As part of a strategy of continuing investment to track with the latest market requirements, Finepoint Broadcast, a leading UK dry hire provider of production and OB equipment to the global marketplace, has announced the further addition of a range of Canon lenses to its hire stock portfolio.

The additions include the standard Canon CJ24, plus the Canon CJ45 and large UJ90 lenses (UHD DIGISUPER).

Finepoint Broadcast Hire Manager Clive Northen said, “Finepoint has not seen the disruptive business peaks and troughs of recent years that have been so prevalent in various broadcast sectors. To the contrary, our growth has been steady and continuous, due in part to our continual evaluation and investment in technologies, such as these Canon lenses, that provide a direct benefit to our customers.”

Finepoint Broadcast Chief Engineer Andrew Mckenzie said, “The Canon CJ24 is an acclaimed telephoto lens with a 24x broadcast zoom and a focal length of 7.5-180mm that offers 4K performance that is ideal for on-the-shoulder newsgathering. The ultra-high zoom CJ45 is packed with innovative, class-leading technology that is perfectly suited to wildlife and live-sport deployments.

And with a 90x zoom, 9-810mm focal length, and image stabilisation that's fully compatible with 2/3" 4K cameras and broadcast environments where HDTV is currently in use, the Canon UHD DIGISUPER 90 lens is perfect for expanding Finepoint Broadcast’s 4K lens range.”

As San Jose, California-area WestGate Church expanded beyond its original Saratoga campus to multiple satellite locations, live video became a vital enabler of its ongoing growth. Looking to improve picture quality and production flexibility for its multi-site broadcasts, the church purchased two Z-HD5500 HDTV studio and field production cameras from Hitachi Kokusai Electric America, Ltd. (Hitachi Kokusai)and has been delighted with the results.

May 30 marks the 2019 kick-off for Cine Gear Expo at Paramount Studios in Hollywood.

The Expo opens with the Film Competition screenings on Thursday, in Paramount’s Sherry Lansing Theatre. Winners will receive prizes like cameras, lighting, support, and accessories thanks to the generous donations of the Film Series Sponsors.

The ‘down-the-lens’ interview is quite commonly seen in documentary programmes where the subject is talking directly to the camera rather than to an unseen person off-camera. This very powerful technique is performed using a two-way mirror box setup, which allows the subject and interviewer to see each other via the mirror and maintain a natural, relaxed conversation without the distraction of the camera lens and crew.

CVP, the leading broadcast and professional video solutions provider in the United Kingdom and Europe, has developed a sophisticated yet easy-to-use online tool that offers a visual representation of coverage of lenses when paired with various sensor formats, and different cameras using the same lens. This useful tool, which can be seen in the CVP Creative Experience at BSC Expo 2019, gives filmmakers a first indication of the camera equipment that may – or may not - suit their project.

Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced the pricing and availability of the highly anticipated Sports line addition announced at Photokina – the new flagship large-aperture telephoto zoom Sigma 70-200mm F2.8 DG OS HSM Sports. The new lens to complete the Sigma F2.8 zoom trio, including the award-winning 14-24mm F2.8 DG HSM Art wide-angle zoom and the 24-70mm F2.8 DG OS HSM Art modern workhorse zoom – the essential tools for professional photographers, will begin shipping in Canon mount in late December for $1499.00. The advanced optical formula delivers the renowned Sigma Art image quality inside the rugged, weatherproof build of a Sports lens.