Back to previous page
Search for similar:  Manufacturer OR Model
FORD TRANSIT - Image #1
FORD TRANSIT - Image #2
FORD TRANSIT - Image #3
FORD TRANSIT - Image #4
FORD TRANSIT - Image #5
FORD TRANSIT - Image #6
FORD TRANSIT - Image #7
FORD TRANSIT - Image #8
FORD TRANSIT - Image #9
FORD TRANSIT - Image #10
FORD TRANSIT - Image #11

FORD TRANSIT

FORD TRANSIT MINIBUS CONVERTED TO MOBILE LIVE STREAMING STUDIO

Price: 0
Location: United Kingdom
Condition: Used
Viewed: 81 times
Date Expires: 10/02/2020
Item ID: 211685
 

FORD TRANSIT MINIBUS CONVERTED TO MOBILE LIVE STREAMING STUDIO

FORD TRANSIT

Purchased last year as a minibus (£6750) and Professionally converted (Additional £3,000). Speed limiter removed and replated with DVLA on logbook as a PLG Panel Van with 6 internal seats. Only 46k miles with incredible service history documentation from new. Some minor dents but a generally tidy vehicle and very reliable. The rear lift was removed to reduce weight.

Specifically converted for use a a mobile live streaming studio (One picture shows it in use) but also suitable as a mobile office for any number of businesses, even as an office on your driveway. Rear has been shelved as seen in the photo and has overhead LED lights operated from cab in the rear storage and internal office areas.

Office area has three seats, one double and one single which is facing the desk at the rear. All seats have belts so 6 travelling seats in total. The desk is L shaped, with a 2.5kw inverter and fuse board connected to a huge onboard leisure battery (lasts around 3-4 hours with all the kit running and has light indicator to show power remaining) which can be charged by starting the engine. All cabling is contained within trunking running the complete length of the desk, with 5 double sockets (inc USBs) fitted underneath circular cutouts in the desk to bring power cables up to any equipment being used on the desk.

Large storage cupboard above the cab, overhead skylight in the rear.

The Van will include a 32 inch TV and one BENQ computer monitor, with two BENQ screens and our other live streaming kit being removed prior to sale.

Carries huge amount of equipment in the rear storage area which is around 3ft 6 inches deep to the bulkhead with 8 separate compartments.

Built for live streaming with onboard power meaning the vehicle can go live (with 4G system connected - Not supplied) from the middle of any field without the need for a generator. However, it would be suitable for any number of other uses.

Cange of circumstances the only reason for sale. £7500. Come and have a look and test drive. Live near Chester. Kit will only be removed at the time of the sale as we may use it in the meantime. Call Alan on 07595-371683 if you have any questions.
Share:

Similar products
Avocor E8610 Interactive Touch Screen Avocor E8610 Interactive Touch Screen
Miller Skyline HD 70 2-stage (carbon fibre) Miller Skyline HD 70 2-stage (carbon fibre)
Miller Cineline 70 HD MB 1-stage (alloy) Miller Cineline 70 HD MB 1-stage (alloy)
MKS-8031ATB (Used) MKS-8031ATB (Used)
MKS-8026A (Used) MKS-8026A (Used)
  Sony XVS-6000 XVS-6000 Multi Format Switcher
  SONY XVS-6000 Multi format Switcher SONY

More products from this category
10 Camera HD OB with 8 Cameras
10 Camera HD OB with 8 Cameras
Reference 814
Reference 814
FORD TRANSIT MINIBUS CONVERTED TO MOBILE LIVE STREAMING STUDIO
FORD TRANSIT MINIBUS CONVERTED TO MOBILE.
Reference 835
Reference 835
13m Single Expanding 3G HD Outside Broadcast Vehicle
13m Single Expanding 3G HD Outside Broad.
Reference 831
Reference 831
Expanding Rigid 10m - 12 Camera HD OB with 10 Cameras plus Lenses and Tripods and Tender Trailer
Expanding Rigid 10m - 12 Camera HD OB wi.
HD  KU Band Single Thread SNG with 1.5m Antenna Left Hand Drive
HD KU Band Single Thread SNG with 1.5m .
6-10 Camera HD OB Left Hand Drive
6-10 Camera HD OB Left Hand Drive
Single Expanding 7.6m Rack Ready Outside Broadcast Vehicle UK Right hand drive
Single Expanding 7.6m Rack Ready Outside.
Multi purpose - OB - VSAT - Graphics Unit
Multi purpose - OB - VSAT - Graphics Uni.
HD KU Band Left Hand Drive DSNG 1+1 . Mercedes 313 CDI
HD KU Band Left Hand Drive DSNG 1+1 . Me.
See More Kit

Related Videos, Shows and Reviews
  • Emo Power Distrubution from Canford at IBC 2019

    Emo Power Distrubution from Canford at IBC 2019

  • 12G 4K microMUSA Jackfield and Fibre Termination Solutions from Canford at IBC 2018

    12G 4K microMUSA Jackfield and Fibre Termination Solutions from Canford at IBC 2018

  • Canford at BVE 2017

    Canford at BVE 2017


This News may interest You
Blackmagic Design Cameras and Switcher Power South Africas Rocking the Daisies Posted: 03/12/2019
Blackmagic Design Cameras and Switcher Power South Africas Rocking the Daisies

South African music festival, Rocking the Daisies, was powered by an end to end Blackmagic Design workflow, featuring Blackmagic URSA Broadcast and ATEM Constellation 8K.

Tags: Blackmagic Design ,BMD ,Blackmagic ,Live Production ,Festival ,IMAG ,URSA Broadcast ,ATEM Constellation ,ATEM PPU
Submitted by Blackmagic design
More from this author
KRK Limited Edition ROKIT G4 White Noise Monitors Now Available Posted: 02/12/2019
KRK Limited Edition ROKIT G4 and ldquo;White Noise and rdquo; Monitors Now Available

KRK Systems, part of the Gibson family of brands, is adding a new family of studio monitors to its latest ROKIT Generation 4 (G4) range, the limited edition ROKIT G4 White Noise. Available in 5-, 7-, and 8-inch bi-amp models, these stylish limited-edition monitors offer the same impressive features as the newly released ROKIT G4s, but with an enticingly different aesthetic. Art and science come together with the new White Noise editions of these professional monitors, taking music and sound creativity to a whole new industry-level.

Providing wide, deep and dynamic listening, along with incredible imaging, KRK’s ROKIT G4 studio monitors have been scientifically re-engineered and re-designed from the ground up. They are ideally suited to the way modern artists work—in all genres and environments. The entire ROKIT G4 range features on-board DSP-driven Graphic EQ with 25 settings to help condition any acoustic environment while offering new levels of versatility in a studio monitor—making them the only monitors in their class with an LCD screen to display DSP-driven EQ settings. The flat setting is great for most environments, but low-, mid- and high-frequency presets can be adjusted to help compensate for common trouble spots in different sound environments. This on-board system works in conjunction with the KRK Audio Tools App, available for free on the Android and iOS stores.

Additionally, all system elements of the ROKIT G4 monitors are cohesively designed and engineered to work perfectly with their advanced drivers made with Kevlar®, efficient Class D power amplifiers and front-firing port, which offers exceptional low-end extension, punch and flexible room-positioning. These features collectively extend accurate and tight bass reproduction and improve audio integrity while minimizing listening fatigue—offering an overall balanced listening experience.

 

Tags: KRK Systems ,ROKIT G4 White Noise ,Studio Monitors ,speakers ,Gibson Pro Audio
Submitted by D. Pagan Communications
More from this author
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems Posted: 25/11/2019
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Tags: camera control systems ,RF links ,camera backs ,outside broadcast ,OB ,studios ,production ,4K ,UHD ,HD ,decoder ,receiver ,sports ,concerts ,live events ,video ,audio ,data ,distribution
Submitted by Jump PR Ltd
More from this author
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors Posted: 26/11/2019
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors

No matter how old you are, it is always lovely when something excites you enough to feel like a child again – and that is exactly how renowned musician, composer and orchestrator Youki Yamamoto felt the first time he heard PMC monitors in his own studio.

Yamamoto has had a 15 year residence at Pinewood Studios where he creates his own music as well as other compositions for films and computer games. He is also equally at home in Katara Studios, Doha, which is where he first had the idea of investing in a pair of PMC monitors for his own facility.

After doing some research, he chose PMC MB2 monitors with a separate Class A Bryston amp because he felt this was the most versatile system for any kind of music. “I get all the lovely clarity and detail that PMC delivers, but I don’t get tired listening all day and the sound is so beautiful that I find it hard to leave the studio,” he says. “I just want to stay in there and keep working. It is almost like being with your first ever girlfriend!”

Tags: PMC Speakers ,Youki Yamamoto ,MB2 monitors ,Composer ,Orchestrator ,Final Fantasy ,Paddington 2 ,Pinewood Studios
Submitted by White Noise Public Relations Ltd
More from this author
Broadcast Solutions Finland modernises Directors Cut production control rooms Posted: 26/11/2019
Broadcast Solutions Finland modernises Directors Cut production control rooms

In the two renewed multipurpose control rooms, Director's Cut creates the Finnish national programmes for international sporting events (e.g. football Champions League, ice hockey or tennis). Director's Cut's primary customer is MTV3, Finland's largest private television station.

After the successful implementation, it is now possible to produce up to six Finnish-language programme feeds simultaneously from two multipurpose control rooms with only two producers. One Mainfeed and two Sidefeeds can be produced per control room. Audio processing takes place in a Lawo Powercore. Control is via Lawo VisTool user interfaces and an 8-fader Ruby console for the Mainfeed and via two 4-fader Ruby consoles for the two Sidefeeds.

Broadcast Solutions created the VisTool interfaces especially to meet the individual workflows of Director's Cut. The new facility also includes six commentator booths equipped with Lawo LCUs and 43" Sony monitors.

 

Tags: Studio ,refurbishment ,Director\'s Cut ,commentary ,Lawo ,Grass Valley
Submitted by Broadcast Solutions
More from this author
Edgeware and ENENSYS Technologies Form Product Sales Alliance Posted: 21/11/2019
Edgeware and amp; ENENSYS Technologies Form Product and amp; Sales Alliance

Edgeware & ENENSYS Technologies ('ENENSYS') announced today that the two companies are forming a technological and global sales alliance. Edgeware, the leading provider of content preparation, unicast CDN and streaming solutions for broadband operators, and ENENSYS, the leading provider of Multicast ABR and LTE Broadcast media streaming solutions to network operators, will cooperate on key opportunities which leverage the strengths of each in their respective markets.

Edgeware has deployed over 200 private unicast CDNs globally and continues to innovate in the area of internet TV delivery, which requires unicast (one to one) streaming technology. ENENSYS has been a leader in the deployment of 4G/5G Broadcast and OTT Multicast solutions for mobile operators globally, leveraging the multicast capabilities of their private networks. Together, the two companies can offer a truly unique media delivery portfolio – to both the broadband fixed line and mobile operator markets.

Customers interested in knowing more about the integrated solutions now available thanks to this new Edgeware-ENENSYS collaboration are invited to contact their local sales representative, or submit a request via https://www.enensys.com/contact/ or https://www.edgeware.tv/contact/

Tags: Edgeware ,ENENSYS ,TV ,OTT ,online ,streaming ,CDN ,4G ,5G ,partnership ,alliance
Submitted by RLYL
More from this author
NRL implement Quicklink Studio and Studio-in-a-box to optimise content offering Posted: 18/11/2019
NRL implement Quicklink Studio and Studio-in-a-box to optimise content offering

Earlier this year, National Rugby League (NRL) turned to Quicklink in order to improve and optimise their content offering and production operations. NRL’s webcasts both on their official website NRL.com and on the NRL app have driven digital audience engagement to new heights in 2019.

NRL implemented the Studio Browser into their workflow for HD quality, bi-directional audio/video contributions. The Studio Browser solution enables NRL to very easily introduce players and coaches via a simple web browser to their Studio for interviews on their ‘Inside NRL’ weekly feature and other studio shows.

The Studio-in-a-box was also implemented at NRL’s head office for the weekly football briefing press conferences. The portable, all-in-one solution has made it very easy for NRL to deploy and is fully remote-controllable from the Quicklink Manager at their Studio control room.

“The Studio-in-a-box is a compact unit with simple inputs/outputs that has made it easy for us to set up almost anywhere. We have been able to facilitate a regular production operation with this technology that was not on our original radar when we procured the technology and it’s been easy collaborating with Quicklink to validate things when required” says Alex Agaciak, NRL Media Services team.

Tags: Quicklink ,NRL ,National Rugby League ,Quicklink Studio ,Studio Browser ,Studio-in-a-box
Submitted by Quicklink
More from this author
Macking Domain Takes Malaysia Open Live on YouTube with AJA HELO Posted: 19/11/2019
Macking Domain Takes Malaysia Open Live on YouTube with AJA HELO

Elite badminton players from around the world congregate each year to compete in the Malaysia Open, an important stop on the circuit of tournaments sanctioned by the Badminton World Federation (BWF). Fans unable to make it to Axiata Arena in Bukit Jalil this year were kept apprised of the latest updates via high-quality YouTube live streams produced by Macking Domain. Over the course of the six-day tournament, more than 12 hours of match footage across four courts were streamed to the Malaysia Open YouTube channel. Macking Domain relied on a host of technology to deliver the action, including four AJA HELO H.264 recording and streaming devices.

Given a straightforward set of video delivery requirements by its client, Macking Domain set out to establish a workflow built on AJA’s HELO. “We needed to deliver 1080/60p video with audio from each of the four courts and get live scoreboard content from each court integrated into the feed, which is why AJA’s HELO made so much sense,” shared Yoke Tee Tan, General Manager, Macking Domain. “It’s an affordable device that makes it incredibly easy to bring audiences a very high-quality viewing experience.”

Four Sony cameras, one on each court, were connected to a Newtek VMC1 digital media production system and captured live match footage. Courtside laptops housing scoreboard feeds were then encoded to NDI, and audio was embedded from each court using AJA Mini-Converters. Embedded audio signals came in as an NDI stereo channel via a network device interface converter and were split into two separate mono channels on a TriCaster video production system. The eight mono channels were routed to the corresponding scoreboard and linked with the associated court stream using 1 M/E; that signal was then routed to each SDI output on the VMC1. All four SDI outputs from the VMC1 were connected to four AJA HELO units for live streaming straight to YouTube; footage was simultaneously recorded to SD cards in HD using the HELOs.

Tags: AJA ,AJA Video Systems ,AJA HELO ,AJA HELO H.264 ,Live Streaming
Submitted by News Feed
More from this author
NEP Connect Celebrates Providing Connectivity for Top-Level Womens Sports Posted: 20/11/2019
NEP Connect Celebrates Providing Connectivity for Top-Level Women and rsquo;s Sports

 

NEP Connect (formerly SIS LIVE), the leader in critical broadcast connectivity, has provided satellite and Anylive® fibre solutions to major UK broadcast clients to enable global coverage of a host of top-flight women’s sports events, including major tournaments and global championships for football, cricket and netball.

NEP Connect provided satellite capacity for a host broadcaster of the women’s global football championship held in Paris earlier in the year. NEP’s IBC operation took feeds from the HBS, both 1080p50 and UHD, recording them as well as routing them to both the broadcasters HQ Los Angeles and the studio set-up based out of NEP UK’s UHD OB truck, Aurora, overlooking the Eiffel Tower at Cafe de l'Homme. NEP also provided standards conversion for the circuits that went directly to transmission at Pico, both in 1080p and UHD, as well as return circuits. Circuits travelled directly to and from LA where the main EVS operation was located, as well as a route via the IBC to allow local switching and redundancy.

The women’s England-Australia cricket tournament utilised NEP Connect’s Anylive network that connects 18 UK cricket venues. The Anylive network connects 240+ of the UK’s leading entertainment and sports venues and stadiums, broadcasters, network operators, channel aggregators and major switching centres. Coverage of a global netball competition held in

Tags: NEP ,SIS LIVE ,IBC
Submitted by Bubble Agency
More from this author
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery Posted: 20/11/2019
PIgmento Switches to DaVinci Resolve Studio for HDR Delivery

Blackmagic Design today announced that Madrid based post house, Pigmento Color Grading, has switched to DaVinci Resolve Studio as part of a facility upgrade for HDR color correction and IMF format delivery.

Founded by Fernando Martinez and Pepe Abellàn, colorists with more than 20 years of audiovisual finishing experience, Pigmento has rapidly formed a reputation for delivering a boutique, tailored service to both broadcasters and OTT clients throughout Europe.

The team’s credits include episodic features such as The Pier, Locked Up and Emmy Award winning Money Heist, which has gone on to be a global success.

Spurred by increasing client demand for Dolby Vision, HDR10+ and IMF ready workflows, DaVinci Resolve Studio has now been installed as the primary online, grading and mastering solution within Pigmento’s two state of the art grading suites and two additional support workstations for conform, VFX pulls and deliveries.

Featuring Intel’s Dual Xeon SuperMicro processors paired with NVIDIA Tesla K80 and RTX2080ti graphics cards respectively, the grading suites feature Sony BVM-HX310 and Dolby PRM 4220 reference monitors and DaVinci Resolve Mini Panels for control. Underpinning the setup is 180TB of shared storage, with a 600TB NAS for backup.

Tags: Blackmagic Design ,Blackmagic ,DaVinci Resolve ,Resolve ,HDR ,Streaming ,IMF Delivery ,Post Production
Submitted by Blackmagic design
More from this author
All news

These Articles may interest You
MEDIAPRO leads across the audiovisual value chain
Marc Andreu Valls

MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative services, our portfolio includes everything from content production, to post production, to media and digital asset management, to the acquisition of sports TV rights, and the distribution and broadcast of television channels. We currently have 58 offices spread across 36 countries on four continents.

Tags: iss141 ,signiant ,mediapro ,media shuttle ,transport
Contributing Author Marc Andreu Valls Click to read
Taking a Stand at IBC - The Future of Exhibiting Clouds
Julian Wright If you’re reading KitPlus you probably don’t need us to tell you that, each year, the IBC Show attracts 1,700 exhibitors, each parting with a significant sum of money for the privilege of touting their wares from the darkened halls for five whole days. For the last eight years Blue Lucy has been one of these exhibitors and the show has always more than paid for itself in generating new business, as well as the less directly-tangible benefits from partnerships and networking opportunities.
Tags: iss140 ,blue lucy ,ibc ,cloud ,iabm
Contributing Author Julian Wright Click to read
Pro Pancake Editing With Premiere Pro
Alex Macleod Pancakes & post production. Not two things you might at first put together. But using pancake timelines can be an extremely effective way of working - so bear with me!
Tags: iss140 ,premiere pro ,adobe ,mediacity training ,editing ,post
Contributing Author Alex Macleod Click to read or download PDF
Get Your KitPlus On - The KitPlus Show MediaCityUK 2019
KitPlus A record number exhibitors, ready to demonstrate leading products, services, and technologies from more than 100 brands – many for the first time - will be on hand at the ninth annual KitPlus Show Manchester, taking place at MediaCityUK, Salford Quays, on 5 November.
Tags: iss140 ,kitplusshow ,cherry wallis ,alex pettitt ,chris pearless ,matt lees ,shut up sit down ,neil thompson ,fx9 ,venice
Contributing Author KitPlus Click to read
Live Streaming Workflows Examined
Bryce Button In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the delivery platform and the type of display that it’s intended for. There is no one-size fits all approach.
Tags: iss140 ,aja video ,espn ,rtmp ,helo ,h.264 ,nesn ,wallcast ,fido
Contributing Author Bryce Button Click to read or download PDF
Joanna Cuper - Demonstration Technician CVP
Joanna Cuper My role as a demonstration technician involves a broad range of responsibilities. A large part of the job is providing integral technical advice to clients on choosing the right equipment for them and their specific project. This can vary from simply talking over email or on the phone, through to the customer coming in for a live demo where I can go through a specific piece of kit with them in person.
Tags: iss140 ,cvp ,c500 ,fx9 ,komodo ,sigma ,aputure nova
Contributing Author Joanna Cuper Click to read or download PDF
Creating A Signature Look With Lighting
William Hellmuth As an LA-based DP, I view my role as a narrative storyteller. For me, cinematography is not just about getting some nice images – it’s about telling truths. I love being able to weave a story with imagery and capture something that’s real, whether through performance or visual symbolism. Lighting is one of my most important mechanisms for capturing those moments of truth.
Tags: iss140 ,litepanels ,gemini 2x1 ,led
Contributing Author William Hellmuth Click to read or download PDF
Solving Rigorous Digital Workflow Challenges
Michael Urban

Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles.

The company was on the hunt for a scalable, high-performance storage solution that would meet the rigorous demands of a large-scale live-action film project for a major Hollywood studio.

Tags: iss140 ,rebel fleet ,alexa 65 ,nas ,quantum ,stornext ,qxs ,storage ,mam
Contributing Author Michael Urban Click to read or download PDF
Complex Live Streaming At Scale
KitPlus On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections.
Tags: iss140 ,zixi ,streaming ,video transport ,ip ,zen master
Contributing Author KitPlus Click to read or download PDF
Class: Pragmatism In Engineering
Bruce Devlin - new A couple of years ago, Hermann Popp from ARRI came to me and talked about putting MXF in ST 2110. My initial take away was that his proposal felt like exactly the right way to solve the problem he presented, but was completely counter-intuitive to the IP Engineering purists who would push back on the concept of double wrapping the content.
Tags: iss140 ,mxf ,st2110 ,smpte ,hermann popp ,ip
Contributing Author Bruce Devlin - new Click to read
All articles