Ask the experts with TMD looking at LTFS


Tony Taylor TV-Bay Magazine
Read ezine online
by Tony Taylor
Issue 80 - August 2013
Not another acronym! What is LTFS?
LTFS stands for Linear Tape File System. It is a file system for data archives, developed by IBM but published as an open standard and now widely adopted by all the leading vendors of large-scale data archiving.

If it is a data product, why am I reading about it in a broadcast magazine?

Because we have lots of data to archive. Indeed, so important is the broadcast and media archive market that LTFS was not launched at an IT event but at NAB, on 12 April 2010.

Still not sure I get the point of data archives. Why do I even need to keep my content?

Taking the last point first, for most people the need to keep content is clear: you may make money from it in the future. You have the opportunity to sell programmes to new channels and new delivery platforms which we have not even heard about.

Have a look around the more obscure corners of your EPG and see how many broadcasters are serving up content from any back catalogue they can get hold of: programmes which are 40 or 50 years old in some cases.

It is not just whole programmes you can sell: you might get some business in clips from your content. What if you have a particularly spectacular shot, or the first appearance of an actor who goes on to be very famous? Good to be able to drag it out of the archive and sell it for a modest fee.

Some people like major broadcasters and audiovisual archives are committed to keeping large amounts of content as an important part of our social and cultural history. We take it for granted today that we can watch clips from the 1948 London Olympics, or the coronation in 1953.

What is wrong with archiving the original material?
In broadcast, formats come and go very quickly indeed. If you have material on 2 quad or 1 B-format tape, then it is virtually inaccessible today unless you are prepared to pay a lot of money for an expert restoration company to transfer it. In the last decades of the 20th century we saw new video formats launched at virtually every NAB, most of which are unavailable today.

One of the most pressing reasons for anyone to implement an asset management system today is to maintain access to modern content: it will get increasingly hard to source BetaSP and DigiBeta VTRs in the coming years.

So it makes sense to digitise and archive as data. Especially as the IT industry has vastly more R&D resources than we do, so will come up with a well-designed standard that we can just adopt for ourselves.
I thought that was LTO tape?
Indeed, LTO tape is an excellent solution, a well-designed standard that we can just adopt for ourselves. Many media archives already use LTO tape libraries. The family is now up to LTO-6, with each new generation doubling (roughly speaking) the storage density, helping with the huge amounts of data we keep generating.

So problem solved, then?
Well no. LTO is a storage system, a way of keeping the data. But it is not an archive in itself. That would be like saying we can just buy a Raid array and it will be an archive it wont.

What you need is some way of describing what is on the tape, so we can make sense of it later. At the moment that is some sort of archive software, which may be part of the asset management platform or it might be in a separate hierarchical storage application. It knows what is on each tape. When LTO-7 comes along two tapes may become one, and the archive software would keep track of that.

The problem, though, is one of longevity. 50 years from now when you want to recover something you have not seen in decades, you will probably be using an asset management system which is eight generations on from where we are today. Will that still know where your stuff is? Is that a good way to manage platform migration?

And that is where LTFS comes in?
LTFS, remember, is the Linear Tape File System. The important point here is that it is a file system. Specifically, it is a self-describing file system: it defines the organisation of both essence data and metadata on each tape.

So a tape written in the LTFS format can be used independently of any external database or storage system. You simply plug an LTFS-format tape into a drive and it can be read without problems, either by the drives own application or by any asset management system. The files on the tape are fully described.

So assets are truly portable, between systems and over time. You can keep a tape for 50 years or more and it can be loaded into whatever we will be calling asset management in 2060. Or you can take an LTFS tape from your asset management system, plug it into a different system somewhere else, and it instantly becomes useful.

It does not completely populate the asset management system, because that would involve making it specific to a particular system, which is what we are trying to avoid. The file system is deliberately simple to guarantee portability.

That also means that, should your main archive be destroyed by fire or flood, you could pick up your offsite backup LTFS tapes and be back on air, in any facility which can give you space, as soon as you load the tapes
What happens if new storage mechanisms come along?
Some vendors are talking about Maid storage: the massive array of idle disks. Others suggest that holographic storage may be the way of the future.

But LTFS is a file system, so it has to be open to any changes in storage technology, because we know that LTO will develop in the future. That means it could just as easily be applied to Maid or holography or whatever else comes along. It is a file system: it describes what is on the storage unit, whether that is a tape or a disk or anything else.

Most people for now will be using it with LTO drives and robots. But its simplicity also makes it very flexible.

If it is as good as it sounds, it has to be expensive, complex or both
LTFS is a widely supported format in the IT industry, developed originally by IBM and maintained by a broad consortium of manufacturers. It is an open standard, freely licensed to anyone who wants to implement it.

Being part of the IT industry, it benefits from the huge R&D budgets available, so products supporting it are already available, including LTO drives and robots. It means that broadcast vendors can concentrate our investment where it is really important: on the applications which run on this commodity hardware.

At TMD we are already implementing our first large-scale archive project which is using LTFS to future-proof a huge amount of content. Others are sure to follow.


Tags: iss080 | ltfs | guide | tape | backup | archive system | tmd | data archives | ibm | Tony Taylor
Contributing Author Tony Taylor

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • SGL at NAB 2014

    SGL at NAB 2014

  • SGL at NAB 2013

    SGL at NAB 2013

  • Guided Tour of the Polecam Stand at BVE 2016

    Guided Tour of the Polecam Stand at BVE 2016

  • Guided tour of the Global Distribution Stand at BVE 2016

    Guided tour of the Global Distribution Stand at BVE 2016

  • Guided tour of the Holdan Stand at BVE 2016

    Guided tour of the Holdan Stand at BVE 2016

  • TMD talk workflow on BroadcastShow LIVE at IBC 2013

    TMD talk workflow on BroadcastShow LIVE at IBC 2013

  • PAG talk about flying with batteries at IBC 2014

    PAG talk about flying with batteries at IBC 2014

  • Triveni Digital at NAB 2012

    Triveni Digital at NAB 2012

  • Workflow Solutions from Pronology at NAB 2017

    Workflow Solutions from Pronology at NAB 2017

  • Pronology at IBC 2014

    Pronology at IBC 2014

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Marquis Broadcast show Backup Versioning at NAB 2018

    Marquis Broadcast show Backup Versioning at NAB 2018

  • Facilis Technology at BVE 2013

    Facilis Technology at BVE 2013

  • TMD Mediaflex-UMS at IBC 2017

    TMD Mediaflex-UMS at IBC 2017

  • TMD Corprate Update from IBC 2017

    TMD Corprate Update from IBC 2017

  • Mediaflex UMS Platform from TMD at NAB 2017

    Mediaflex UMS Platform from TMD at NAB 2017

  • New CEO and news update from TMD at NAB 2017

    New CEO and news update from TMD at NAB 2017

  • TMD at IBC 2016

    TMD at IBC 2016

  • TMD Mediaflex-UMS at IBC 2016

    TMD Mediaflex-UMS at IBC 2016

  • TMD at NAB 2016

    TMD at NAB 2016

  • TMD Mediaflex at NAB 2016

    TMD Mediaflex at NAB 2016

  • TMD at BVE 2016

    TMD at BVE 2016

  • TMD news update at IBC 2015

    TMD news update at IBC 2015

  • TMD Mediaflex at IBC 2015

    TMD Mediaflex at IBC 2015

  • TMD Chameleon at NAB 2015

    TMD Chameleon at NAB 2015

  • TMD Mediaflex at NAB 2015

    TMD Mediaflex at NAB 2015

  • TMD at BVE 2015

    TMD at BVE 2015

  • TMD summarises their work this year at IBC 2014

    TMD summarises their work this year at IBC 2014

  • TMD Mediaflex at IBC 2014

    TMD Mediaflex at IBC 2014

  • TMD at IBC 2014

    TMD at IBC 2014

  • TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

    TMD talk asset management solutions on BroadcastShow LIVE at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • TMD at NAB 2013: MediaFlex Reporting Module

    TMD at NAB 2013: MediaFlex Reporting Module

  • TMD at NAB 2013: MediaFlex Systems

    TMD at NAB 2013: MediaFlex Systems

  • TMD at NAB 2013: Content Intelligence

    TMD at NAB 2013: Content Intelligence

  • TMD at IBC 2012

    TMD at IBC 2012

  • TMD at NAB 2012

    TMD at NAB 2012

  • TMD at BVE 2012

    TMD at BVE 2012

  • TMD at IBC2011

    TMD at IBC2011


Related Shows
  • Talking Streaming with Stream UK: BVE Day 3

    Talking Streaming with Stream UK: BVE Day 3


Articles
21st Century Technology for 20th Century Content
James Hall A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners have their cake and eat it?
Tags: iss135 | legacy | digitising | digitizing | archive | James Hall
Contributing Author James Hall Click to read or download PDF
Test, Measurement and Standards
Alan Wheable The Alliance for IP Media Solutions (AIMS), is a non-profit trade alliance that fosters the adoption of one set of common, ubiquitous, standards-based protocols for interoperability over IP in the media and entertainment, and professional audio/video industries.
Tags: iss135 | omnitek | aims | SNMP | hdr | ai | Alan Wheable
Contributing Author Alan Wheable Click to read or download PDF
Future proofing post production storage
Josh Goldenhar Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynamically and dramatically accelerates data delivery.
Tags: iss135 | nvme | sas | sata | it | storage | post production | Josh Goldenhar
Contributing Author Josh Goldenhar Click to read or download PDF
The making of The Heist
Tom Hutchings Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers.
Tags: iss135 | liveu | heist | streaming | cellular | mobile | connectivity | Tom Hutchings
Contributing Author Tom Hutchings Click to read or download PDF
Grading BBC Sounds
Simone Grattarola

The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus. 

BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists.

BBC Creative, the broadcaster’s in-house creative division, took the brief to agency Riff Raff Films and Megaforce directing duo of Charles Brisgand and Raphaël Rodriguez who in turn brought on board regular collaborators Time Based Arts.

Tags: iss135 | bbc | grading | bbc sounds | davinici | resolve | blackmagic | editing | Simone Grattarola
Contributing Author Simone Grattarola Click to read or download PDF