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EVS XFILE[2] Server

EVS XFILE[2] Server

Price: £1,000.00
Location: United Kingdom
Condition: Used
Viewed: 925 times
Date Expires: 25/01/2021
Item ID: 208977

EVS XFILE[2] Server

EVS XFILE[2] Server

EVS XFILE[2] s/n 70190, s/n 70200, s/n 70210
No option codes installed
Working, but cannot get external SCSI slots to recognise a drive.
Version 2.19.02 installed.


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The 46th biennial Tokyo Motor Show drew 1.3 million visitors in October unveiling many new vehicles and concept cars to eager crowds. The Toyota booth engaged guests with a giant LED canvas, interactive elements and live-gaming racing with help from disguise vx 4 media servers supplied by Hibino, a disguise Rental Partner.

“The booth’s main display was a seamless 77.4 meters long and 24,768 pixels wide LED wall” says Emu Hino, Technical Director. “The Future City CG on the main display, which served as the background for the entire booth, was immersive and exciting. The experience of being surrounded by it and interacting with various content in the booth was very special for visitors.”

Hino explains that, “the pixel width of the display was never shown before, and 6x 4K outputs for perfect pixel management and synchronisation was required. Instead of the conventional 8-bit 256 colours we also needed 10-bit 1,024 colours. So, this was a project where there was no compromise in terms of scale and image quality.”

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Bluefish444 is a manufacturer of the professional video industry’s highest-quality uncompressed 4K SDI, ASI, Video Over IP & HDMI I/O cards. Bluefish444 also offers IngeSTore Server, a recording appliance supporting SDI, HDMI, NDI, RTP/RTSP and SMPTE IP capture, suitable for any live production workflow in the AV market.

Polar Graphics Managing Director Peter Rowsell said, “Although I have been personally visiting ISE for a dozen years, 2020 will mark our first participation as a co-exhibitor. It will be an excellent opportunity to further expand our business and that of our valued partners.

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The operator will use Google Ad Manager, iFeelSmart for the client application, and Broadpeak's solutions for manifest manipulation. Broadpeak's ad insertion solution allows Partner Communications to personalize ads. Broadpeak's SSAI solution avoids rebuffering during ads and defeats ad blockers, ensuring a superior television experience for end users. In addition, iFeelSmart has integrated Broadpeak SmartLib, which enables avoiding ad skipping and provides client-side analytics information. Broadpeak's BkA100 video delivery analytics system then displays this information, combining it with server feedback, in order to provide decision makers with a comprehensive view of the entire system.

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The show featured an eye-popping array of video elements throughout the show with used during performances and for stage design and text listings of performers and presenters. Entertainment design firm Visual Noise Creative LLC deployed ten disguise gx 2 media servers to facilitate the video intensive environment.

Jesse Ignjatovic, Co-Founder of the live entertainment production company Den of Thieves, executive produced this year’s show and helped spearhead the use of impressive visuals for the VMAs.

“MTV and Viacom continues to push the limits on television production year over year, and for us that means new scenery with massive amounts of integrated video,” says Trevor Burk, Creative Director and Screens Producer at Visual Noise Creative. “The set that Julio Himede designed this year was no exception and was almost entirely made of video. We needed a platform that enabled us to be creative, flexible and fast enough to get this monster of a show on its feet in a short amount of time.”

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MIRRAD supplies two Avolites consoles for Ben Everett’s design for producer, songwriter and performer’s headlining tour

A lot has happened in Maggie Rogers’ world since 2016, when a video of her demoing a then-newly-recorded song, “Alaska,” for Pharrell Williams at NYU went viral. Following opening slots on major tours with both HAIM and Mumford & Sons last year, Rogers dropped her own major label debut, Heard It in a Past Life, this past January, which charted in the second highest slot of the Billboard 200. Consequently, the artist has spent much of 2019 on the road in support of the album, performing a sold-out fall headline tour in such iconic venues as Nashville’s Ryman Auditorium, Berkley’s Greek Theatre, and New York City’s Radio City Music Hall.

The “look and feel” of Rogers’ tour this year has been a collaborative effort between the artist and Lighting Designer Ben Everett, who first started working with her when he lit Rogers’ first-ever show in London two years ago. Having toured with an impressive roster of bands over the past five years—including Bear's Den, The Jesus and Mary Chain, and The Dandy Warhols—Everett is now part of the UK-based MIRRAD team, which has been supplying a pair of Avolites Sapphire Touch lighting control consoles for Rogers’ 2019 worldwide trek.

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Danny notes that, “What SRAE wanted to do with this show was use the content as an extension of the band’s stage presence without overshadowing them. This is why IMAG is such an important part of the show – because without all the bells and whistles, the band still puts on a pretty incredible show all by themselves.”

disguise’s gx 2 server was chosen for its Notch integration capabilities, Danny reports. “We’re not using a lot of video outputs for the show, but we have a lot of moments in the show where video needs to respond to audio, video or lighting data. The gx 2 gives us the graphics firepower we need to render some pretty complex 3D environments in real-time. The system was able to render out Notch IMAG effects effortlessly, and the linking of camera feeds to Notch scenes in disguise is simple and intuitive.”

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Marco Borsato consistently has been one of the most successful and biggest grossing artists in the Netherlands in the last twenty years. For the 2019 shows, Marco specifically requested that the starting point for the De Kuip shows would be the level of last year’s Sportpalais concerts where the team first introduced cinematographic content. “As an artist and photographer Marco felt the time had come for him to be involved in every step of this exciting project, so we had creative freedom, but he had the final say. Together with Set and Lighting Designer Carlo Zaenen we created the content book in which we outlined the look and feel of every song.” says MalfMedia founder Michael Al-Far.

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