Audio


Pieter Schillebeeckx TV-Bay Magazine
Read ezine online
by Pieter Schillebeeckx
Issue 113 - May 2016

Audio monitoring has come a long way since its humble beginnings of a box with a speaker, a volume control and an analogue input. Today's high-end audio monitoring units boast an impressive array of I/O such as SDI, MADI, AES-3 and Analogue while offering a large amount of functionality such as accurate metering, loudness measurement, Dolby decoding, metadata analysis and video confidence monitoring. There is however a huge storm brewing in the world of broadcast in the form of video and audio over IP, which will turn everything upside down. Although it has been on the horizon for some time now, it is gathering pace and momentum and can no longer be stopped.


As a leading manufacturer of audio monitors this is set to keep us very busy for the foreseeable future. One of the main challenges to date has been the standards/protocol wars that have been raging, but there are very encouraging signs that would suggest we are getting closer to a consensus on the way forward. Some of the main forerunners at the moment are S2022-6, TR-03 and TR-04 for video over IP, and AES67, Dante and Ravenna leading the charge in audio over IP.
One of the fundamental differences when monitoring a traditional 3G-SDI signal vs (for example) a S2022-6 video over IP stream is how the signals makes their way to the audio monitor.

In a traditional set-up the 3G-SDI input of the audio monitor would be connected to the output of a video router and, using a router control panel, any signal available in the video router can be routed ready for monitoring. In the case of S2022-6 this is a very different story, as all signal routing is now taken care off in the software domain and the physical connection is now a 10Gig-e bi-directional pipe into the network. This differs radically in that an audio monitor can now monitor any stream available on the network by signing up to a multicast rather than having a video signal sent to
it by a hardware router.

Although being able to sign up to any multicast stream on the network sounds like an exciting prospect, typing in IP addresses in order to monitor a signal does not exactly rank highly on the list of usability. Luckily there are some comprehensive control protocols on the horizon that will help to deal with this signal management. In the meantime, however, we are hard at work making the user experience as positive and simple as possible while also making control available to 3rd parties through an API for integration in 3rd party control systems.


Although the IP revolution is very exciting, as an industry we are also very aware that this is not going to replace good old fashioned SDI-based infrastructure overnight. This is where broadcasters face a challenge when making investment decisions, and this is no different when it comes to audio monitoring solutions. At TSL Products we are very much aware of our customer's "hybrid" needs where they will want to monitor 3G-SDI or MADI alongside audio and video over IP in a single audio monitoring product. The recently launched PAM-IP was developed with that specific goal in mind, allowing users to monitor 3G/12G-SDI, AES-3 and analogue alongside S2022-6 (uncompressed video over IP) and Dante/AES67 (audio over IP) without compromising on any of the functionality expected from a modern high-end audio monitor.


There is a lot of change on the way and we are leading the charge from the front. No broadcast system is complete without an audio monitor so it is paramount that we understand our customers' requirements with regards monitoring both in the "hybrid" stage we are entering now and beyond where IP will be all there is left.


Tags: iss113 | Audio | Audio Monitoring | SDI | MADI | AES-3 | S2022-6 | TR-03 | TR-04 | IP | AES67 | Dante | Ravenna | 3G-SDI | TSL | MADI | PAM-IP | Pieter Schillebeeckx
Contributing Author Pieter Schillebeeckx

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

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Articles
AI in Media and Entertainment
David Candler Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI?
Tags: iss134 | AI | wazee | David Candler
Contributing Author David Candler Click to read or download PDF
An Obituary to Timecode
Bruce Devlin - new A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video devices. A joint activity between SMPTE and the EBU led to the work on Time and Control codes starting its journey to standardisation in the early 1970s.
Tags: iss134 | timecode | smpte | ebu | edit | Bruce Devlin - new
Contributing Author Bruce Devlin - new Click to read
Giving Welsh sport a global audience
Adam Amor From the Ospreys Rugby Union team, to the Football Association of Wales, as well as national cycling, swimming and boxing coverage, Port Talbot based Buffoon Film and Media has been heavily involved in putting Welsh sports on the world stage.
Tags: iss134 | blackmagic | atem | buffoon | micro studio camera | Adam Amor
Contributing Author Adam Amor Click to read or download PDF
Keeping it remotely real
Reuben Such Everyone wants to do more with less. Always have, although it could be argued that doing more with more is something to aspire to, not many have that luxury. So let’s stick with the prevailing winds of doing more with less, and not just doing more, but doing it remotely, particularly in terms of production. Remote production, in particular, is getting a lot of attention in the field these days, but not so much in terms of the remote operation of fixed studios.
Tags: iss134 | remote control | IPE | IDS | Reuben Such
Contributing Author Reuben Such Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF