Back to previous page
Search for similar:  Manufacturer OR Model
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #1
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #2
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #3
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #4
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #5
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #6
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #7
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #8
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #9
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #10
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #11
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #12
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #13
FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK - Image #14

FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK

Reference 821

Price: €300,000.00
Location: United Kingdom
Condition: Used
Viewed: 544 times
Date Expires: 30/09/2019
Item ID: 206882

Reference 821

FIVE-CAMERA RIGID-CHASSIS HD OB TRUCK

Please contact us for full truck description or check it on our website:
https://esbroadcast.com/ob821

This five-camera HD OB truck was refurbished in 2016 and is fitted out with a range of equipment which is included in the sale price.

The vehicle’s production gallery offers ample space for a director, assistant director, graphics operator (graphics system not included in this sale) and video engineer.

A Kahuna Snell & Wilcox vision mixer sits on top of a 128 x 128 Harris Platinum HD video router, while monitoring comes from six large screens with multiviewer capabilities.

Separate audio booth with Yamaha M7CL 64/32 digital mixer

A separate sound booth boasts a Yamaha M7CL Series audio mixer and three 10” video monitors with full matrix. The truck also offers a hybrid telephone system, full duplex Motorola radios, ISDN 722 codec and a Clearcom Eclipse HD 36-port digital intercom system. Audio monitoring in the sound booth and throughout the truck is provided by Genelec speakers.

Engineering and EVS stations

A three-seat edit, replay and vision engineering station includes an EVS XT3 Nano production server with controller.

Branding logos (removed from images for client confidentiality) on the vehicle’s exterior will require removing.

Share:

Advertiser's Terms And Conditions

See Terms And Conditions

Similar products
12-CAMERA RIGID-CHASSIS HD OB TRUCK Reference 830
SIX-CAMERA RIGID-CHASSIS HD OB TRUCK Reference 818
OB Truck OB-09 OB Truck OB-09
12-CAMERA DOUBLE EXPANDER HD 3G OB TRUCK Reference 834
FIVE-CAMERA RIGID HD OB TRUCK Reference 831
OB TRUCK - SPORTS - READY TO GO!! READY TO GO!! OB TRUCK 12 CAMERAS, also for RENT for long periods
14-CAMERA SINGLE-EXPANDING HD OB TRUCK Reference 813

More products from this seller
Audio Bridge Terminal
Audio Bridge Terminal
Aspect Ratio Converter with Signaling
Aspect Ratio Converter with Signaling
Switcher
Switcher
Pre-main Amplifier
Pre-main Amplifier
Broadcast Audio Silence Monitor
Broadcast Audio Silence Monitor
Automatic Changeover
Automatic Changeover
DWX Digital Wireless Microphone with CU-F31 capsule
DWX Digital Wireless Microphone with CU-.
VHF/UHF Walkie Talkie
VHF/UHF Walkie Talkie
Leonardo 1000W halogen fresnel light
Leonardo 1000W halogen fresnel light
Tripod Plate
Tripod Plate
Multiformat Engine Unit for LMD monitors
Multiformat Engine Unit for LMD monitors
with I/O Processor
with I/O Processor
See More Kit

This News may interest You
Front and Center Live Performance Delivered in Ultra HD and HDR with Blackmagic Design Posted: 20/08/2019
Front and Center Live Performance Delivered in Ultra HD and HDR with Blackmagic Design
Blackmagic Design today announced that critically acclaimed television concert series “Front and Center” used a full Blackmagic Design Ultra HD live production workflow to produce several episodes of its ninth season, which were live streamed to Facebook Live and delivered in SDR for public television and HDR10 for DIRECTV. The episodes, which included virtuoso guitarist, vocalist and songwriter Gary Clark Jr., were shot using URSA Broadcasts, Pocket Cinema Camera 4Ks and Micro Studio Camera 4Ks, and switched using an ATEM Television Studio Pro 4K live production switcher.
Tags: Blackmagic Design ,BMD ,Blackmagic ,Ultra HD ,Facebook Live ,URSA Broadcast ,BMPCC4K ,ATEM
Submitted by Blackmagic design
More from this author
Argosy Supports TTL Video in Infrastructure Upgrades at Newly Promoted UK Premier League Football Clubs Posted: 12/08/2019
Argosy Supports TTL Video in Infrastructure Upgrades at Newly Promoted UK Premier League Football Clubs

Argosy, leading international supplier of critical infrastructure products for the broadcast, media and AV industries, has teamed with broadcast engineering and sports stadia facility specialists, TTL Video, to bring the infrastructure of newly promoted clubs into the UK’s top football division this coming season, in line with the very latest broadcast requirements.

Tags: Argosy ,TTL Video ,infrastructure upgrades ,audio and video cabling ,premier league ,UK football division ,cabling ,Stefan Bewsey ,Draka ,triaxial video cable ,HD ,4K ,Belden ,Chris Smeeton ,copper and fibre hybrid camera cable ,MKM Marketing Communications ,IBC 2019 ,IBC 2019
Submitted by MKM Marketing Communications
More from this author
Blackmagic Design Announces New UltraStudio 4K Mini Posted: 12/08/2019
Blackmagic Design Announces New UltraStudio 4K Mini
Blackmagic Design today announced UltraStudio 4K Mini, a new capture and playback solution for Thunderbolt 3 computers with 12GSDI, HDMI, analog video and audio connections that lets customers build solutions for editing, color grading, live broadcast graphics, archiving from traditional broadcast decks and live internet streaming.
Tags: Blackmagic Design ,Blackmagic ,BMD ,UltraStudio ,Capture ,Playback ,Thunderbolt 3 ,12G-SDI ,Ultra HD ,Streaming ,Live Production
Submitted by Blackmagic design
More from this author
Magewell Heading to IBC2019 with Rapidly-Expanding Portfolio for Evolving Production and Distribution Workflows Posted: 08/08/2019
Magewell Heading to IBC2019 with Rapidly-Expanding Portfolio for Evolving Production and Distribution Workflows

Nanjing, China: Magewell has amped up its product lines over the past year, as the award-winning video interface innovator expands its portfolio with more solutions that help video production and AV professionals maximize the benefits of software-defined and IP-based media workflows. The company will showcase the fruits of these efforts in stand 8.A84 at the IBC2019 exhibition (September 13-17 in Amsterdam).

Tags: NDI ,converter ,conversion ,IP ,network ,capture ,video capture ,live ,streaming ,encoder ,decoder ,hardware ,recorder ,recording ,encoding ,broadcast ,professional AV ,HDMI ,Magewell ,IBC2019 ,IBC 2019 ,production ,SDI ,USB ,OEM ,M.2 ,4K ,Ultra HD ,UHD ,IBC 2019 ,IBC 2019
Submitted by Write Turn Communications Inc.
More from this author
Argosy Supports TTL Video in Infrastructure Upgrades at Newly Promoted UK Premier League Football Clubs Posted: 08/08/2019
Argosy Supports TTL Video in Infrastructure Upgrades at Newly Promoted UK Premier League Football Clubs
Argosy supply latest audio and video cabling to support live HD and 4K broadcasting from stadia joining the premier league in the 2019/2020 season
Tags: Argosy ,BroadcastCable ,TTLVideo ,BroadcastInfrastructure ,PremierLeague ,4K ,SMPTECables ,COAX ,Broadcast ,OutsideBroadcast ,OB ,IBC 2019 ,IBC 2019
Submitted by MKM
More from this author
URSA Mini Pro 4.6K G2 Delivers Ultra HD Coverage for Defqon.1 Dance Festival Posted: 06/08/2019
URSA Mini Pro 4.6K G2 Delivers Ultra HD Coverage for Defqon.1 Dance Festival
Blackmagic Design today announced that Dutch hardstyle dance festival Defqon.1 relied on a live production workflow featuring the URSA Mini Pro 4.6K G2 and ATEM 4 M/E Broadcast Studio 4K for Ultra HD live production.
Tags: Blackmagic Design ,Blackmagic ,BMD ,Live Production ,Ultra HD ,Music Festival ,NEP ,URSA Mini Pro ,ATEM ,Switcher
Submitted by Blackmagic design
More from this author
DTC Broadcast to shine its AEON Lite in Hall 10 at IBC 2019 Posted: 31/07/2019
DTC Broadcast to shine its AEON Lite in Hall 10 at IBC 2019

IBC 2019, 13-17 September, Hall 10 Stand C25: DTC Broadcast will feature its entire wireless AEON transmitter range, including the acclaimed AEON Lite transmitter and the PRORXD-AEON receiver, all at a new location during IBC 2019 in Amsterdam from 13–17 September.

Tags: DTC ,l DOmo Tactical Broadcast ,IBC ,Wireless ,AEON Transmitter ,AEON Lite ,SNG ,Bonded SIN ,Newsgathering ,OB ,Live Event Production ,HEVC 4K transmitter ,RF ,3G-SDI video ,HD ,PRORXD-AEON ,4K ,IP Mesh ,recievers ,IP Networks ,NAno HD ,CineVu ,IBC 2019 ,IBC 2019
Submitted by Manor Marketing
More from this author
Videosys Broadcast IBC 2019 Preview Posted: 24/07/2019
Videosys Broadcast IBC 2019 Preview

Videosys Broadcast is a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers. At the forefront of technological innovation, Videosys Broadcast has successfully partnered with leading technology companies including, DTC, Wave Central, Hitachi, Panasonic, Ikegami, and Grass Valley . The company manages projects and design from concept to the finished article from its UK head office.

Tags: camera control systems ,RF links ,camera backs ,outside broadcast ,OB ,studios ,production ,4K ,UHD ,HD ,decoder ,receiver ,sports ,concerts ,live events ,video ,audio ,data ,distribution ,IBC 2019 ,IBC 2019
Submitted by Jump PR Ltd
More from this author
At IBC 2019 Sony will empower its customers to Go Make Tomorrow, addressing market challenges and adding value to their workflows Posted: 25/07/2019
At IBC 2019 Sony will empower its customers to Go Make Tomorrow, addressing market challenges and adding value to their workflows
Sony will return to IBC 2019, stand A10, to showcase its latest portfolio of products and services that are designed to help customers create efficiencies, increase ROI and empower them to “Go Make Tomorrow”.
Tags: Sony ,IBC ,HDC-5500 ,Nevion ,IP Live Production ,HD ,4K ,IBC 2019 ,IBC 2019
Submitted by Sony Professional Europe
More from this author
NEP deploys multiple Calrec consoles and routing technology for premium audio at Wimbledon 2019 Posted: 22/07/2019
NEP deploys multiple Calrec consoles and routing technology for premium audio at Wimbledon 2019
Viewers around the world enjoyed premium quality audio while watching Wimbledon 2019 with NEP UK deploying 15 Calrec consoles at the South West London tennis venue, alongside extensive Calrec networking and routing technology and I/O boxes. An additional three Calrec consoles were used in NEP OB trucks that covered Centre Court, Court One and Court Two.
Tags: Audio; audio consoles; audio routing; OB truck ,OB ,AoIP
Submitted by Jump PR
More from this author
All news

These Articles may interest You
Centre Stage for Cameras with All About Eve
Anthony Newton Taking its inspiration from the classic 1950 film, Ivo van Hove’s stage production of All About Eve, starring Gillian Anderson as theatre darling, Margo Channing, and Lily James as the eponymous Eve, retains the themes of ageing, celebrity and obsession. The piece, produced by Sonia Friedman Productions and Fox Stage Productions garnered stellar reviews during its recent run at London’s Noel Coward Theatre.
Tags: iss138 ,blackmagic design ,micro studio camera ,ronin ,smartscope duo
Contributing Author Anthony Newton Click to read or download PDF
Making the Workflow Flow
Bruce Devlin - new The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workflow is made up of many technology pieces from open source code, through de-facto delivery specifications based upon SMPTE or Trade Association Specifications that in turn depend on full, International Standards to work. I can already hear some folks saying "In the good old days, everything used standards", but I beg to disagree.
Tags: iss138 ,pye museum ,pye-philips ,smpte ,ietf ,ieee ,w3c ,aes
Contributing Author Bruce Devlin - new Click to read or download PDF
Review: JVC GY-HC900 Camera
Andy McKenzie JVC has a long history of developing relatively low price-point equipment, dating right back to its success in the 1970s with the VHS tape format. JVC products sometimes impact the broadcast mainstream but generally find greatest success in niche market segments such as news production where price and portability take priority over the no-comprise quality and robustness demanded by the leading studio-based and OB content producers.
Tags: iss138 ,jvc review ,camera ,sdhc ,sdxc ,mpeg-2 ,nab ,gy-hc900
Contributing Author Andy McKenzie Click to read or download PDF
The World of 12G 4K/UHD Processing
Varun Patel Technology moves fast and when it comes to audio and video broadcasting, there is always room for improvements in audio and video quality and ease of production. One of the main goals of broadcasters and content providers today is to create an immersive experience for the viewers, giving them the feeling of being part of the viewed content. The 4K/UHD buzz has been in the consumer world for some time but what does that actually mean for the content producer?
Tags: iss138 ,lynx technik ,ott ,greenmachine ,yellobrik ,conversion
Contributing Author Varun Patel Click to read or download PDF
News Out Of The Cloud - Technology At The Front Line Of Journalism
Stuart Almond Throughout history, journalists have always had to seek and adapt to new technologies to deliver news in a format and at a speed that consumers demanded. Today, recent technological changes in the media environment have led to another inflection point. If modern media outlets want to empower journalists to remain agile and turn news stories around quickly and efficiently, they have to start embracing new, innovative technologies, like cloud-based media solutions.
Tags: iss138 ,sony ,ofcom ,cloud-based media ,intelligent
Contributing Author Stuart Almond Click to read or download PDF
State of the Nation: Wings, Fine Coffee and Fake Nudes
Dick Hobbs - new One of the many attractions of this time of year is that I get to meet with my fellow judges for the IBC Innovation Awards, and see what the industry sees as the most important, most forward-looking projects of the day. For me, this says what the key talking points are going to be in September, far more eloquently than the endless press releases from vendors which are already tumbling into my inbox.
Tags: iss138 ,ibc ,smpte 2110 ,deepnude ,cisco
Contributing Author Dick Hobbs - new Click to read or download PDF
How Providers Can Win Man of the Match With Live Sports OTT
Chris Wood Times are tough for traditional broadcasters and live TV; the rise of on-demand TV and paid subscription services isn’t a secret and a large amount of the population are turning to these alternatives rather than their established counterparts.
Tags: iss138 ,spicymango ,ott ,live sports ,cdn
Contributing Author Chris Wood Click to read or download PDF
Make Time for Remapping
Alex Macleod For my 4th Kitplus article I thought I’d highlight an effect in Premiere Pro that frankly I would be lost without. Namely - time remapping.
Tags: iss138 ,premiere pro ,post production ,editing ,speed remapping ,remapping ,mediacity training
Contributing Author Alex Macleod Click to read or download PDF
Making a Difference in Wireless Transmission
Lukasz Malankowski

We are very proud to say that we are the only company that provides a highly specific service, and that is the hire of wireless video transmission solutions operating in the licence exempt spectrum.

There are other companies that provide licensed equipment and offer a diverse range of wireless solutions based on different modulations, but our products, coupled with the offerings of others rather than competing with them produce a wireless workflow that is greater than their separate capabilities.

Tags: iss138 ,boxx ,production ,wireless ,4k
Contributing Author Lukasz Malankowski Click to read or download PDF
How Broadcasts Can Simplify The Delivery Of Live Video Streams To Affiliates
Phillipe Gonon In today’s fast paced environment broadcasters need to quickly, easily, and simultaneously share high-quality live content with multiple affiliates or other broadcast facilities. However, today it’s typical for each third-party transmitter to be connected to its own receiver with its own platform and management system. This results in major TV channels having several web interfaces and/or screens to receive and distribute feeds coming in from third-party devices.
Tags: iss138 ,aviwest ,stremaing ,rtmp ,rtsp ,rtp ,hls
Contributing Author Phillipe Gonon Click to read or download PDF
All articles