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ARRI K2.0003684 - Image #1

ARRI K2.0003684

ARRI K2.0003684

Price: £460.00
Location: United Kingdom
Condition: New
Viewed: 474 times
Date Expires: 27/01/2021
Item ID: 210843

ARRI K2.0003684

ARRI K2.0003684

Currently in stock, ARRI K2.0003684 Adapter Plate for Sony PXW-FS7.


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FilmLight teams up with ARRI in Paris creative community Posted: 24/01/2020
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Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that it has now established a permanent presence in Paris. By sharing premises with ARRI France, FilmLight is developing a strong hub for creative and technical knowledge and events.

The hub will host the first of FilmLight’s Colour Day workshops in 2020, on 28 January. One of the advantages of sharing the centre with ARRI is that it underlines the seamless workflows from camera to finish, using the BLG format for render-free viewing and creativity. The BLG grading metadata is stored in the ARRIRAW and QuickTime headers, ensuring the content and its look are permanently linked.

The Paris Colour Day on 28 January, aimed at creatives and technicians in production and post production, will see FilmLight’s workflow specialists, Straub and Thomas Eberschveiler unveil new FilmLight tools. Attendees will also hear from guest colourist Stéphane Azouze about his collaboration with directors Anastasia Mikova and Yann Arthus-Bertrand on the recent award-winning documentary ‘Woman’. Finally, colour scientist Florine Bel will share her image expertise and discuss her work developing film aesthetics, colour spaces and conversions.

The shared space has already hosted successful events, including a workshop day for DITs. Led by Straub, with guest speakers from Netflix and from post house Mikros, the group discussed the latest developments in colour space management and workflows. ARRI’s presence allowed the discussion to include ARRI Looks and how they can be incorporated into FilmLight BLG post production. In the demonstration area, they featured an ARRI ALEXA camera feeding Prelight and Daylight software, allowing the delegates to experiment with look development and make comparisons between standard and high dynamic range colour spaces.

Explaining the importance of bringing together creative artists and technicians, FilmLight’s Matthieu Straub said “My background is as a digital image technician, and I know how directors and cinematographers are increasingly relying on DITs to find technical solutions to their demanding creative requirements. “Our intention is to use our demonstration and meeting space here on the Rue René Boulanger to be a place where we can encourage the sharing of knowledge and experiences, to help the French cinema industry achieve ever greater things.”

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bebob and ARRI present new 24V Battery Mount World debut at NAB Show in Las Vegas: bebob and ARRI present cameras and batteries with new B-Mount battery interface Posted: 05/04/2019
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Munich battery manufacturer bebob and ARRI have cooperated in order to meet the increasing power consumption of modern cameras and lighting with a sustainable solution. In close consultation with ARRI, the bebob engineers developed the B- Mount – a new battery mount system that fulfills the power demands of today’s equipment while providing maximum flexibility at the same time. ARRI will be using the B-Mount for all its future cameras.

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Symply, a Global Distribution brand today announced the availability of SymplyULTRA configurations designed for on-set use with the ALEXA 65 and available exclusively through ARRI Rental. The new SymplyULTRA configurations deliver enterprise class five 9’s reliability and ultra-fast storage performance in a compact all in one 2U workflow storage and collaboration product that is perfect for high-resolution on-set and post production workflow and is optimized to work with ARRI ALEXA 65 cameras. The company’s unique StorNext® 6 based software defined virtualized, scale-out storage platform provides the configuration flexibility and performance to satisfy the needs of rich media workgroups and collaborative teams, especially those working with 4K and higher resolution.
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