Articles
Advances in LED lighting innovation with Rotolight AEOS
Rod Aaron Gammons There's no doubt that lighting plays a critical role in videography, filmmaking and photography. It's the area of content capture that brings added creativity to shoots, whether that's filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditional tungsten, through to the use of LEDs. Of course LEDs have been revolutionised too, now delivering powerful, cost and energy efficient solutions to creatives.
Tags: iss126 | location light | led lighting | AEOS | rotolight | anova | neo | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
The Benefits of LED Lighting in Broadcast
Rod Aaron Gammons The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast, media and entertainment industry has gradually grown more accepting of the technology and its benefits.
Tags: iss122 | rotolight | led lighting | celbro studio | bbc | mtv | trt | anova pro | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
The Future of LED Lighting
Rod Aaron Gammons From the moment the LED light entered the broadcast, media and entertainment world its key differentiator was its energy efficiency compared to traditional tungsten studio lighting. LEDs use far less energy in the region of 90% less than tungsten lights and produce less heat. In addition, they are far more portable and generally have a longer lifespan; all benefits that are all now well recognised.
Tags: iss116 | led lighting | rotolight | anova | anova pro | cinesfx | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
Rotolight ANOVA lights
KitPlus London's first fully 4k studio
Tags: iss095 | rotolight | anova | LED | 4k studio | bi colour | light | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Rotolight ANOVA from the eyes of a DoP
Alasdair McBroom Belfast based Photographer and DoP, Alasdair McBroom talks about his experience of the Rotolight ANOVA V2
Tags: iss090 | Rotolight ANOVA V2 | Appleworld | Alasdair McBroom
Submitted by Alasdair McBroom Read this article in the tv-bay digital magazine
LED lighting comes of age
Chris Chisnall Lighting is paramount to any production, whether its for an independent short or for a multi-million pound Soap
Tags: iss088 | Rotolight | ANOVA | Coronation Street | LED | Chris Chisnall
Submitted by Chris Chisnall Read this article in the tv-bay digital magazine
In the Flesh: On set with the BBC
Dale McCready Director of Photography, Dale McCready recently lit the second series of BBCs award nominated Zombie drama In the flesh with the Rotolight ANOVA Bi Colour V2 LED flood light.
Tags: iss086 | Dale McCready | Rotologht | BBC | In the Flesh | Zombies | Rotolight ANOVA Bi Colour V2 LED flood light | Dale McCready
Submitted by Dale McCready Read this article in the tv-bay digital magazine
Rotolight expand new range of award winning Anova flood lights
KitPlus Following the successful launch of the award winning ANOVA LED Floodlight last year, IBC 2013 sees the release of the ANOVA EcoFlood Version 2 (Bi-Colour LED system) and the ANOVA SOLO Single Colour Flood lights available in 5600K (daylight) or 3200K (tungsten).
Tags: iss081 | rotolight | anova | floodlight | led | ibc | release | bi colour | solo | single colour | daylight | tungsten | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Lights Camera Action for Silverstone F1
Rod Aaron Gammons Rotolight ANOVA, the worlds most advanced LED Floodlight was recently used as the light of choice for the 2012 Autosport Awards shoot at the Silverstone Formula 1 track, produced by MAKE Television (formerly Sequence Creative).
Tags: iss074 | rotolight anova | led floodlight | f1 silverstone | bi-colour | 1000 watt | 100 degree beam | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
Lights, Camera¦Action
N/A Formula 1 Shoot with the Revolutionary New Rotolight Anova LED Studio Light
Tags: iss064 | formula 1 | f1 | rotolight | anova | led studio light | N/A
Submitted by N/A Read this article in the tv-bay digital magazine
Eye to Eye: Whats new in lighting
N/A The majority of modern digital video cameras and D-SLRs are capable of delivering high-quality images provided the lighting conditions are good. Attempting to shoot in low light introduces the risk of noise and limited depth of field. Whatever the claimed camera sensitivity, good lighting is as essential today as ever. The following is a short overview of video lighting products introduced in the past 12 months. It reads a bit like a fast-food menu. If you get bored with all the LED stuff, feel free to skip to the concluding paragraph.
Tags: iss062 | arri | adb | bebob | cinelight | dedolight | gekko | kino flo | litepanels | nila | pag | photon beard | prg | lighting | led | rotolight | anova | N/A
Submitted by N/A Read this article in the tv-bay digital magazine
Total Articles: 11 [1-11]