multicast ABR
Damien Lucas Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay.
Tags: iss130 ,ott ,abr ,adaptive bit rate ,cdn ,dsl ,lte
Submitted by Damien Lucas Read this article in the tv-bay digital magazine
TV Futures, Tales on Location
Georgia Thirtle If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the production company behind the upcoming Tomb Raider film, I mean, what!?
Tags: iss130 ,portsmouth university ,tomb raider ,cci tv ,ccitv
Submitted by Georgia Thirtle Read this article in the tv-bay digital magazine
All articles
Photon Beard Highlight LED Softlight
4k UHD and beyond with Quantum
Procam Kit Crew and More
The Wireless Keypanel from RTS
URSA Broadcast
PVS Professional Video Store
The New KitPlus APP
Signiant - you have a need for speed
Used Equipment from Visuals
Join True Lens Online
LiveXpert 3D Storm
Second hand video broadcast equipment for sale
Broadcast Equipment Sales
Videobrokers Broadcast Equipment
Broadcast equipment sales
Finepoint Broadcast