VuWall Will Debut the New ControlVu Touch Panel and Demonstrate the TRx Centralized Multivideo Wall Management Platform, VuScape Video Wall Controller, and VuStream Encoders and Decoders

MONTREAL — Jan. 21, 2020 — VuWall, a leader in video wall control systems, will be showcasing intelligent video wall and visualization solutions that allow operators and managers to "control what they see" on its booth (15-K250) at Integrated Systems Europe (ISE) 2020. The company will debut its new ControlVu touch panel and showcase the new security features, capabilities, and flexibility of the powerful TRx centralized multivideo wall management platform; VuScape video wall controllers with KVM support; and VuStream encoders and decoders.

"Control rooms are not only becoming a necessity for organizations of all sizes and missions, operators are also requiring on-demand access to a robust array of AV and IT sources," said Paul Vander Plaetse, CEO at VuWall. "Our ecosystem of interoperable products provides the most effective distribution of any sources to any display surface throughout entire organizations. At ISE 2020, we'll demonstrate how VuWall seamlessly bridges AV and IT for an easy and intelligent way to control and manage any video wall deployment."

Fans watching live broadcasts of MotoGP races in Austria have been given an exclusive opportunity to personalise their viewing experience thanks to pioneering broadcast technology developed by Austrian solutions provider NativeWaves GmBH.

NativeWaves collaborated with Red Bull Media House to debut this exciting innovation at the Austrian MotoGP in Spielberg. Fans watching broadcast coverage on Austria’s ServusTV have been able to download a free MotoGP 2nd Screen App and use this to select their preferred perspective from various camera views on their mobile devices. This allows viewers to watch all the action perfectly synchronised across multiple screens. This innovation was available for all races following the Austrian MotoGP.

NativeWaves utilized the Amazon Web Services (AWS) cloud service portfolio to bring this groundbreaking experience to viewers. AWS CloudFront was used to distribute the content and achieve scale, while various other AWS services contributed towards easy development and management of this operation. Starting from managed database services to serverless solutions, AWS provided dependable cloud services to ensure the success of this project.

Marcel Hasenrader, CEO, NativeWaves, says: “NativeWaves technology answers a problem that the industry has faced for many years and we are delighted our solution allows broadcasters to engage viewers by offering additional content seamlessly across multiple devices.”

The AVer EP65 is an interactive flat panel featuring Zoom Rooms integration to go along with the latest AVer camera and audio technology, this 65” display can transform any meeting room into a streamlined collaboration hub for both video conferencing and face-to-face brainstorming. The EP65 allows users to interact, take notes, annotate on a shared screen and enable split-screen multitasking.

There’s no need to connect external devices to make a video call, as it comes equipped with a 4K camera with Sony Exmor™ 4K CMOS sensor, 13-element microphone array, and PC module powered by a Windows 10 IoT Intel i7-7700 Processor for true all-in-one capability. The EP65 is a cinch to set up; simply plug in one power cord and enjoy an extremely intuitive user experience in seconds.

Features 4K P-CAP touchscreen with 20 touch points, made of level 7 MoHS toughened glass that is resistant to glare and fingerprints. Users can mount the EP65 on the wall or affix it to a mobile rolling stand to take its powerful features all over the office and create a truly agile workplace.

MIRRAD supplies two Avolites consoles for Ben Everett’s design for producer, songwriter and performer’s headlining tour

A lot has happened in Maggie Rogers’ world since 2016, when a video of her demoing a then-newly-recorded song, “Alaska,” for Pharrell Williams at NYU went viral. Following opening slots on major tours with both HAIM and Mumford & Sons last year, Rogers dropped her own major label debut, Heard It in a Past Life, this past January, which charted in the second highest slot of the Billboard 200. Consequently, the artist has spent much of 2019 on the road in support of the album, performing a sold-out fall headline tour in such iconic venues as Nashville’s Ryman Auditorium, Berkley’s Greek Theatre, and New York City’s Radio City Music Hall.

The “look and feel” of Rogers’ tour this year has been a collaborative effort between the artist and Lighting Designer Ben Everett, who first started working with her when he lit Rogers’ first-ever show in London two years ago. Having toured with an impressive roster of bands over the past five years—including Bear's Den, The Jesus and Mary Chain, and The Dandy Warhols—Everett is now part of the UK-based MIRRAD team, which has been supplying a pair of Avolites Sapphire Touch lighting control consoles for Rogers’ 2019 worldwide trek.

Everett notes that he’s been using Avolites lighting consoles “pretty much since I started in the live music industry,” he shares. “I was lucky enough to learn on all of the early Titan software, and mainly used the Tiger Touch II and Quartz consoles to begin with. The features that kept me attracted to the desks at first were the ability to quickly create really impressive and intricate effects, and the user-friendly and multi-functional layout of the touchscreens. And while growing with the consoles over the years, the ease of being able to create cue stacks, key frame shapes, and pixel mapping really helps me in my day-to-day programming now.”

Mediability, Scandinavia’s largest professional equipment provider and systems integrator, has launched a new Graphics Workflow division to help customers implement their end-to-end graphics and branding projects. As part of the initiative, the company has also announced a new partnership with Singular.Live, and is now its primary partner in the Nordics for Singular.Live’s portfolio of interactive on-stream, on-device and on-demand graphic overlay products.

At IBC2019, nanocosmos will introduce new enhancements to its nanoStream Cloud end-to-end solution for ultra-low-latency (ULL) live streaming that enable a more interactive and engaging experience for end users, supporting a range of interactive business use cases such as iGaming, webcasts, and auctions. nanoStream Cloud features H5Live Player for plug-in-free, low-latency playback (about one second) on any mobile and desktop browser, including Safari on iOS; a scalable CDN with a global footprint; and advanced analytics and metrics that provide improved insights throughout the entire workflow to ensure a superior quality of service.

Stewart Filmscreen, the only two-time Academy Award®-winning manufacturer of professional projection screens and reference-standard projection screen materials for the audiovisual industry, today introduced the all-new Balón Edge. This new addition to the Balón series combines the best projection screen surface available with an ultra-thin frame, providing a minimalistic black border finish.

Stewart Filmscreen, the only two-time Academy Award®-winning manufacturer of professional projection screens and reference-standard projection screen materials for the audiovisual industry, today announced its product lineup for CEDIA Expo 2019, Sept. 10-14 in Denver. The long-acknowledged leader in quality and innovation will be featuring on-site demonstrations and showcasing its latest offerings in projection screen systems.