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State of the Nation - November 2018

There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing.

Contributing Author Dick Hobbs - new

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Playing with Pink Floyd

For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR.

Contributing Author KitPlus

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TVFutures: Learning is the key

If you asked me the question ‘where do you see yourself after you graduate’ three years ago I would have probably answered ‘in a lot of debt, but if you don't think about it, it doesn't exist because three years is a long time right ?’. WRONG! These three years studying Television and Broadcasting at the University of Portsmouth have been the quickest three years of my life. Back when I started I didn't really have any idea what I wanted to specialise in and the dreaded four letter word AVID used to be my biggest enemy. However I persevered through the 3792871 hours of lectures learning how to use the software, how it functions, neither did I think I'd be a one woman match of the day by graduation'.

Contributing Author Abbie Neill

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State of the Nation - Telling Imaginary Stories

In mid-October, Nokia issued a press release from its headquarters in Finland, announcing a refocusing of its business, with a growing emphasis on digital health. Read on a few paragraphs, though, and you find this statement....

Contributing Author Dick Hobbs - new

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A 360 degree view of fashion

Im often asked, what do you do when the students arent around?, and the simple answer is, as it would be from any university technical support member of staff, I get involved in passion projects and these help me to stay up-to-date with the kit and keep my hand-in with video filmmaking.

Contributing Author Michael Parsons

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New workflows floating on the horizon

The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and easily.

Tags: iss123 | mam | pam | sgl | Avid | Grass Valley | Marquis | SAM | VSN | CatDV | Lee Sheppard - new

Contributing Author Lee Sheppard - new

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Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

We speak to John Loughman who is Post Production Supervisor at BBC Studios and Post Production and specifically his work with Stictly come Dancing

Contributing Author John Loughman

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Media asset management: the key to business success

In todays media environment enterprises are under intense pressure to improve content monetization and maximize operational efficiency. Theyre expected to do moreto create more content for more platforms and deliver it to more peopleso they have to find new ways to secure revenues, differentiate services to earn audience loyalty, and deliver all these services at a lower cost.

Tags: iss109 | avid | mam | Kevin Usher

Contributing Author Kevin Usher

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Editing broadcast video in a mobile app a ridiculous notion or the next big thing

A trend appears to be developing in broadcast technology development the more ridiculous an idea initially seems, the better the chances are that it will turn the whole industry on its head. Ten years ago editing over an internet connection was a pipe-dream, and the suggestion that broadcast equipment might be replaced with standard IT was considered preposterous as recently as five years ago. Yet working in the cloud, on standard IT equipment has revolutionised post-production and enabled workflows we never thought possible.

Contributing Author Jason Cowan

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TVFutures:Student pitch

Studying at university is so much more these days than just turn up to lectures, hand in assignments and get a degree, and at the end of my first year studying for a BSc in Television and Broadcasting at the University of Portsmouth, I had the opportunity to attain my Avid Media Composer User Certification.

Contributing Author Alex Watson

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Digital and analog in harmony at Pama Studios

Pama Studios in south east Sweden is a leading example of a facility that fully embraces the power, flexibility and ease of use of digital technology, while also harnessing analog technology to bring something different to its recordings. Founded in 1988 by managing director Magnus Maxe Axelsson, Pama is a long-time Avid customer; it has used Avid Pro Tools from the Avid Artist Suite for nearly 25 years for recording and mixing, and recently installed a Pro Tools | S6 console in its refurbished Studio 3.

Contributing Author KitPlus

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The future of storage is now affordable and flexible.

As the 10th anniversary of the Avid ISIS shared storage product line approaches this autumn, Ed Harper, senior product manager in the Avid ISIS collaborative storage solutions group, looks at how the company continues to innovate its flagship, flexible and scalable storage solution.

Contributing Author Ed Harper

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Venice live productions tools go to the consumer

The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple target audiences in parallel. Rohde and Schwarz have invested heavily in its Venice Media Production Hub to ensure it is able to fulfil the requirements for the latter. A media production hub is a central component of media workflows, managing movements and transformations from one media type to another.

Contributing Author Tim Felstead

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Tales from the teaching trenches: The offline, online battle

To offline or to online, that is the question...

Contributing Author Charlie Watts

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Life live beyond the Premier League

In Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. With the advent of Local TV and low-cost fast turnaround production in the UK, has the time finally arrived for affordable OB?

Contributing Author Kieron Seth#

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Lincolnshire Police Enhances Distance Learning Program

For over 40 years, Lincolnshire Police has placed the utmost importance on training by creating a television production unit in the early 1970s. This includes a small HD studio and an outside broadcast down the line environment to put trainees through their paces in a simulated crisis.

Contributing Author KitPlus

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Technical Testing Joins Forces with Visual Monitoring

In the past, test and measurement equipment was designed exclusively for broadcast engineers. Vectorscope and waveform read-outs sketching out shapes on a scope were readily understood by technicians fluent in the language of signal analysis.

Contributing Author N/A

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Handheld T and M the broadcast emergency service

Test and Measurement. Shudder. Like Health and Safety, Bus and Replacement Service or Keith and Orville its a collocation of words that fills me with dread. Seriously, who wants to read about Test and Measurement? Well, as it turns out, the answer is: quite a lot of people. Because, despite its lack of glamour, it is hugely important.

Contributing Author Will Strauss#

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Our third digital revolution?

A little history the first digital revolution for the TV production and post industries started somewhere about 1972 and then involved introducing digital islands into an analogue world. The introduction of much more affordable digital VTRs such as Sonys DigiBeta in 1993 heralded the beginning of the end of analogue.

Contributing Author Bob Pank#

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Waste not, want not

One of the most interesting comments I heard at NAB this year was from Gary Greenfield, the CEO of Avid. Picking up the topic of making the most of content across multiple platforms, he said nothing is left on the cutting room floor any more. That started me thinking about how technology has allowed us to get profligate, and whether we are now at a point when we need to turn back to being parsimonious.

Tags: iss065 | revolutionq | quantel | avid | N/A

Contributing Author N/A

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Every Cloud has a Purple Lining.

Cloud computing has been around a long time. I seem to remember right back in the 1980s the phrase distributed processing describing one, if not the first, evolutionary step towards the concept of the Cloud. I am not sure when it acquired the nomenclature Cloud but most people in IT have been aware of it probably for a decade or more. It seems that only recently has the idea caught on in a big way in media and broadcast.

Contributing Author N/A

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Taking the pain out of collaborative editing

Broadcast and post-production companies face the daily challenge of delivering more for less both in terms of time and money. Whilst the industry has been quick to embrace the efficiencies of file-based workflows and enhancements in the creative editing process, the reality - for companies of all sizes - is that the effective and secure management of media data remains complex and expensive.

Contributing Author N/A

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BVE 2012 in no particular order.......

If you read TV-Bay regularly, you will already be aware of the main trends in video and audio product development. BVE 2012 reflected these very accurately, notably the ongoing transition to file-based content capture and the growing interest in compact cameras. A good way to identify hot new products at any trade event is to identify which stands are attracting the biggest flock of visitors. Lets look at some of the key BVE crowd-pullers.

Contributing Author N/A

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Eye to Eye: Video Post-production

This columns previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12 months, notably in editing and content restoration.

Contributing Author N/A

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Time Saving Tips This Week EDIUS 6.

With all the talk of Final Cut Pro X, Premiere CS 5.5 and Avid Media Composer, some people are starting to forget about our much-loved EDIUS. Well, Editors Keys is about to launch a brand new EDIUS keyboard, so in honor of this new product, Im going to share some of the top EDIUS 6 Keyboard shortcuts.

Contributing Author N/A

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Avid solutions create a stellar workflow for Mwnci Post Production

The Challenge..... To ensure that the thousands of hours of HD footage which pass through busy Welsh post-production house, Mwnci, each year are efficiently managed, stored and archived.

Contributing Author N/A

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A grand boy

Dick chats with David Attenborough, winner of the 2011 IBC International Honour for Excellence.

Tags: David Attenborough | ibc | iss057 | N/A

Contributing Author N/A

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tv-bay questions

TV Bay Questions Eugene McCrystal, owner of EMC Post Production in Dublin

Contributing Author N/A

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What are the most important opportunities and challenges facing the TV industry today

TV-Bay ask the expert column with Richard Gianattasio, broadcast market solutions manager, Avid

Tags: avid | iss052 | multiplatform | ime | media enterprise | avid professional services | N/A

Contributing Author N/A

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tv-bay questions

TV Bay Questions Christopher Pitbladdo, Creative Director at DB Creative TV

Contributing Author N/A

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Jamies 30 minute meals are served up

The Challenge To shoot, edit, grade and conform 40 x 30 minutes episodes of Channel 4s Jamies 30 Minute Meals within an extremely tight timescale, whilst ensuring that quality wasnt sacrificed throughout the process.

Contributing Author N/A

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Redefining Mobile, High Definition Recording With Cinedeck EXTREME

IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this years NAB Convention in Las Vegas.

Contributing Author N/A

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The University of Sunderland

The University of Sunderland School of Arts, Design and Media in Northeast England operates one of the countrys most vibrant and well-equipped media departments in the country. With a rating of excellence from the Quality Assurance Agency, the media and cultural studies department attracts a diverse group of students to its undergraduate and graduate programs in film, production, journalism, television, radio and public relations.

Tags: media college | iss045 | avid media composer | apple final cut | N/A

Contributing Author N/A

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Shared Storage Comes of Age

Increasingly stored in digital form, together with related metadata, digital media is in the process of transforming both the technology and process of production throughout the broadcast and post production industries.

Contributing Author N/A

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Making the grade

Making the grade: In-house vs out-of-house

Contributing Author N/A

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Stereoscopic production and transmission

If ever there was a technology that has taken its time to mature, it is that of stereoscopic (3D) production and transmission. It is well documented that the mechanics behind the technology has been around almost since the inception of the moving picture itself and in fact stereoscopic stills technology was developed in the 1840s.

Contributing Author N/A

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Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players.

Contributing Author N/A

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Behind the scenes at Big Brother 9

Working 94 days with no day off is a hard task. Its even harder for the TV equipment that has to keep going round the clock, every day, to keep all the viewing addicts supplied with live footage and highlight editions.

Tags: bb9 | big brother | iss023 | ddfpost | avid | evs | N/A

Contributing Author N/A

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Chromakey tips and tricks.