At NAB 2022 ZEISS will show their high-end cine optics including the US introduction of the new wide 15mm T1.8 lens which completes the 14 lens Supreme Prime set. Attendees can also experience the Supreme Prime Radiance family, known for its ability to produce stunning blue flares. Glass enthusiasts can also check out the CZ.2 full-frame Cinema Zooms and CP.3 cinematography lenses as well as an array of optics for videography. 

ZEISS Cinema Americas and Women in Media celebrate Women's History Month with the new Altitude Awards. These Awards honor the technical and artistic achievements of creatives who are making meaningful, well-crafted stories in the camera and lighting departments. The competition is open to professional and student WIM members working as cinematographers, camera operators and gaffers. First prize is $3000 cash and a full week use of ZEISS Supreme Prime or Supreme Prime Radiance lenses.

ZEISS introduces the Supreme Prime 15mm T1.8 to complete the successful Supreme Prime lens set, renowned for outstanding quality, light weight, and cinematic look. The 14-piece cine lens series ranges from 15 to 200mm with maximum apertures of T1.5 to T2.2. ZEISS covers a full range of focal lengths in demand by cinematographers from around the world.

Chyron recently announced two key promotions to further drive the vision of multifunctional, flexible, scalable platforms and seamless workflows based on robust data and asset management.

Chyron today announced the 4.3 release of the PRIME Platform, which features a full suite of production capabilities including live graphics, production switching, video walls and scaling, touch screen control, branding, venue control, and augmented reality. Version 4.3 of this flexible, scalable platform introduces the new PRIME Edge module for creation, deployment, and management of viewer-controlled interactive graphics. Working with PRIME Edge, designers can use the same familiar PRIME Designer interface to create graphics with interactivity that allows viewers to determine what they see, whether watching sports, elections, financial news, lifestyle shows, or other programs.

Responding to customer needs and demands, Chyron is heavily focused on providing solutions that are flexible, offering multiple functionalities for the customer to utilize as needed. All PRIME Live production tools are software-based and may be cloud- or hardware-deployed, making them scalable for production demands.

NBC Sports has selected Chyron to provide systems for live, on-air graphics with integrated data as well as systems to drive graphics displays to studio video walls for its production of the XXIV Olympic Winter Games, from Beijing, China, February 2-20. The announcement was made today by Darryl Jefferson, VP of Post Operations and Digital Workflow, NBC Sports & Olympics, and Ayhan Rob Ulke, Vice President of Strategic Accounts, Chyron.

Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for Natalie Morales' film Plan B. This road movie, now streaming on Hulu, follows a pair of teenaged friends during a day-and-night search for emergency contraception. To support the production design filled with rich night exteriors, Valde-Hansen chose ZEISS Supreme Primes to shoot large format at wide apertures on the Sony Venice camera.

Dejero EnGo mobile transmitters and the Dejero GateWay network aggregation solution played a crucial role in the connectivity infrastructure behind the live stream of Amazon Prime’s launch event for its new Italian fantasy series The Wheel of Time, to its Twitch and YouTube channels.

Caton Technology, a pioneer in next-generation IP network transport, provided high performance, low latency delivery of games in the 2021 Women’s International Champions Cup (WICC) to enthusiastic audiences in China. Caton used its CatonNet Video Platform (CVP) to establish a bespoke transmission path from the event’s world media hub in London to Hong Kong and Sina Weibo.