A live video streaming advocate


TV-Bay Magazine
Read ezine online
As you may or may not know, I’m a bit of a live video streaming advocate. I love the idea of being able to distribute high quality content via the internet, without the need for huge budgets, licensing, and all the hassle involved more conventional means.
I do a lot of live streaming from small venues, and by their very nature is difficult to fit masses amount of live video production kit, i.e. switchers, monitors, pc's and audio kit in the small room allocated to me. With this in mind I wanted to design for myself a small 8u portable production studio. Looked around a various manufactures and kit and then spotted the Blackmagic Design ATEM range of rack mount switchers. There are three in the range, the TV studio, The ATEM 1/me and the ATEM 2/me. These are 1u and 2u units that provide full production switcher functionality.
This particular article is an introduction to what I have put together and the equipment I used, I will go in depth with each of these pieces of kit over the coming months.
Requirements.
I needed this system to be able to meet a number of specific requirements.
1: Small and no more than 8u high
2: Be able to take at least 4 HD/SDI camera inputs
3: Be able to take in a least 2 PC monitor feeds
4: Output HD/SDI
5: Include a High End Rack mount PC for encoding with HD/SDI in
6: If needed be able to run without any external monitors other than what is in the 8u unit
At first this looked impossible, but then as soon as I discovered the Blackmagic TV Studio, fulfilled the switching and input requirements in a 1u rack module, a few things were looking up.
The TVS studio is great in that, it can take in both HD/SDI and HDMI inputs and this covered my Camera and PC input requirements, it also gave me both multiple program outputs on both HD/SDI and HDMI. The beauty of all the ATEM switchers is that by simply plugging them into an Ethernet network you can control the switching from a pc/mac laptop, thus negating the need for a large switcher control surface. Of course you could purchase a very nice hardware control surface for the ATEM system from Blackmagic if you wish. For me the ability to just turn up with a laptop and this rack and not need a large controller was ideal.
I paired the ATEM system with a Blackmagic dual rack mount screen. This gives me two high quality /HDSDI screens on which to display the multi view from the switcher and the other to have the program out, or if needed the display from the inbuilt rack PC. Things were coming together.
Now the ATEM TV Studio is a video switcher only, it does not switch audio. It has a single AES audio input for which to feed your audio signal. Most of my audio would be coming from an analogue desk with a simple stereo feed on balanced XLR. I needed to convert this to AES, I also wanted control over the delay on the audio to help with lip-sync, and ideally some dynamic processing. It just so happens that the Behringer Ultracurve DEQ2496 1u audio processor is the perfect partner to the ATEM system. On a basic level it will give me stereo analogue or digital in and convert to an AES signal which can go straight into the switcher. It also gives me great monitoring and control over compression, limiting, EQ and of course delay of the audio signal. This was duly installed.
So I had my switcher, my monitors and my audio input sorted. Now for the rack PC. Here was a tricky one. Most rack pc's are either small low powered affairs or massive, long server systems. I wanted a small rack system that would fit in my shallow 8u rack, with a fast i7 processor, very good graphics card, 2x SSD Hard Drives (this system is moving about, you don't any spinning disks) and of course a PCIe slot for a Blackmagic Decklink HD/SDI card. This was harder than it looks. No one makes them. I approached Scan Computers who took the bull by the horns, and went searching for the components to build one. A week or so later they had sourced suppliers for the parts. It was tricky, there was only one case manufacture who could supply a small enough 1.5u high case for this depth of rack as well as cater for a Decklink PCIe card. Scan did a great job. The unit is very fast and the graphics card gives me a multiple of outputs from VGA to HDMI and display port out. It fits perfectly in the rack.
Next I added a Blackmagic Design Hyperdeck Studio for recording and I happen to have a Blackmagic broadcast convertor lying around and it made sense to fit this as well. It’s an great piece of "get you out of trouble" kit, being able to act as an audio embedder/de-embedder hdmi-hd/sdi and back convertor. I used an SKB 8u case, nice and robust and you can mount your kit on the back and front of the unit. Once all mounted, it became clear that I needed to include a small Ethernet switch and a small USB hub in the rack. Along with the BMD TV studio much of the other kit is controlled by Ethernet and the TV Studio has a USB 2 output that streams h.264 encoded program out direct into a PC for recording if you wish. At this point I considered the hassle of trying to connect cameras, PC's, monitors and audio feeds to the ports on the back of the various units. The system needed to be flexible and the configuration could change from job to job. I did not fancy having to delve about in the case trying to find the correct sockets for cables and this would inevitably lead to bad connections. I decided to present the connections on the back of the case using Neutrik passthrough connectors.
I am not a great solderer so passthrough connectors allow you to use short cables inside the rack and connect them to the back of the Neutrik connectors without soldering wires. I have just about got everything presented on the back. All the BNC connectors, HDMI, XLR, USB, VGA/ Ethernet, and even optical Toslink are presented on the back. This means all the connections inside the unit are not disturbed.
I forgot to mention power. If I was to use the brick 12v blocks for all this kit, it would not fit in the rack. One advantage of all the BMD kit is it uses exactly the same voltage/amps. All I needed to find was a PSU that supplied the correct voltage and amps to power all the kit. This I found and installed. A simple IEC mains filter/ splitter was also installed to feed the PS and the new PSU and this wired to the back on a single locale Neutrik power connector. Gaps in the case were filled with punched out metal blacking plates to allow air to flow and the job was complete.
I was concerned at first that the unit would get too hot, and there would not be a enough airflow, but this proved not to be a problem. I have had the whole system running for days in a hot room and so far not a single problem.
Next issue I will go in to more detail on the each of the pieces of kit installed and how it has been configured.
If you have questions make sure you follow me on twitter @jpratchett I will be tweeting about my use of this system and other equipment I use regularly.

Tags: iss066 | streaming | blackmagic | atem | hyperdeck | N/A
Contributing Author N/A

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • House of Worship Multisite Streaming from VITEC at NAB 2017

    House of Worship Multisite Streaming from VITEC at NAB 2017

  • Streaming Media with Interra Systems at NAB 2017

    Streaming Media with Interra Systems at NAB 2017

  • Live Streaming Solution from Verizon at NAB 2017

    Live Streaming Solution from Verizon at NAB 2017

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

    Behind the scenes of the Teradek booth on BroadcastShow LIVE at IBC 2013

  • Facebook and YouTube live integration with Monarch HD from Matrox at NAB 2017

    Facebook and YouTube live integration with Monarch HD from Matrox at NAB 2017

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • VITEC EZ TV at IBC 2016

    VITEC EZ TV at IBC 2016

  • JVC at IBC 2016

    JVC at IBC 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • VITEC at IBC 2015

    VITEC at IBC 2015

  • Matrox at IBC 2015

    Matrox at IBC 2015

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Telestream Wirecast and Switch at IBC 2014

    Telestream Wirecast and Switch at IBC 2014

  • Telestream Vantage support for DPP at IBC 2014

    Telestream Vantage support for DPP at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Matrox Monarch HD at NAB 2014

    Matrox Monarch HD at NAB 2014

  • Telestream Enterprise at NAB 2014

    Telestream Enterprise at NAB 2014

  • Telestream Switch at NAB 2014

    Telestream Switch at NAB 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Matrox Capture Card at NAB 2014

    Matrox Capture Card at NAB 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Matrox Monarch HD and VS4 at BVE 2014

    Matrox Monarch HD and VS4 at BVE 2014

  • JVC HM850 at BVE 2014

    JVC HM850 at BVE 2014

  • Dejero on BroadcastShow LIVE at IBC 2013

    Dejero on BroadcastShow LIVE at IBC 2013

  • Pixel Power on BroadcastShow LIVE at IBC 2013

    Pixel Power on BroadcastShow LIVE at IBC 2013

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Harmonics Peter Alexander on BroadcastShow LIVE at IBC 2013

    Harmonics Peter Alexander on BroadcastShow LIVE at IBC 2013

  • Haivision on BroadcastShow LIVE at IBC 2013

    Haivision on BroadcastShow LIVE at IBC 2013

  • Front Porch Digital on BroadcastShow LIVE at IBC 2013

    Front Porch Digital on BroadcastShow LIVE at IBC 2013

  • Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

    Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

  • ChyronHego on BroadcastShow LIVE at IBC 2013

    ChyronHego on BroadcastShow LIVE at IBC 2013

  • Cinegy on BroadcastShow LIVE at IBC 2013

    Cinegy on BroadcastShow LIVE at IBC 2013

  • Trilogy on BroadcastShow LIVE at IBC 2013

    Trilogy on BroadcastShow LIVE at IBC 2013

  • Projects Department on BroadcastShow LIVE at IBC

    Projects Department on BroadcastShow LIVE at IBC

  • Atomos talking 4K on BroadcastShow LIVE at IBC 2013

    Atomos talking 4K on BroadcastShow LIVE at IBC 2013

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Glensound on BroadcastShow LIVE at IBC 2013

    Glensound on BroadcastShow LIVE at IBC 2013

  • Zylight on BroadcastShow LIVE at IBC 2013

    Zylight on BroadcastShow LIVE at IBC 2013

  • Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

    Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

  • Carl Zeiss on BroadcastShow LIVE at IBC 2013

    Carl Zeiss on BroadcastShow LIVE at IBC 2013

  • Miranda on BroadcastShow LIVE at IBC 2013

    Miranda on BroadcastShow LIVE at IBC 2013

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Photon Beard on BroadcastShow LIVE at IBC 2013

    Photon Beard on BroadcastShow LIVE at IBC 2013

  • Polecam talk accessories on BroadcastShow LIVE 2013

    Polecam talk accessories on BroadcastShow LIVE 2013

  • TMD talk workflow on BroadcastShow LIVE at IBC 2013

    TMD talk workflow on BroadcastShow LIVE at IBC 2013

  • Metus on BroadcastShow LIVE at IBC 2013

    Metus on BroadcastShow LIVE at IBC 2013

  • Guntermann and Drunck on BroadcastShow LIVE at IBC 2013

    Guntermann and Drunck on BroadcastShow LIVE at IBC 2013

  • Brainstorm on BroadcastShow LIVE at IBC 2013

    Brainstorm on BroadcastShow LIVE at IBC 2013

  • Pilat Media on BroadcastShow LIVE at IBC 2013

    Pilat Media on BroadcastShow LIVE at IBC 2013

  • Sonnet Technologies on BroadcastShow LIVE at IBC 2013

    Sonnet Technologies on BroadcastShow LIVE at IBC 2013

  • EditShare on BroadcastShow LIVE at IBC 2013

    EditShare on BroadcastShow LIVE at IBC 2013

  • Nucomm on BroadcastShow LIVE at IBC 2013

    Nucomm on BroadcastShow LIVE at IBC 2013

  • Wohler Technologies on BroadcastShow LIVE at IBC 2013

    Wohler Technologies on BroadcastShow LIVE at IBC 2013

  • Nexidia QC on BroadcastShow LIVE at IBC 2013

    Nexidia QC on BroadcastShow LIVE at IBC 2013

  • SIS LIVEs Martyn Hopkins on BroadcastShow LIVE at IBC 2013

    SIS LIVEs Martyn Hopkins on BroadcastShow LIVE at IBC 2013

  • Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

    Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Wyplay on BroadcastShow LIVE at IBC 2013

    Wyplay on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • Forbidden Technologies on BroadcastShow LIVE at IBC 2013

    Forbidden Technologies on BroadcastShow LIVE at IBC 2013

  • Atomos with the Datacolor Spyder on BroadcastShow LIVE at IBC 2013

    Atomos with the Datacolor Spyder on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Cooke Optics on BroadcastShow LIVE at IBC 2013

    Cooke Optics on BroadcastShow LIVE at IBC 2013

  • SIS LIVEs Mark Shadbolt on BroadcastShow LIVE at IBC 2013

    SIS LIVEs Mark Shadbolt on BroadcastShow LIVE at IBC 2013

  • Softron Media Services on BroadcastShow LIVE at IBC 2013

    Softron Media Services on BroadcastShow LIVE at IBC 2013

  • Cobham on BroadcastShow LIVE at IBC 2013

    Cobham on BroadcastShow LIVE at IBC 2013

  • Riedel Communications on BroadcastShow LIVE at IBC 2013

    Riedel Communications on BroadcastShow LIVE at IBC 2013

  • TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

    TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

  • SMPTE on BroadcastShow LIVE at IBC 2013

    SMPTE on BroadcastShow LIVE at IBC 2013

  • Wowza Media Systems on BroadcastShow LIVE at IBC 2013

    Wowza Media Systems on BroadcastShow LIVE at IBC 2013

  • Stream UK on BroadcastShow LIVE at IBC 2013

    Stream UK on BroadcastShow LIVE at IBC 2013

  • Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

    Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

  • Digital Vision on BroadcastShow LIVE at IBC 2013

    Digital Vision on BroadcastShow LIVE at IBC 2013

  • Polecam talk high speed on BroadcastShow LIVE at IBC 2013

    Polecam talk high speed on BroadcastShow LIVE at IBC 2013

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • SIS LIVE and their products ManPak and DriveForce at IBC 2013

    SIS LIVE and their products ManPak and DriveForce at IBC 2013

  • Softron Media at IBC 2013

    Softron Media at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • Vimond Control Center at NAB 2013

    Vimond Control Center at NAB 2013

  • Matrox at BVE 2013

    Matrox at BVE 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • StreamUK at BVE North 2012

    StreamUK at BVE North 2012

  • Radiant Grid at NAB 2012

    Radiant Grid at NAB 2012

  • Haivision at NAB 2012

    Haivision at NAB 2012

  • Broadcast Pix at NAB 2012

    Broadcast Pix at NAB 2012

  • Cinegy at NAB 2012

    Cinegy at NAB 2012

  • LiveU at NAB 2012

    LiveU at NAB 2012

  • SIS LIVE at NAB 2012

    SIS LIVE at NAB 2012

  • YoSpace at NAB 2012

    YoSpace at NAB 2012

  • Anton Bauer at NAB 2012

    Anton Bauer at NAB 2012

  • Garland Partners at BVE 2012

    Garland Partners at BVE 2012

  • StreamUK at BVE North 2011

    StreamUK at BVE North 2011

  • Suitcase TV at IBC2011

    Suitcase TV at IBC2011

  • Digital Rapids at IBC2011

    Digital Rapids at IBC2011

  • Blackmagic Design at IBC 2019: New Atem Mini

    Blackmagic Design at IBC 2019: New Atem Mini

  • Blackmagic ATEM Constellation 8k at NAB 2019

    Blackmagic ATEM Constellation 8k at NAB 2019

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Blackmagic Design at IBC 2019: New Video Assist 126 with BRAW

    Blackmagic Design at IBC 2019: New Video Assist 126 with BRAW

  • Blackmagic DaVinci Resolve 16 at NAB 2019

    Blackmagic DaVinci Resolve 16 at NAB 2019

  • Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

    Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

  • Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

    Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic Davinci Resolve 15 at NAB 2018

    Blackmagic Davinci Resolve 15 at NAB 2018

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • The tv-bay Tour in Manchester June 2014

    The tv-bay Tour in Manchester June 2014

  • The tv-bay Tour in London June 2014

    The tv-bay Tour in London June 2014

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Autodesk at NAB 2013

    Autodesk at NAB 2013

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • AMD at IBC2011

    AMD at IBC2011

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • ATEME at NAB 2014

    ATEME at NAB 2014

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Garland at BVE 2017

    Garland at BVE 2017

  • Global Distribution at IBC2011

    Global Distribution at IBC2011


Related Shows
  • Larry Jordan with Thom Holliday talk streaming at BVE 2016

    Larry Jordan with Thom Holliday talk streaming at BVE 2016


Articles
IP Technology for Broadcast Audio Routing Systems
Tom Knowles As the AoIP debate continues to confuse and delight in equal measure, what is clear is different scenarios require specific solutions. So is there a solution that encompasses open standards and existing proven AoIP technologies to the benefit of all?
Tags: iss139 | aoip | ssl | solid state logic | system T | dante | audinate | aes67 | st2110 | domain manager | Tom Knowles
Contributing Author Tom Knowles Click to read or download PDF
Post Production - Keeping Track
Alex Macleod One of the most important things to consider when beginning a new edit, is keeping track of where all your various media assets are - not only their location on whichever storage drive you chose to work from, but also where you file them away in your project once imported.
Tags: iss139 | premiere pro | editing | shotputpro | post haste | Alex Macleod
Contributing Author Alex Macleod Click to read or download PDF
The LED Lighting Revolution
Neil Vann Back in April 2019, the National Association of Broadcasters hosted the annual NAB show in Las Vegas where over 90,000 people from more than 160 countries came to see the latest broadcast technology from around the world. Honouring the highlights of the show were NAB’s 2019 Product of the Year awards, where the newly launched Chroma-Q Space Force onebytwo – a bright, tuneable white LED softlight with a high CRI, TLCI and TM-30 - picked up one of these prestigious awards in the lighting category.
Tags: iss139 | ac-ent | led | lighting | chroma-q space | softlight | studio force phosphor | Neil Vann
Contributing Author Neil Vann Click to read or download PDF
Increasing Diversity in the UK Indie Market
Sam Addo

London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table.

“Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from ethnic minorities remain underrepresented on screen. For example, it is rare to find a film where the lead character has a disabil ity, and that underrepresentation is worrying.”

Tags: iss139 | cards on the table | feature | diversity | blackmagic | ursa mini pro 4.6k | lut | davinci resolve | Sam Addo
Contributing Author Sam Addo Click to read or download PDF
Why MADI is Still Relevant
Stephen Brownsill While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony (DASH) and Mitsubishi (ProDigi) as a way to transport up to 56 channels of digital audio between large-format audio consoles of the day and digital multi-channel tape machines via 75-Ohm coaxial cables. Both tape-based machines have long since disappeared from the equipment landscape.
Tags: iss139 | madi | tsl products | aes10 | aes | dolby atmos | st-2110 | sam-q | Stephen Brownsill
Contributing Author Stephen Brownsill Click to read or download PDF