Mo-Sys™ Engineering, (www.mo-sys.com), world leader in virtual production and image robotics, has supplied the brand-new Mo-Sys VP Pro XR extended reality server as well as StarTracker camera tracking to ARRI for its new studio in Uxbridge, west of London, making them the first user of this innovative technology.

To accommodate today’s preponderance of video streaming, DoPchoice now offers the patented Snapbag®softbox and Snapgrid®20/30/40/50-degree grids to pleasingly soften and direct the output of the industry’s respected Cameo® F-Series Fresnels.

Markus Förderer, ASC, BVK doesn’t take chances on set. He considers shooting days precious so he rigorously tests new gear, new moves and new ideas long before he gets to set. “Shooting days are there to shoot” he says, “not to set up and light,” so he comes to the set prepared.

Prism Sound audio conversion equipment is playing a key role in a marathon restoration project that will see 233 analogue master tapes converted into useable digital WAV. files.

The tapes belong to Good Time Records (GTR), an international catalogue owner and label with offices in the UK and US (Nashville). Content included in these tapes comes from the Crash, Satril and Catawba labels, all three of which were formerly administered by the Henry Hadaway Organisation (HHO), a company established in 1969 by Henry Hadaway MBE.

HHO became an innovator in the independent record label sector and it achieved great success during the 1970s and 1980s with artists such as The Sandpipers, The Rockin’ Berries, Kenny Lynch, Frankie Vaughan, Lyn Paul (ex-New Seekers), The Tweets, Marvin Gaye, Wilson Picket, Brook Benton and Jackie Moore. GTR, which regularly buys vintage catalogues, acquired the Crash, Satril and Catawba labels in 2020 as part of a multi-label catalogue deal.

The masters currently being restored comprise the recording archive of the former Satril Studios in North London. Among them is The Birdie Song by The Tweets, which sold over 1.6 million copies in the UK alone.

The digitization of GTR’s archive is being undertaken by sound engineer Graham Joiner, who runs a specialist audio restoration company in Brentwood, Essex. His studio is equipped with three Prism Sound Titan audio interfaces, which were specifically acquired to tackle the GTR project.

DoPchoice introduces two new Snapbags® especially created for single tube Helios and Titan lights from Astera. Made to give filmmakers maximum control of their lighting, both premiere similar groundbreaking softbox benefits including intensified output, adjustable beam spread, simplified pack-up, and an easy track mounting system—all in a lightweight Snapbag.

DoPchoice now offers light directing tools to work with Aputure’s just-launched LS600D LED fixture. To complement this daylight-balanced point source, DoPchoice has designed two new Snapbag® softboxes to directly fit the light’s Bowens mount as well as a Double Bracket which enables a pair of 600D fixtures to accommodate other Snapbags.

LED lighting is in. The technology is moving fast and DoPchoice is staying ahead of the curve with new creative tools to make the most of the Rotolight Titan X1 and Velvet Kosmos fixtures.

Mo-Sys Engineering, a world leader in precision camera tracking solutions for virtual studios and augmented reality, took a central role in the Covid-safe production of a live online entertainment awards show. Normally held in a stadium venue, this year production company and media technologists Bild Studios used virtual reality with the intent of keeping the same scope and excitement as any physical show in the past.

To coincide with the release of the new Creamsource® Vortex8, DoPchoice offers new versions of their popular Snapbag® and Snapgrid® light controllers to fit and complement this new lighting technology.

DoPchoice is now delivering a new range of Snapbag light control tools, custom designed for the ARRI Orbiter LED fixture. Each interface directly with the new ARRI QLM mount for quick, secure installation.