Gravity Media, the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors, has appointed Jamie Brewer as its new Head of Rental and Post-Production Sales. He will be responsible for the strategic development and commercial growth of that part of the business within the UK.

Muxlab Live Streaming Kits allow users to easily stream audio and video content from any location to unlimited viewers across the globe in minutes. If paired with the MuxStream app, the kits provide a one-stop-shop for all live streaming needs. The versatile systems are available in component or plug-and-play kit form for maximum convenience.

Lindsey Optics adds a new twist on FSND filters with its unique range of Brilliant² Rota-Grads. This family of rotating full spectrum graduated neutral density filters fits directly into popular 4x5.65 rod-mounted matte boxes and clip-on style, where rotation of a 4x5.65 filter was uncommon—until now.

RUSHWORKS, provider of cool technology for production, playback and streaming since 2001, today announced the release of the RESIDENTIAL PROMPTER KIT, a small desktop teleprompting kit that uses your webcam to capture home-based presentations. It’s an inexpensive complement for the company’s RUSHPROMPTER software for Windows applications that’s available for download, trial and purchase from the RUSHWORKS website for $99. Rush Beesley, RUSHWORKS founder and president, provided details about the kit from company headquarters in Flower Mound, Texas.

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

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About Mo-Sys:

Mo-Sys is a world-leading provider of camera tracking and camera robotic systems supplying to broadcasters such as BBC, Sky, Fox, ESPN, CNN Discovery Channel, The Weather Channel and Netflix among many more. With a passion for innovation and design, Mo-Sys is at the forefront of live AR and virtual production technology with their StarTracker camera tracking system now powering more than 100 virtual TV studios around the world. For further information, www.mo-sys.com

Mo-Sys Company Contact:

Adam Smith, Marketing

adam@mo-sys.com

+44 (0) 208 858 3205

Mo-Sys Media Contact:

Jennie Marwick-Evans

jennie@manormarketing.tv

+44 (0) 7748 636 171

Dejero, an innovator in cloud-managed solutions that provide Emmy® award winning video transport and Internet connectivity while mobile or in remote locations, has introduced new short-depth versions of its 1U rack-mounted WayPoint receiver and CuePoint return video and teleprompter server to its portfolio. The smaller chassis of WayPoint 50 and CuePoint 50 make them the perfect fit for remote production vehicles where space is at a premium, and for portable flyaway kits that simplify transport and enable rapid response in case of a disaster recovery scenario or for contingency preparedness as part of a broader business continuity plan.

DPA Microphones introduces the latest addition to its microphone lineup, the 4097 CORE Micro Shotgun Microphone. Featuring the same sonic qualities as the brand’s supercardioid Choir Microphone, the 4097 CORE Micro Shotgun has been optimized to pick up speech from a distance. Incorporated into the company’s new 4097 CORE Interview Kit,the michas been designed for use with a lightweight boom and windjammer. This kit is particularly useful for journalists in today’s socially distanced world as it allows users to conduct interviews from up to two meters (6.5 feet) away. It is a plug and play solution that allows users to get started quickly and employ their existing workflows.

Documentary television cameraman Jonathan Young has relied on Peli cases to protect and transport his valuable camera kit for over 20 years. He has travelled with Peli cases to the most inhospitable and sometimes downright dangerous locations throughout the world, including war torn Afghanistan and Gaza.

He has embarked on his latest adventure with several new Peli Air cases; these have been designed and engineered to maintain the same level of durability, but reduce the weight of each case by up to 40 percent. Air cases are waterproof and crushproof and offer additional sizes to the Peli Protector and Peli Storm case lines.

Jonathan explained “I am shooting the new series, the South America leg of The America’s with Simon Reeve for BBC. This is the first leg of the journey across the Guyana Shield; Southern Venezuela, Guyana, Surinam, French Guiana.

These pictures were taken at the top of a Tepui. A Tepui is where the indigenous people’s gods live. They are sacred spaces that are 2800m above sea level. When working and camping at that altitude in such a rugged terrain, you have to be able to rely on the equipment you bring with you. To protect that equipment from the elements - sand, rain and the rough handling in transport to the top of the mountain in a cargo net slung under a helicopter, there is only one choice that ticks all the boxes…Peli cases.

The new Air range has taken every single journey I have made across various remote parts of the globe, housing my camera kit in its stride. I had worried at first that the cases might be too thin. My fears were unfounded. The cases I have used, they have taken every beating and battering baggage handlers, airports, rough tracks in pickups and the exposure to the elements. They have done exactly what they were supposed to do.”

The Peli Air range is now available in 16 sizes with more colour choices for many models. Deep cases and a long version, the 1745, have recently been added to the range.

Cinegy GmbH, the premier provider of media technology and production solutions, has announced the opening of a new office in Istanbul - Cinegy Medya A - in order to provide faster and higher quality customer services to its business partners, system integrators and customers in the local region.

Cinegy's extensive customer base in Turkey includes the area’s largest media groups, training institutions and corporate customers. In order to respond to the ever-changing and developing workflow and transformational needs of these customers, Cinegy has put together a local team of experienced technical and sales personnel.

Cinegy GmbH Manager Director Daniella Weigner says: "We decided to open a local office in Turkey as it’s always been at the forefront of new technologies, research and practice for us and we’ve helped carry out a number of comprehensive and important projects there. We’re proud to have Murat Küçüksaraç heading up Cinegy Medya A as Chief Operating Officer who is building an innovative and experienced team. We are excited about this new structuring and the opportunities it will bring."

Gravity Media, a leading provider of outside broadcast trucks and flyaway production kits, is building further systems in preparation for premier sporting events in 2020, including a major football competition in Europe. Central to the new flyaway kits is the Platinum™ IP3 router from Imagine Communications.

The key to success in building flyaways is to create a system which provides all the resilience and reliability needed for live broadcasting, but in a compact footprint. As the name suggests, these often have to travel by air freight to meet deadlines, where additional space and weight can be prohibitively expensive.

“We picked the Platinum IP3 because we know it is reliable — we know what it does,” said Peter Newton, technical and operations director at Gravity Media. “Because of the established partnership with Imagine, we knew that we would get good support if we need it, and we will get ample utilization of the equipment. It is a good solid product that does what it says it will.”

Gravity Media has used equipment from Imagine Communications for over 15 years, which has established Imagine as a trusted partner. When it came to choosing routers for the new flyaways, Gravity Media compared all the popular models on the market, but was confident in selecting the field-proven Platinum IP3. The new flyaways will use both the 15RU and 28RU routers.

The key project for which these flyaways are designed requires support in 12 locations over a four-week period in June 2020. The kits will provide live production functionality. The Platinum IP3 routers incorporate integral multiviewer technology, reducing space in the racks and simplifying setup. The order also includes a number of modules from Imagine’s Selenio 6800+™ processing range, along with Magellan™ router control panels.

“While the headlines are about the transition to IP, it is important to remember that a lot of broadcasters and production companies need to extend and enhance existing, SDI-based systems,” said Mathias Eckert, SVP & GM EMEA/APAC, Playout & Networking, at Imagine Communications. “Because of our close partnerships with major operators like Gravity Media, we clearly understand the need for high-functionality, high-reliability SDI solutions, as well as IP technology, and we are committed to supporting our customers for as long as they need SDI, as part of our ‘your path, your pace’ approach to the IP transition.”

For more information about Imagine Communications’ products and solutions, please visit https://www.imaginecommunications.com.