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Blackmagic Smart Videohub 40x40 - Image #1
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Blackmagic Smart Videohub 40x40

Switching matrix

Price: €1,500.00
Location: Spain
Condition: Ex-demo
Viewed: 65 times
Date Expires: 12/01/2020
Item ID: 211351

Switching matrix

Blackmagic Smart Videohub 40x40

Advanced switching matrix with 12G SDI technology that allows all kinds of signals to be distributed simultaneously in different definitions. It has 40 inputs and 40 outputs
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The End of the F***ing World Season Two Graded In DaVinci Resolve Posted: 07/11/2019
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Blackmagic Design today announced that CHEAT has continued its expansion with DaVinci Resolve Studio, adding a new HDR ready grading suite as well as a research and development lab.

This adds to CHEAT’s three preexisting grading suites, which include Linux machines with dual Intel Xeon E5-2600 v4 processors supported by four Nvidia GTX 1080Ti GPUs and the DaVinci Resolve Advanced Panel.

The first project to be realized through the new workflow is The End of the F***ing World season 2. Returning following the critically acclaimed first season, which has been nominated for BAFTA and Primetime Emmy Awards, the grade on series two was led by CHEAT’s owner and colorist Toby Tomkins.

“Season two was a challenge because it introduced a new director, new DPs and a new production designer. It was also our first Dolby Vision grade as a facility,” says Toby. “There was a lot of pressure to ensure we delivered to the same high standards expected of us from our work on season one.”

Tags: Blackmagic Design ,Blackmagic ,BMD ,DaVinci Resolve ,HDR ,Netflix ,Dolby Vision ,CHEAT ,Post Production
Submitted by Blackmagic design
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URSA Broadcast Captures Hit Chilean Television Series Amor a la Catalan Posted: 07/11/2019
URSA Broadcast Captures Hit Chilean Television Series Amor a la Catalan

Blackmagic Design announced today that Chilean production company, AGTV, incorporated a full Blackmagic Design workflow, including six URSA Broadcast cameras, to produce the hit television series “Amor a la Catalán” for Canal 13, the second oldest television station in Chile.

“Amor a La Catalán” is a romantic comedy series created and directed by acclaimed television director and producer, Vicente Sabatini, and telenovela producer and owner of AGTV, Pablo Ávila. Having premiered this summer on Canal 13 with a second season already in the works, the series tells the story of Fernando, a baker who hides a secret from his family for more than thirty years.

To bring the story to life with a higher production value while still staying on budget, AGTV decided to incorporate a Blackmagic Design workflow, starting with the URSA Broadcast cameras.

“We saw how Canal 13 used Blackmagic Design on ‘Runaways,’ and we wanted to recreate the workflow to achieve the same quality,” said Cesar Norambuena, operations manager at AGTV. “For ‘Amor a la Catalán,’ we had the URSA Broadcasts divided into two groups: unit one consisted of three cameras used as our main cameras in studio, and unit two consisted of two cameras used mostly for outdoor scenes. Our sixth camera functioned as a backup for the crew.”

By using three cameras at once in studio, Norambuena and the crew were often able to shoot scenes in one take, eliminating the need for reshoots to capture different angles or reactions from the actors. Unit two was set up for “grab and go” use, with the cameras’ batteries always charged, allowing the crew to grab them as needed to shoot outdoors.

Tags: Blackmagic Design ,Blackmagic ,BMD ,URSA Broadcast ,AGTV ,Chile ,Canal 13 ,Amor a la Catalan
Submitted by Blackmagic design
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Koreas Esports VGS Arena Built Using Blackmagic Design 12G 4K Workflow Posted: 07/11/2019
Koreas Esports VGS Arena Built Using Blackmagic Design 12G 4K Workflow

Blackmagic Design today announced that VSGame, a Korean eSports content creation and online streaming company, built a 4K eSports game live streaming and broadcast system using URSA Broadcast cameras, ATEM 4 M/E Broadcast Studio and a number of other Blackmagic Design products. The system was installed at Korea’s famous esports VSG Arena, which now is also the first full 4K end to end eSports arena in Korea.

This Blackmagic Design centric streaming and broadcast solution was adopted by VSGame to produce live event coverage and regular eSports entertainment content. It is used for tournaments for some of the world’s biggest games, such as Starcraft, Dungeon Striker, Dragon Next and PUBG, as well as for smaller gaming sessions and meetings.

The arena will also be used to deliver regular eSports entertainment content profiling VSG Arena’s own eSports team, ‘Actoz Stars,’ and the games their evolving roster of eSports athletes are training for and competing in.

To meet the various needs of the arena, VSGame had to design a 4K workflow that could easily be adjusted to fit whatever type of stream or audience using the facility.

VSGames chose a workflow including four URSA Broadcast Cameras, an ATEM 4 M/E Broadcast Studio 4K paired with an ATEM 2 M/E Broadcast Panel and an ATEM Television Studio Pro 4K for video switching, an ATEM Camera Control Panel, HyperDeck Studio 12G broadcast deck, Smart Videohub 12G 40x40 router, Teranex AV converters, SmartView 4K monitor, ATEM Talkback Converter 4K, Blackmagic Audio Monitor and Teranex Mini Converters.

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ATEM Constellation 8K Used For Live Production At Country Musics WE Fest Posted: 07/11/2019
ATEM Constellation 8K Used For Live Production At Country Musics WE Fest

Blackmagic Design today announced that its ATEM Constellation 8K live production switcher was used as part of an Ultra HD 12G-SDI and fiber live production workflow at WE Fest, the largest country music festival in the United States and the longest running in the world.

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, in August 2019 with performances from stars such as Chris Stapleton, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

The ATEM Constellation 8K is the heart of a new flypack from Pennsylvania based full service video production company Upstage Video, which also includes Blackmagic Design’s Smart Videohub 12G 40x40 router, ATEM 2 M/E Broadcast Panel and more. Built specifically for the concert touring and music festival industry, the Ultra HD 12G-SDI and fiber flypack was responsible for switching and video distribution for WE Fest’s two 17’ x 27’ on stage screens and 12’ x 21’ front of house screen, as well as for closed circuit distribution and simulcasts in the VIP campsites and vendor areas.

“What’s unique about this flypack is that its modular design allows it to break into three racks with the director’s rack sitting front of house,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. directors typically sit front of house so they can see lighting, etc. However, in the U.S., we’ve been seeing a trend where more and more directors prefer front of house because they want to have the energy from the show and the audience, which is hard to get backstage. It was important for us to develop a flypack that could easily provide a front of house director position with engineering backstage.”

Tags: Blackmagic Design ,Blackmagic ,BMD ,Live Production ,Festival ,ATEM Constellation ,Ultra HD Flypack ,WE Fest ,ATEM
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Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die Posted: 07/11/2019
Chimney Uses DaVinci Resolve Studio for Real-Time Collaboration on The Dead Dont Die

Blackmagic Design today announced that Chimney relied on DaVinci Resolve Studio to collaborate in real time across its New York, NY, and Gothenburg, Sweden, locations while delivering visual effects (VFX) for the hit zombie movie “The Dead Don’t Die.” The international post production company also used Fusion Studio for select VFX work on the film.

“The Dead Don’t Die” follows the peaceful town of Centerville as it finds itself in a battle against the undead as zombies begin to rise from their graves. Directed by Jim Jarmusch, the zombie comedy stars Bill Murray, Adam Driver, Chloë Sevigny, Tilda Swinton and more.

The Chimney team produced more than 300 VFX shots for the film, with work happening simultaneously at its New York and Gothenburg locations. With Jarmusch and the film’s DP, Frederick Elmes, located in New York, Chimney needed to be able to collaborate in real time across locations so both teams could work closely with the filmmakers to discuss and implement changes during the VFX process.

“Since this film was Jim’s first VFX heavy project, we wanted to ensure that he felt comfortable and connected to the team throughout the entire process,” explained Chimney’s VFX Supervisor Sam O’Hare.

Chimney turned to DaVinci Resolve Studio’s collaboration capabilities for its ability to review EXR sequences in real time.

Tags: Blackmagic Design ,Blackmagic ,BMD ,DaVinci Resolve ,Resolve ,Fusion ,Post Production ,Chimney ,Filmmaking ,Zombies
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Astro Design Uses DeckLink 8K Pro for Real-Time 8K Camera and Lens Measurement System Posted: 07/11/2019
Astro Design Uses DeckLink 8K Pro for Real-Time 8K Camera and Lens Measurement System

Blackmagic Design announced today that Astro Design, a Japanese manufacturer specializing in 8K product design, is using Blackmagic Design DeckLink 8K Pro as part of their new real time modular transfer function (MTF) measurement system. The new IP-8030 was developed with NHK’s technological collaboration and will be used by broadcasters to test 8K products and systems.

Astro Design is a Japanese manufacturer specializing in real time high speed digital signal processing and have a number of 4K/8K products. Their new IP-8030 will help broadcasters measure the resolution characteristics of the whole system including cameras and lenses by using the DeckLink 8K Pro to capture 8K feeds and feed them into the computer for testing. This will give TV stations, product manufacturers and rental houses the ability to test 8K workflows and products in real time.

Jin Sato, leader of business strategies department at Astro Design, spoke about how they developed this system: “What kind of camera should I choose? If attaching a lens and other accessories to the camera, would the resolution really be secured? These kinds of things are all done up to now by the eyes of someone experienced. There has been a demand for digitizing such ambiguity. Especially for high resolution cameras, people demand such standards.”

There has been a way to measure MTF, but it was very difficult to adjust framing and not real time analysis. “With DeckLink 8K Pro implemented in the system, you can capture 8K footage directly and measure it in real time while operating a lens.”

Tags: Blackmagic Design ,Blackmagic ,BMD ,NHK Corporation ,8K ,Astro Design ,DeckLink ,DeckLink 8K Pro
Submitted by Blackmagic design
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AfricaCom sees Simplestream demonstrate most efficient route to next-generation video services Posted: 06/11/2019
AfricaCom sees Simplestream demonstrate most efficient route to next-generation video services

 

Simplestream, the leader in live, live-2-VOD and on-demand OTT services, announces that AfricaCom (Cape Town, 12 – 14 November, 2019) will see the unveiling of its upgraded App Platform, a fully customisable, end-to-end service proposition optimised for Africa’s Telcos, Broadcasters and Content Owners.

“Our approach has always been to enable broadcasters, content owners and telcos to launch innovative services with the minimum CAPEX and OPEX, making services viable from launch,” said Dan Finch, Chief Commercial Officer of Simplestream.

“In the last 2 or 3 years we’ve seen operators in Africa understand the benefits of this approach. At this year’s AfricaCom, we are once again looking forward to showing the industry how our award winning App Platform and video workflow solutions enable the regions operators and content owners to provide fast to market next-generation mobile-centric video services,” concluded Finch.

The App Platform is configured within the award winning Simplestream Media Manager CMS, offering a white-label OTT solution that encompasses multi-channel live simulcasting, live-event streaming, catch-up, VOD, EPG display, cloud DVR, security, CDN switching and configuration and secured downloads. The solution includes a multi-platform application framework, OTT workflow, account management, billing, analytics and 24/7 technical support provided by Simplestream.

Tags: AfricaCom ,Simplestream ,OTT ,Live Video ,VOD ,Live-event ,Cloud DVR ,CDN switching ,TVOD ,SVOD
Submitted by Staff
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Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design Posted: 29/10/2019
Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design

Blackmagic Design today announced that Teleclub, Switzerland’s leading Pay TV network, has implemented an UltraHD video playout system, built around a Blackmagic Design 12G infrastructure, to support an increased volume of linear and pay per view (PPV) live sports channels.

The network recently expanded its output to offer more than 83 channels, including eight in Ultra HD, broadcasting in German, French and Italian, and covering a wide range of sports including top flight European and national football leagues, ice hockey and others via its IPTV platform.

“We needed to double Teleclub’s capacity to feed additional HD and UHD PPV channels, studio production facilities, as well as additional commentary and graphics elements,” explains Remo Val, system and software engineer, Teleclub. “When we considered our UltraHD requirements, it was clear that a single link 12G-SDI network would ensure we had enough capacity in our server rooms and keep cabling and signal distribution hubs as streamlined as possible.”

18 ATEM 4 M/E Broadcast Studio 4K have been installed, with each one serving two of the HD or UltraHD channels, with a separate M/E attributed to each channel. Each switcher is paired with a video/CG server, developed inhouse at Teleclub using DeckLink Quad 2 capture cards and Caspar CG, for live video playout.

Tags: Blackmagic Design ,BMD ,Blackmagic ,ATEM ,Live Sports Broadcasting ,Broadcast ,Ultra HD ,Video Playout
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Switch Media Unveils Cost-Effective Fast-to-Market OTT Platform MediaHQ Lite Posted: 16/10/2019
Switch Media Unveils Cost-Effective Fast-to-Market OTT Platform MediaHQ Lite

Switch Media, a world leader in online video technology, is announcing the launch of MediaHQ Lite. This is an end-to-end OTT platform that provides a comprehensive feature set at a cost-effective price point allowing an OTT service to be delivered swiftly. MediaHQ Lite keeps complexity to a minimum while satisfying core OTT requirements, reducing overheads and providing the opportunity to test new ideas with minimal budget.

Premium OTT services have become complex and fragmented. Many broadcasters and content owners struggle with bespoke integrations, finger pointing between vendors, the high costs of app development and progressively increased overhead costs. MediaHQ Lite is aimed at new OTT offerings where time-to-market is critical, and budgets are realistic. The platform provides the ability to extend reach, free up operational resources and adapt to the changing OTT landscape and consumer expectations.

Using MediaHQ Lite, an OTT service can be launched quickly and easily without any kind of customisation. Users simply rebrand according to their own brand guidelines. Features include secure VOD and live streaming with DRM, a global CDN service, analytics reports, comprehensive metadata, high definition ABR encoding and use of the Switch Media applications, or their own apps if they have them. What really sets MediaHQ Lite apart is a full featured server-side ad insertion integration with AdEase providing uncompromised addressable ad experiences.

Tags: MediaHQ Lite ,Switch Media ,online video ,encoding ,VOD ,SSAI ,ad insertion ,OTT
Submitted by Jump PR Ltd
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Going the extra mile: The Switchs extensive network reach in China delivers Hengshui Lake International Marathon to global audience Posted: 15/10/2019
Going the extra mile: The Switch and rsquo;s extensive network reach in China delivers Hengshui Lake International Marathon to global audience

The Switch, the platform for the production and global transmission of live video, was pivotal in delivering uninterrupted live linear TV broadcasts and online streaming of the ninth Hengshui Lake International Marathon in September, leveraging its extensive network in China to bring the event to audiences around the globe. Working in partnership with Chinese media production and content packaging company New Force Media, The Switch utilized its established experience and the global reach of its transmission network to deliver flawless coverage to international broadcasters – as well reaching marathon fans worldwide via live streaming websites.

The long-distance race was the second event in China that The Switch has brought to audiences around the world in recent months, after supporting the global broadcast and streaming of the Lanzhou International Marathon in June. The popularity of long distance and marathon running in China is exploding, with the number of races increasing more than tenfold since 2015; it is expected to drive growth in the sports gear market to $18 billion by 2020 – doubling its value in five years.

Set in one of China’s national nature reserves, the 2019 Hengshui Lake International Marathon attracted some 20,000 professional athletes and running enthusiasts across the full 26-mile marathon, the half marathon and the 3.1-mile fun run on September 22. The Switch coordinated with the event’s broadcast rights holders to deliver content to audiences in China and abroad. In addition, the dedicated over-the-top (OTT) channel for the event was managed by The Switch, which handled everything from set-up to inserts from its Los Angeles control room.

Tags: The Switch
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