Wooden Camera, the Dallas-based designer and manufacturer of professional camera accessories, is now shipping theUltra QR Articulating Monitor Mount, a quick-release solution designed to support up to 45 pounds and easily integrate with select SmallHD production monitors.

Wooden Camera, the Dallas-based designer and manufacturer of professional camera accessories, is now shipping a full range of custom kits and accessories for the Panasonic LUMIX BGH1.

Every tier of these production-ready kits features the compact, low-profile, Panasonic BGH1 Camera Cage alongside a new Mini Top Handle (3/8"-16) and LW 15mm Baseplate. Options include three new universal utility pieces that can be used on any rig: a new and improved bolt-on ARRI Rosette (3/8"-16), a compact Tilt Monitor Hinge (3/8"-16) and the Mini Top Handle (3/8"-16).

Wooden Camera announces a full range of accessories compatible with the new Canon EOS C70, adding to their long line of modular parts, and further improving customization to better fit camera operators’ personal requirements.

Operators can expand the C70’s rigging surface with a contoured Top Plate and improve handheld agility with the Mini Top Handle--both of which feature a multitude of ¼”-20, ”-16, and ARRI Standard mounting points for securing additional Wooden Camera or third-party accessories. A compatible Monitor Hinge increases on-camera monitor visibility with a wide, 180-degree tilting angle; this mount arrives with standard locating pins for SmallHD monitors and includes an additional rubber pad for attaching third party monitors. For lens support and convenient on/off quick-release mounting with tripods, the LW 15mm Baseplate provides 15mm rod pass-through brackets and an ARCA Swiss standard dovetail system with safety lock.

Wooden Camera announces a full range of accessories compatible with the new Sony FX6, adding to their long line of modular parts for Sony cinema cameras.

A new Sony FX6 Top Plate contours to the shape of the camera body, wraps around the original top handle, and features rows of 1/4-20 and 3/8-16 mounting points, as well as several ARRI Accessory Mounts. The Unified Baseplate features 15mm rod supports and can be attached to standard tripod plates or ARRI standard bridgeplates; this system features a double quick-release that allows operators to either remove the full camera/rod setup from their tripod, or simply detach the camera on it’s own.

Lindsey Optics adds a new twist on FSND filters with its unique range of Brilliant² Rota-Grads. This family of rotating full spectrum graduated neutral density filters fits directly into popular 4x5.65 rod-mounted matte boxes and clip-on style, where rotation of a 4x5.65 filter was uncommon—until now.

Wooden Camera is excited to announce a full range of RED Approved accessories compatible with the much-anticipated RED KOMODO camera. These products are currently available for pre-order with an expected ship date in early August.

The Accessory Kits range from Base, Advanced, and Pro and include all new RED KOMODO specific accessories like the LW 15mm Baseplate (RED KOMODO) and Complete Top Mount Kit (RED KOMODO, ARCA Swiss). The Complete Top Mount Kit features a brand-new Top Mount that provides a center ARCA Swiss style dovetail clamping slot as well as 1/4-20 and 3/8-16 threaded holes for attaching accessories. The kit includes all three top mount ARCA Swiss accessories: Top Handle, Monitor Hinge, and Top Plate.

Mo-Sys, a world leader in precision camera tracking solutions for virtual studios and augmented reality, has brought virtual studio production within reach of everyone with StarTracker Studio, the world’s first pre-assembled production package. The system is scalable to any size production, and can support 4K Ultra HD.

Critical for virtual studio and augmented reality production is to track the position of each camera in three-dimensional space across all six axes of movement. StarTracker from Mo-Sys is proven as the most precise and reliable camera tracking package, using dots on the studio ceiling (“stars”) which are placed at random and tracked to plot camera positions with extraordinary accuracy.

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

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About Mo-Sys:

Mo-Sys is a world-leading provider of camera tracking and camera robotic systems supplying to broadcasters such as BBC, Sky, Fox, ESPN, CNN Discovery Channel, The Weather Channel and Netflix among many more. With a passion for innovation and design, Mo-Sys is at the forefront of live AR and virtual production technology with their StarTracker camera tracking system now powering more than 100 virtual TV studios around the world. For further information, www.mo-sys.com

Mo-Sys Company Contact:

Adam Smith, Marketing

adam@mo-sys.com

+44 (0) 208 858 3205

Mo-Sys Media Contact:

Jennie Marwick-Evans

jennie@manormarketing.tv

+44 (0) 7748 636 171

Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, today announced the launch of U50. Designed and manufactured during the lockdown period, the U50 is a heavy-duty remote head that enables camera operators to safely return to work and control the biggest box lenses and heaviest broadcast camera set-ups remotely.

Offering the ultimate for camera remote control and remote production, U50 combats the current challenges and unique requirements in the Covid-19 affected world. Making it possible to operate large box lenses and cameras remotely, U50 achieves the same precision and agility when camera operators are controlling manually and on-site. With no other remote head capable of smoothly and quickly operating box lenses and with on-site production crews dramatically decreasing, this innovation offers a new solution to tackle current challenges.

Danny Zemanek, Freelance Camera Operator explained, “Previously remote production technology was an additional cost for broadcasters, but now it is essential to ensure camera operators can work safely. The U50 remote head from Mo-Sys represents a new way that operators can control big box lenses with the same precision and agility that we have come to expect.”