Brightline today announced its ZELo desktop studio light for videoconferencing is now shipping. ZELo is priced at $199 and is available at brightlines.com/ZELo. Designed for business professionals, educators, broadcasters, and social media influencers, ZELo delivers broadcast-quality results in any workspace. 

Dejero’s EnGo mobile transmitter made it possible for Boston-based video and creative services agency, Bottle Tree Pictures, to save tens of thousands of dollars on live streaming during its recent production of the “Toro Cooks for Jimmy” celebrity cooking fundraiser for The Jimmy Fund and the Dana Farber Cancer Institute.

Aiming to help inspire the increasing number of people in lockdown turning to cooking and baking, AEG collaborated with video production company Monarki Stockholm and Scandinavian Photo to help produce a multicam live stream cook-along show.

NINETNINE, the leading content provider to Cable and OTT platforms, has partnered with Samira TV, an Arabic channel available in Middle-East, North Africa and France, which specializes in cooking TV shows focusing on local cuisine. The two companies have produced the first French-Arab TV show, ‘Ezawj Errahal’ presented by French travel and food social media influencers Salim and Linda, known as “the traveling lovers” (Les Amoureux Voyageurs).

The 13-episode series launches on 14th February on Samira TV and will also be available on-demand and via OTT on Le Bouquet Maghreb, the leading Arabic TV package in France. The unique format will deliver an exciting, new TV cooking concept that will take viewers on a culinary trip around the world, allowing them to learn simple, original and mouthwatering recipes created by Salim and Linda while on their adventures.

Salim and Linda were the winners of the French popular TV competition format Pékin Express, which aired on M6 and attracted multi-million daily viewers. They became social media superstars and decided to travel the globe to meet people, discover new cultures and share their stories.

AVer Europe, the award-winning provider of video collaboration solutions and education technology solutions, today announces the UK launch of the CAM520 PRO enterprise grade PTZ (Pan/Tilt/Zoom) camera.

The CAM520 PRO is perfect for mid to large conference rooms and features SmartFrame, IP based management, True WDR (wide dynamic range) and up to 100 programmable presets. With 18X total zoom, 1080p HD and whisper-silent Pan/Tilt/Zoom, the CAM520 PRO results in crisp images for an outstanding video experience at a competitive price.

The CAM520 PRO perfectly complements AVer’s EP65 interactive flat panel featuring Zoom Rooms integration. The 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

The CAM520 PRO plug-and-play USB conference camera is designed for workgroups of six to twenty people that need the power of enterprise grade video capabilities and want the convenience of remote management through a web browser or centralised management software. Users can connect to live video content from the CAM520 PRO and stream to a cloud or physical network. It is compatible with all main favourite videoconferencing applications, including Zoom Video Communications, Inc.

DP Philip Lanyon goes for a different look for follow-up series to Star Trek: The Next Generation while remaining true to the TV and film franchise

Star Trek: Picard, the highly anticipated streaming series from CBS All Access, relied on two complete sets of Cooke Optics Anamorphic/i SF (“Special Flair”) lenses to tell the story for the follow-up series to Star Trek: The Next Generation, and centres on Captain Jean-Luc Picard (Sir Patrick Stewart) in the next chapter of his life. Director of Photography Philip Lanyon’s goal was to give this new series a big movie adventure epic saga feel — while keeping fans in a familiar visual world.

“Almost all of the Star Trek movies have been shot using anamorphic lenses and so is the [CBS All Access] Star Trek: Discovery series, which switched to Cooke Anamorphic/i lenses in its second season,” explained Lanyon. “I was given the opportunity to shoot the second season’s sixth episode and I just fell in love with the Cooke lenses. I tested a lot of lenses for Picard and a lot of different looks. But in the end, the Cooke Anamorphic/i SF lenses gave me the exact look and control I wanted.”

CVP, one of the UK’s leading production solutions providers, will be providing hands-on experience with some of the latest kit to reach the UK market at this year’s BSC Expo 2020 (Friday 31st January to Saturday 1st February, Battersea Evolution, London).

Featuring a set inspired as a homage to the BSC’s 70th anniversary, the showcase at BSC Expo will allow customers to compare like-for-like options and to get hands-on with the equipment they are interested in — along with all the necessary accessories — to find out how their creative desires can be best fulfilled.

Veritone, Inc. (Nasdaq: VERI), the creator of the world's first operating system for artificial intelligence, aiWARE™, and Evolphin Software, the creator of the revolutionary Media Asset Management platform Zoom, today announced that the Football Club Internazionale Milano (Inter Milan) is leveraging a robust, AI-driven media asset management system based on Veritone aiWARE and the Evolphin Zoom MAM platform. The combination of aiWARE and Evolphin Zoom gives Inter Milan a next-generation solution for indexing, managing, and monetizing its massive library of archived and current content. As a result, Inter Milan is able to give its stakeholders around the globe faster and more efficient access to tailored content.

The Evolphin Zoom MAM ingests and transcodes the content from Inter Milan and sends media for analysis to Veritone's aiWARE platform. Veritone's aiWARE uses advanced AI techniques to generate descriptive information about the content, such as spoken words, faces, logos, or advertiser names mentioned, making the content indexed and searchable.

BBC's new landmark wildlife series, Seven Worlds, One Planet, documents the unique wildlife to be found across all seven continents. The series, which began airing in the UK in October 2019 was shot by Director of Photography, Mark MacEwen on a set of Cooke miniS4/I lenses.

MacEwen, who has over 20 years’ experience in wildlife cinematography, chose the miniS4/i lenses for his sequences to bring the ‘Cooke Look’ in a smaller, more light weight form.“I’ve used Cooke lenses before and always loved them. The look of the Cooke lenses does it all for me, and the way they separate the subject and background and flare is the way I see the world. I also like the way they work on digital sensors - to me, they just help take some of the digital edge off the camera and help keep it looking more organic and natural,” he said. “The miniS4/i’s were great as the size and weight of them allowed me to use them not only for tripod work, but for hand-held gimbal work with animals where I have to hold the MVI Pro rig for hours, following the animals waiting for the right moment or bit of behaviour. The build quality is also amazing and works so well with the follow focus gear.”

“Outside of the flora and fauna, it’s the huge amounts of time we have to invest and of course the extreme demands we place on the kit, due to the environments we subject them to. I am happy to say that the miniS4/i’s performed flawlessly in every situation.”

As part of a strategy of continuing investment to track with the latest market requirements, Finepoint Broadcast, a leading UK dry hire provider of production and OB equipment to the global marketplace, has announced the further addition of a range of Canon lenses to its hire stock portfolio.

The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”