Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that it has now established a permanent presence in Paris. By sharing premises with ARRI France, FilmLight is developing a strong hub for creative and technical knowledge and events.

The hub will host the first of FilmLight’s Colour Day workshops in 2020, on 28 January. One of the advantages of sharing the centre with ARRI is that it underlines the seamless workflows from camera to finish, using the BLG format for render-free viewing and creativity. The BLG grading metadata is stored in the ARRIRAW and QuickTime headers, ensuring the content and its look are permanently linked.

The Paris Colour Day on 28 January, aimed at creatives and technicians in production and post production, will see FilmLight’s workflow specialists, Straub and Thomas Eberschveiler unveil new FilmLight tools. Attendees will also hear from guest colourist Stéphane Azouze about his collaboration with directors Anastasia Mikova and Yann Arthus-Bertrand on the recent award-winning documentary ‘Woman’. Finally, colour scientist Florine Bel will share her image expertise and discuss her work developing film aesthetics, colour spaces and conversions.

The shared space has already hosted successful events, including a workshop day for DITs. Led by Straub, with guest speakers from Netflix and from post house Mikros, the group discussed the latest developments in colour space management and workflows. ARRI’s presence allowed the discussion to include ARRI Looks and how they can be incorporated into FilmLight BLG post production. In the demonstration area, they featured an ARRI ALEXA camera feeding Prelight and Daylight software, allowing the delegates to experiment with look development and make comparisons between standard and high dynamic range colour spaces.

Explaining the importance of bringing together creative artists and technicians, FilmLight’s Matthieu Straub said “My background is as a digital image technician, and I know how directors and cinematographers are increasingly relying on DITs to find technical solutions to their demanding creative requirements. “Our intention is to use our demonstration and meeting space here on the Rue René Boulanger to be a place where we can encourage the sharing of knowledge and experiences, to help the French cinema industry achieve ever greater things.”

CVP, one of the UK’s leading production solutions providers, will be providing hands-on experience with some of the latest kit to reach the UK market at this year’s BSC Expo 2020 (Friday 31st January to Saturday 1st February, Battersea Evolution, London).

Featuring a set inspired as a homage to the BSC’s 70th anniversary, the showcase at BSC Expo will allow customers to compare like-for-like options and to get hands-on with the equipment they are interested in — along with all the necessary accessories — to find out how their creative desires can be best fulfilled.

When the original two mini-series of Top Boy ended on the UK’s Channel 4 in 2013, few people thought the critically-acclaimed drama about two London street gangs would ever come back.

Transvideo will be exhibiting at the forthcoming Cine Gear Expo at The Studios at Paramount, Los Angeles, exhibition May 31st – June 1st.

Transvideo has built a reputation in the movie industry, and in broadcasting, for producing highly regarded, highly accurate and highly reliable monitor products, giving you the benefit of seeing exactly what the camera and optics are producing.

SmallHD introduces Cine 7, a family of 7-inch full HD touchscreen on-camera monitors with cinema camera control and built-in Teradek wireless video technology.

Munich battery manufacturer bebob and ARRI have cooperated in order to meet the increasing power consumption of modern cameras and lighting with a sustainable solution. In close consultation with ARRI, the bebob engineers developed the B- Mount – a new battery mount system that fulfills the power demands of today’s equipment while providing maximum flexibility at the same time. ARRI will be using the B-Mount for all its future cameras.

DTC Broadcast will feature its latest high-end AEON transmitters and receivers at CABSAT 2019 in Dubai from 12–14 March, partnering with GloCom on Stand C4-20 and Cinecom on Stand B4-21.