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Listening to the needs of audio engineers
	Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio.
Tags: iss131 \| omnitek \| audio monitoring \| aes \| ebu \| smpte 2110 \| st2110 \| smpte 352 \| dolby \| Alan Wheable
Submitted by Alan Wheable	Click to read or download PDF

Out of the box: Sennheiser Ambeo VR microphone
	The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the masses to put out reasonable quality, certainly watchable, 360 video.
Tags: iss130 \| vr \| virtual reality \| audio \| ambiosonic \| Jon Pratchett 2
Submitted by Jon Pratchett 2	Click to read or download PDF

Immersive Audio
	In 2012, the Oculus Rift Kickstarter campaign burst onto the scene, initiating a new wave of public interest in sense-enveloping immersive experiences. 5 years later, the consumer reality is mixed with some very public let-downs like Google Glass (which is coincidentally enjoying a re-birth at the time of writing, now as a technical tool in the workplace), and other technologies such as Dolby Atmos® becoming almost commonplace experiences. What does this mean for the audio professional and how is the near future shaping up in 2018?
Tags: iss127 \| immersive audio \| dolby atmos \| dts-s \| auro-3d \| oculus rift \| nugen \| Jon Schorah - new
Submitted by Jon Schorah - new	Click to read or download PDF

Audio at 750mph
	London-based 750mph has recently completed the finishing touches to a massive refit and upgrade of this audio post stalwart's Soho HQ which will bring even more, newly immersive, audio online.
Tags: iss125 \| blackmagic \| bmd \| 750mph \| audio \| 3daw \| 3d audio \| dolby atmos \| Sam Ashwell
Submitted by Sam Ashwell	Click to read or download PDF

What happened to audio networking
	It may seem hard to believe, but audio networking has now been with us for over 20 years. In 1996, Peak Audio released CobraNet, the first system that used computer networking of some sort to transport audio.
Tags: iss125 \| audinate \| networking \| audio \| dsp \| Brad Price
Submitted by Brad Price	Click to read or download PDF

Object Based Audio - The first steps
	The world of broadcast audio is about to reach new levels as we embrace the future in terms of Next Generation Audio (NGA). Although at this stage we can't be precise about what this will bring, we do know that some 3D Immersive formats are already under development and will find their way into broadcast production and distribution very soon. Unlike the world of relatively constrained channel based coding that we are accustomed to, these new codec systems will support more channels and/or object based audio coding. For the end consumer, there will be two major benefits - a greater sense of involvement or immersion and a degree of personalisation. That's what the promises are.
Tags: iss125 \| immersive audio \| junger \| nga \| oba \| Peter Poers
Submitted by Peter Poers	Click to read or download PDF

Streaming and the need for continued innovation
	In a fast-changing world, audio producers need to adapt quickly in order to keep up. Media consumption is changing - fast. Almost without anyone noticing, we have passed the tipping point. Only a few years ago we were discussing streaming as an emerging technology; yet now, according to a recent Deloitte survey, streaming has overtaken live TV as the preferred viewing method in the U.S. YouTube viewing figures continue to surge.
Tags: iss123 \| nugen \| audio \| streaming \| youtube \| Jon Schorah - new
Submitted by Jon Schorah - new	Click to read or download PDF

Who really benefits from the Cloud?
	The transition to "the cloud" in our industry has been challenging. Why is it so important to have cloud technologies? What do customers really expect? The term "cloud" has been used to such an extent that it has diminished the real and actual importance of what's really going on - off-premise compute power.
Tags: iss123 \| cloud \| daw \| tv solutions group \| off premise \| dolby \| audio \| Jayson Tomlin - new
Submitted by Jayson Tomlin - new	Click to read or download PDF

Smart audio - the way foward for live broadcast production
	Today's broadcast facilities are facing ever-increasing demands on their resources as they strive to keep up with consumers who expect more content on more devices, both where and when they want it.
Tags: iss119 \| junger \| audio \| Anthony Wilkins
Submitted by Anthony Wilkins	Click to read or download PDF

Measurement and Visualization of Loudness
	Today's audio engineers and editors have to fight various battles, including constantly shrinking production budgets, less time to create the final program content and more tech specs to match than ever. For this compilation, we take a deeper look at the required major indicators common to all the standards.
Tags: iss113 \| LUFS \| LKFS \| TV \| Loudness \| Audio \| Measurement \| Visualization \| Michael Kahsnitz
Submitted by Michael Kahsnitz	Click to read or download PDF

Audio
	Audio monitoring has come a long way since its humble beginnings of a box with a speaker, a volume control and an analogue input. Today's high-end audio monitoring units boast an impressive array of I/O such as SDI, MADI, AES-3 and Analogue while offering a large amount of functionality such as accurate metering, loudness measurement, Dolby decoding, metadata analysis and video confidence monitoring. There is however a huge storm brewing in the world of broadcast in the form of video and audio over IP, which will turn everything upside down.
Tags: iss113 \| Audio \| Audio Monitoring \| SDI \| MADI \| AES-3 \| S2022-6 \| TR-03 \| TR-04 \| IP \| AES67 \| Dante \| Ravenna \| 3G-SDI \| TSL \| MADI \| PAM-IP \| Pieter Schillebeeckx
Submitted by Pieter Schillebeeckx	Click to read or download PDF

TV Futures
	I used to hate audio. Every time we recorded audio on a location shoot, something seemed to go wrong. It was a nightmare. And because I didn't understand it, I avoided it and would do anything to not be responsible for recording sound. However, eventually it got to a point where I hated how much I hated audio more than I hated audio itself! It became frustrating that I couldn't get it right, and I didn't want to have to avoid it anymore; I wanted to become a master of audio. That may have been slightly ambitious, but still, I was going to try.
Tags: iss113 \| Audio \| TV \| CCI TV \| Radio \| Student \| Gemma Frith
Submitted by Gemma Frith	Click to read or download PDF

VR and 3D Audio - Ask The Experts
	What's the difference between 2D & 3D audio? There are two parts to this question when it comes to audio for VR. The key difference is that 2D is a single horizontal slice,so when we're thinking 5.1 or traditional surround sound in a cinema that would be looked at as 2D,whereas 3D adds height information to this both above and below you. The second part to this question relates to static versus dynamic audio,and this goes for both 2D and 3D audio.
Tags: iss113 \| 2D Audio \| 3D Audio \| Object-Based Audio \| VR \| Virtual Reality \| Pieter Schillebeeckx
Submitted by Pieter Schillebeeckx	Click to read or download PDF

Class: Multi - Channel Audio
	If you're given a media file and it has 16 channels of audio then life can quickly become the opposite of boring, especially if it has to go to air quickly and the supplier is new. Put simply there are many ways in which the different channels can be laid out in the file, but there isn't a single overall standard for labelling them. Enter SMPTE ST 377-4 - the Multi-Channel Audio Labelling specification (MCA). It's really boring and this is a good thing.
Tags: iss113 \| Audio \| Media \| Multi-Channel Audio \| MCA \| MXF \| GUI \| Bruce Devlin
Submitted by Bruce Devlin	Click to read or download PDF

Sound Devices: My Choice For Everything Audio
	Ever since I can remember, I have had a passion and curiosity for sound and sound recording. For the past thirty years, I have had the good fortune of turning that desire into a career as a production sound mixer working on incredible projects, including three of The Twilight Saga films. During my three decades in the industry, I have always prided myself on using the best equipment available, in order to capture the best sound possible. Equipment selection is critical to success, and the game was forever changed when Sound Devices entered the mix.
Tags: iss113 \| Sound Devices \| Audio \| 744T Recorder \| SL-6 \| 688 \| 664 \| Comtek BST 216-75 \| Sennheiser \| Sanken \| MixAssist \| Darren Brisker
Submitted by Darren Brisker	Click to read or download PDF

Object Audio - whats all the noise about
	We all know that getting the audio right makes the pictures better. Anyone who has seen a movie created for Object Audio like Dolby Atmos will know that there is something special about it. To figure out what that is, let's rewind a little and see why we might need it.
Tags: iss111 \| object audio \| dalet \| mxf \| Bruce Devlin
Submitted by Bruce Devlin	Click to read or download PDF

New Upmixing Challenges and Strategies for Audio Post-production Today and Tomorrow
	Following the successful introduction of Halo Upmix, NUGEN Audios new upmixing plugin, Creative Director and Co-Founder Jon Schorah reflects on the changing landscape and increasingly complex demands of the modern audio post-production environment.
Tags: iss109 \| upmixing \| audio post \| halo upmix \| plugin \| nugen \| Jon Schorah
Submitted by Jon Schorah	Click to read or download PDF

AERO.soft - Bringing audio monitoring and processing into AoIP
	In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported over IP. Audio in particular is making a move to the IP realm with the recent AES67 standard bringing interoperability between manufacturers. Even with this standardization, Audio over IP (AoIP) is still not being used to its maximum potential in the broadcast space.
Tags: iss107 \| audio processing \| monitoring \| hardware \| solutions \| processing \| aeromax \| upmax \| aero.soft \| Martin Dyster
Submitted by Martin Dyster	Click to read or download PDF

Monitoring Q & A
	Some of the industry's best answer some burning Monitoring questions
Tags: iss107 \| monitoring \| sound engineer \| supervisor \| head of audio \| sky \| freelance \| industry \| questions \| q&a \| KitPlus
Submitted by KitPlus	Click to read or download PDF

Microphone Placement
	Recording vocals on your microphone sounds like an easy job, but making sure you use the correct techniques and appropriate placement is essential. Today well take a look at some of the industry standard techniques as well as some more weird wonderful recording solutions along the way.
Tags: iss107 \| recording \| audio \| microphone \| subcardioid \| shotgun \| vocals \| pickup patterns \| Beth Zarkhosh
Submitted by Beth Zarkhosh	Click to read or download PDF

Authoring and Monitoring for the emerging 3D immersive Broadcast Audio formats
	The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accustomed to (most commonly Left / Right for Stereo and Left / Centre / Right / Surround Left / Surround Right + LFE or Low Frequency Effects for surround), these new codecs will support more channels and/or object based audio coding. For the end consumer, there will be two major benefits from this new approach, a greater sense of involvement or immersion, and a degree of personalisation.
Tags: iss107 \| broadcast audio \| 3d immersive formats \| facilities \| equipment \| authoring \| monitoring \| Anthony Wilkins
Submitted by Anthony Wilkins	Click to read or download PDF

The business case for media asset management
	You could argue that, so far, there have been two stages of commercial justification for asset management systems in broadcasting. First, it was a necessary evil: if broadcasters, production companies and other media organizations wanted to store content as filesat least some of the timethey needed a means of finding it again. Once broadcasters had a comprehensive index to all of their content, and could find clips and programs again quickly, there existed the potential to earn new revenues from them, ushering in the second stage. Video and audio recordings are among the principal business assets of broadcasters and production companies, and making the best use of those assets, by re-using them whenever possible, is simply good commercial sense.
Tags: iss103 \| media asset management \| systems \| broadcast \| video \| audio \| recording \| Kevin Usher
Submitted by Kevin Usher	Click to read or download PDF

Full reference testing helps ensure quality audio delivery
	With the ever-increasing amount and variety of programming, devices, screen sizes, quality levels, and delivery methods today, broadcasters and delivery networks must be able to measure the quality of audiovisual content - and their processes for delivering it - to ensure it will meet standards that satisfy audiences, subscribers, advertisers, and regulators.
Tags: iss101 \| audio delivery \| full reference \| workflow \| PEAQ \| bit rates \| Adam Schadle
Submitted by Adam Schadle	Click to read or download PDF

5 must haves for sound recordists
	Every location has a different set of challenges and you have to deal with whatever sound your environment throws at you as best you can whilst looking after your gear and yourself. Here are 5 non-technical things that make my life on location easier.
Tags: iss101 \| sound recordist \| dedleg \| tips \| audio \| equipment \| must have \| Paul Zanders
Submitted by Paul Zanders	Click to read or download PDF

Moving voiceovers into the 21st century
	There was a time when the only way to get a voiceover for your production was by contacting a voiceover agent who would obligingly send over a CD or two full of voiceover sparkle and you and your client would choose one, schlep on down to a studio and pay a small fortune to sit on a swanky sofa and watch said sparkle record your script.
Tags: iss101 \| audio \| voiceover industry \| video producer \| studio \| dat tape \| Leigh Emmerson
Submitted by Leigh Emmerson	Click to read or download PDF

CALM - A crucial act to follow
	Sudden jumps in sound level between television programmes and commercials first came to the notice of legislators after a loud commercial interrupted a family dinner at the home of US House of Representatives member Anna Eshoo. The technical parameters adopted in the draft were based on an existing recommended practice document issued in November 2009 by the US Advanced Television Systems Committee.
Tags: iss101 \| audio \| sound level \| technical parameter \| perceptual loudness \| Martin Moore
Submitted by Martin Moore	Click to read or download PDF

Audio basics
	It is an absolutely true statement that the best way to improve the quality of your image is to improve the quality of your sound. Viewers will happily watch grainy, black-and-white images and consider it "art." However, nothing you can say will keep them in their seats if the audio is too loud or unintelligible.
Tags: iss101 \| audio \| science \| display \| levels \| decibels \| scale \| Larry Jordan#
Submitted by Larry Jordan#	Click to read or download PDF

A wide spectrum of choice
	Without microphones, in-ear monitors (IEMs), intercom and distribution systems based on wireless technology, many of today's large-scale television studios, outside broadcast and film productions would be very difficult, if not impossible, to stage. Wireless solutions provide convenience and, in the main, great performance, however as with many technologies careful investment will provide the best results.
Tags: iss101 \| microphones \| in ear monitors \| intercom \| distribution systems \| broadcast \| audio \| Andy Clements
Submitted by Andy Clements	Click to read or download PDF

Fiber Transport for the future
	What can handle fibertransport today, centralizedrouting tomorrow,decentralized routingthe day after, and signalprocessing all the time?
Tags: iss101 \| fiber transport \| centralised routing \| signal processing \| signal \| audio \| Lars Hohmann
Submitted by Lars Hohmann	Click to read or download PDF

Tune in and turn on
	It was World Radio Day last month. Friday the thirteenth, to be precise, but I do not think the date was chosen with disaster in mind
Tags: iss099 \| world radio day \| broadcast \| audio \| radio \| online \| dick hobbs \| Dick Hobbs.
Submitted by Dick Hobbs.	Click to read or download PDF

Step by step - The perfect podcast
	The beauty of podcasting is that it can be done in very little time and with great ease when done properly!
Tags: iss099 \| podcast \| editors keys \| step by step \| software \| microphone \| audio \| Beth Zarkhosh
Submitted by Beth Zarkhosh	Click to read or download PDF

Hearing is believing - but Testing Helps
	We live in the age of measurement and all too often the results are prejudiced by the methods employed and the ease of digitally processing data.
Tags: munro acoustics \| audio \| testing \| noise levels \| N/A
Submitted by N/A	Click to read or download PDF

Essentials for Viable Audio over IP Distribution
	Using IP for audio distribution is an enticing prospect for most broadcasters. It offers the prospect of OPEX economies and opens up a lot of new flexibility for infrastructure design: backup and regionalisation solutions are among the many possibilities.
Tags: iss095 \| werner drews \| 2wcom \| viable audio \| IP \| distribution \| Werner Drews
Submitted by Werner Drews	Click to read or download PDF

Capture and Produce
	News analysis from Will Strauss
Tags: iss093 \| camera support \| Shotoku \| Cameragrip \| aquisition \| Editec \| specialist cameras \| Bradley Engineering \| Broadcast RF \| on set \| GB labs \| camera batteries \| PAG \| production \| proav \| FOR-A \| lighting \| Rotolight \| ION Cameras \| Audio \| Fairlight \| Routers \| Snell Group \| Thameside TV \| cameras \| Sony \| Camera Corps \| switchers \| Broadcast Pix \| Connectivity \| Atomos \| Cooke Optics \| Audio Acuisition \| Aaton-Digital \| Transvideo \| Will Strauss#
Submitted by Will Strauss#	Click to read or download PDF

Manage and Monitor
	News analysis from Will Strauss
Tags: iss093 \| news production \| Broadstream \| Quantel \| MOG Technologies \| media management \| Digital Nirvana \| transcoding \| Telestream \| storage \| Disk Archive \| test and management \| Phabrix \| conversion \| Cobalt Digital \| workflow \| Sony \| facility management \| Xytech \| audio \| monitoring \| quantum Leap Technology \| MAM Cambridge Imaging \| Suitcase TV \| quality control \| Venera \| Archimedia \| Will Strauss#
Submitted by Will Strauss#	Click to read or download PDF

Manipulate and Edit
	News analysis from Will Strauss
Tags: iss093 \| post production \| Quantel \| Forbidden \| Editors Keys \| Blackmagic \| FilmLight \| Forscene \| music \| Audio Network \| Broadcast Funiture \| MW Video \| audio \| Calrec \| DiGiCo \| Junger Audio \| audio post \| Prismsound \| Wire Broadcast \| Will Strauss#
Submitted by Will Strauss#	Click to read or download PDF

UWP-D11 Review
	Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality, this combo is limited to channels 67-69 which the government sold off to expand the frequencies available for mobile phones (cheers!!).
Tags: iss091 \| uwp d11 \| review \| sony \| audio \| microphone \| Kevin Cook
Submitted by Kevin Cook	Click to read or download PDF

Assuring loudness compliance for international content distribution
	At SAMPLE Sound is our business.
Tags: iss089 \| SAMPLE \| Nugen Audio \| loudness compliance \| international distribution \| Samuele Tezza
Submitted by Samuele Tezza	Click to read or download PDF

Problems and solutions in audio
	Mike Law presents here several case studies to illustrate how the company has been able to offer solutions to customer problems or requirements.
Tags: iss089 \| BCD Audio \| SDI SD/HD audio monitor \| MADI Switcher \| Microphone amplifier \| Installer rack units \| Mike Law#
Submitted by Mike Law#	Click to read or download PDF

Object of desire
	Will strauss looks at the object of his desire
Tags: iss089 \| Audio for UHD \| Will Strauss#
Submitted by Will Strauss#	Click to read or download PDF

Made with love
	The choice of music is a crucial component to the overall feel of many TV programmes - as important as the grade, the edit, even the script - yet it is often an area where budgets can be scrimped or squeezed
Tags: iss089 \| Audio Network \| composition \| recording \| feedback and refinement \| coding \| mastering and final checks \| album registration \| final release \| music \| Simon Marett#
Submitted by Simon Marett#	Click to read or download PDF

Audio monitoring: critical to visual media services
	Its a fact of TV broadcasting that audiences will tolerate reduced visual quality much more readily than any impairment to the audio.
Tags: iss089 \| bridge technologies \| audio monitoring \| Simen Frostad
Submitted by Simen Frostad	Click to read or download PDF

Audio over IP: A more flexible distribution landscape
	Broadcasters see IP as a way of achieving a number of goals, and of developing a far more flexible way of operating.
Tags: iss089 \| 2wcom \| IP \| Audio production \| Aundio distribution \| Werner Drews
Submitted by Werner Drews	Click to read or download PDF

Royal College of Art targets loudness with NUGEN Audio
	The Royal College of Art stays at the top of its game technically out of necessity especially as film and television production becomes increasingly digital.
Tags: iss083 \| nugen audio \| rca \| royal college of art \| technical \| production \| film \| television \| lm correct \| lm-correct \| audio \| Mike Wyeld
Submitted by Mike Wyeld	Click to read or download PDF

Product Spotlight: Black Box range from BCD Audio
	The BCD Audio black box range includes three units intended for Digital Audio measurement. Primarily intended for use at installation time, they are also useful in checking out the audio side of a TV installation.
Tags: iss079 \| black box \| mike law \| audio \| measurement \| quality control \| bcd audio \| dtg1 \| jitterbug \| Mike Law#
Submitted by Mike Law#	Click to read or download PDF

Crystal Balls and the future of television TandM
	Best to keep well away from the Australian fast bowlers then! Joking apart, what is the future of television test and measurement? Or should we rather refer to media dispersion MD for short. MD is taking off big-time.
Tags: iss079 \| crystal balls \| future of tv \| tandm \| t and m \| video and audio quality \| test and measurement \| Steve Nunney
Submitted by Steve Nunney	Click to read or download PDF

Singularity - QA and compliance monitoring in one box
	The task of maintaining loudness-compliant, high-quality delivery for broadcast audio is no longer a question of simply using ones ears. Audio channels produced for todays fast-paced productions come in embedded SDI workflow with streaming signals containing a mix of mono, stereo, surround, Dolby encoded and descriptive audio, as well as alternative mixes and multiple language tracks. Maintaining a quality audio track using this disparate mix of audio elements is one part of the QA equation facing broadcasters.
Tags: iss079 \| tsl products \| audio \| workflow \| loudness \| monitoring \| PAM2 MK2 Audio Monitoring Unit \| Martin Dyster
Submitted by Martin Dyster	Click to read or download PDF

A guide to DTV transport stream monitoring
	Delivering a high quality of service (QoS) is critical in the broadcast world, as it greatly impacts viewer satisfaction and a broadcasters revenue streams. However, the television environment is becoming increasingly more complex, as stations transition to digital and add next-generation OTT or hybrid TV services that require maintaining compliance with industry standards.
Tags: iss079 \| stream monitoring \| quality of service \| tutorial \| guide \| advice \| audio loudness management \| intelligent filtering \| Ralph Bachofen
Submitted by Ralph Bachofen	Click to read or download PDF

8 questions about QC and language-based tools for captioning
	Traditionally, broadcasters and others in the delivery chain must verify compliance manually by simply capturing and archiving content and then reviewing it if a complaint is made. Its a cumbersome, labor-intensive process that is prone to errors.
Tags: iss079 \| ask the experts \| tvbay \| kj kandell \| nexidia media and entertainment \| audio quality \| qc \| audio analysis technology \| captioning \| KJ Kandell
Submitted by KJ Kandell	Click to read or download PDF

Evolving the industry audio monitoring systems
	With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals? The media industry as a whole is moving toward multiplatform content delivery.
Tags: iss077 \| audio monitoring \| industry \| workflow \| wohler \| wohler technologies \| monitoring \| loudness \| multiplatform media delivery \| Don Bird
Submitted by Don Bird	Click to read or download PDF

Total Articles: 93 [1-50] 51-93

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