At the pure analogue end of the audio world (which these days is very narrow with much of the audio content being captured digitally) it is quite straight forward to check that an audio channel is present, that it sounds right and has the right levels. Likewise if the audio channel has hum or a buzz on it is relatively easy to identify the problem and fix it.
Since its acquisition of SoundField, TSL Professional Products Ltd, a leading manufacturer of surround microphones, audio monitoring, tally and power management solutions for the broadcast industry, routinely field a growing number of questions from the industry regarding the successful capture and final dissemination of 5.1 audio.
Acoustics is usually regarded (or often disregarded) as a black art that is practiced with no discernable science involved, with a great reliance on ears for measurement and blind faith as a method statement. Nothing could be further from the truth in the professional study of sound, with many practitioners furnished with several degrees and a wealth of experience.
One of the positive consequences of digital television transmission is the ability to include fully embedded multi channel audio with suitable metadata to control both channel displacement and even sound levels within the domestic environment.
Television viewers who have invested in home cinema systems will already know how dreadful mono and stereo audio can sound when played through 5.1 surround sound speakers. Instead of being enveloped by carefully mixed 5.1 surround sound, viewers are, instead, subjected to unbalanced audio coming at them from unpredictable directions
For more than 20 years, DK-Technologies has been developing audio and video test and measurement products that have become industry standards thanks to their adoption by many of the worlds top music, broadcast and post production facilities.
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