The final ISE exhibition in Amsterdam before the show’s move to Barcelona is shaping up to be a big one for video capture, conversion and streaming innovator Magewell. Exhibiting in stand 8-G475 from February 11 to 14, the company will feature the global debuts of new products alongside the first ISE showings of several recently unveiled solutions.

Making its world premiere at ISE 2020, the ultra-compact, power-efficient Eco Capture SDI 4K Plus M.2 card captures 4K video at 60 frames per second over a single-link, 12G-SDI interface for use with popular AV software applications. Four additional models in the Eco Capture family will also be shown, as well as the company’s popular Pro Capture series of PCIe cards and USB Capture line of external capture devices.

Magewell will also showcase the industry’s broadest range of low-latency NDI® hardware converters to help simplify the transition to AV over IP for both integrators and end users. The Pro Convert family now offers six NDI encoder models and two decoders, including the recently-released Pro Convert for NDI to HDMI decoder for transforming NDI streams into high-quality HDMI baseband outputs.

As part of a strategy of continuing investment to track with the latest market requirements, Finepoint Broadcast, a leading UK dry hire provider of production and OB equipment to the global marketplace, has announced the further addition of a range of Canon lenses to its hire stock portfolio.

The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”

24i, the industry-leading, global video experience company, today announced that it has created, and launched a new suite of applications and Subscription Video-On-Demand (VOD) services for US-based video streaming service BroadwayHD.

The premier streaming service for live theatre BroadwayHD is available online at broadwayhd.com, and via a dedicated app on iOS,Android, Apple TV, Amazon Firestick and Roku.

Included among the recent hit productions released on the service are 42nd Street and Kinky Boots, both filmed on the West End by the BroadwayHD team, along with other recent and iconic stage shows such as Cats, King and I, and An American in Paris.

“We’re committed to providing the very best Broadway streaming experience to our growing global fanbase,“ said Stewart F. Lane and Bonnie Comley, co-founders and co-owners, BroadwayHD. “We’re extremely pleased with the OTT solution provided by 24i, which has enabled us to launch our next-generation video service across multiple platforms and devices, introduce new business models and refresh and enrich our user experience. The high performance of this new platform enables us to concentrate on the quality of our content and growing the global audience for BroadwayHD.”

24i has worked in partnership with the subscriber retention management company Cleeng to deliver BroadwayHD a robust end-to-end OTT video solution that accelerates growth by simplifying the management, marketing, and monetization of its content while providing subscribers with a rich, personalized and easy to navigate experience on any device.

New action comedy, School Fight, uses the Shogun 7 HDR monitor/recorder to give the Sony FS7 a new lease of life

How do you make a full-length feature film, with flawless, cinematic values when your camera budget only stretches to the Sony FS7 cinema cameras already owned by the crew? It’s a conundrum the production team behind new action comedy, School Fight, solved by adding cutting edge recording technology from Atomos and Apple to their arsenal.

School Fight is a low budget, independent feature film, but you’d be forgiven for assuming the investment in the on-screen image was far more high-end. This comes from the crew’s unwavering commitment to achieving the highest possible production values by squeezing everything they could out of the camera equipment they had available and a minimal budget.

The concept for the film was the brainchild of seasoned stunt professional Damien Walters, so it’s no surprise that action sequences, fight scenes and all manner of carefully choreographed carnage is all featured heavily. He joined forces with producer Joby Stephens to bring this vision to life in full cinematic glory.

Catalonia's public broadcaster Catalan Audiovisual Media Corporation (Corporació Catalana de Mitjans Audiovisuals or CCMA) has chosen Leader's LV7300 rasterizer as the master reference instrument as part of an upgrade to HD-HDR at its Audiovisual Production Centre in Barcelona. The CCMA's primary channel is TV3 Catalonia which is transmitted to viewers in Catalonia, Andorra and the Balearic Islands.

Supplied by Leader distribution partner SetUp Electrónica, the LV7300 will be used to check video and audio signal quality in a newly equipped studio equipped to support 4K, HD and super slow motion. The studio's primary role will be to create high quality HD-HDR content.

"Sourcing from 4K-native Sony cameras with  IP connectivity and ITU-R BT 2020 color gamut will allow us to capture images with very rich colors, greater than ever contrast and high detail," says TV3 Area of Exploitation director Ramon Sangrà.

"Leader's LV7300 rasterizer gives our operators all the tools they need to ensure that these enhancements are carried right through the production process from capture, post and archiving to actual transmission. The instrument's ability to handle 4K helps to safeguard our investment as the broadcast industry embraces ever higher standards."

Coinciding with Apple’s launch of the latest Mac Pro workstation, Colorfront (www.colorfront.com) – the Academy, Emmy and HPA Award-winning developer of high-performance dailies and transcoding systems for motion pictures, broadcast, OTT and commercials – today announced a new, annual rental model for Colorfront Express Dailies that dramatically reduces the cost of operating the software.

Launching in Q1 2020, Colorfront’s subscription service enables users to rent Express Dailies 2020 for an annual fee of $5,000 USD, including maintenance support, updates and upgrades. Additionally, the availability of Apple’s brand-new Pro Display XDR, designed for use with the new Mac Pro, makes on-set HDR monitoring, enabled by Colorfront systems, a more financially viable proposition than ever before.

Magewell will launch a powerful new model in its Eco Capture family of ultra-compact, power-efficient, M.2 video capture cards at the upcoming ISE 2020 exhibition in Amsterdam. The high-performance Eco Capture SDI 4K Plus M.2 captures one channel of 4K video up to 4096x2160 at full 60 frames per second over a single-link, 12G-SDI interface. The new card will make its global debut in stand 8-G475 at the event, taking place February 11-14, 2020.

Ideal for use in small and embedded systems where full-sized PCIe slots are not available, the cost-effective Eco Capture family offers systems integrators and OEM developers a robust capture solution with low power consumption for space-constrained applications. The low-latency Eco Capture devices feature a high-speed PCIe 2.0 bus interface with an M.2 connector and measure just 22x80mm (0.87x3.15in), matching the M.2 2280 size specification.

The new 4K 12G-SDI model joins four existing Eco Capture M.2 configurations: a single-channel model that captures 4K video at 30fps via an HDMI interface; dual-channel models that capture HD and 2K video over HDMI or SDI; and a quad-channel HD/2K model with SDI inputs. All five Eco Capture products also support up to eight channels of embedded audio per input.

Sky News Australia has made a major investment in state-of-the-art robotic camera support systems from Vinten and Intelligent Prompting solutions from Autoscript for its six remote studios in Australia. With the latest build-out just completed in Sky News' Canberra Parliament House studio, the Vinten and Autoscript equipment is a vital link in the network's strategy to reduce operational costs through centralised, IP-based control of remote broadcasts.

Sky News is a 24/7 multi-channel network providing international news, local news, and current affairs programmes to viewers throughout Australia and New Zealand. With headquarters, master control, and main studio based in Sydney, the network operates remote studios in Canberra, Adelaide, Perth, Melbourne, and Brisbane.

Sky News has fitted its Canberra Parliament House studio with three Vinten FH-145 robotic pan/tilt camera heads, driven by the Vinten HD-VRC control system, three Vinten Quattro pedestals, and three Autoscript EPIC-IP 19" prompting monitors with integrated talent feedback monitors, driven by Autoscript WinPlus-IP News prompting software. Amber Technology, a Vitec Production Solutions Premier Partner, supplied the Vinten and Autoscript solutions and partnered for the build-out.

AVer Europe has announced the launch of the M17-13M, its new mechanical arm visualiser, to the UK market. Boasting a 13-megapixel camera, 35.2X total zoom and full HD quality, the M17-13M offers one of the highest visualiser specifications available to education institutions to transform teaching and learning practices.

Operating as a document camera with impressive angle control, the M17-13M visualiser enables users to capture the best image clarity and detail. The onboard annotation capability provides users with the opportunity to add notes, highlight important information or add captions to presentation material easily, making explaining a tricky concept or a key point to a classroom simple.

Designed with a fully adjustable neck and head, the M17-13M visualiser can rotate, swivel, expand and collapse for the perfect angle to display presentation materials, including paper or 3D models. Its versatile compact design means it can be neatly folded away, making it ideal for quick storage or sharing between classrooms and practitioners. The product is bundled with AVER’s A+ Suite classroom software for visualisers and comes with a five-year warranty.

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.