Capture and Produce



Will Strauss# TV-Bay Magazine
Read ezine online
Issue 93 - September 2014

Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers.

Locking SDI interface cables have been around for years. And they are trusted. But they aren’t cheap. HDMI cables, found on so many cameras these days are. But they fall out. And that is no good as a professional in any situation. At the same time, standard HDMI lacks important SDI capabilities like timecode support and auto start/stop triggering for automatically controlling external devices. Well it did.

Working with the HDMI Consortium, Atomos has proposed a free and open extension to the HDMI standard that solves this. It’s brought out a range of rugged, locking HDMI cables too.

As the company states: “Atomos was the first company to engineer auto HDMI start/stop and timecode communication with cameras. Initially with Sony in 2011 for the FS100 followed up with Canon in 2013, for the 5D Mark III, 1DC and C100. Currently almost all professional Sony and Canon HDMI Cameras including the A7S employ this protocol. As the popularity of our external monitor/recorders has grown, demand for this connection has spread quickly to all camera manufacturers. Now with an open, free and available standard this transition can happen quickly and easily.”

Yes, in one sense, it’s only a standard and some cables but it does means that as the commoditisation of broadcast technology continues, affordable HDMI connectivity might be a realistic proposition for professional production very soon.

Camera support

Shotoku Broadcast Systems will anchor its IBC stand (11.F40) with a new smart rail camera system designed to cope with the rigorous demands of daily TV studio use. A fully integrated product, SmartTrack is built around track-based technology from MAT and works in combination with Shotoku pan & tilt heads and control systems Also on show will be Shotoku’s control solutions, pan & tilt heads, robotic and manual pedestalsand virtual reality products for OB, studio and field production.

www.shotoku.co.uk

Cameragrip has re-launched its website. The new portal features a wider variety of products than its predecessor and has a new clean and crisp look that is said to make navigation easier and allow users to focus on the products. The mobile compatible site also incorporates a streamlined checkout process and customer accounts can be created for regular users.

www.cameragrip.com

Acquisition

Editec has taken delivery of the X10 Ultra HD 4K high-speed camera system from Belgium’s I-MOVIX. The Ultra Slo-Mo device is capable of shooting 4k up to 1000fps using the I-MOVIX control panel or with an XT3 server direct streaming at 100fps.

www.editecuk.com

Specialist Cameras

Bradley Engineering will show a new remote control mini HD camera at IBC (11.F41) designed for use on goalposts or within nest boxes. ELKAM is shaped like an elbow, has a full HD MOS sensor and features a 100-degree wide angle lens. The Brockenhurst-based firm will also show the RD12 camera-back receiver which operates with Sony, Ikegami, Panasonic and Bradley cameras to provide CCU control for Iris, Tally, Red Gain, Blue Gain and Pedestal.

www.bradeng.com

Broadcast RF is using IBC to show off a new version of its head-mounted wireless camera system for sports referees. The updated Refcam features a tiny new camera with an HD-SDI output that feeds directly to a transmitter. It is supplied with full remote camera control for picture, exposure and colour matching. The transmitter is a Cobham NANO HD.

www.broadcastrf.com

On Set

GB Labs has launched the 4k Duo On- Set for DITs working on high end 4K location shoots. The new development encompasses a fast ingest station, a UHD storage platform and highspeed data LTO backup. GB Labs says it “opens up the potential for 4K project sharing and archiving in the field, with the option for editors, audio technicians and colorists to work simultaneously on the same project.” 4K Duo On-Set will launch at IBC (7.J15b) and be available worldwide from selected resellers.

www.gblabs.com

Camera batteries

The latest intelligent battery technology from PAG can be seen in action at IBC (10.C49). Among the products on show will be solutions for powering a wide range of cameras and equipment including Polecams, Steadicams, Boxx digital microwave technology and Antelope ultra slow motion systems. PAGlink battery system users will be available on the stand to discuss portable power demands.

www.paguk.com

Production

UK local TV licensee Brighton TV, which went live in August, is using Panasonic technology for its studio and location production. A range of P2 camera equipment has been purchased including HPX250 and PX270 camcorders for news gathering and location reporting. Adapted HPX255 units, studio-controlled using Datavideo’s MCU- 100 handheld unit, will provide camera facilities for the seafront TV studio. The station was also supplied with a Blackmagic Design Hyperdeck Studio video recorder as well as Cambo studio pedestals. Distributed by Holdan, the Panasonic and Datavideo equipment was supplied by reseller Proactive.

www.proav.co.uk

FOR-A will unveil the HVS-XT2000 video production switcher for the first time at IBC (2.A51). With up to 40 SDI inputs and 22 outputs, the 2 M/E XT2000 is designed for a variety of uses including OB truck, live event, television studio, house of worship and education. Amongst the key features is MELite which allows a traditional AUX bus to transform into a functional M/E with cut, mix, wipe and key control. “The XT2000 switcher was designed based on significant customer feedback,” said Hiro Tanoue, president of FOR-A Corporation of America.

www.for-a.co.jp

Lighting

iON Cameras has partnered with LED lighting system manufacturer Rotolight to develop the iON Pro Lighting Kit. On show for the fi rst time at IBC (11. D69) the innovation is compatible with Air Pro 3 and includes the Rotolight RL48-B LED Ringlight, Floating Pistol Grip, Accessory Belt Pouch, Twin -inch Mount Adaptor Bar and 360 Degree Swivel. The iON is said to be ideal for low light conditions and can operate for up to fours hours using three AA batteries. The included Floating Pistol Grip also provides a water sport buoyancy aid for the iON camera.

www.rotolight.com

www.ioncamera.com

The new Lishuai C-200S is an on camera LED light that provides an ideal solution for photographers and videographers who want a compact, soft light to enhance faces and close up objects. The C200S is the latest addition to the excellent lighting range from Lishuai and the fi rst to provide a soft output.

The fixture provides an even, soft output from 40 high power LED’s at 5600K, running from a single Sony NP-F style battery (included).

www.proav.co.uk

Audio

The EVO.Live digital audio mixing system will be one of the product highlights for Fairlight at IBC (7.H17). A dual function console, it allows engineers to switch between live and post modes at the touch of a button. In addition, the Australian manufacturer is showing its expanded range of live production tools, which includes the highly acclaimed iCan customisation software. A new platform for Object Oriented 3D Sound Production will also be on show. Supporting standard and custom bussing in simultaneous 2D and 3D it also features NHKs 22.2, Dolby Atmos (via RMU) and DTS MDA.

www.fairlight.com.au

Routers Alston Elliot (AE) Graphics is using Snell’s 2RU Vega router as part of a web-enabled workfl ow environment in its new OB trucks. Supplied by Thameside TV, the 96 port Vega is said to provide the sports graphics company with “a small footprint and easy, web-based reconfi guration that enables staff to instantly re-route the system without specialist training and allows for the simultaneous completion of numerous jobs.”

www.snellgroup.com

www.thameside.tv

Cameras

Sony has launched the 4k-ready PXW-X70, the fi rst compact XDCAM professional camcorder. It features a 1.0 type Exmor R CMOS Sensor with a resolution of 20 megapixels and is likely to appeal to those working in news, documentaries and events. Sony has also unveiled the PXW-X500 which has three-chip 2/3-inch type new CCD image sensors that are designed to remove issues associated with motion artifact and rolling shutters. The successor to the PMW-500 can be used for ENG, sports productions, live productions and documentaries.

pro.sony.eu

Camera Corps has chosen IBC2014 as the global launch platform for the latest version of the legendary Cricket Stump Cam which has long set the standard for capturing dynamic close-ups of major national matches and international tours. V3 incorporates four cameras (two per wicket) and is the most compact to date, completely housed inside a regulation-gauge cricket stump. This gives users the freedom to place cameras in the mid or outer stumps. Each camera can be confi gured with a choice of 50 degree, 100 or 128 degree lenses to allow tight, wide or superwide shots.

www.cameracorps.co.uk

Switchers

Broadcast Pix has launched PixPlay, a new software option that will allow any Broadcast Pix integrated production switcher to provide slow motion control to a Blackmagic Design HyperDeck or AJA Video Systems Ki Pro disk recorder. Originally developed for sports offi cials to use in reviewing footage for high school and college sports, PixPlay can also be used during production. Regularly priced at $495, PixPlay will be offered free to customers purchasing a new Flint, Granite or Mica integrated production switcher until the end of Sept.

www.broadcastpix.com

Connectivity

Atomos has released an open and free HDMI Start/ Stop Trigger standard that other manufacturers can use. It could one day replace the ubiquitous SDI within broadcast facilities. “We love HDMI, but as it gets more popular on the camera side we need to help make it work in the pro world,” said Jeromy Young, chief executive of Atomos, “Historically this has only been achieved in the tech industry by creating an open standard, which is what we’ve done” Atomos has also cut the price of its Samurai Blade to US$995, a reduction of 20%.

www.atomos.com

Lenses Cooke Optics is to add more choices to its acclaimed lens ranges. The Anamorphic/i range will benefi t from 25mm and 135mm lenses that are expected to start shipping towards the end of 2014, followed by 180mm and 300mm lenses in 2015. In addition Cooke will add a 21mm lens to both the miniS4/i range and the 5/i series.

www.cookeoptics.co.uk

Audio Acquisition

Aaton-Digital will show its new 24 track Cantar-X3 recorder and new Aaton-Digital 5 Oled monitor at IBC (11.F31). The X3 combines the ergonomics of its predecessor, the X2, with improved microphone preamplifi ers that have been redesigned for better fi ltering possibilities and to reduce noise levels. New functionalities include optional Audinate’s Dante IP networking. The Aaton-Digital 5 Oled monitor, which can be used with the X3 as a video source monitor, is the Aaton version of the Transvideo StarliteHD monitor.

www.aaton.com

Digital cinematography Transvideo will show StarliteHD at IBC (11.F31), a precision 5-inch OLED fi eld monitor that can record H.264 dailies, take snapshots and generate a .pdf with metadata from ARRI and SONY cameras at each take. About the size of a smartphone and weighting 190 Grams, StarliteHD is a professional 3G-SDI fi eld monitor with a high-resolution waveform monitor and a precision vectorscope.

www.transvideo.eu

Tags: iss093 | camera support | Shotoku | Cameragrip | aquisition | Editec | specialist cameras | Bradley Engineering | Broadcast RF | on set | GB labs | camera batteries | PAG | production | proav | FOR-A | lighting | Rotolight | ION Cameras | Audio | Fairlight | Routers | Snell Group | Thameside TV | cameras | Sony | Camera Corps | switchers | Broadcast Pix | Connectivity | Atomos | Cooke Optics | Audio Acuisition | Aaton-Digital | Transvideo | Will Strauss#
Submitted by Will Strauss#

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Miller Camera Support at IBC 2016

    Miller Camera Support at IBC 2016

  • Cineline Fluid Head from Miller Camera Support at NAB 2014

    Cineline Fluid Head from Miller Camera Support at NAB 2014

  • Hague Camera Supports at ProVideo2011

    Hague Camera Supports at ProVideo2011

  • Skyline 90 from Miller at NAB 2017

    Skyline 90 from Miller at NAB 2017

  • Miller Cineline tripods at IBC 2015

    Miller Cineline tripods at IBC 2015

  • Miller Compass tripods at IBC 2015

    Miller Compass tripods at IBC 2015

  • Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

    Air Alloy Tripod System from Miller Fluid Heads at IBC 2014

  • CueScript EMC prompter and control surface at IBC 2014

    CueScript EMC prompter and control surface at IBC 2014

  • Camdec at BVE 2014

    Camdec at BVE 2014

  • Tedial at NAB 2012

    Tedial at NAB 2012

  • Editec at BVE 2012

    Editec at BVE 2012

  • Bradley at IBC2011

    Bradley at IBC2011

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • PAG at IBC2011

    PAG at IBC2011

  • PAG talk about flying with batteries at IBC 2014

    PAG talk about flying with batteries at IBC 2014

  • PAG Batteries at NAB 2014

    PAG Batteries at NAB 2014

  • PAG at IBC 2012

    PAG at IBC 2012

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • Belfast TOUR

    Belfast TOUR

  • Polecam talk accessories on BroadcastShow LIVE 2013

    Polecam talk accessories on BroadcastShow LIVE 2013

  • Live Production with ChyronHego at NAB 2018

    Live Production with ChyronHego at NAB 2018

  • Playbox Production Air Box shown at IBC 2017

    Playbox Production Air Box shown at IBC 2017

  • The all in one production system from Ross Video at NAB 2017

    The all in one production system from Ross Video at NAB 2017

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • aQ Broadcast Production Suite at BVE 2014

    aQ Broadcast Production Suite at BVE 2014

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • Atomos Samurai Blade at BVE 2014

    Atomos Samurai Blade at BVE 2014

  • Atomos Ronin at BVE 2014

    Atomos Ronin at BVE 2014

  • Atomos Ninja Blade at BVE 2014

    Atomos Ninja Blade at BVE 2014

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Calrec at BVE 2017

    Calrec at BVE 2017

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • NewTek at IBC 2015

    NewTek at IBC 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • PlayBox at BVE 2015

    PlayBox at BVE 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • AQ Broadcast at NAB 2014

    AQ Broadcast at NAB 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Grass Valley at BVE 2014

    Grass Valley at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Autocue at BVE 2013

    Autocue at BVE 2013

  • Autocue at BVE North 2012

    Autocue at BVE North 2012

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Autocue at NAB 2012

    Autocue at NAB 2012

  • Ross Video at BVE North 2011

    Ross Video at BVE North 2011

  • SGO at IBC2011

    SGO at IBC2011

  • FOR-A at IBC2011

    FOR-A at IBC2011

  • BBS Lighting Force 7 at NAB 2018

    BBS Lighting Force 7 at NAB 2018

  • DOP Choice Lighting Bracket and Snapbox at IBC 2017

    DOP Choice Lighting Bracket and Snapbox at IBC 2017

  • Hive Lighting at IBC 2015

    Hive Lighting at IBC 2015

  • FilmGear LED lighting at IBC 2015

    FilmGear LED lighting at IBC 2015

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • LCA - Snapgrid lighting control - BVE 2015

    LCA - Snapgrid lighting control - BVE 2015

  • Hive Lighting Wasp Plasma Par at IBC 2014

    Hive Lighting Wasp Plasma Par at IBC 2014

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Rotolight Anova Pro 2 shown at BVE 2018

    Rotolight Anova Pro 2 shown at BVE 2018

  • Rotolight at NAB 2012

    Rotolight at NAB 2012

  • Rotolight and TNP at BVE 2012

    Rotolight and TNP at BVE 2012

  • Rotolight at ProVideo2011

    Rotolight at ProVideo2011

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • Jonathan Harrison at BVE North 2011

    Jonathan Harrison at BVE North 2011

  • Dedolight Felloni Turbo and Felloni 3 shown at BVE 2018

    Dedolight Felloni Turbo and Felloni 3 shown at BVE 2018

  • Cirrolite and Kino Flo at BVE 2017

    Cirrolite and Kino Flo at BVE 2017

  • Photon Beard at IBC 2016

    Photon Beard at IBC 2016

  • Cineo HS2 at IBC 2015

    Cineo HS2 at IBC 2015

  • LiteGear at IBC 2015

    LiteGear at IBC 2015

  • LiteGear LED LiteMat at IBC 2015

    LiteGear LED LiteMat at IBC 2015

  • Cineo Matchbox at IBC 2015

    Cineo Matchbox at IBC 2015

  • Litepanels at BVE 2015

    Litepanels at BVE 2015

  • LCA - LITEGEAR at BVE 2015

    LCA - LITEGEAR at BVE 2015

  • Rosco at BVE 2015

    Rosco at BVE 2015

  • Photon Beard Platinum Blonde at IBC 2014

    Photon Beard Platinum Blonde at IBC 2014

  • Photon Beard Photon Beam at IBC 2014

    Photon Beard Photon Beam at IBC 2014

  • Zylight Fresnel updates at IBC 2014

    Zylight Fresnel updates at IBC 2014

  • Projects Department on BroadcastShow LIVE at IBC

    Projects Department on BroadcastShow LIVE at IBC

  • Photon Beard on BroadcastShow LIVE at IBC 2013

    Photon Beard on BroadcastShow LIVE at IBC 2013

  • Zylight LED Fresnel at IBC 2013

    Zylight LED Fresnel at IBC 2013

  • Ianiro on BroadcastShow Tour May 2013

    Ianiro on BroadcastShow Tour May 2013

  • Photon Beard: Cyc Hood at NAB 2013

    Photon Beard: Cyc Hood at NAB 2013

  • Photon Beard: Space Light at NAB 2013

    Photon Beard: Space Light at NAB 2013

  • Photon Beard: Square One Light at NAB 2013

    Photon Beard: Square One Light at NAB 2013

  • Jonathan Harrison at BVE North 2012

    Jonathan Harrison at BVE North 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Datavision at BVE 2012

    Datavision at BVE 2012

  • Litepanels at BVE 2012

    Litepanels at BVE 2012

  • Flaghead Photographic at ProVideo2011

    Flaghead Photographic at ProVideo2011

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • Litepanels at IBC2011

    Litepanels at IBC2011

  • Gekko at IBC2011

    Gekko at IBC2011

  • Photon Beard at IBC2011

    Photon Beard at IBC2011

  • IDX at IBC2011

    IDX at IBC2011

  • Rotolight Anova Pro 2 LED at NAB 2018

    Rotolight Anova Pro 2 LED at NAB 2018

  • TNP and Rotolight at BVE North 2011

    TNP and Rotolight at BVE North 2011

  • Rotolight at IBC2011

    Rotolight at IBC2011

  • Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

    Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

  • 7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

    7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

  • Nugen Audio at IBC 2016

    Nugen Audio at IBC 2016

  • AudioVideo BrandBuilder Corp at NAB 2016

    AudioVideo BrandBuilder Corp at NAB 2016

  • Nugen Audio at NAB 2016

    Nugen Audio at NAB 2016

  • Minnetonka Audio at NAB 2016

    Minnetonka Audio at NAB 2016

  • Nugen Audio Loudness Toolkit at BVE 2016

    Nugen Audio Loudness Toolkit at BVE 2016

  • Nugen Audio Halo Upmix at BVE 2016

    Nugen Audio Halo Upmix at BVE 2016

  • NUGEN Audio at IBC 2015

    NUGEN Audio at IBC 2015

  • NOA Audio Solutions at IBC 2015

    NOA Audio Solutions at IBC 2015

  • NUGEN Audio at BVE 2015

    NUGEN Audio at BVE 2015

  • Nugen Audio at NAB 2014

    Nugen Audio at NAB 2014

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • NuGen Audio at IBC 2013

    NuGen Audio at IBC 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Nugen Audio at IBC 2012

    Nugen Audio at IBC 2012

  • Audio Developments at ProVideo2011

    Audio Developments at ProVideo2011

  • Audio Developments at BVE North 2011

    Audio Developments at BVE North 2011

  • Junger Audio at IBC2011

    Junger Audio at IBC2011

  • Thear Technology at BVE 2013

    Thear Technology at BVE 2013

  • Thear Technology Limited at ProVideo2011

    Thear Technology Limited at ProVideo2011

  • Nugen Halo Upmix and AMB Updates at IBC 2017

    Nugen Halo Upmix and AMB Updates at IBC 2017

  • Canford at BVE 2017

    Canford at BVE 2017

  • Telos Alliance at BVE 2017

    Telos Alliance at BVE 2017

  • The Telos Alliance at IBC 2016

    The Telos Alliance at IBC 2016

  • Glensound at IBC 2016

    Glensound at IBC 2016

  • Studer Glacier at IBC 2016

    Studer Glacier at IBC 2016

  • Wohler at IBC 2016

    Wohler at IBC 2016

  • Video Devices PIX-E at IBC 2016

    Video Devices PIX-E at IBC 2016

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • Sound Devices 688 at IBC 2015

    Sound Devices 688 at IBC 2015

  • Video Devices PIX-E Series at IBC 2015

    Video Devices PIX-E Series at IBC 2015

  • RTS at BVE 2015

    RTS at BVE 2015

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • NOA Archive Solutions at IBC 2014

    NOA Archive Solutions at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • RTW at NAB 2014

    RTW at NAB 2014

  • Studio Technologies at NAB 2014

    Studio Technologies at NAB 2014

  • Clear-Com ProGrid at NAB 2014

    Clear-Com ProGrid at NAB 2014

  • Clear-Com HelixNet Partyline at NAB 2014

    Clear-Com HelixNet Partyline at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • TSL Products SAM1 MADI at BVE 2014

    TSL Products SAM1 MADI at BVE 2014

  • Glensound Cub at BVE 2014

    Glensound Cub at BVE 2014

  • Wohler Technologies on BroadcastShow LIVE at IBC 2013

    Wohler Technologies on BroadcastShow LIVE at IBC 2013

  • Nexidia QC on BroadcastShow LIVE at IBC 2013

    Nexidia QC on BroadcastShow LIVE at IBC 2013

  • TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • Glensound with the USB Commentary Mixer at IBC 2013

    Glensound with the USB Commentary Mixer at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • Calrec at NAB 2013

    Calrec at NAB 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • TSL Systems at BVE 2013

    TSL Systems at BVE 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • Pinknoise at BVE North 2012

    Pinknoise at BVE North 2012

  • Shure Distribution at BVE North 2012 LIVE Show

    Shure Distribution at BVE North 2012 LIVE Show

  • RTW at NAB 2012

    RTW at NAB 2012

  • Sonifex at NAB 2012

    Sonifex at NAB 2012

  • Sound Devices at NAB 2012

    Sound Devices at NAB 2012

  • Emotion Systems at NAB 2012

    Emotion Systems at NAB 2012

  • Clear-Com Eclipse MADI Card at NAB 2012

    Clear-Com Eclipse MADI Card at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • TSL at NAB 2012

    TSL at NAB 2012

  • Triveni Digital at NAB 2012

    Triveni Digital at NAB 2012

  • Petrol at NAB 2012

    Petrol at NAB 2012

  • Qualis at NAB 2012

    Qualis at NAB 2012

  • Calrec at NAB 2012

    Calrec at NAB 2012

  • DK-Technologies at NAB 2012

    DK-Technologies at NAB 2012

  • Glensound at BVE 2012

    Glensound at BVE 2012

  • Calrec at BVE 2012

    Calrec at BVE 2012

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

  • DiGiCo at BVE 2012

    DiGiCo at BVE 2012

  • 4HM at BVE 2012

    4HM at BVE 2012

  • 4HM at BVE North 2011

    4HM at BVE North 2011

  • TNP and DSMB at BVE North 2011

    TNP and DSMB at BVE North 2011

  • The Mic Store at BVE North 2011

    The Mic Store at BVE North 2011

  • Sennheiser at BVE North 2011

    Sennheiser at BVE North 2011

  • Source Distribution and Genelec at BVE North 2011

    Source Distribution and Genelec at BVE North 2011

  • HHB and Soundfield at BVE North 2011

    HHB and Soundfield at BVE North 2011

  • Riedel at BVE North 2011

    Riedel at BVE North 2011

  • Solid State Logic at IBC2011

    Solid State Logic at IBC2011

  • Dolby at IBC2011

    Dolby at IBC2011

  • Murraypro at IBC2011

    Murraypro at IBC2011

  • Calrec at IBC2011

    Calrec at IBC2011

  • TC Electronic at IBC2011

    TC Electronic at IBC2011

  • SADiE at IBC2011

    SADiE at IBC2011

  • RTW at IBC2011

    RTW at IBC2011

  • Prodys at IBC2011

    Prodys at IBC2011

  • DK Technology at IBC2011

    DK Technology at IBC2011

  • Linear Acoustic at IBC2011

    Linear Acoustic at IBC2011

  • Sound Devices at IBC2011

    Sound Devices at IBC2011

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • AJA at BVE 2013

    AJA at BVE 2013

  • Sonys new cameras at IBC 2014 - including the FS7

    Sonys new cameras at IBC 2014 - including the FS7

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • Marshall Electronics Miniature Cameras at NAB 2018

    Marshall Electronics Miniature Cameras at NAB 2018

  • Sony Camcorders at BVE 2014

    Sony Camcorders at BVE 2014

  • CameraCorps at BVE 2015

    CameraCorps at BVE 2015

  • JVC at BVE 2015

    JVC at BVE 2015

  • Vision Research at BVE 2012

    Vision Research at BVE 2012

  • 6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

    6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

  • All you need to know about the Sony FS5 Raw and HDR Upgrade and more from NAB 2017

    All you need to know about the Sony FS5 Raw and HDR Upgrade and more from NAB 2017

  • Sony Alpha7S at NAB 2014

    Sony Alpha7S at NAB 2014

  • Sony Monitors at BVE 2014

    Sony Monitors at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Sony at ProVideo2011

    Sony at ProVideo2011

  • Sony at IBC2011

    Sony at IBC2011

  • Philip Blooms recommendations at IBC 2014

    Philip Blooms recommendations at IBC 2014

  • Thear Technology Limited at BVE North 2012

    Thear Technology Limited at BVE North 2012

  • Camera Corps at IBC2011

    Camera Corps at IBC2011

  • Vinten Radamec at NAB 2012

    Vinten Radamec at NAB 2012

  • Broadcast Pix at NAB 2012

    Broadcast Pix at NAB 2012

  • Mobile Connectivity with Dejero GateWay at NAB 2018

    Mobile Connectivity with Dejero GateWay at NAB 2018

  • Guntermann and Drunck at BVE 2015

    Guntermann and Drunck at BVE 2015

  • Clear-Com LinQ at IBC 2014

    Clear-Com LinQ at IBC 2014

  • Clear-Com FreeSpeak II at IBC 2014

    Clear-Com FreeSpeak II at IBC 2014

  • Riedel Communications on BroadcastShow LIVE at IBC 2013

    Riedel Communications on BroadcastShow LIVE at IBC 2013

  • Atomos Shogun Inferno at BVE 2017

    Atomos Shogun Inferno at BVE 2017

  • Atomos Shogun and Ninja Star at NAB 2014

    Atomos Shogun and Ninja Star at NAB 2014

  • Atomos Operating System at NAB 2014

    Atomos Operating System at NAB 2014

  • Atomos at NAB 2014

    Atomos at NAB 2014

  • Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

    Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

  • Atomos talking 4K on BroadcastShow LIVE at IBC 2013

    Atomos talking 4K on BroadcastShow LIVE at IBC 2013

  • Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

    Atomos with the Ronin on BroadcastShow LIVE at IBC 2013

  • Atomos with the Datacolor Spyder on BroadcastShow LIVE at IBC 2013

    Atomos with the Datacolor Spyder on BroadcastShow LIVE at IBC 2013

  • Atomos Ninja2 Recorder at IBC 2013

    Atomos Ninja2 Recorder at IBC 2013

  • Atomos Ronin at IBC 2013

    Atomos Ronin at IBC 2013

  • Atomos new Samurai Blade at IBC 2013

    Atomos new Samurai Blade at IBC 2013

  • Datacolor Spyder on the Atomos stand at IBC 2013

    Datacolor Spyder on the Atomos stand at IBC 2013

  • Atomos Samurai Blade demonstration at NAB 2013

    Atomos Samurai Blade demonstration at NAB 2013

  • Atomos at BVE 2013

    Atomos at BVE 2013

  • ATOMOS at BVE North 2012

    ATOMOS at BVE North 2012

  • Atomos at IBC 2012

    Atomos at IBC 2012

  • Atomos Samurai at NAB 2012

    Atomos Samurai at NAB 2012

  • Atomos Ninja at NAB 2012

    Atomos Ninja at NAB 2012

  • Atomos at ProVideo2011

    Atomos at ProVideo2011

  • Atomos at IBC2011

    Atomos at IBC2011

  • Kit Overview from IBC 2015

    Kit Overview from IBC 2015

  • Global Distribution at BVE 2012

    Global Distribution at BVE 2012

  • Hireacamera at BVE North 2011

    Hireacamera at BVE North 2011

  • Global Distribution at IBC2011

    Global Distribution at IBC2011

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Cooke Optics talk anamorphic at IBC 2014

    Cooke Optics talk anamorphic at IBC 2014

  • Cooke Optics on BroadcastShow LIVE at IBC 2013

    Cooke Optics on BroadcastShow LIVE at IBC 2013

  • Cooke Optics at BVE 2012

    Cooke Optics at BVE 2012

  • Cooke at IBC2011

    Cooke at IBC2011


Related Shows
  • LED Lighting with Den Lennie at BVE

    LED Lighting with Den Lennie at BVE


Articles
Opting In or Opting Out
Peter Savage 2 Peter Savage, CEO of Azule, explains whether you should opt in or opt out of the current red tape nightmare facing businesses large and small.
Tags: iss131 | azule | gdpr | consent | Peter Savage 2
Submitted by Peter Savage 2 Click to read or download PDF
Broadcasting Indoor Sky Diving
Daniel Harker Barnes When you say you’re broadcasting skydiving, there are two types of reactions. One is the creative, who’ll say something along the lines of “Wow. Those shots must look great” and other is the engineer who’ll say “That must be a real hassle to get all the infrastructure in and secure.”
Tags: iss131 | sky diving | ally adams | roaming camera | Daniel Harker Barnes
Submitted by Daniel Harker Barnes Click to read or download PDF
TVFutures : Bouncing Back
Jane Lawrance When I arrived at the University of Portsmouth three years ago, I would never have thought in my wildest dreams I would end up where I am now. My time at university has been eye opening, informative and fun. Of all the lessons I have learned in the past three years, resilience is the one that has taught me the most. Starting out in the television industry is hard. Like many others, I’ve applied for graduate job after graduate job and been pipped to the post and rejected many times. I have also started projects and been faced with a variety of unexpected setbacks. Yet, my drive to enter this industry remains just as strong because bouncing back is the joy of resilience.
Tags: iss131 | portsmouth uni | graduate | job | Jane Lawrance
Submitted by Jane Lawrance Click to read or download PDF
UHD 4k and HDR Picture Quality
Tobias Kronenwett And as good as it is, and as easy as it is to do, one of the raps on HDR is that some feel that it’s so bright and sharp that it looks odd, unnatural, almost harsh. It’s similar to when we did our first trials with 4K. The resolution was so high you could easily see, for example, even very minor blemishes. It’s perhaps an irony of new technology that the higher the resolution of natural objects the more artificial they tend to look. It’s often a case of capturing images with more resolution or a greater colour space than our eyes and brains can actually perceive.
Tags: iss131 | sonovts | uhd | 4k | hdr | oled | Tobias Kronenwett
Submitted by Tobias Kronenwett Click to read or download PDF
Informed Disruption
Marc Risby The industry is currently going through an enormous amount of disruption, and while many are charging in to embrace the changes, others are wringing their hands with indecision.
Tags: iss131 | boxer | ip | hdr | 4k | Marc Risby
Submitted by Marc Risby Click to read or download PDF
Betting Industry Transformed by Video Technology
Chris Thornton In the betting and gaming industry, the streaming of live sports from across the globe is a big business. It’s proven that revenues increase when bettors are able to watch the event that they have placed a bet on, providing a far more engaging experience.
Tags: iss131 | sis | betting | latency | satellite | jpeg2000 | Chris Thornton
Submitted by Chris Thornton Click to read or download PDF
Security, Identity and Privacy
Bruce Devlin - new Put your hand up if you have more than one online-identity. Keep your hand up if the adverts for your latest online purchase follow you between identities as you surf the web. You can now let your hand fall into your lap because adverts that follow you indicate algorithms that have merged your multiple identities into the one and only you.
Tags: iss131 | class | Security | Identity | Privacy | gdpr | Bruce Devlin - new
Submitted by Bruce Devlin - new Click to read or download PDF
Slow Motion Video Techniques
Phil Vinter Well, those kinds of higher frame rates still pretty much belong to the big guns. The Phantom Flex will give you 2,000 frames a second at ultra HD or 1,000 fps at 4K. It produces truly stunning images, but at a price that is beyond the reach of all but those with the biggest budgets. The camera retails at a cool £100,000 (I’ll have three please) with a daily hire out charge of around £3,000 (including lighting and a technician). IDT’s OS series cameras produce equally high quality images at a cheaper price, but you’re still talking tens of thousands.
Tags: iss131 | slo-mo | phantom | idt | fs7 | fs5 | rx10 mk111 | hfr | Phil Vinter
Submitted by Phil Vinter Click to read or download PDF
Delivering on the 4k Promise
Lorna Garrett It’s happened. Consumers are demanding 4K UHD content. They have the TVs, smartphones, tablets and other devices they need, and with much of Netflix and Amazon original content in 4K, as well as sports coverage from BT and Sky, consumers have tasted the future of content quality and are hungry for more. But broadcasters need not worry if their customers have enough bandwidth to receive 4K content - the solutions are ready to make 4K distribution a reality. New viewers are waiting if you’re ready to get to them first.
Tags: iss131 | garland | 4k | uhd | hevc | hc11000 | media excel | Lorna Garrett
Submitted by Lorna Garrett Click to read or download PDF
Listening to the needs of audio engineers
Alan Wheable Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio.
Tags: iss131 | omnitek | audio monitoring | aes | ebu | smpte 2110 | st2110 | smpte 352 | dolby | Alan Wheable
Submitted by Alan Wheable Click to read or download PDF
The Pitfalls of Online File Sharing and Sending Services
Mike Nash Easy-to-use, readily-accessible, and consumer-oriented, online file sharing platforms such as Dropbox and Google Drive are, to end users, a pleasant replacement to older file transfer methods such as FTP. FTP is complex to use and requires IT intervention to make almost any change. The pain associated with FTP, which was developed in the 1970s, is one of the factors that opened the door for the rise of online file sharing services in the workplace.
Tags: iss131 | ftp | signiant | efss | dropbox | google drive | ftp | ofss | media shuttle | Mike Nash
Submitted by Mike Nash Click to read or download PDF
Moving to an IP Platform Considerations
Stephen Brownsill Audio transport methods have remained virtually unchanged in the broadcast industry for more than half a century. Common approaches to routing audio around large broadcast facilities have closely followed methodology employed in telco central offices, with the use of X-Y crossbar or crosspoint switching.
Tags: iss131 | ip | smpte | st2110 | Stephen Brownsill
Submitted by Stephen Brownsill Click to read or download PDF
Artificial Intelligence and Economics
Dick Hobbs - new It’s May, so it seems inevitable that this month’s column should be a bit of a reflection on NAB. And it will, in due course. But first, some news which I think is interesting. Cisco, the IT giant, is selling off its video software solutions business. It is being bought by an as-yet unnamed new company, backed by venture capitalist Permira Funds.
Tags: iss131 | AI | dejero | evs | sky news | xeebra | state of the nation | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
What is Next for Broadcast
David Schleifer The Broadcast industry is always chasing new technology. Some of that technology is further than it appears to be, and some of it is closer to adoption than it seems. In part, early adopted technology is accelerated because of customer or business demands, and in the case of IP based environments, the driving factors are speed, cost reduction, and flexibility of workflow. To counterbalance these efficiency-based factors is a desire by content creators and customers to see more 4K HDR content on their new big screens. In some ways the push to deliver 4K workflows also makes the need to manage cost/performance even more urgent.
Tags: iss131 | 4k | primestream | hdr | hls | mpeg dash | rtsp | rtmp | streaming | David Schleifer
Submitted by David Schleifer Click to read or download PDF
The Ongoing Evolution of Subtitling Technology
Dean Wales As a subtitling technology developer and manufacturer we’re currently and frequently hearing remarks along the lines of us ‘having it easy’ at the moment. This has typically spun out from the fact that there hasn’t been any really significant and therefore demanding technology shifts in the industry that have affected us for a while.
Tags: iss131 | captions | subtitling | ott | speechmatics | live subtitling | live subtitles | Dean Wales
Submitted by Dean Wales Click to read or download PDF
Tips and Tricks to Giving Sci-Fi a New Look
Mathieu Marano From Terminator to Blade Runner, Alien, and even E.T., science fiction is a genre that will never fail to capture an audience’s imagination. It’s also a genre that encompasses so much more than just space crafts or time travel: frequently providing filmmakers with a platform from which to not only highlight social and political issues, but also explore innovations in the world of filmmaking itself.
Tags: iss131 | sci-fi | blackmagic design | vfx | resolve | 4k | cinemadng | davinci | ursa mini | Mathieu Marano
Submitted by Mathieu Marano Click to read or download PDF
How to shoot the perfect lighting mix
Alan Ipakchian Advances in high-quality LED lighting over the past couple of decades might be one of the best things that’s ever happened to broadcast and cinema production. Compared to traditional tungsten fixtures, LED lights offer powerful operational and financial benefits from longer life and lower energy bills to brighter, more consistent light and greater control over color temperature. LEDs generate much lower heat and are relatively cool to the touch, meaning they can be used in much smaller rooms and studios without sweating out the talent and crew or damaging property. Plus, compared to traditional tungsten bulbs, LED lights are virtually maintenance-free and can deliver tens of thousands of hours of lamp life.
Tags: iss131 | litepanels | led | lighting | 2 person interview lighting | Alan Ipakchian
Submitted by Alan Ipakchian Click to read or download PDF
Why is ST2110 important
Penny Westlake Presenting to a capacity audience at a joint meeting of the RTS Thames Valley Centre and SMPTE in Reading, research engineer and industry commentator Tony Orme opened the evening with the assertion - “SMPTE’s ST2110 is the most important development to hit broadcast television since John Logie Baird went head to head with EMI-Marconi at the 1936 BBC trials in Alexandra Palace, London”.
Tags: iss131 | st2110 | rts | aes | madi | st2059 | wcg | hdr | Penny Westlake
Submitted by Penny Westlake Click to read or download PDF
What is Serial Communication
Mike Colyer

Don’t get me wrong - the advent of IP technology has done wonders for the broadcasting universe, especially here in Special Cams land where changing a setting could have involved a rather long walk and climb to a remote camera location! Nevertheless, this said, I still feel that serial communication is a huge contender - not only just in the realm of odd robotics systems, but also across broadcast in general.

In this article, I will walk through the very basics - introducing a few different types of serial and how they work.

Tags: iss131 | rs422 | rs232 | parity | rs485 | Mike Colyer
Submitted by Mike Colyer Click to read or download PDF
The shining star of Dancing On Ice
Rod Aaron Gammons Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere.
Tags: iss130 | rotolight | led lighting | anova pro 2 | chris yacoubian | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Click to read or download PDF
Reliable back-up at the Music City Bowl
Sam Gordon WLEX – LEX18 – is the NBC affiliate in Lexington, Kentucky, and part of the Cordillera Communications Group. As a very popular local station with a broadcast area that covers 40 counties across central Kentucky we have a big commitment to news, broadcasting more than seven hours of live programming on a typical day.
Tags: iss130 | wlex-tv | dejero | engo | gobox | cellsat | Sam Gordon
Submitted by Sam Gordon Click to read or download PDF
VR and the importance of tracking
KitPlus I would like to begin this article by clarifying what we at Shotoku mean when we talk about VR in live production. It’s not the production of immersive, 360 content where you need to wear a headset; we are talking about virtual studio (VS) and augmented reality (AR) work, such as placing graphics into a green screen environment or physical set. The technology used for this work is entirely different, though equally specialist – therefore it is important to understand the challenges of this kind of production in order to make informed kit choices.
Tags: iss130 | shotoku | vr | live production | KitPlus
Submitted by KitPlus Click to read or download PDF
Tried and tested: DPA d:vice
KitPlus KitPlus recently took delivery of an interesting piece of equipment for review. We like our iPhone gadgets here. For us, useful iPhone gadgets started when the Olloclip lens gave us a wide angle adaptor. This was a good start, finally evolving into a proper tool when Ziess produced the Exolens system for the 5,6 & 7 series iPhones. Around the same time as the Olloclip came out we were testing the Fostex AR4i which was a very exciting development at the time. You have a portable device, that you carry everywhere with you, connected to the world but with very limited audio capabilities. A stereo interface with decent microphones was a real boon!
Tags: iss130 | dpa | dvice | iphone | journalist mic | filmic | ios | microdot | KitPlus
Submitted by KitPlus Click to read or download PDF
How IP-based KVM can improve workflow in broadcast control rooms
John Halksworth One of the most significant shifts the broadcast industry has seen over recent years is the adoption of IP technology as a standard infrastructure across the entire broadcast workflow. IP provides a network suitable for routing audio, video and control around a broadcast facility and is providing the answers to many industry challenges.
Tags: iss130 | kvm | adder | adderlink | alif100t | John Halksworth
Submitted by John Halksworth Click to read or download PDF
Interview with Peter Rowsell, Polar Graphics
Polar If you don’t recognise the name Peter Rowsell instantly you no doubt would recognise him in person, from the famous ‘Pink Coconut’ parties during IBC (Brighton) in the 80s or the name ‘Polar Video or Polar Graphics’ both companies which he’s built up over the years.
Tags: iss130 | polar graphics | apantac | bluefish | cinedeck | focalpoint | mediaproxy | stardom | storagedna | Polar
Submitted by Polar Click to read or download PDF
NAB is all about people
John Smith -new The relative success of NAB is down to people. The individuals we meet, the relationships we make and renew with customers and the desire to work together to develop a technology solution to any given challenge.
Tags: iss130 | media links | nab | mdp 3020 | md8000 | John Smith -new
Submitted by John Smith -new Click to read or download PDF
Technological advances in the broadcast industry
Alan Wheable Since it is Omnitek’s 20th anniversary this year, I thought it would be interesting to look back over the technological advances in the broadcast industry over the last few decades and look at the similarities between then and now.
Tags: iss130 | omnitek | test and measurement | smpte 2110 | untra tq | 2022 | sdi 2022-6 | Alan Wheable
Submitted by Alan Wheable Click to read or download PDF
Meet the experts: Six steps for award winning sound design
Chris Turner Few can argue that great sound design is one of the most important elements to any moving picture. Mute most horrors, and the difference in fear factor will be enormous. Visualize Jaws or Star Wars, and John Williams’s iconic score will instantly come to mind.
Tags: iss130 | jungle studios | fairlight | blackmagic design | davinci | Chris Turner
Submitted by Chris Turner Click to read or download PDF
Grand slam IPTV and digital signage platform
Joe Walsh Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the stadium, hosting more than 2.7 million fans during its 2015 winning season.
Tags: iss130 | iptv | vitec | eztv | Joe Walsh
Submitted by Joe Walsh Click to read or download PDF
TV Futures, Tales on Location
Georgia Thirtle If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the production company behind the upcoming Tomb Raider film, I mean, what!?
Tags: iss130 | portsmouth university | tomb raider | cci tv | ccitv | Georgia Thirtle
Submitted by Georgia Thirtle Click to read or download PDF
Transforming asset management and monetization
Chad Hamilton FremantleMedia is one of the largest global television-production companies in the world — with one of the biggest and most valuable catalogs. We operate in 36 markets, creating, producing, and distributing content across traditional TV and digital platforms at a rate of more than 10,000 hours of programming per year.
Tags: iss130 | freemantlemedia | core | wazee | Chad Hamilton
Submitted by Chad Hamilton Click to read or download PDF
Out of the box: Sennheiser Ambeo VR microphone
Jon Pratchett 2 The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the masses to put out reasonable quality, certainly watchable, 360 video.
Tags: iss130 | vr | virtual reality | audio | ambiosonic | Jon Pratchett 2
Submitted by Jon Pratchett 2 Click to read or download PDF
Why OTT needs multicast ABR
Damien Lucas Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay.
Tags: iss130 | ott | abr | adaptive bit rate | cdn | dsl | lte | Damien Lucas
Submitted by Damien Lucas Click to read or download PDF
State of the Nation
Dick Hobbs - new

On the most recent occasion I was trimmed, my hairdresser had just returned from a holiday in Hawaii.

Where she thought she was going to die. She thought this because the state’s emergency alert system was triggered, sending messages across all available platforms, for 38 minutes, that a ballistic missile was about to strike. That, I suspect, is the sort of thing that casts a pall across your holiday.

Why did it happen? Essentially it happened because an operator selected the wrong menu item. “I feel very badly from what’s happened,” he is quoted as saying, in a somewhat mangled version of English which may at least in part explain his difficulties with menu items.

Tags: iss130 | alertsense | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
Steadicam M-1 Volt: Tried and Tested
John E Fry Early in November some of us lucky Steadicam Operators from around the UK were invited to try out the new Tiffen M1 Volt, which is essentially an electronic motorized horizon assist unit attached to the gimbal of the latest Steadicam M1. Is it a good idea? As experienced Steadicam Operators, directors or producers, why would we be interested? Let’s investigate KitPlus fans!
Tags: iss129 | steadicam | volt | tiffen | m1 | John E Fry
Submitted by John E Fry Click to read or download PDF
A Pandoras Box to empower the filmmaker
KitPlus The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anchor man Martin Stanford with Wesley Dodd, CEO of Celebro Media Group and Rotolight MD Rod Gammons in the studio.
Tags: iss129 | rotolight | celebro | anova pro 2 | led | lighting | wesley dodd | rod gammons | KitPlus
Submitted by KitPlus Click to read or download PDF
Playing with Pink Floyd
KitPlus For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR.
Tags: iss129 | hangman | james tonkin | david gilmour | pink floyd | Sony F55 | Sony A7RII | RED Dragon | URSA Mini | blackmagic | DJI Drone | KitPlus
Submitted by KitPlus Click to read or download PDF
Taking the lead in the HEVC and 4k revolution
Malcolm Harland There’s probably a good reason that BVE is held in late February — it offers you a few weeks to set your annual plans in place. Then, once you’ve decided on the opportunities you want to take advantage of and improvements you want to make, you have a chance to visit this massive exhibition to see the latest technological innovations that will help to bring your plans to fruition.
Tags: iss129 | garland | hevc | liveu | hc11000 | media excel | ntt | bws | lu600 | Malcolm Harland
Submitted by Malcolm Harland Click to read or download PDF
Somewhere down the latency river
Ben Hawker Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality.
Tags: iss129 | latency | 4k | wireless | rf | presteigne | Ben Hawker
Submitted by Ben Hawker Click to read or download PDF
State of the Nation
Dick Hobbs - new This morning I was eating my healthy muesli and idly listening to Radio 4 when someone came on who claimed to be from the Oxford University Computational Propaganda Project.
Tags: iss129 | fake news | facebook | tv globo | amagi | robot | ai | artificial intelligence | Dick Hobbs - new
Submitted by Dick Hobbs - new Click to read or download PDF
2018: A Changing of the Guard
Peter Savage 2 The guys at KitPlus asked me if I could write about what I think is going to happen in 2018 – a feel, or mood, piece of what we might see this year. I’m not sure why they asked me but perhaps it’s because I’ve been around the industry a long time. Anyway, to look forward I think sometimes it’s best to look back as history has a habit of repeating itself.
Tags: iss129 | azule | finance | Peter Savage 2
Submitted by Peter Savage 2 Click to read or download PDF
IP for everyone and 4k everywhere - that will be 2018
John Smith -new My first prediction for the coming year is that the use of IP to move broadcast content will increase dramatically.  Ultimately, it will become the commonplace, just as the use of IP has become part of our everyday, consumer lives.  Live sports are closely linked to this growth, as conversion of broadcast signals for transportation across established telecos networks enables content to be viewed in real-time, regardless if it’s in the next room or across the globe.
Tags: iss129 | medialinks | 4k | ip | vr | ai | John Smith -new
Submitted by John Smith -new Click to read or download PDF
Panasonic GH5: Tried and Tested
Tim Bearder My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum.
Tags: iss129 | panasonic | gh5 | dslr | senheirser avx | c200 | Tim Bearder
Submitted by Tim Bearder Click to read or download PDF
Epictech makes headway: A case study
Daniel Harker Barnes Founded in January 2014, EpicTech Media have been providing high end video production to companies and musicians across the U.K. for over three and a half years. When approached earlier this year by the band Bodkin Lane, we relished the challenge of producing a video of their charity concert, in aid of Headway (www.headway.org.uk), despite the challenging size of the venue. 
Tags: iss129 | polecam | epictech media | ptz | povcam | Daniel Harker Barnes
Submitted by Daniel Harker Barnes Click to read or download PDF
Capturing the spirit of Mexico
Leonardo Dalessandri Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce genuinely breathtaking final results.
Tags: iss129 | watchtower of turkey | davinci resolve | blackmagic. corona | Leonardo Dalessandri
Submitted by Leonardo Dalessandri Click to read or download PDF
Innovation in cameras moving to 4k
Tony Valentino For a number of reasons, wireless camera links needed time to migrate to 4K. However Broadcast Sports International, BSI, designs their own cameras and builds their own hardware and their transition to 4K is already complete.
Tags: iss129 | bsi | ref-cam | wireless | 4k | Tony Valentino
Submitted by Tony Valentino Click to read or download PDF
Empowering connectivity choice in the field
Yvonne Monterroso Reliability, flexibility and ease of use are the key requirements when covering the news and live events, especially when the location could be anywhere. Connectivity is one of the biggest concerns in the field when the pressure is on to capture a key event – if you cannot establish a reliable transmission path to send your video back to the broadcast studio, there is no story.
Tags: iss129 | dejero | satellite | streaming | ku-band | cloud | Yvonne Monterroso
Submitted by Yvonne Monterroso Click to read or download PDF
TVFutures: Learning is the key
Abbie Neill If you asked me the question ‘where do you see yourself after you graduate’ three years ago I would have probably answered  ‘in a lot of debt, but if you don't think about it, it doesn't exist because three years is a long time right ?’. WRONG! These three years studying Television and Broadcasting at the University of Portsmouth have been the quickest three years of my life. Back when I started I didn't really have any idea what I wanted to specialise in and the dreaded four letter word AVID used to be my biggest enemy. However I persevered through the 3792871 hours of lectures learning how to use the software, how it functions, neither did I think I'd be a one woman match of the day by graduation'.
Tags: iss129 | ccitv | portsmouth | university | avid | Abbie Neill
Submitted by Abbie Neill Click to read or download PDF
Canon C200: Tried and Tested
Ben Sherriff There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us – the users of these technologies. So, what’s all the fuss about?
Tags: iss129 | spellbinder | canon | c200 | c100mkii | c300 | red | alexa | asx-r7 | Ben Sherriff
Submitted by Ben Sherriff Click to read or download PDF
The Outlook for 2018
Duncan Payne January has arrived…and the New Year promises great opportunities for those prepared to seek them out, with the one certainty that change is constant.
Tags: iss129 | adamantean | finance | cvp | netflix | amazon | arri | hdr | sadie groom | rise | Duncan Payne
Submitted by Duncan Payne Click to read or download PDF