Education meets industry...


Bernard Newnham TV-Bay Magazine
Read ezine online
by Bernard Newnham
Issue 98 - February 2015

Heatherden Hall - the most famous country house you've never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it's the original building at the UK's premier film studio - Pinewood. A fitting place, then, to hold a conference on media industry training.

ITTP stands for the Institute for Training in Television Production. When we started I thought that was a pretty grand title for a group of industry veterans (I hope they don't mind being called that) who two years ago sat down in a pub near Broadcasting House and said "we think we have a problem with education". The problem wasn't about grand strategies or spheres of influence, it was about the simplest of things - like new camera trainees not knowing Ohm's Law - and a lot of other very basic related requirements needed to get started at the bottom of the technical world of television. Were we just a bunch of old fogeys? "It was all better when we were young"? Well, over the next year we found out that we weren't - we really really weren't. The stories came from every area of the industry, and so this time last year we had a conference where employers and practitioners could get together with the educators and discuss the problems, and what to do next.

In the year since we've come up with two main ways forward, and this year's conference was partly to do the same as last year - let the educators meet the employers - and also to present our thoughts and listen to the reactions. Since last time we've talked to a lot of people - Creative Skillset, the DCMS, BT Sport, Sky, and many others. Even the highest in the land - last summer three intimidated people went through layers of security to pitch our ideas to the next in line to the Throne, Prince Charles. The result was that the programme for this year's conference contained a letter headed Clarence House and signed "Charles". Basically, it said "Absolutely. I support you. Carry on" So we'd better.

Heatherden Hall's ballroom was just big enough, though we had to bring in more chairs to seat the 140 or so delegates who signed up. The majority were from education as we'd hoped, but there were also representatives from the guilds and societies, and other trade bodies and the wider industry. The whole day was recorded and, appropriately, the camera crew was largely students, in this case from Kingston University Television and Video Technology Hons BSc course, who operated, floor managed, etc, supervised by the professionals from Procam and Advision.

Mark Hackett, TV Sales director at Pinewood, welcomed the assembly with a glorious showreel. He was followed by our keynote speaker, Darren Long, who is Director of Sky Production Services. It's likely that any new trainee would want to look at a technical career with Sky, as they are now a major employer, and they take training very seriously. The fact that Darren is such a strong supporter of ITTP
says a lot about opinions in the industry. In the first panel session Andy Beale, Chief Engineer at BT Sport, was also urging us on. He was accompanied by John Herbert from Blackmagic, Steve Warner of the IABM and Chris Miller, camera supervisor on, amongst much else, Strictly Come Dancing and Mike Dugdale from the Camera Crew. The session was called "What the industry wants". All together - "What do we want?" I hope that by the end of the day everyone knew.

After that, coffee - and when one says coffee, one actually means the beginning of one of the important businesses of the day, which is networking. A chance, repeated through the day, for the educators and the employers to lobby each other. Just as in politics, the formal sessions are important to pass information and opinions and create the framework, but the actual business gets done with a drink and sandwich in hand.

The next session, "Addressing the gaps", carried the theme onwards into other areas of the business, with Matt Gallagher from thecallsheet.co.uk, film editor Stephen Haren and James Johnson of facilities house, Molinare. It isn't just camera and sound crews who need educators to listen and adjust what they do to meet industry needs.

Then the morning's final session - time to put our money where our mouths are (not that we have any money - ITTP is a group of volunteers doing this because it needs to be done). Gathered on the stage were Iain Davidson from the Society of Television Lighting and Design, Barry Cobden of the Institute of Production Sound, Martin Uren of BKSTS, Brian Rose from the Guild of Television Cameramen, and me representing the ITTP - and this is a good point to mention and give a big vote of thanks to Roz Morris who chaired the whole day, asking probing questions and keeping us from waffling on.

Since the last conference, the big question for us has been - "ok, what are we going to do about it?". We've come up with two things. The first is CPD - Continuing Professional Development. We aren't the gods of TV who know all, but we know lots of people who are, and who also have the rather different ability to pass on their knowledge. So ITTP has already begun setting up sessions for those who train and teach, putting them together with the people working at the sharp end of the industry.

The second thing was what this session was all about the "ITTP Approved Skills Scheme".

I joined in with the ITTP two years ago because it turned out that back then our leader Graham Reed and I both recently had a similar conversation with students involving mains leads and lights, with the same result - a blank look from a student. The Approved Skills Scheme addresses that sort of problem head on. What do we want newcomers to know when they start, what should we be able to take as given? Well, Ohm's Law for a start. We asked the guilds and societies to tell us what they thought, so we could develop a list. This is what the session was about - the others were there to say that they supported the list, and I was there to present the scheme to the conference. We envisage that educators will use it to develop their curriculum content with the right material, and as things move on, we'll be able to test that knowledge. This is really just re-inventing the wheel but this time for the TV industry, as many other professions, from accountants to plumbers, have been doing this for years. So the aim is that the ITTP approved scheme will offer the student a chance to develop qualifications in a variety of craft skills. This will ensure they will know they have learnt useful skills for their future and that the employers will know the practical abilities of each of their potential employees.

Lunch involved a lot of talking!

Starting the afternoon were Stanley Kubrick's producer Jan Harlan, and Nick Moran from the Association of Lighting Designers. They talked passionately about the art of production in their own spheres. Following that, the last session was called "What can we learn from past students?" Watch the video to hear some strong views - all the session videos are available on the website.

The afternoon ended with three ITTP people on stage to take questions and opinions from the floor. Graham and I were joined by Susan Scotcher who mentors the students who were pointing the cameras at us. A good number of issues were raised. For instance - "Do you know that it takes months or years for university courses to be changed and validated?" "Yes, but that's your problem" A little brutal, but that's the way it is. "When do you want the list taught?" "Yesterday". I was a touch surprised that there are educators out there still who don't know the - how can I put it? - Opprobrium? - with which the industry treats the phrase "media studies". The gathering is well aware now.

And so the day ended - it felt very successful to me and to many of the attendees who were very complimentary about the whole day and we seem to have started the dialogue we wanted between those who teach and those who employ. We've got a little list - it isn't quite ready for the world, but it will be very soon. It isn't our list, but the industry's list. It won't guarantee anyone a job, but it should make it possible for those who are trying to get in to at least know the basics, to everyone's advantage. And as well as that, we've already run some CPD sessions - passing on the latest developments - and we plan to do many more. It's all to everyone's advantage.

For more info, contacts, and videos, please visit the website www.ittp.org.uk

ITTP would like to thank its sponsors -
Sony, Avid, Pinewood Studios, AdVision, Procam, Kitplus, Holdan and Blackmagic Design

Tags: iss098 | ittp | heatherden hall | pinewood studios | conference | bbc | itv | sky | industry | standards | Bernard Newnham
Submitted by Bernard Newnham Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Skype TX for Radio from Broadcast Bionics at NAB 2017

    Skype TX for Radio from Broadcast Bionics at NAB 2017

  • Skyline 90 from Miller at NAB 2017

    Skyline 90 from Miller at NAB 2017

  • Training and education within the broadcast industry

    Training and education within the broadcast industry

  • EBS at IBC 2015

    EBS at IBC 2015

  • Portaprompt at BVE 2015

    Portaprompt at BVE 2015

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • DPA Microphones and Bubblebee Industries at BVE 2014

    DPA Microphones and Bubblebee Industries at BVE 2014

  • Projects Department on BroadcastShow LIVE at IBC

    Projects Department on BroadcastShow LIVE at IBC

  • SMPTE on BroadcastShow LIVE at IBC 2013

    SMPTE on BroadcastShow LIVE at IBC 2013

  • Bluebell at NAB 2012

    Bluebell at NAB 2012

  • Kit Digital at IBC2011

    Kit Digital at IBC2011


Related Shows
  • ITTP at BVE 2016

    ITTP at BVE 2016


Articles
AoIP in the intercom world
John Sparrow Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing digital audio resources with other types of hardware?
Tags: iss128 | clearcom | clear-com | dante | aes67 | beltpack | isdn | John Sparrow
Submitted by John Sparrow Read this article in the tv-bay digital magazine
Managing Talent
Nicole Inanc Presenting for television is a talent that is critically competitive. Budding presenters around the world produce showreels, attend acting schools and fight to be the next Ant and Dec¦ but what is it exactly that makes a successful television presenter? As a wannabe TV presenter myself, I wanted to explore the exact process talent managers follow when finding the next big thing and whether I have exactly what it takes.
Tags: iss128 | portsmouth university | education | bsc | ccitv | Nicole Inanc
Submitted by Nicole Inanc Read this article in the tv-bay digital magazine
Supporting broadcast quality control
Alan Wheable With the ever-increasing number of program channels and range of different program distribution formats, the process of ensuring program quality has become a complex one for contribution/capture, production, post production, server ingest and content distribution.
Tags: iss128 | omnitek | wcg | hdr | test and measurement | smpte 2110 | smpte 2022-6 | Alan Wheable
Submitted by Alan Wheable Read this article in the tv-bay digital magazine
Reunion on Kingsman ensures efficient workflow for sequel
KitPlus Both on and off camera, there are some collaborations that are built to last. Armed with the success of their work on the first film adaptation of the Kingsman comic book (Kingsman: The Secret Service), director Matthew Vaughan reunited with cinematographer George Richmond, DIT Joshua Callis-Smith and colorist Rob Pizzey, to deliver Kingsman: The Golden Circle, the upcoming second installment in the spy comedy series.
Tags: iss128 | kingsman | blackmagic | goldcrest | davinci | arri | dit | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
IP Prompting
Jon Hilton# The potential nirvana of interoperable IT, Telecommunications and Broadcast convergent technology definitely felt a lot closer at this years IBC with the launch of many, many broadcast IP ready devices, workflow and solutions. While the big ticket camera and live production infrastructures dominated the headlines there were a number of smaller but equally important IP workflows that were launched which are fundamental to successful, professional TV production and this includes the often forgotten world of TV Prompting
Tags: iss128 | portaprompt | ip | prompting | ippg | windigi | Jon Hilton#
Submitted by Jon Hilton# Read this article in the tv-bay digital magazine
The dangers of live streaming without a license
Joseph Adamson The entertainment industry is visual and sound driven. Without these two elements there would be no such a thing as entertainment. Its obvious that there are people who create sound/s and visuals. Copyright laws were created to protect the industry and these artists. Many organisations have been created to look after musician, writers, poets and filmmakers. For example there are a number of bodies especially the MCPS [Mechanical-Copyright Protection Society], which is responsible for collecting royalties and licensing of music on behalf of musicians and music producers.
Tags: iss128 | ail | youtube | streaming | license | Joseph Adamson
Submitted by Joseph Adamson Read this article in the tv-bay digital magazine
When a lens is more than just a lens
KitPlus Matching shots between different cameras can be tricky at the best of times. But how do you match lens characteristics between a live action shoot and a CGI composition? The CP.3 XD lenses from Zeiss offer an efficient solution to this with their frame accurate meta-data.
Tags: iss128 | zeiss | lenses | lens | prime | cp.3 | cgi | vfx | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
State of the Nation - Telling Imaginary Stories
Dick Hobbs - new In mid-October, Nokia issued a press release from its headquarters in Finland, announcing a refocusing of its business, with a growing emphasis on digital health. Read on a few paragraphs, though, and you find this statement....
Tags: iss128 | samsung | ozo | vr | nokia | ibc | david attenborough | Dick Hobbs - new
Submitted by Dick Hobbs - new Read this article in the tv-bay digital magazine
IP or not IP, that is the question
Brian Larter There can be a one size fits all approach to prompting, but with the many forms of production in todays broadcasting world - from a major sporting event, to the biggest Saturday night entertainment show, to a 24-hour news operation or prompting on location - it is unlikely that a single system will suit every circumstance. The equipment needs to be designed for purpose, interchangeable and adaptable, since prompting, like other areas of the broadcast workflow, does not stand still.
Tags: iss128 | cuescript | prompting | prompter | ptz | ip | Brian Larter
Submitted by Brian Larter Read this article in the tv-bay digital magazine
Video Tape recorders cannnot die.
KitPlus This article concentrates on what is often described as the weakest link, namely 1) above i.e. the Playback Decks and what could be another weak link, namely 2) i.e. Tape Cleaning Facilities. I have read several articles recently written in the belief that the playback of magnetic video tape will be all but dead in about 20 years due mainly due to lack of working VTRs this inspires me to do something about it.
Tags: iss128 | rogcon | vtr | achiving | betacam | ravensoburne | dct | ampex | dct700 | umatic | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Looking back at IBC 2017
Duncan Payne IBC feels like a bit of a dim and damp memory now, but a few over-riding memories do remain however, not least of which was the Arri party to celebrate its 100th year. It was like an old-school manufacturers IBC/NAB party, back when manufacturers had marketing budgets, and lots of sales people. It got IBC off to a great start; thanks Arri.
Tags: iss128 | ibc | arri | red | panasonic | adamantean | sony | eva | nokia | ozo | Duncan Payne
Submitted by Duncan Payne Read this article in the tv-bay digital magazine
Leveraging licensed broadcast spectrum assets
John Payne There are several different approaches to transmitting live and file-based content from the field to the studio. Traditional microwave Electronic News Gathering (ENG) provides high bandwidth, high-quality transmission with low latency. Using the secure, dedicated BAS spectrum keeps control in a broadcasters hands. The past few years have seen a shift in video technology toward acceptance, and adoption of IP-based links into ENG workflows.
Tags: iss128 | eng | bas | imt | vislink | imt-vislink | John Payne
Submitted by John Payne Read this article in the tv-bay digital magazine
Growing a news agency from the inside out
Lorna Garrett Growing a new media outlet in todays highly competitive market requires taking a strong look at the new ways media is being consumed. Many of the most successful recent startups are community focused, often finding a niche market that wants to be engaged in a way they perceive themselves. Al-Araby TV is a London-based news and current affairs satellite channel that has set out to do just that for Arab citizens.
Tags: iss128 | gpl | garland | al-araby | teracue | x-player | amino | aminet | icue | Lorna Garrett
Submitted by Lorna Garrett Read this article in the tv-bay digital magazine
There is no where to hide from cybercrime
Mark Harrison The media sector is an attractive target for cyber attacks of all kinds from malicious individuals who enjoy disrupting high profile shows, to organised criminals who are attracted by the value of content, to nation states aware that media is a way of conveying or distorting messages.
Tags: iss128 | dpp | cybercrime | microsoft | azure | tinopolis | security | Mark Harrison
Submitted by Mark Harrison Read this article in the tv-bay digital magazine
The Transition to a full end to end IP video solution
Brian Olson Most video professionals will agree that the future is IP. The question is, when and how do they make this transition? With manufacturers just introducing new IP products, many people are observing and waiting. However, the reality is that the move to IP is already rapidly taking place and is more transformational than the move from analogue to digital, SD to HD, or HD to UHD/HDR. IP will change the way that people interact with video, making it more flexible, more accessible, more scalable and will provide more opportunities for content delivery
Tags: iss128 | newtek | ptz | ip | uhd | streamstar | xsplit | vmix | ndi | Brian Olson
Submitted by Brian Olson Read this article in the tv-bay digital magazine
How the Cloud can be enabled as traditional broadcast workflows evolve
David Schleifer The Cloud itself is fairly simple, but for broadcasters it can be difficult to leverage. It isnt technically complex but broadcast still overlaps requirements that need real time, high resolution and quick turnaround solutions. Plus, this is coupled with the need to connect with dispersed geographic locations, reduce costs and access multi-format assets. As a result, broadcasters have moved away from asking the basic question what can I do in the cloud? to trialling projects and implementations are now underway or under evaluation.
Tags: iss128 | ott | primestream | David Schleifer
Submitted by David Schleifer Read this article in the tv-bay digital magazine
Marjan Television Network - a case study
Ian Muir Internet and Satellite content distribution now allows production companies and broadcasters to send targeted TV programmes and video to widely dispersed audiences all over world, whilst located where theres easy access to the technology, equipment and expertise to produce top quality programmes.
Tags: iss128 | ac ent | lighting | chroma-q | space force | fresnel | quasar | q-led | lumipix | stark400 | Ian Muir
Submitted by Ian Muir Read this article in the tv-bay digital magazine
Atomos Ninja Inferno REVIEWED
Daniel Peters Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear to fund his most recent short film Deserted in Paris, after he went over budget due to lost locations and actors pulling out.
Tags: iss127 | atomos | inferno | ninja | review | prores | dnxhr | gh5 | fs7 | lut | Daniel Peters
Submitted by Daniel Peters Read this article in the tv-bay digital magazine
The ITTP - A Review
Graham Reed Five years ago a group of practitioners who were concerned about the poor training provision and a lack of common skills standards in the broadcast industry formed the ITTP. Since then there have been many meetings with senior industry figures and representatives from training organisations and educational establishments.
Tags: iss127 | ittp | training | bbc | bskyb | soho editors | skills | cirrolite | bksts | skillset | Graham Reed
Submitted by Graham Reed Read this article in the tv-bay digital magazine
Boradcast playout on-site and in the cloud
Don Ash Broadcasters come in many shapes and sizes, each with their own unique set of ambitions and their own preferred route to success. Some are happy to innovate, particularly if it increases staff efficiency or reduces operating costs. Others prefer to let their competitors do the innovating and then follow whatever path appears to work best. Thus the industry has advanced from dedicated hardware to more flexible and cost-efficient software running on 'enterprise-platform' comput-ers, and more recently to virtual devices.
Tags: iss127 | playbox | playout | cloud | edgebox | airbox | neo | cloudair | Don Ash
Submitted by Don Ash Read this article in the tv-bay digital magazine
The importance of storage
Jonathan Smith In recent years, viewing habits have shifted dramatically; online video is becoming the preferred option for the younger generation. But its not just millennials who are cutting the cord with broadcasters and traditional platforms increasing numbers of people from all age groups are abandoning cable and instead enjoying TV online. In response to this growing trend, platforms such as Netflix and BBC iPlayer are rushing to invest in fresh digital content, in a bid to satisfy their ever-increasing audiences.
Tags: iss127 | limelight networks | cdn | pops | Jonathan Smith
Submitted by Jonathan Smith Read this article in the tv-bay digital magazine
Supporting creativity and driving better workflows
Rod Aaron Gammons For decades videographers and filmmakers have been pushing the boundaries when it comes to creativity all with the aim of delivering a visually spectacular and engaging experience to viewers. For the most part they rely on artistic vision and innate skill, but over the last few years technology has been playing more of a role in enabling that creativity, like cameras, sound and lighting.
Tags: iss127 | rotolight | led lighting | aeos | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
State of the Nation - part 2
Dick Hobbs - new This is, of course, the IBC issue of this splendid magazine. Much of the rest of its pages are filled with what you will see there, or (in some cases) what vendors and their marketing communications agencies want you to see there.
Tags: iss127 | ibc | 5g | dejero | liveu | Dick Hobbs - new
Submitted by Dick Hobbs - new Read this article in the tv-bay digital magazine
Peace of mind in a complicated world
Alan Wheable For many in the broadcast industry these are challenging times. With competition coming from all angles and different technological camps advocating different approaches to infrastructure and the way forwards. With the number of different variables increasing, the choices of whether to use SDI or IP infrastructures, and the choices around HDR and WCG let alone the on-going distraction of UHD / 4K.
Tags: iss127 | omnitek | smpte 2110 | ip | ultra tq | 2022-6 | Alan Wheable
Submitted by Alan Wheable Read this article in the tv-bay digital magazine
Immersive Audio
Jon Schorah - new In 2012, the Oculus Rift Kickstarter campaign burst onto the scene, initiating a new wave of public interest in sense-enveloping immersive experiences. 5 years later, the consumer reality is mixed with some very public let-downs like Google Glass (which is coincidentally enjoying a re-birth at the time of writing, now as a technical tool in the workplace), and other technologies such as Dolby Atmos® becoming almost commonplace experiences. What does this mean for the audio professional and how is the near future shaping up in 2018?
Tags: iss127 | immersive audio | dolby atmos | dts-s | auro-3d | oculus rift | nugen | Jon Schorah - new
Submitted by Jon Schorah - new Read this article in the tv-bay digital magazine
Plan to be smart at IBC
Peter Savage 2 While chatting with a good friend last week, he told me he was full of foreboding about the coming IBC. It needs no introduction: this conference/exhibition is the largest gathering of broadcast professionals in Europe, and the second largest in the world, and everyone in our world knows about it. Ill give you some statistics later but, for now, lets look at why my friend was dreading it.
Tags: iss127 | azule | finance | ibc | planning | Peter Savage 2
Submitted by Peter Savage 2 Read this article in the tv-bay digital magazine
Top Tips on becoming an IBC Jedi
Aaron Dunleavy IBC is upon us once more. The doors of the RAI will open for the European electronic media and entertainment industry to scrum together to gather inspiration, keep abreast of developments in tech, and generally take the temperature of the industry. 
Tags: iss127 | ibc | mtf | lenses | adapters | Aaron Dunleavy
Submitted by Aaron Dunleavy Read this article in the tv-bay digital magazine
The party is not over until the video is online
Paul Scurrell When we were introduced to the team behind Sensation dance events in Amsterdam they had one big question for Timecode Systems: could our SyncBac VR wireless sync and control solution theoretically make it possible for a high quality, professional 360-degree video of a live dance music event to be edited in the time it takes the DJ to fly to his or her next gig? Intrigued by what our solution could help them achieve, in July they invited us to film at one of their iconic dance music events. Billed as The Final it was a sell-out farewell party to mark the last Sensation event in Amsterdam.
Tags: iss127 | syncbac | vr | 360-degree | pro7 | 360rize | gopro | dj | timecode systems | Paul Scurrell
Submitted by Paul Scurrell Read this article in the tv-bay digital magazine
TV Futures - Running around for clients
Joseph Long My second year at the University of Portsmouth seemingly began in a familiar fashion to the previous year. We sat in a large lecture theatre and listened intently to our course leader, who gave an outline as to what students on the BSc Television and Broadcasting course should be expect experience-wise from the up-and-coming year....
Tags: iss127 | ccitv | tvfutres | training | portsmouth | university | Joseph Long
Submitted by Joseph Long Read this article in the tv-bay digital magazine
Strays - Telling a dark tale
Aaron Dunleavy Independent filmmaker, Aaron Dunleavy, has used the backdrop of his hometown, Blackburn, to create a new short film as part of Channel 4 and Arts Council Englands Random Acts programme. The initiative - delivered by Tyneside Cinema (Newcastle), HOME (Manchester), and True North Productions (Leeds) - commissions bold, innovative expressions of creativity from young creative talent, and was a new and welcome challenge for Dunleavys third short film.
Tags: iss127 | strays | blackmagic design | vfx | ursa mini | grade | grading | Aaron Dunleavy
Submitted by Aaron Dunleavy Read this article in the tv-bay digital magazine
50 years in and the show must go on
John Smith -new At IBC we always look forward to meeting old faces and new. For those more recently acquainted with the broadcast industry, you may not realise IBC was born half a century ago in London. In 1967 the show, held at the Royal Lancaster Hotel, attracted just 32 exhibitors and 500 delegates. However, its popularity grew and the exhibition quickly upgraded with a move to the Grosvenor House Hotel in London, followed by the Wembley Conference Centre, before moving to Brighton.
Tags: iss127 | medialinks | ibc | amsterdam | John Smith -new
Submitted by John Smith -new Read this article in the tv-bay digital magazine
Power linking just got better
Yasushi Wada Sometimes batteries can be interesting and this year with IDX is one of those years with not only improvements in the V-Lock range there are significant changes within the 7.2volt area. Firstly and for the very first time in Europe the updated Power Link battery system the IPL range will be shown on the IDX stand at IBC
Tags: iss127 | idx | battery | power | v-lock | vl-2000s | ipl-150 | ipl-95 | Yasushi Wada
Submitted by Yasushi Wada Read this article in the tv-bay digital magazine
Back to Basics with IP Video Production
Michael Waidson Its difficult to attend an industry tradeshow or read a publication without seeing discussions about the technological changes that will impact the broadcast market in upcoming years. These changes include 4K/UHDTV, High Dynamic Range and High Frame Rate video but the transition to an all IP video workflow is regarded as a disruptive technology change that will demand new skill sets and infrastructure.
Tags: iss127 | tek | tektronix | ip | test | Michael Waidson
Submitted by Michael Waidson Read this article in the tv-bay digital magazine
Production Communications in a Shrinking World
Gary Rosen Communications today is a critical issueno matter if you are producing broadcast television, doing a live festival or rock concert outdoors, setting up a musical on the West End, or producing a local school play. Over the last few years, the proliferation of cell phones and other wireless devices has made it clear that most people prefer to communicate untethered.
Tags: iss127 | pliant | comms | intercom | duplex | Gary Rosen
Submitted by Gary Rosen Read this article in the tv-bay digital magazine
Image processing with Ikegami
Michael Latzch What do you see as the trend thats most impacting the image-processing sector at this moment in time?
Tags: iss127 | ikegami | hdr | vr | 4k | ptz | Michael Latzch
Submitted by Michael Latzch Read this article in the tv-bay digital magazine
Managing colour from aquisition to delivery
Ollie Kenchington

Start with calibration

The right colour management process can be the difference between being certain of what the end results are going to be, and having to spend time fixing things in post production.

Tags: iss127 | calibration | colour | x-rite | xrite | colorpassort | colorchecker | Ollie Kenchington
Submitted by Ollie Kenchington Read this article in the tv-bay digital magazine
A 360 degree view of fashion
Michael Parsons Im often asked, what do you do when the students arent around?, and the simple answer is, as it would be from any university technical support member of staff, I get involved in passion projects and these help me to stay up-to-date with the kit and keep my hand-in with video filmmaking.
Tags: iss127 | 360 | vr | portsmouth | university | nokia | ozo | pxw-fs7 | avid media composer | Michael Parsons
Submitted by Michael Parsons Read this article in the tv-bay digital magazine
A bluffers guide to image stabilisation
Mike Colyer One of the greatest challenges I face when designing a Special Camera system is how to minimise such vibrations, be they the very passive such as vibrations from a human wearing a camera system (10 20Hz), or more pronounced (try strapping a camera to a race car!).
Tags: iss127 | stabilisation | eis | ois | Mike Colyer
Submitted by Mike Colyer Read this article in the tv-bay digital magazine
Class - Treat your virtual machines like cattle
Bruce Devlin - new

The AWS Summit 2017 in London

For several years I have felt that I should attend the Amazon Web Services (AWS) Summit in London, but never quite found the time to do it. After an exhilarating and educational day, I will now regret that I didn’t go sooner.

Tags: iss127 | aws summit | azure | Bruce Devlin - new
Submitted by Bruce Devlin - new Read this article in the tv-bay digital magazine
Cellular, Satellite or Fixed Link - how do you choose
Lorna Garrett Having a choice is a good thing. Take apples, for example. While one may look pretty much the same as the next, we know that the subtle differences between varieties can make a huge difference in how we choose to use them some are best for pies, some better for cider, and others just perfect for eating from the tree.
Tags: iss127 | liveu | garland | tranmission | uplink | cellular | Lorna Garrett
Submitted by Lorna Garrett Read this article in the tv-bay digital magazine
Why the IABM matters
Peter White The broadcast and media industry is going through a once-in-a-generation transformation right now. Broadcasters and media companies are facing unprecedented challenges with enormous opportunities opening up for the winners. To grasp those opportunities though, broadcasters and media companies need a new generation of agile, cost-effective technology to power their operations to enable them to spin up new services in moments, to repurpose content and serve viewers on their device of choice, wherever they are and whenever they want it.
Tags: iss127 | iabm | standards | Peter White
Submitted by Peter White Read this article in the tv-bay digital magazine
Multi-camera fly-away for live music production
Aaron Dunleavy A specialist in multi-camera concert films and music documentaries, Toward Infinity began working with Trickbox TV around 18 months ago. Run by Producer, Director and Editor Tim Sidwell and Producer and DP Jeremy Mason, Toward Infinity is a creative collaboration that works with top flight venues including: Royal Albert Hall, Wembley Arena, the O2 Arena, Shepherd's Bush Empire and the London Forum, with artists in all genres.
Tags: iss127 | trickbox | multicamera | flyaway | Aaron Dunleavy
Submitted by Aaron Dunleavy Read this article in the tv-bay digital magazine
5 reasons to use a soft box with LED lighting
James Mathers LEDs are a highly efficient light source, and putting aside any color spectrum issues, (that have generally been improving) they still have limitations for lighting people. The naked illumination coming off a single emitter, or an array making up a larger fixture, such as a panel, is just not the soft, beautiful glow that we seek for human subjects.
Tags: iss127 | led lighting | softbox | soft box | James Mathers
Submitted by James Mathers Read this article in the tv-bay digital magazine
Understanding the process of video production
Joseph Adamson In this article I will focus on understanding the process of video production. The use of miniaturised video equipment and understanding the capability of the kit chosen for the job will be mentioned. The video production process is a road map, which not only helps the producer to minimise problems during production and achieve professional results, but also saves time.This process can be tricky to understand and many videographers are self taught, including myself.
Tags: iss126 | video production | wasd | ail | africans in london | Joseph Adamson
Submitted by Joseph Adamson Read this article in the tv-bay digital magazine
Ad servers and switching solutions
Peter Blanchford Hardware-based ad servers and switching solutions have been around for a long time and, broadly speaking, do the job just fine.
Tags: iss126 | starfish technologies | ad server | ts splicer | ts switch | gop | Peter Blanchford
Submitted by Peter Blanchford Read this article in the tv-bay digital magazine
IP Based Remote Production
Ed Calverley Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris.
Tags: iss126 | remote production | IP | jt-nm | smpte 2110 | suitcase | Ed Calverley
Submitted by Ed Calverley Read this article in the tv-bay digital magazine
Lighting - the stuff you do not see
Tama Berkeljon Lighting is the stuff you don't see that makes a difference in what you do see. How the audience feels about a character and whether the scene is scary, tense or upbeat are communicated by the quality and placement of light. Lighting can take the drama to a whole new level - think about film noir with all those shadows on the wall.
Tags: iss126 | outsight | ghost in the shell | led lighting | Tama Berkeljon
Submitted by Tama Berkeljon Read this article in the tv-bay digital magazine
Media Production Show and other news
Duncan Payne So, the 2nd Media Production Show has been and gone. Hands up who went to Islington by mistake? I know at least two people who did. Their secret is safe with me! For me, the sign of a great trade show is when I come away really enthused about an innovative use of existing technology or a brand new product. When I find something that combines both these things, then I'm a very happy man.
Tags: iss126 | adamantean | finance | leasing | mps | ptz | sam | Duncan Payne
Submitted by Duncan Payne Read this article in the tv-bay digital magazine
Advances in LED lighting innovation with Rotolight AEOS
Rod Aaron Gammons There's no doubt that lighting plays a critical role in videography, filmmaking and photography. It's the area of content capture that brings added creativity to shoots, whether that's filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditional tungsten, through to the use of LEDs. Of course LEDs have been revolutionised too, now delivering powerful, cost and energy efficient solutions to creatives.
Tags: iss126 | location light | led lighting | AEOS | rotolight | anova | neo | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
TV Futures
Jane Lawrence When I was younger my dad used to encourage me to be a Jack of all trades and a master of none. One of those clich© things parents hand down to their children. However, as I have grown and gone through different stages of education I have found this little piece of wisdom has followed me. Don't get me wrong, being amazing at one thing is a great skill to have, but for me having a good understanding of everything is also vital.
Tags: iss126 | tvfutures | ccitv | portsmouth | preditors | Jane Lawrence
Submitted by Jane Lawrence Read this article in the tv-bay digital magazine