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Blackmagic Design URSA Mini 4.6K EF

Blackmagic Design URSA Mini 4.6K EF

Price: POA
Location: United Kingdom
Condition: New
Viewed: 495 times
Date Expires: 28/03/2021
Item ID: 196028

Blackmagic Design URSA Mini 4.6K EF

Blackmagic Design URSA Mini 4.6K EF

  • Compact and lightweight digital film camera
  • High performance 4.6K Super 35 sensor with up to 15 stops of dynamic range
  • EF lens mount
  • 12G-SDI
  • 5” fold out monitor
  • Dual CFast recorders
Connections
  • SDI Video Input / Output: 1 x 12G-SDI BNC 10-bit 4:2:2
  • Ref / Timecode Input: 1 x BNC reference or timecode input with automatic detection
  • Analog Audio Input: 2 x XLR analog switchable between mic and line levels. Phantom power support.
  • SDI Audio Output: 2 channel
  • Headphones: 3.5mm stereo headphone jack
  • Remote Control: 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
  • Computer Interface: USB 2.0 Mini-B port for software updates.

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This News may interest You
ATG Danmon Completes Westminster Links Upgrade Posted: 27/03/2020
ATG Danmon Completes Westminster Links Upgrade

ATG Danmon announces the completion of upgrades to OB link facilities in the City of Westminster, central London, for one of Europe's leading television news providers. The project centred on new interface portals at Abingdon Green adjacent to the UK Houses of Parliament, and in Downing Street. Abingdon Green is often used by TV and radio reporters as a location for interviews with politicians and political commentators. The Downing Street portal is frequently used by reporters and mobile production crews covering activity outside the residences of the UK prime minister and the chancellor of the exchequer.

"Our role was to modernise the cabling, fibre and connectivity at each portal," says ATG Danmon managing director Russell Peirson-Hagger. "These are used for many Westminster-related broadcasts, both live and recorded, in addition to similar facilities at various other key London locations. They also form part of the wide range of facilities offered to other broadcast and corporate clients."

"Both portals are equipped to handle 1920 x 1080p50 Full-HD HD-SDI and IP. They also include high quality multi-channel analogue audio in/outs, genlock reference, IP data, a video return feed, audio talkback and electrical power. Everything is housed in highly robust and fully weatherproof steel cases which are kept locked until actually needed."

"The project is the latest of several commissions we have completed for this client. We were chosen both for our proven experience and because we already had accreditation to work within the Palace of Westminster."




Tags: ATG Danmon UK ,broadcast systems integration ,broadcast systems integrators ,broadcast television systems ,studio design ,playout centre design ,newsroom design ,satellite system design ,broadcast infrastructure ,broadcast archive system design ,broadcas
Submitted by Stylus Media Communications
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Kraftwerk Specify PMC Speakers For Their Design Museum Show In London Posted: 17/03/2020
Kraftwerk Specify PMC Speakers For Their Design Museum Show In London

A PMC 7.1 surround sound system is being installed in The Design Museum, London, to support a new exhibition that focuses on legendary electronic music pioneers Kraftwerk and their 50 year impact on the club scene.

Entitled Electronic: From Kraftwerk to The Chemical Brothers, the exhibition runs from April 1st to July 26th 2020. It will evoke the experience of being in a club by transporting visitors through the people, art, design, technology and photography that captured and shaped the electronic music landscape.

A surround sound system based on PMC’s award-winning result6 compact nearfield monitors will be an integral part of the exhibition, which will feature a 3D show capturing Kraftwerk’s music and stage performances. As long term PMC users, the band were adamant that only PMC speakers should be used for this system.

Commonly referred to as the ‘Godfathers of electronic music’, Kraftwerk pioneered the genre in the 1970s and had an enormous influence on other bands, including The Chemical Brothers. Alongside the Kraftwerk 3D show, the Design Museum’s exhibition will allow visitors to step into the visual world of The Chemical Brothers for one of their legendary live shows, as visuals and lights interact to create a new three-dimensional experience by Smith & Lyall, featuring Grammy Award-winning track Got to Keep On.

 

Tags: PMC Speakers ,Kraftwerk ,Chemical Brothers ,Design Museum London ,result6 Nearfield Monitors ,Surround Sound
Submitted by White Noise Public Relations Ltd
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White Mark Ltd Revamps Middlesex Universitys Studio A Posted: 05/03/2020
White Mark Ltd Revamps Middlesex Universitys Studio A

The imminent launch of a new BA Degree course in Music Production has inspired Middlesex University London to revamp one of its music recording studios so that it can offer students the very best facilities for their course.

The University, which is based in Hendon, already has two stereo production suites that are DANTE linked to a recording booth, a 5.1 Avid mixing suite and a 24 track recording studio (Studio B), which has its own live room. The University’s existing Studio A, however, had many sound spill issues that needed resolving and it was decided that the best approach was to build a new acoustic space from the ground up.

David Clements, Technical Tutor, enlisted the help of studio design consultancy White Mark Ltd to transform Studio A into an acoustically accurate control room, live room and booth. The facility can now handle stereo and surround sound projects, thanks to the inclusion of a monitoring system that gives students the opportunity to mix in 5.1 and 7.1 formats.

White Mark Ltd was chosen for the project on the basis of its previous track record. “Once we discussed the project with David Bell [White Mark’s Managing Director] and his team, they drew up a design that we really liked,” says Technical Tutor David Clements. “We were looking at a few configurations of the space and White Mark’s plan to make the live areas one large room divided by a folding door into two booths just seemed to make the best use of the space.”

 

Tags: White Mark Ltd ,Acoustic Design ,Middlesex University
Submitted by White Noise Public Relations Ltd
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Cobalt and reg; Digital and rsquo;s NAB Line-up Led by New Card-Based Router Series, Mini openGear Frame and Re-clocking DAs with 4K Support Posted: 25/02/2020
Cobalt and reg; Digital and rsquo;s NAB Line-up Led by New Card-Based Router Series, Mini openGear and reg; Frame and Re-clocking DAs with 4K Support

Cobalt® Digital, designer and manufacturer of award-winning edge devices for live video production and master control, and a founding partner in the openGear® initiative, will feature a line-up of openGear compatible products at NAB 2020 that will highlight a new card-based router series that takes flexibility to a new level, a mini frame that answers the industry need for a space-saving chassis but doesn’t compromise functionality and can be operated remotely, and a range of distribution amplifiers that answer the rise of 4K with the ability to distribute 12G-SDI signals within a Rackspace. The new solutions will be demonstrated alongside Cobalt’s entire platform that is designed to help Broadcasters transition to IP, 4K, HDR, the cloud, and beyond.

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New IP Workflows Take Centre Stage In Eight Different Countries as Axon PRE-NABSHOW TOUR 2020 Hits The Road Posted: 20/02/2020
New IP Workflows Take Centre Stage In Eight Different Countries as Axon and rsquo;s PRE-NABSHOW TOUR 2020 Hits The Road

Axon’s proven Neuron IP processing and Cerebrum control & monitoring technology will be demonstrated with equipment from EVS, Sony, Arista, Calrec and Meinberg during this 22-day Outside Broadcast truck tour.

The Axon PRE-NABSHOW TOUR 2020, which runs across 16 locations in eight different European countries, kicks off on March 2nd. It allows broadcasters to experience tomorrow’s workflows by getting on board today. The products demonstrated on the truck will be exactly the same as those on display at Axon’s booth at NAB, so this will also provide a perfect opportunity for people who are not going to Las Vegas to get up-close and personal with Axon’s solutions.

For further information about the tour and to access a full schedule, please follow this link: https://www.axon.tv/knowledge/axon-pre-nab-tour-2020/

 

Tags: Axon Digital Design ,Sony ,EVS ,Arista ,Calrec ,Pre-NABSHOW 2020 Tour ,IP workflows ,NAB 2020 ,NAB 2020
Submitted by White Noise Public Relations Ltd
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Top Sound Designer Matt McCamley Insists on PMC Monitoring For His Studio Posted: 17/02/2020
Top Sound Designer Matt McCamley Insists on PMC Monitoring For His Studio

Sound Designer Matt McCamley has installed a 5.1 surround sound system based on PMC result6 compact nearfield monitors at Focus Audio, his studio in Brisbane, Australia.

“They definitely sound like PMC's, and not a PMC 'Light' series, that’s for sure,” he says. “A lot of manufacturers claim their monitors are being honest and translate to the real world, but there aren't too many around that can back-up that claim. PMC can.”

McCamley specialises in Sound Design for the computer games industry, working for both AAA and Independent publishers. After 10 years in the UK where he was an in-house Senior Sound Designer at Rocksteady Studios (London), Ninja Theory (Cambridge) and Creative Assembly (Horsham), McCamley returned to Australia and set up Focus Audio, a games audio outsourcing company. Recent projects include sound design for Total War: 3 Kingdoms and the upcoming Troy. He has also worked on franchises such as Devil May Cry, Alien and Batman, as well as multiple Total Wars and new IP's.

Tags: PMC Speakers ,result6 monitors ,surround sound ,computer games audio ,sound design ,Matt McCamley
Submitted by White Noise Public Relations Ltd
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Italian Creative Agency Uses Ultimatte 12 for Building Virtual Reality Studio Sets Posted: 07/02/2020
Italian Creative Agency Uses Ultimatte 12 for Building Virtual Reality Studio Sets

Blackmagic Design today announced that ViSo Video Solutions has upgraded its virtual reality studios, relying on Ultimatte 12 compositing processors and URSA Broadcast cameras, to produce national television commercials and shows, for clients such as Sky Italia, Mediaset, ESL and Netco Sports.

Founded in 2010, the company not only offers clients its VR services, it also creates all computer generated (CG) and 3D assets needed in house, and provides all post production which includes editing and grading in DaVinci Resolve Studio.

“Augmented and virtual studio environments bring so many benefits to productions,” begins Luigi Nino, general manager at ViSo. “We chose to develop our VR system in house so that we could control every aspect, and customize materials, lighting, animations and effects for each clients’ specific needs.”

The studio’s VR set is 130 square meters and uses three tripod mounted URSA Broadcasts as well as a dolly mounted 4.5m jib on a six meter track. An ATEM 4 M/E Broadcast Studio 4K, with ATEM 1 M/E Advanced Panel, is used for live vision mixing.

Tags: Blackmagic Design ,Blackmagic ,Ultimatte ,Green Screen ,Compositing ,Virtual Reality ,VR ,URSA Broadcast ,DaVinci Resolve
Submitted by Blackmagic design
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No Static AV Delivers Ultra HD Workflow for Annual Baby2baby Fundraising Gala Posted: 07/02/2020
No Static AV Delivers Ultra HD Workflow for Annual Baby2baby Fundraising Gala

Blackmagic Design today announced that LA based event production company No Static AV (NSAV) used an Ultra HD live production workflow featuring URSA Broadcast cameras and ATEM switchers to deliver in house AV and IMAG for the annual Baby2Baby fundraising gala, which raises millions of dollars for the nonprofit and the children living in poverty that it serves.

Held at the 3Labs event space in Culver City, CA, the Baby2Baby gala brings together celebrities, entrepreneurs and philanthropists, and the evening hosts the top chefs in Los Angeles, an exclusive auction and inspiring program, all while honoring this year’s Giving Tree Award winner, Chrissy Teigen. Past honorees include Amy Adams, Gwyneth Paltrow, Jennifer Garner, Kerry Washington, Kate Hudson, Drew Barrymore and Jessica Alba.

With no shortage of AV deliverables, NSAV used its mobile production unit featuring a custom made flypack designed specifically with the Baby2Baby gala in mind. The unit relied on several Blackmagic Design products, including four URSA Broadcasts complete with URSA Studio Viewfinders, four Camera Fiber Converters and four Studio Fiber Converters for fiber connectivity between the cameras and switcher, an ATEM 1 M/E Production Studio 4K and ATEM 1 M/E Advanced Panel for live switching, and a Smart Videohub 20x20 router to distribute content throughout the venue. NSAV also used an ATEM Camera Control Panel for remote camera control and Teranex AV standards converter for on the fly conversions.

NSAV praised the image quality from the URSA Broadcasts and the ease of use of the live production gear. The URSA Broadcasts were used for IMAG and the content was also recorded in camera in 4K and in 1080 at the mobile production unit. Camera Fiber Converters and Studio Fiber Converters were necessary for fiber communication between the cameras and the switcher, giving the team real time control of all camera aspects, and the ATEM Camera Control Panel allowed NSAV to properly adjust color correction, shading and shutter speed during rehearsals and the live show.

Tags: Blackmagic Design ,Blackmagic ,Ultra HD ,Live Production ,Live Stream ,Fundraising Gala ,URSA Broadcast ,ATEM
Submitted by Blackmagic design
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Sundance Nominee This is Not a Burial, Its a Resurrection Edited in DaVinci Resolve Posted: 07/02/2020
Sundance Nominee This is Not a Burial, Its a Resurrection Edited in DaVinci Resolve

Blackmagic Design today announced that DaVinci Resolve Studio was used to edit, grade and finish Lemohang Jeremiah Mosese's fiction feature debut, “This Is Not a Burial, It's a Resurrection.”

The film, which has its international premiere at Sundance Film Festival, was nominated for the Grand Jury Prize in the World Cinema Dramatic competition. Global sales rights have now been picked up by Memento Film's cinema arthouse label, Artscope.

"This project was very personal to me, as it drew on real events from my grandmother’s life in southern Africa for inspiration," explains Lemohang, who directed, edited and delivered the feature in just six months.

Normally based in Berlin, he traveled to his birth country of Lesotho to complete production, before finalizing the edit at Uhuru Productions in Cape Town. The grade was then delivered by colorist Nic Apostoli, at nearby Comfort and Fame Studios.

“Using Lesotho as a location was wonderful, but it did bring its own set of challenges. Largely made up of locals, most of the cast had never been in front of a camera, and there was no electricity or other infrastructure to speak of," said Lemohang.

To get around this, Lemohang and his assistant acquired a generator for power and set up a temporary edit suite on location using quad core Mac Pros. It was here that they transcoded all of the rushes, and assembled a rough cut.

“With no electricity or working infrastructure to speak of, we really put DaVinci Resolve through its paces. It's testament to the software's overall stability that we didn't experience any performance related issues while on set. I also like how modern and fresh the UI is; it actually makes the process of editing fun.

"Going into post production, I had so many ideas, and Resolve made the job of pulling together the cut, so much simpler. I was then able to shape the story once back in Cape Town, using the NLE and retiming tools in Resolve to finesse the story’s narrative, building in tension subtly.

"A few years ago, I'd actually stopped editing altogether," Lemohang concludes. "My previous NLE had become too difficult to use, and very prone to crashing. When I tried DaVinci Resolve for the first time, I rediscovered my passion and enthusiasm for editing. It's a whole other world! Being able to complete post production using a single piece of software makes so much more sense to me creatively. I haven't looked back since."

Tags: Blackmagic Design ,Blackmagic ,Sundance ,Film Festival ,DaVinci Resolve ,Editing ,NLE ,Post Production
Submitted by Blackmagic design
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Germanys Quatsch Comedy Club Edited with DaVinci Resolve Editor Keyboard Posted: 07/02/2020
Germanys Quatsch Comedy Club Edited with DaVinci Resolve Editor Keyboard

Blackmagic Design today announced that the latest series of Germany’s legendary stand up show, Quatsch Comedy Club, has been edited and graded on DaVinci Resolve Studio.

The Sky Deutschland show is filmed in front of a live comedy club audience with three live acts and one host taking to the Quatsch Comedy Club Theatre inside Friedrichstadtpalast in Berlin. Post production supervisor, Marius Fischer, has graded the show with DaVinci Resolve since 2015 and this year opted to expand its use on the series to encompass the edit as well.

Marius explains that all of the shows, including the revue style, as well as standalone solo episodes, are filmed, then all of the rushes are passed through to post, which normally takes around 60 days to deliver an entire season. “I was keen to put the editing side of Resolve through its paces on a major project, as I could see that there were efficiencies to be gained in our series workflow.”

A minimum of seven cameras capture every comedy set, meaning Marius has to manage a huge amount of footage for each of the shows. “I’ve found features such as Sync Bin essential, as it allows smooth playback, but without the massive file size of a multicam clip. Once all of that heavy lifting is taken away from your process, you have so much more time to focus on the actual editing and making the very best production that will keep audiences entertained.”

Marius has also cut this season working with the DaVinci Resolve Editor Keyboard, which he believes has added yet another layer of efficiency to his post workflow. “You can work freely with both hands and there’s very little need to use a mouse. I wanted to measure the time savings, so I carried out a little experiment. I tried to make nine cuts within a one minute long multicam clip from the series. Working with the keyboard took two minutes less.”

“I love how simple and reliable the whole approach is. Productions rarely follow a linear delivery path once in post and the ability to do everything in one application makes so much more sense,” he reveals. “The idea of jumping in and out of pages to make small changes when needed is far more intuitive and saves a huge amount of time. You can continue to finesse and refine the edit at any stage during post production, without ever needing to render out a new timeline.”

“Quatsch Comedy Club is such an institution in Germany. In fact, I grew up watching it with my family. It can feel quite surreal that I’m not only working on it, but that I’ve also been able to bring the very latest developments in post production, thanks to DaVinci Resolve, to keep the show fresh and funny for the next generation watching at home.”

Tags: Blackmagic Design ,Blackmagic ,DaVinci Resolve ,Resolve ,Editing ,Editor Keyboard ,Quatsch ,Comedy ,Post Production
Submitted by Blackmagic design
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