Level Ex, creator of industry-leading medical video games for physicians, has welcomed Aharon Rabinowitz as its new Creative Director, bringing more than 20 years of experience in filmmaking, animation, visual effects, motion graphics, and software design to the company.

Mongolian telecommunication service provider Skytel Group is expanding its operations with additional investment in solutions from Anevia, a leading provider of OTT and IPTV software. Based in Ulaanbaatar, the group provides a wide range of capabilities including telecom service and mobile and fixed broadband data connectivity.

Mo-Sys, world leader in precision camera tracking solutions for virtual studios and augmented reality, today launched a new generation of gyro-stabilized remote head, the G30. Its radical new design, with a compact, 45-degree frame, allows it to support virtually any broadcast or digital cinematography camera rig for precise movement and stabilization.

Anevia, a leading provider of OTT and IPTV software solutions, and Viaccess-Orca (VO), a global leader providing OTT, TV platforms and content protection, announce the start of a complete OTT TV platform for TV Red Digital in the Colombian capital, Bogota.

Anevia, a leading provider of OTT and IPTV software solutions, announces a large-scale extension of its NEA-DVR® video streaming platform at POST Luxembourg, the premier supplier of telecom services in Luxembourg. This extension builds on POST Luxembourg’s five-year success with Anevia’s NEA-DVR®.

Antenna Hungária has commenced technical trials of what is considered to be the world’s most advanced digital terrestrial television service. It is working with UK industry pioneer Dr Arjang Zadeh and Azdio’s mediaClass product division along with sister company Liberate AI to launch the service across Hungary.

Anevia, a leading provider of OTT and IPTV software solutions, announces the appointment of Paul Molinier as a member of its Advisory Board, starting from today.

In this role, Paul Molinier will help Anevia define its product and business development strategies. He joins Eric Baron as well as the five members of the Board of Directors – Alexis Delb, Laurent Grimaldi, Valéry Huot (LBO France representative), Laurent Lafarge (CEO) and Tristan Leteurtre (Anevia co-founder) – who are already members of the Advisory Board.

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

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About Mo-Sys:

Mo-Sys is a world-leading provider of camera tracking and camera robotic systems supplying to broadcasters such as BBC, Sky, Fox, ESPN, CNN Discovery Channel, The Weather Channel and Netflix among many more. With a passion for innovation and design, Mo-Sys is at the forefront of live AR and virtual production technology with their StarTracker camera tracking system now powering more than 100 virtual TV studios around the world. For further information, www.mo-sys.com

Mo-Sys Company Contact:

Adam Smith, Marketing

adam@mo-sys.com

+44 (0) 208 858 3205

Mo-Sys Media Contact:

Jennie Marwick-Evans

jennie@manormarketing.tv

+44 (0) 7748 636 171

Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, today announced the launch of U50. Designed and manufactured during the lockdown period, the U50 is a heavy-duty remote head that enables camera operators to safely return to work and control the biggest box lenses and heaviest broadcast camera set-ups remotely.

Offering the ultimate for camera remote control and remote production, U50 combats the current challenges and unique requirements in the Covid-19 affected world. Making it possible to operate large box lenses and cameras remotely, U50 achieves the same precision and agility when camera operators are controlling manually and on-site. With no other remote head capable of smoothly and quickly operating box lenses and with on-site production crews dramatically decreasing, this innovation offers a new solution to tackle current challenges.

Danny Zemanek, Freelance Camera Operator explained, “Previously remote production technology was an additional cost for broadcasters, but now it is essential to ensure camera operators can work safely. The U50 remote head from Mo-Sys represents a new way that operators can control big box lenses with the same precision and agility that we have come to expect.”

Anevia announces the addition of multi-tiered storage to its Cloud DVR storage offering, Embedded Distributed Storage (EDS). This new feature makes EDS even more cost-efficient and scalable while also enabling storage in the cloud – meaning the solution becomes both flexible and elastic.

TV service providers are increasingly enriching their VOD content and need to expand their storage capacity without a commensurate increase in the number of users. The original hyper-convergent design of the scalable, high-performance EDS calls for more servers to be added to increase streaming and storage capacity in parallel. Multi-tiered storage means it is now possible to also increase storage capacity independently of streaming capacity.

With only a small fraction of the VOD catalogue being consumed regularly, long-tail content can be stored more efficiently and cost-effectively on general-purpose ‘cold storage’ support used by the IT departments. This eliminates the need to buy new servers and the related software licences, cutting both the complexity and the cost of scaling for a given number of users.

The newly introduced feature also enables object storage, which opens up the possibility of storing in the public or private cloud. This brings the advantages of scalability, flexibility and elasticity.