Shotoku, the well-established leader in manual and robotic camera support and virtual reality tracking, has announced that Televisão de Moçambique (Television of Mozambique) has gone on-air with a robotically controlled camera configuration comprised of the Company’s VR-enabled flagship SmartPed robotic pedestals and an expandable 8-channel TR-XT control system.

Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support and virtual reality tracking, has announced that it is further expanding the Shotoku UK sales team with the appointment of Vishal Kagdada as Technical Sales Manager.

Shotoku, the well-established leader in manual and robotic camera support and virtual reality tracking, has introduced unique new functionality – Orbit - to SmartPed, its fully robotic XY pedestal. SmartPed, which addresses the creative and commercial demands of on-air environments with a cost-efficient and high-performance solution, can now travel in clockwise and counterclockwise movements around circular sets, a growing design element in today’s broadcast studios.

Quicklink, the leading global provider of hardware and software solutions for video and audio contributions, has announced the opening of their US office, following immense growth for the company in the region.

Shotoku Broadcast Systems, a leading international provider of robotic and manual camera support solutions ranging from pan/tilt heads through fully robotic studio pedestals and floor or ceiling track systems, has announced that Hunan TV has installed a range of Shotoku systems in its recently opened 400m2 state-of-the-art news studio. Hunan TV, China’s leading free-to-air commercial satellite station that regularly tops ratings for its popular programming, upgraded the studio in keeping with its continuous initiative to incorporate technical advancements into its infrastructure. The studio, entirely equipped for 4K production and fully VR/AR ready, launched live on 1st October 2020, China’s National Day - a day of great importance across the country.

Shotoku Broadcast Systems, a leading international provider of robotic and manual camera support solutions ranging from pan/tilt heads through fully robotic studio pedestals and floor or ceiling track systems, has joined the Grass Valley Technology Alliance (GVTA). The Alliance, comprised of 22 diverse companies, is a certification program established to strengthen collaboration between members and provide vital benefits to customers, including improved purchasing confidence and access to a wide range of systems and solutions interoperable with Grass Valley platforms and workflow components.

Shotoku USA, Shotoku Broadcast Systems’ North American operation, has expanded the U.S. team with the appointment of Jim Travers as Robotics Support Engineer effective October 1. Travers will provide remote and on-site robotics support and will perform installation and commissioning services for Shotoku’s North American customer base. Shotoku is a leading international manufacturer of high-quality, easy-to-use, robust and reliable robotic and manual camera support systems found in broadcast studios, financial institutions and legislative bodies around the globe.

Nixer Adds Enhanced Feature Set to PD Dante

Nixer Pro Audio expands the feature set of its Dante network ‘Swiss Army Knife’ device, PD Dante, as part of a firmware update. With version 2.11, users now get access to a new 16-channel horizontal view that supports long Dante channel names of up to 31 characters, which allows them to get a quick overview of the status of each channel on the network.

On Wednesday June 24 at 10:00 a.m. PDT Clear-Com will be hosting a webinar alongside Elevation Church about how their widespread campuses are able to maintain worship services during COVID-19. Church Production’s Brian Blackmore will moderate the discussion with Elevation Church’s Technical Director Zach Kimrey and Justin Emge, Clear-Com’s Applications Engineering Manager. Elevation Church, based in North Carolina, has an extensive broadcast production setup, including audio, visuals, front-of-house, lighting, multi-site streaming and master controls, creating a fairly complex comms environment. Now, consider that Elevation Church has 20 sites and over 25,000 members in attendance across North Carolina, South Carolina, Virginia, Florida, and Toronto, needing to engage and connect with the same standard of worship they’re regularly accustomed to.

London, UK, 19 June 2020: Mo-Sys Engineering, a global leader in real time camera tracking and remote systems, has announced a revolutionary approach to bringing the atmosphere back to live sport amid covid-19 restrictions. Providing precision, zero-latency tracking for any camera (including ultra-long box lenses for sport), the Mo-Sys camera tracking kit interfaces directly to the Unreal Engine or any broadcast render engine, allowing production companies to add virtual crowds to stands.

“After so many weeks, sports fans are desperate for any action,” said Michael Geissler, CEO of Mo-Sys. “But the frustration will turn to disappointment if the atmosphere of the game falls flat because of empty stands. We have developed a camera tracking kit which any outside broadcast can implement quickly and simply, capable of filling the stands with a virtual, but enthusiastic, crowd.”

The Mo-Sys camera tracking encoders are quickly mounted onto broadcast standard Vinten Vector heads, with no impact on the camera’s perfect balance and no backlash when panning and tilting. Zoom data is collected either by gear encoders or by a serial data link to digital lenses. The combined tracking data is sent over ethernet to the workstation hosting the augmented reality software.

“We are known for the absolute precision and stability of our camera tracking – that’s why Hollywood relies on our technology,” Geissler added. “In this application, we deliver precise tracking, including compensation for lens distortion, even when a 100:1 lens is zoomed fully.”

Mo-Sys has worked with Epic Games to develop a tight interface to the Unreal Engine, including support for the latest version 4.25 software. The result is that highly photo-realistic augmented reality – such as crowds filling the stands – can be integrated into live production with no limitations and negligible latency. The kit includes the bolt-on encoding kit for Vinten heads and the lens calibration tools.

Users can see the technology in action in a Mo-Sys LiveLab webinar, which will also include contributions from Epic Games and Canon. The webinars are on 30 June, at 10.00 (register at https://bit.ly/2N1Ve44) and repeated at 18.00 (register at https://bit.ly/30GqFZP). Michael Geissler of Mo-Sys will also join a distinguished panel with the RTS Thames Valley Creative Centre’s look at production techniques for audience shows in a time of pandemic on Thursday 25 June at 17.00 (register free at https://rts.org.uk/event/future-studio-audience).

###

About Mo-Sys:

Mo-Sys is a world-leading provider of camera tracking and camera robotic systems supplying to broadcasters such as BBC, Sky, Fox, ESPN, CNN Discovery Channel, The Weather Channel and Netflix among many more. With a passion for innovation and design, Mo-Sys is at the forefront of live AR and virtual production technology with their StarTracker camera tracking system now powering more than 100 virtual TV studios around the world. For further information, www.mo-sys.com

Mo-Sys Company Contact:

Adam Smith, Marketing

adam@mo-sys.com

+44 (0) 208 858 3205

Mo-Sys Media Contact:

Jennie Marwick-Evans

jennie@manormarketing.tv

+44 (0) 7748 636 171