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TEKTRONIX WFM5000

HD Wave-vector

Price: Contact us
Location: France
Condition: Used
Viewed: 39 times
Date Expires: 22/01/2020
Item ID: 211518

HD Wave-vector

TEKTRONIX WFM5000

Broadcast Brokers, Paris

shop@broadcastbrokers.fr
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ATEM Constellation 8K Used For Live Production At Country Musics WE Fest Posted: 07/11/2019
ATEM Constellation 8K Used For Live Production At Country Musics WE Fest

Blackmagic Design today announced that its ATEM Constellation 8K live production switcher was used as part of an Ultra HD 12G-SDI and fiber live production workflow at WE Fest, the largest country music festival in the United States and the longest running in the world.

Now in its 37th year, the three day festival took place in Detroit Lakes, MN, in August 2019 with performances from stars such as Chris Stapleton, Keith Urban, Brooks and Dunn, LeAnn Rimes and more.

The ATEM Constellation 8K is the heart of a new flypack from Pennsylvania based full service video production company Upstage Video, which also includes Blackmagic Design’s Smart Videohub 12G 40x40 router, ATEM 2 M/E Broadcast Panel and more. Built specifically for the concert touring and music festival industry, the Ultra HD 12G-SDI and fiber flypack was responsible for switching and video distribution for WE Fest’s two 17’ x 27’ on stage screens and 12’ x 21’ front of house screen, as well as for closed circuit distribution and simulcasts in the VIP campsites and vendor areas.

“What’s unique about this flypack is that its modular design allows it to break into three racks with the director’s rack sitting front of house,” explained Upstage Video’s Project Manager Greg Brown. “In the U.S., most directors are typically set up backstage, while U.K. directors typically sit front of house so they can see lighting, etc. However, in the U.S., we’ve been seeing a trend where more and more directors prefer front of house because they want to have the energy from the show and the audience, which is hard to get backstage. It was important for us to develop a flypack that could easily provide a front of house director position with engineering backstage.”

Tags: Blackmagic Design ,Blackmagic ,BMD ,Live Production ,Festival ,ATEM Constellation ,Ultra HD Flypack ,WE Fest ,ATEM
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Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design Posted: 29/10/2019
Swiss Pay TV Network Expands Live Sports Broadcasting with Blackmagic Design

Blackmagic Design today announced that Teleclub, Switzerland’s leading Pay TV network, has implemented an UltraHD video playout system, built around a Blackmagic Design 12G infrastructure, to support an increased volume of linear and pay per view (PPV) live sports channels.

The network recently expanded its output to offer more than 83 channels, including eight in Ultra HD, broadcasting in German, French and Italian, and covering a wide range of sports including top flight European and national football leagues, ice hockey and others via its IPTV platform.

“We needed to double Teleclub’s capacity to feed additional HD and UHD PPV channels, studio production facilities, as well as additional commentary and graphics elements,” explains Remo Val, system and software engineer, Teleclub. “When we considered our UltraHD requirements, it was clear that a single link 12G-SDI network would ensure we had enough capacity in our server rooms and keep cabling and signal distribution hubs as streamlined as possible.”

18 ATEM 4 M/E Broadcast Studio 4K have been installed, with each one serving two of the HD or UltraHD channels, with a separate M/E attributed to each channel. Each switcher is paired with a video/CG server, developed inhouse at Teleclub using DeckLink Quad 2 capture cards and Caspar CG, for live video playout.

Tags: Blackmagic Design ,BMD ,Blackmagic ,ATEM ,Live Sports Broadcasting ,Broadcast ,Ultra HD ,Video Playout
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AVer introduces the CAM340+ huddle room USB camera Posted: 28/10/2019
AVer introduces the CAM340+ huddle room USB camera

The CAM340+ is a portable high-quality HD intelligent camera that allows a user to communicate from anywhere. Compatible with all common applications, it connects to a computer via a single USB cable and provides a superior video communication experience.

With a versatile monitor mount, which can accommodate displays up to 4cm thick, easy-to-carry size, and durable construction, the CAM340+ gives users the flexibility to make any room or space a huddle room. A performance-quality multi-glass lens with deep focus and impressive 120° FOV gives an ultra-wide field for view video conferencing, allowing everyone at the table into a meeting with minimal distortion. An optional wall mount and remote control is available.

Meetings can be in 4K, giving a picture technology that quadruples the pixel count of Full HD, creating sharper images. With a 4X zoom, the CAM340+ scans the room with no moving parts and no loss of quality. AVer uses SONY EXMOR sensor, features ePTZ (electronic pan tilt zoom) and built-in microphone ideal for the huddle room and small conference room.

Tags: conferencing; tech; AV; HD; camera; USB
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Fifty Fifty adds second Baselight grading suite Posted: 21/10/2019
Fifty Fifty adds second Baselight grading suite

Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content for broadcast and streaming, both suites are equipped for 4K and HDR Ultra HD, and certified for Dolby Vision grading and delivery.

 
Originally a short-form house, Fifty Fifty is now best known for its broadcast work. As well as an ambitious expansion into a fourth building next to its original Soho base, to drive future creative and commercial growth, Fifty Fifty has recruited experienced long-form colourist Joe Stabb to run both the department and the new suite.
 
“Our boutique size enables us to offer agile, bespoke solutions,” said Cara Kotschy, managing director of Fifty Fifty. “The addition of beautifully styled and Dolby Vision accredited Baselight suites is a strategic move to put us at the forefront of technology and deliver our strategy within the high-end programming market. Baselight is a name that almost every single client will recognise and trust.”
 
Today, the majority of Fifty Fifty’s OTT deliverables are in HDR, so it is incredibly important that they have the confidence to deliver this new technology. The new suite matches the existing room technically, based on a Baselight TWO workstation with a Blackboard control surface. Fifty Fifty also use Baselight plug-ins in their editorial rooms and Flame VFX.
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Pixel Power boosts its software solutions business Posted: 07/10/2019
Pixel Power boosts its software solutions business

Underlining the importance of its solutions business, Pixel Power has added two new product specialists to the team. Tanya Schurawel and Toria Farrell both come direct from broadcasters, and will use their unique insights to help customers develop optimised solutions for automated production, graphics and playout.

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AJA Unveils HDR Image Analyzer 12G at IBC 2019 Posted: 13/09/2019
AJA Unveils HDR Image Analyzer 12G at IBC 2019

AJA Video Systems announced the new HDR Image Analyzer 12G, bringing 12G-SDI connectivity to its powerful real-time HDR monitoring and analysis platform developed in partnership with Colorfront. The new product streamlines 4K/UltraHD HDR monitoring and analysis workflows by supporting the latest high-bandwidth 12G-SDI connectivity.

Tags: AJA ,AJA Video Systems ,IBC 2019 ,IBC ,HDR Image Analyzer ,4K ,Ultra HD ,IBC 2019 ,IBC 2019
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ITV Studios selects the latest Sony HDC-3500 4K HD HDR Live Production system cameras to shoot Coronation Street Posted: 10/09/2019
ITV Studios selects the latest Sony HDC-3500 4K HD HDR Live Production system cameras to shoot and lsquo;Coronation Street and rsquo;
ITV Studios, a television production company owned by the British television broadcaster ITV PLC, has invested in 21 Sony HDC-3500 system camera chains supplied by broadcast and film industry equipment provider, Top-Teks. The 2/3-inch 4K CMOS sensor portable system cameras will be used to shoot ‘Coronation Street’, ITV’s flagship soap that has graced screens for almost 60 years. The cameras were selected as part of ITV Studios’ latest camera refresh aimed towards future-proofing production by offering greater flexibility and picture quality.
Tags: Sony ,4K ,HD ,HDR ,ITV Studios ,Solutions ,Coronation Street ,System Camera ,HDC-3500 ,CMOS sensor ,Live Production
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LYNX Technik Debut and rsquo;s HDR Evie+ at IBC 2019 Posted: 09/09/2019
LYNX Technik Debut and rsquo;s HDR Evie+ at IBC 2019
LYNX Technik has developed a comprehensive suite of HDR solutions, powered by its multi-purpose award-winning platform, greenMachine®. These include: HDR Evie+, HDR Evie and HDR Static. The entire suite will be demonstrated at the upcoming IBC 2019 show on stand 8.C65.
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Videosys Broadcast Unveils Stagebox at IBC2019 Posted: 05/09/2019
Videosys Broadcast Unveils Stagebox at IBC2019

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers is launching Stagebox at IBC2019, on stand 10.F21. Enabling the delivery of video, audio and data from A to B over fibre, Stagebox allows outside broadcast operators to multiplex all audio and video components (microphone, monitors, talkback panel) onto a single SMPTE fibre cable and power remotely.

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CUESCRIPT TO DEBUT SMPTE 2110 IP CONNECTIVITY MONITOR AT IBC2019 Posted: 04/09/2019
CUESCRIPT TO DEBUT SMPTE 2110 IP CONNECTIVITY MONITOR AT IBC2019

CueScript, the leading developer of professional prompting solutions, will bring the industry’s first patent-pending SMPTE 2110-enabled prompting monitor, the CSMV2, to Europe for the first time at IBC2019 on Stand 12.F41.

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