Studio Technologies introduces its new StudioComm Dante Audio-over-IP-enabled multichannel monitoring system, the Model 792 Central Controller and the Model 793 Control Console, at NAB 2020 (Booth C7049). The new system combines a robust rack-mounted main electronics unit with a desktop user control surface. The “fully-pro” signal path uses programmable logic to support both digital and analog audio. An extensive set of configuration features allow the system to support next-gen immersive formats including 5.1.4, 7.1.4, and 10.2.

Ikegami representatives head to the Dubai World Trade Centre in March for CABSAT 2020, the largest broadcast media show in the Middle East region. The exhibition together with its supporting conference and workshop will be held from March 31st through April 2nd. Highlights of the Ikegami exhibit on stand C4-20 will be the UHL-43 compact HDR camera which was shown in prototype at CABSAT 2019 and is now fully deliverable, the UHK-430 system camera with IP interface and the HQLM-3125X master grade video monitor.

The Ikegami UHL-43 is a compact HDR camera designed for applications such as robotic studios, outside broadcasting of live events, parliamentary television and point-of-view image capture.

Ikegami's UHK-430 is a 4K-native studio camera system with simultaneous HDR/SDR processing. Its three 2/3 inch CMOS sensors provide full 3840 x 2160 UHD resolution plus the depth of field needed for studio and outdoor production. The camera is equipped with a B4 bayonet mount compatible with 2/3 inch UHD and HD lenses. An optional SE-U430 expander accommodates large studio or OB lenses.

Ikegami's recently introduced HQLM-3125X is a 31 inch 4K-UHD master-grade monitor with 4,096 × 2,160 pixel 10-bit resolution and high brightness (1,000 candela per square metre).

GB Labs, innovators of powerful and intelligent media storage solutions for the media and entertainment industries, today confirmed that the specialist video production company, Kingdom Creative Studios, has installed GB Labs’ FastNAS F-16 Nitro storage system.

Kingdom Creative founder and Managing Director, Simon Harrison, said, “Our talented in-house team works closely with major brands¬ - primarily in automotive but rapidly expanding into new markets - to deliver powerful video content tailored to engage audiences on every platform, from television to social media.

“However, our expansion, coupled with the advent of 4K, multi-cam shoots and the increasing demand for rapid turnaround, meant that we reached the practical limits of what our existing storage system could do. We had to find a better way to manage and operate storage.”

For the majority of its existence, Kingdom Creative had relied on what many still rely on today, i.e., storing video content on individual drives, backing them up, and walking them up and down corridors or transferring them via couriers.

“As we began taking on larger and more complicated projects,” said Kingdom Creative Head of Creative Technology Ben Treston, “especially when collaboration between editors became important, it turned out that the old methods were no longer viable. Today, we have multiple editors working on many pieces of content from the same project. You can’t share individual hard drives and meet today’s expectations for speed and reliability in those types of scenarios.”

The FastNAS F-16 Nitro system meets those objectives for speed, reliability and value in shared storage. Unlike other NAS products on the market, FastNAS is purpose built to sustain heavy workloads and provide stable and reliable performance, based on best of breed technology exclusively developed in-house, and is comprised of a high-performance unit with unique hybrid disk technology, powered by GB Labs’ proprietary CORE.3 OS.

GB Labs CEO-CTO Dominic Harland said, “Kingdom Creative emerged from a motorsport world built for speed, and that’s what modern shared storage has been engineered to deal with. FastNAS F-16 Nitro easily accommodates the need for speed – and safety – when dealing with fast turnarounds and sharp bends.”

GB Labs, innovators of powerful and intelligent storage solutions for the media and entertainment industries, today announced that M for Media, an Abu Dhabi-based media production house that produces TV shows and adapts international formats for the GCC and MENA region, has installed GB Labs’ FastNAS shared storage system.

M for Media’s Andre Aouad said, “I first heard about GB Labs from the creator of MIMIQ for Avid systems, who forwarded some information that he thought would interest me.

“It did, particularly because, at the time, we had no existing storage and it was rapidly becoming a problem because of the volume of work we were taking in. You can’t keep running back and forth with arms full of hard disks. It’s unproductive, and it was beginning to show. However, GB Labs soon came up with the ideal solution.”

Supplied and installed by partner, MediaCast, the GB Labs FastNAS F-16 Nitro system installed at M for Media can be accessed by up to 10 users of Avid Media Composer, simultaneously if required.

As leaders in intelligent storage solutions, GB Labs recently introduced even more acceleration for FastNAS storage systems with the introduction of new 25 GbE connectivity.

GB Labs CEO-CTO Dominic Harland said, “Ultimately, the engine of the newly 25 GbE-enabled FastNAS is our powerful CORE.4 OS, an ultra-high-performance operating system that serves media files with intelligence layers that deliver high stability and unparalleled quality of service. We are delighted to have been referred to M for Media by acknowledged experts, which is further evidence of our growing reputation for excellence.”

According to Aouad, “Recognising that we needed to make a change, we had made numerous enquiries for recommendations for a shared storage system and felt that GB Labs offered the best value and highest performance ratio versus any other solution on the market. Once we had taken the decision, we were up and running with FastNAS very quickly and the benefits we expected were almost instantly felt.

“We have had a very positive experience with FastNAS and are already looking forward to working with GB Labs on future projects.”

FastNAS media production storage systems are available in a range of configurations, including FastNAS F-8 Nitro Studio; FastNAS F-8 Nitro; FastNAS F-16; FastNAS F.16 Nitro and FastNAS F-16 Nitro MAX.

For more information, visit www.gblabs.com

Digital Video Group (DVG) recently installed and commissioned a Calrec Brio 12 digital broadcast audio console as part of a brand-new broadcast studio project for NBC Virginia affiliate, WSLS. The Brio was selected by WSLS and DVG for its powerful and comprehensive feature set and audio quality.

“We typically spec Calrec for our high-end installations because the company offers great support as well as quality equipment,” says Alex Martin, CEO, Digital Video Group. “We went with the Calrec Brio 12 because we knew it would act as a bridge between the studio’s analog equipment and digital gear. Since the system and the production control room are automated, a large traditional audio mixer wasn’t required for this project.”

While the focus was on automation, the Brio gives the studio a physical interface where users can manually operate it, if required. The fact that the Brio can use both MADI and Dante was also an important capability for the WSLS project. Installing the Calrec console, using multi-channel digital audio with a Ross router, expedited setup and required less than six cables, where it was once necessary to use dozens.

Gravity Media, the leading global provider of complex live broadcast facilities and production services to content owners, creators and distributors, has agreed the long-term licensing of Stage 5 at Docklands Studios Melbourne. The 750m2 sound stage is equipped for entertainment, game, panel, lifestyle, live-audience television shows, commercial shoots and events. The decision to take on the large site is part of Gravity Media’s plan to extend its local service offering and also meet growing demand for high-end studio space from content creators.

A key attraction with Stage 5 is its location, just five minutes from the centre of Melbourne, which is widely considered the screen and arts capital of Australia. The facility is ideal for all types of productions. It can hold an audience of up to 400 people and has many of the features of a traditional television studio with a sound attenuation of 50dB(a), motorised lighting hoists, silent air-conditioning and a super flat epoxy floor for camera pedestals. It also comes with eight dressing rooms, an audience holding area and production space.

Custom Consoles announces the completion and installation of eight control desks and a large MediaWall monitor display support system for NEP Media Solutions BV. Located in the master control room at the company's studios in Hilversum's Media Park, the desks are configured in front and rear rows for use by up to six and four operators respectively.

"The desks are similar in style and colour scheme to a suite we produced in early 2018 for another NEP television studio facility," says Custom Consoles' Sales Manager Gary Fuller. "The forward desk centres on a dual-operator bridge with a total of eight forward-sloping 4U equipment pods. This is constructed as a rectangular unit with space for two operators. Left and right of the bridge are two units of identical design to the bridge but angled to match the curve of the 13.9 metre wide six-frame MediaWall. The MediaWall itself is one of the largest we have produced to date, each of the six frames accommodating four 55 inch UHD displays to create an 11-wide by two-high screen array with two additional pairs of 32 inch screens."

Custom Consoles announces the completion and installation of eight control desks and a large MediaWall monitor display support system for NEP Media Solutions BV. Located in the master control room at the company's studios in Hilversum's Media Park, the desks are configured in front and rear rows for use by up to six and four operators respectively.

"The desks are similar in style and colour scheme to a suite we produced in early 2018 for another NEP television studio facility," says Custom Consoles' Sales Manager Gary Fuller. "The forward desk centres on a dual-operator bridge with a total of eight forward-sloping 4U equipment pods. This is constructed as a rectangular unit with space for two operators. Left and right of the bridge are two units of identical design to the bridge but angled to match the curve of the 13.9 metre wide six-frame MediaWall."

"The MediaWall itself is one of the largest we have produced to date, each of the six frames accommodating four 55 inch UHD displays to create an 11-wide by two-high screen array with two additional pairs of 32 inch screens positioned to form vertical columns immediately left and right of the front-centre bridge desk. The result is a very elegant solution which can justifiably be termed state-of-the-art."

Blackmagic Design today announced that Grid VFX relied on Fusion Studio throughout its in house compositing pipeline to deliver newly released children’s animated feature, Latte & The Magic Waterstone.

Directed by Regina Welker, the team’s latest project ‘Latte & The Magic Waterstone’ involved the completion of more than 1,200 visual effects shots, including the complex compositing of background and foreground plates and CG render layers for 3D assets, lighting, procedural effects, and more.

“Latte was a huge project for us. It’s a feature animation with a limited budget, so we knew we had to work as efficiently as possible,” begins compositing supervisor at Grid, Laurens Bekaert.

“Fusion’s GPU accelerated render engine was amazing at being able to handle geometry and 3D space compared to alternative compositors. We could add smoke and particles behind our characters and see a good representation of how they would look in 3D instantly, without needing to re render.”

Altered Images, a leading UK supplier of visual communications technology solutions, has chosen Custom Consoles Module-R, M-Desk Technical and custom-designed studio furniture for a newly completed broadcast media training suite at Plymouth Marjon University.

The new resource includes a total of seven desks in an open plan configuration. Located on the former BBC South West villa site in Plymouth, it is equipped with all the facilities required for the university's courses in journalism and broadcast production. These include a four-camera TV studio, a TV news room and TV production gallery, a radio news room, radio studio and central apparatus room.

"The design brief we were given was to create a fully professional radio and TV production environment including latest-generation Dante IP networking", says Altered Images' Media and Broadcast Solutions Director Russell Butcher. "Custom Consoles desks are very widely used throughout the broadcast media industry so will be met by many students as they progress into their careers. The desks and equipment bays look good, are ergonomically comfortable and efficient, and are very long-lasting."