When Graham Sheldon got the call from showrunner Johnny Fountain to be his DP for Remote Production on the new Behind Every Man series, he was up to the challenge. Sheldon’s technical background, and his willingness to try new and potentially un-proven shooting methods made him uniquely capable of professionally capturing the interview-heavy docu-series amid COVID-19 restrictions.

Behind Every Man shines the spotlight on the strong black women behind famous men, focusing on the passions, struggles and sacrifices they have endured to support the men they love. Hosted by Melody Holt, featured couples include: Tammy and Kirk Franklin; singer-songwriter Ne-Yo and his wife Crystal Smith; Wyclef Jean and Marie Claudinette, Usher and his mother Jonnetta Patton, and many more.

AJA Video Systems has released Ki Pro GO v3.0 firmware, introducing expanded recording options for its multi-channel H.264 recorder and player with new network-based recording and support for SMB protocols via GigE network connectivity.

Remote Recording Network (RRN), Riedel Communications, TV Skyline, The Black Project, and 13 other partners collaborated in the production of a landmark virtual live event on Nov. 22-23 that brought together teams working remotely across four countries and three continents. Headed by Peter Brandt, CEO of RRN, the show represented the first-ever fully decentralized production of a live, global music event.

Viewers across Germany will continue to enjoy shopping from the omnichannel auction platform 1-2-3.tv via SES ASTRA 19.2 degrees East. Under a new long-term partnership agreement, 1-2-3.tv will continue broadcasting its SD and HD live auction programme on SES satellites.

Magewell has begun shipping the newest decoder models in its Pro Convert family of low-latency video-over-IP converters. Available immediately, the Pro Convert for NDI® to SDI and Pro Convert H.26x to SDI transform live, IP media streams into high-quality SDI outputs for connection to monitors, projectors and legacy production equipment.

Dejero has been key to US Sports Network FOX Deportes’ ability to keep its station thriving during the ongoing COVID-19 pandemic, which forced the broadcaster to vacate its Los Angeles headquarters and quickly move to a ‘work-from-home’ workflow. In under a week, FOX Deportes was able to deploy a temporary production control room (PCR) in the garage of its director of operations. They also installed seven mobile broadcasting flypacks at the homes of key on-screen reporters, all centering around Dejero technology for the creation of top quality live video content.

Magewell is proud to announce that the company's 4K Pro Convert NDI® encoders have been chosen by online video professionals as winners of a 2020 Streaming Media Readers' Choice Award. The low-latency converters, which enable users to easily and reliably bring traditional HDMI or SDI video signals into IP-based media workflows, were honored in the 'Hardware Input Devices for Live Production' category.

Fatman, from the writing/directing Nelms Brothers team and their long-time cinematographer Johnny Derango is not your typical heartwarming Christmas movie. This action-packed tale tells the story of a precocious 12-year-old who, after receiving a lump of coal in his stocking, hires a hitman (Walton Goggins) to take revenge on Santa Claus (Mel Gibson).

YoloLiv, the creators behind YoloBox Live Stream Studio today announced a new partnership with DigiBox in the UK and Ireland.

YoloBox is an all in one encoder, switcher, monitor and recorder, allowing users to live stream full HD multi camera content from anywhere, to anywhere. YoloBox revolutionises the way users acquire, produce and share live streaming content, offering simultaneous cross platform delivery to major social channels including Facebook Live, YouTube and Twitch in addition to RTMP over conventional internet links or 4G.

When Gene Martin, owner of Audio Department and Sound Guy Solutions, was presented with a “technical nightmare” for a commercial client in the early days of COVID, his sound mixer gears started turning. With scenes being shot in separate areas around the U.S., Martin had to juggle as many as 10 different drop kit audio packages at a time. As he was on-location with the main crew in California, he also had to account for remote workflows as well as social distancing protocols. He selected DPA Microphones’ just-released 4097 Micro Shotgun and MMA-A Digital Audio Interface for the job.