Ad servers and switching solutions


Peter Blanchford TV-Bay Magazine
Read ezine online
i
Hardware-based ad servers and switching solutions have been around for a long time and, broadly speaking, do the job just fine.

That said, after a number of meetings before and during NAB 2017, what I found is that a lot of people are looking to replace components of their hardware-based ad servers, the switching function being chief among them. There's nothing particularly wrong with existing ad servers themselves. They've been installed and working for a long time. But therein, perhaps, lies the issue. While the ad servers can be operating OK, the switching function is not as efficient, or elegant, for switching modern-era transport streams.

This is partially what led Starfish to develop a software-based splicer, TS Splicer that happens to include a software-based switch. The feedback we have had from the marketplace is that while TS Splicer has lots of useful applications (always nice to hear), there is also a need for a straightforward, software-based switch, which is how we came to develop TS Switch.

The US market in particular is very mature in terms of ad insertion. Many broadcast facilities have had an ad server as part of their infrastructure for years, so when some of them said, "TS Splicer is a great product, but we may want to leave our existing ad insertion infrastructure in place, and just replace the switch technology", for now anyway. That's why we developed a new way to switch that runs on generic 'off the shelf' hardware. It's scalable and flexible, but most important, it provides a very technically clean switch.

It's also ideal for redundancy applications because the switch has an auto-failover capability. When you have a main and standby server playing out an important channel, you need an automated switch downstream in case one of the streams fail. If that happens, the signal automatically detects an input failure and instantly fails over to the alternate path. In the case of TS Switch, it also has a mode for identical, co-timed streams, which basically involves buffering. What that means is that the switches, when they occur, are transparent visually, and within the structure of the stream.

The software-only approach to switching benefits broadcasters and distributors because some of their hardware can stay right where it is. There's no great disruption or expense to replace all the existing infrastructure. And because the switch software is scalable, and flexible in terms of the bit rate of the media and the media encoding format, the user can switch up to 20+ channels on a single server.

Switching SDI signals is straightforward, but switching encoded streams - particularly when you have two, disparate, signals - and doing it well, is incredibly hard. Because the GOP boundary between two signals will not line up in encoded stream, you have to be a lot smarter about the way you handle the switch.

The first goal is to produce an output stream that maintains the structure of the transport stream. What that means is that anything downstream, such as decoders and any other ancillary equipment, will not be thrown off course by the switching process. In fact, they will not see or sense any discontinuity and continue operating as normal.

We have developed a product that is software based, scalable, switches transport streams cleanly and is flexible in terms of bit rates and encoding formats.

It may be time for you to make a switch.


Tags: iss126 | starfish technologies | ad server | ts splicer | ts switch | gop | Peter Blanchford
Contributing Author Peter Blanchford

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Sennheiser VR at IBC 2016

    Sennheiser VR at IBC 2016

  • Cobham transmitters at IBC 2013

    Cobham transmitters at IBC 2013

  • DJI Innovations at BVE 2013

    DJI Innovations at BVE 2013


Related Shows
  • Show 14 - March 20th 2013

    Show 14 - March 20th 2013


Articles
What content providers need to know about OTT
Hiren Hindocha As OTT (Over-The-Top) technology has gotten more mature and established robust standards over the years, the concept of OTT monitoring is gaining popularity. With customer expectations soaring, it’s vital for OTT providers to deliver superior quality content. To deliver Quality of Experience (QoE) on par with linear TV broadcast, the entire system, starting from ingest to multi-bitrate encoding to delivery to CDN must be monitored continuously.
Tags: iss134 | ott monitoring | qos | logging | compliance | dash | atsc | cloud | Hiren Hindocha
Contributing Author Hiren Hindocha Click to read or download PDF
Giving Welsh sport a global audience
Adam Amor From the Ospreys Rugby Union team, to the Football Association of Wales, as well as national cycling, swimming and boxing coverage, Port Talbot based Buffoon Film and Media has been heavily involved in putting Welsh sports on the world stage.
Tags: iss134 | blackmagic | atem | buffoon | micro studio camera | Adam Amor
Contributing Author Adam Amor Click to read or download PDF
An Obituary to Timecode
Bruce Devlin - new A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video devices. A joint activity between SMPTE and the EBU led to the work on Time and Control codes starting its journey to standardisation in the early 1970s.
Tags: iss134 | timecode | smpte | ebu | edit | Bruce Devlin - new
Contributing Author Bruce Devlin - new Click to read
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
GoPro HERO 7 Review
Tim Bearder When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition.
Tags: iss134 | gopro | hero 7 | review | liberal media | Tim Bearder
Contributing Author Tim Bearder Click to read or download PDF