Tim Bonython's association with surfing films began in 1978, when armed with a Super-8 camera he set off to Hawaii's infamous North Shore, to capture the big waves and their riders. From that moment he fell in love with the sport, and became obsessed with making it the subject of breathtaking and inspiring films.
Battery companies are quickly coming to realize that as new technologies continue to emerge, power solutions cannot be a one-size-fits-all commodity. There is no single battery for every situation, but instead a myriad of choices to accommodate even the most complex requirements. Below are five common videographer or photographer scenarios with the corresponding power option that will best fit the situations' needs
When on location whether in the depths of a jungle with reduced access to power or in a city centre with limited charging opportunities then good consideration to your kit bag is needed to remove those power hungry devices that could leave you running short for the final big shot of the day!
Steve Emmett talks to us about linked PAGlink batteries. There are many advantages to be had from linking batteries for discharge. It is more useful to have a spare battery that can be linked, combining capacities to extend camera run-time, without interrupting the provision of power.
DSM has been manufacturing batteries for the TV and Film industry for over 35 years and have always been at the forefront of new technologies, the new 84Wh direct fit BPU-60 replacement batteries are no exception.
When Li-ion cell chemistry was first introduced, it was hailed as a breakthrough, lightweight power solution for broadcast and video professionals. It incorporated high-energy density and low-self-discharge cells, promising superior performance benefits and minimal maintenance.
The true portability of modern HD mini-cameras and flash-RAM video recorders is encouraging programme makers to go way beyond reach of tethered power supplies. But are the battery-makers living up to the demands being placed on them?
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