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Angenieux 28-76mm

Angenieux 28-76mm T:2.6 (Optimo Zoom Lens), excellent optical and cosmetic condition

Price: £13,500.00
Location: United Kingdom
Condition: Used
Viewed: 34 times
Date Expires: 18/04/2020
Item ID: 213732

Angenieux 28-76mm T:2.6 (Optimo Zoom Lens), excellent optical and cosmetic condition

Angenieux 28-76mm

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Ikegami Announces Product Lineup for CABSAT 2020 Posted: 18/02/2020
Ikegami Announces Product Lineup for CABSAT 2020

 

 

 

 

Ikegami representatives head to the Dubai World Trade Centre in March for CABSAT 2020, the largest broadcast media show in the Middle East region. The exhibition together with its supporting conference and workshop will be held from March 31st through April 2nd. Highlights of the Ikegami exhibit on stand C4-20 will be the UHL-43 compact HDR camera which was shown in prototype at CABSAT 2019 and is now fully deliverable, the UHK-430 system camera with IP interface and the HQLM-3125X master grade video monitor.

The Ikegami UHL-43 is a compact HDR camera designed for applications such as robotic studios, outside broadcasting of live events, parliamentary television and point-of-view image capture.

Ikegami's UHK-430 is a 4K-native studio camera system with simultaneous HDR/SDR processing. Its three 2/3 inch CMOS sensors provide full 3840 x 2160 UHD resolution plus the depth of field needed for studio and outdoor production. The camera is equipped with a B4 bayonet mount compatible with 2/3 inch UHD and HD lenses. An optional SE-U430 expander accommodates large studio or OB lenses.

 

Ikegami's recently introduced HQLM-3125X is a 31 inch 4K-UHD master-grade monitor with 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square metre).

 

 

 

 

Tags: Ikegami Electronics ,broadcast cameras ,4K HDR video monitors ,optical camera links ,medical imaging equipment ,4K hybrid base station ,4K EFP cameras ,4K studio cameras ,8K EFP cameras ,8K studio cameras ,optical camera links ,IP camera links ,fibre came
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AVer Europe launches new enterprise grade PTZ video conferencing camera

AVer Europe, the award-winning provider of video collaboration solutions and education technology solutions, today announces the UK launch of the CAM520 PRO enterprise grade PTZ (Pan/Tilt/Zoom) camera.

The CAM520 PRO is perfect for mid to large conference rooms and features SmartFrame, IP based management, True WDR (wide dynamic range) and up to 100 programmable presets. With 18X total zoom, 1080p HD and whisper-silent Pan/Tilt/Zoom, the CAM520 PRO results in crisp images for an outstanding video experience at a competitive price.

The CAM520 PRO perfectly complements AVer’s EP65 interactive flat panel featuring Zoom Rooms integration. The 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

The CAM520 PRO plug-and-play USB conference camera is designed for workgroups of six to twenty people that need the power of enterprise grade video capabilities and want the convenience of remote management through a web browser or centralised management software. Users can connect to live video content from the CAM520 PRO and stream to a cloud or physical network. It is compatible with all main favourite videoconferencing applications, including Zoom Video Communications, Inc.

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DP Philip Lanyon goes for a different look for follow-up series to Star Trek: The Next Generation while remaining true to the TV and film franchise

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“Almost all of the Star Trek movies have been shot using anamorphic lenses and so is the [CBS All Access] Star Trek: Discovery series, which switched to Cooke Anamorphic/i lenses in its second season,” explained Lanyon. “I was given the opportunity to shoot the second season’s sixth episode and I just fell in love with the Cooke lenses. I tested a lot of lenses for Picard and a lot of different looks. But in the end, the Cooke Anamorphic/i SF lenses gave me the exact look and control I wanted.”

 

 

 

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Featuring a set inspired as a homage to the BSC’s 70th anniversary, the showcase at BSC Expo will allow customers to compare like-for-like options and to get hands-on with the equipment they are interested in — along with all the necessary accessories — to find out how their creative desires can be best fulfilled.

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An innovative recent implementation has been for one of the Middle East's largest telecommunication service-providers. This includes a switching and control system for Swedish Microwave optical low noise block downconverters. The HCS-4 powers and monitors the downconverters, checking for faults such as channel interrupts. If an interrupt is detected, the HCS-4 automatically switches to a backup signal source. Three downconverters are connected via optical fibre in a two-active-plus-one-backup configuration.

"The Middle East system follows on from the recent completion of a large project for a leading European satellite network operator," says Hiltron Managing Director Antonio Monteverde. "This included the integration of a 12U rack of monitoring equipment at 50 separate locations around the world, each with an HCS-4 as the control interface. Every system was pre-assembled and fully tested at our Backnang headquarters prior to on site integration."

 

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"ERECA's optical fiber transport systems are well known and respected in the international market, and we're pleased to be able to offer them to our customers in the USA," said Carl Roszczybiuk, director of engineering for Joseph Electronics. "The SR2 is a great example of the kind of innovation that will serve our customers well, accepting virtually all standard broadcast formats from baseband to IP, with easy setup and incredible flexibility."

 

 

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BBC's new landmark wildlife series, Seven Worlds, One Planet, documents the unique wildlife to be found across all seven continents. The series, which began airing in the UK in October 2019 was shot by Director of Photography, Mark MacEwen on a set of Cooke miniS4/I lenses.

MacEwen, who has over 20 years’ experience in wildlife cinematography, chose the miniS4/i lenses for his sequences to bring the ‘Cooke Look’ in a smaller, more light weight form.“I’ve used Cooke lenses before and always loved them. The look of the Cooke lenses does it all for me, and the way they separate the subject and background and flare is the way I see the world. I also like the way they work on digital sensors - to me, they just help take some of the digital edge off the camera and help keep it looking more organic and natural,” he said. “The miniS4/i’s were great as the size and weight of them allowed me to use them not only for tripod work, but for hand-held gimbal work with animals where I have to hold the MVI Pro rig for hours, following the animals waiting for the right moment or bit of behaviour. The build quality is also amazing and works so well with the follow focus gear.”

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The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”

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