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Canon Canon TS-E 17mm F4.0L - No image

Canon Canon TS-E 17mm F4.0L

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Price: £1,100.00
Location: United Kingdom
Condition: Used
Viewed: 13 times
Date Expires: 14/09/2020
Item ID: 216031

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Canon Canon TS-E 17mm F4.0L

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with Fujinon XT17x4.5BRM-K14 Lens & Panasonic 64GB P2 Card
with Fujinon XT17x4.5BRM-K14 Lens & Pana.
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Mo-Sys puts the crowd back into sport Posted: 19/06/2020
Mo-Sys puts the crowd back into sport

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

###

About Mo-Sys:

Mo-Sys is a world-leading provider of camera tracking and camera robotic systems supplying to broadcasters such as BBC, Sky, Fox, ESPN, CNN Discovery Channel, The Weather Channel and Netflix among many more. With a passion for innovation and design, Mo-Sys is at the forefront of live AR and virtual production technology with their StarTracker camera tracking system now powering more than 100 virtual TV studios around the world. For further information, www.mo-sys.com

Mo-Sys Company Contact:

Adam Smith, Marketing

adam@mo-sys.com

+44 (0) 208 858 3205


Mo-Sys Media Contact:

Jennie Marwick-Evans

jennie@manormarketing.tv

+44 (0) 7748 636 171



Tags: Mo-Sys Engineering ,Camera Tracking ,:ive Production ,zero-latency ,camera tracking kit ,Unreal Engine ,Render Engine ,Augmented reality software ,Epic Games ,Live Production ,Vinten Heads ,Canon
Submitted by Manor Marketing
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Cinegy partners with US Broadcast to promote software-based solutions in North America Posted: 20/05/2020
Cinegy partners with US Broadcast to promote software-based solutions in North America

Cinegy, the global leader for broadcast playout software in the cloud has announced a new partnership with New Hampshire-based US Broadcast, a broadcast distributor that uses its channel marketing and technical skill sets to tailor sales for the North American market.

US Broadcast CTO Eric Pratt said, "US Broadcast is currently busy aiding resellers and customers with the technical challenges of connecting video and audio workflows, using our expertise in IP video and remote production to solve their problems. Lately, we’ve had an increase in enquiries with customers looking for help bridging the distance between contributors and production and we’re finding Cinegy’s software-based solutions are particularly relevant at this time.”

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It is not just about the kit. Practical solutions for creative people from CVP at BSC Expo 2020 Posted: 23/01/2020
It and rsquo;s not just about the kit. Practical solutions for creative people from CVP at BSC Expo 2020

CVP, one of the UK’s leading production solutions providers, will be providing hands-on experience with some of the latest kit to reach the UK market at this year’s BSC Expo 2020 (Friday 31st January to Saturday 1st February, Battersea Evolution, London).

Featuring a set inspired as a homage to the BSC’s 70th anniversary, the showcase at BSC Expo will allow customers to compare like-for-like options and to get hands-on with the equipment they are interested in — along with all the necessary accessories — to find out how their creative desires can be best fulfilled.

Tags: CVP ,BSC ,Zeiss ,Cooke ,Arri ,Angenieux ,Leitz ,Canon ,Sigma ,Sony ,Kowa
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Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses Posted: 11/12/2019
Finepoint Broadcast gears up for 2020 with a major further investment in Canon UHD lenses

As part of a strategy of continuing investment to track with the latest market requirements, Finepoint Broadcast, a leading UK dry hire provider of production and OB equipment to the global marketplace, has announced the further addition of a range of Canon lenses to its hire stock portfolio.

The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”

Tags: Finepoint Broadcast ,Investment ,Canon ,Canon UHD Lenses ,Dry Hire ,Canon Lens Hire ,Canon CJ24 ,Canon CJ45 ,Canon UJ90
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Atomos Shogun 7 and Apple ProRes and reg; RAW gives a low budget feature film a cinematic edge Posted: 12/12/2019
Atomos Shogun 7 and Apple ProRes and reg; RAW gives a low budget feature film a cinematic edge

New action comedy, School Fight, uses the Shogun 7 HDR monitor/recorder to give the Sony FS7 a new lease of life

How do you make a full-length feature film, with flawless, cinematic values when your camera budget only stretches to the Sony FS7 cinema cameras already owned by the crew? It’s a conundrum the production team behind new action comedy, School Fight, solved by adding cutting edge recording technology from Atomos and Apple to their arsenal.

School Fight is a low budget, independent feature film, but you’d be forgiven for assuming the investment in the on-screen image was far more high-end. This comes from the crew’s unwavering commitment to achieving the highest possible production values by squeezing everything they could out of the camera equipment they had available and a minimal budget.

The concept for the film was the brainchild of seasoned stunt professional Damien Walters, so it’s no surprise that action sequences, fight scenes and all manner of carefully choreographed carnage is all featured heavily. He joined forces with producer Joby Stephens to bring this vision to life in full cinematic glory.

 

Tags: Atomos ,School Fight ,Sony FS7 ,Film ,Canon ,Shogun 7 HDR
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Nevion sales grow by more than a third in the Americas Posted: 12/11/2019
Nevion sales grow by more than a third in the Americas

 

Nevion, award-winning provider of virtualized media production solutions, has experienced a growth in bookings in its Americas region of 34% so far in 2019, compared to the same period in 2018. Sales of software and services in the region have also more than quadrupled in the period, reflecting the increased demand for IP solutions, based on Nevion’s flagship software-defined products.

In 2019, Nevion has signed several significant deals with new and existing customers in in the Americas, most notably with a US national broadcast network and a leading international satellite services provider. These high-profile projects are currently in the process of being delivered.

To build on that growth, and to meet the surge in interest in workflow-transforming IP solutions, two seasoned and highly-regarded sales executives, Edward McGivern and Ron Rosenthal, have recently joined Nevion’s Americas team.

With 20 years’ experience selling high-value technology solutions in the broadcast market, McGivern has held senior sales positions at Snell Advanced Media, Imagine Communications and Grass Valley. Most recently, he was the director of Tektronix’s video sales division for the Americas.

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SIS deploys Simplestream Media Manager to Distribute Live Sports Video Globally over the cloud Posted: 05/09/2019
SIS deploys Simplestream Media Manager to Distribute Live Sports Video Globally over the cloud

Simplestream, the leader in live, live-2-VOD and on-demand OTT services, today announced that Simplestream Media Manager is to be deployed by SIS (Sports Information Services) to distribute live horse and greyhound racing video globally to its customers.

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Megahertz Wins Large-Scale IP infrastructure Project for Major US Broadcaster
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Bannister Lake to Present at the 2019 NAB Show Broadcast Engineering and Information Technology Conference (BEITC) Posted: 27/02/2019
Bannister Lake to Present at the 2019 NAB Show Broadcast Engineering and Information Technology Conference (BEITC)
Bannister Lake announced today that Alain Savoie, the company's creative and technical director, will be presenting his co-authored white paper, "New Methodologies in Real-Time Data Aggregation and Management for Broadcast Presentation and Distribution" at the 2019 NAB Show. Along with Savoie, the paper was written by Bannister Lake's Vernon Freedlander who heads strategic partnerships and the company's president, Georg Hentsch. The presentation takes place on Wednesday, April 10 at 4 p.m. at the Las Vegas Convention Center room N260.
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ES Broadcast Hire announces opening of first US office in Orlando Posted: 22/02/2019
ES Broadcast Hire announces opening of first US office in Orlando

Leading European broadcast rental provider ES Broadcast Hire has opened its first office in the US. Bob Hawkanson joins the company as Senior Vice President to head up the office.

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