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Issue 100 - April 2015 |
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Big films require big shots and to get the action in camera, you need grip equipment and the latest camera support technology to make that vision a real possibility on set.
Whether filming underwater or capturing high speed vehicle to vehicle action, Chapman Leonard UK have always looked to supply productions in the UK and Europe with the best equipment.
As the sole supplier of the industry leading Hydrascope Telescopic crane, they've proved the solid design lives up to the expectation of demanding Directors and tough production environments. Two recent Films that benefited enormously from the Hydrascopes (which is completely water tight) ability to withstand a demanding filming environment, were Sony Pictures FURY and Warner Brothers In the Heart of the Sea, directed by Ron Howard. Both productions bare few similarities save for the fact that they are both Historical dramas played out on a broad canvas. Each production presented unique challenges for equipment and crew, but both films made extensive use of the Hydrascope telescopic crane, creating shots that take the audience right into the heart of Films world.
FURY was shot in classic British winter weather (cold, sleet, wind and rain) and is the story of a US Tank crew during the last days of WWII in Europe. The film is out on Blu-Ray and is well worth watching if you just want to see some of the results the Hydrascope delivers. From the opening shot, a long single take tracking shot, to the films nail biting tank battles (yes, real tanks), Chapman UK provided a full compliment of Grip and Camera support with a team of operators and technicians. They even designed and built a unique tracking vehicle as a mobile camera crane platform. |
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Dubbed The Chapman Dually and equipped with it's own swappable tank tracks, The Dually made light work of the muddy terrain, able to operate as a mobile camera crane platform or as a tracking vehicle for following the Sherman Tanks across open ground. The Dually carried a Lenny Arm Crane with a remote head (the drivers cab has room for x4 in comfort) but it will also carry the Hydrascope Telescopic crane on a self leveling rear centre post.
Through wind, mud and rain, the equipment was soaked, frozen and shaken over rough ground, day in and day out, but at every moment when the crew were ready to shoot, they could rely on the equipment. You could say that the Chapman UK team its Hydrascopes and the Dually are now proven in battle! |
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By Stark contrast, as the Tanks and the cameras were rolling on FURY, the rest of Chapman UK's Hydrascope fleet of telescopic cranes was doing a different kind of rolling, on boats off the cost of Lanzarote! Ron Howard's historic sea faring thriller, The Heart of the Sea, is as the name suggests, set largely on water. Studio based filming in large tanks allowed the production to stage the more dangerous scenes, involving storms on board various size vessels. The Hydrascope cranes proved once again perfectly suited to a permanently wet shoot, the water tight design performing flawlessly day in and day out, through a deluge of waves, spray and gallons of water. The large Hydrascope cranes are a perfect choice for filming where you need to get the crane arm clear of the side of a tank, set wall or alongside a moving set on a gimbal. The centre post on the 43' Hydrascope can be raised to a height of over eight feet and because the Hydrascope cranes are designed for the wet, they don'y need a power feed, making them a good safe choice for water bound filming and quick to set up or reposition.
The 32' and the 43' were also used on the open sea to shoot from boat to boat, providing the camera angles and movement that the cinematic eye of Anthony Dodd Mantel is now renowned for. Throughout the demanding shoot all the Hydrascope cranes performed without a single fault or technical incident.
To learn more about our growing fleet of Hydrascope telescopic cranes and our specially designed tracking vehicles including the brand new Dually II, designed to carry the 43' Hydrascope, contact Chapman Leonard UK and arrange a visit. If you want to keep up to date with all the news and developments at Chapman UK then follow us on Facebook and Twitter. |
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Tags: iss100
| extreme equipment
| tv
| film
| industry
| action
| set
| studio
| water filming
| KitPlus
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Article Copyright tv-bay limited. All trademarks recognised. Reproduction of the content strictly prohibited without written consent.
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Telestream with Post Producer at IBC 2013
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Matrox Maevex at IBC 2013
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Matrox Avio at IBC 2013
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Matrox Video with Monarch HD at IBC 2013
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NuGen Audio at IBC 2013
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London TOUR!
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Jampro Antennas at NAB 2013
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Visionary Solutions at NAB 2013
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Vimond Control Center at NAB 2013
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Telestream Vantage v5 at NAB 2013
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Autocue at NAB 2013
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BVE 2013
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Visionary Solutions at NAB 2012
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ProVideo2011
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Pixelution at BVE North 2011
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Harmonic at IBC2011
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S and T at IBC2011
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Camera Corps at IBC2011
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Soft Vallee at IBC2011
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IBC2011
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KitPlus filming rig used at NAB 2017
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KitPlus filming rig used at BVE 2017
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Filming kit review from NAB
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Digital Film Technology at IBC2011
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Fujinon 18-55 Lens at BVE 2017
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Photon Beard: Space Light at NAB 2013
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DJI Innovations at BVE 2013
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Cintel at NAB 2012
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IAC at ProVideo2011
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Cintel at IBC2011
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Image Systems at IBC2011
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Training and education within the broadcast industry
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Media Asset Management Software from Blue Lucy at NAB 2017
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BRAINSTORM VIRTUAL SETS at NAB 2015
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Dejero LIVE+ VSET at NAB 2013
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Brainstorm Multimedia: Aston3D at NAB 2013
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Dalet at NAB 2013
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Facilis at NAB 2013
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DPA Microphones at NAB 2013
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TMD at NAB 2013: MediaFlex Reporting Module
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TMD at NAB 2013: MediaFlex Systems
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TMD at NAB 2013: Content Intelligence
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Dejero + Nucomm Connect Live at NAB 2013
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Brainstorm at NAB 2012
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Dalet at NAB 2012
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DPA Microphones at NAB 2012
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TMD at NAB 2012
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ERA at BVE North 2011
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Netia at IBC2011
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Brainstorm at IBC2011
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TMD at IBC2011
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Doremi at IBC2011
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Tedial at IBC2011
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Blackmagic ATEM Television Studio Pro 4K at NAB 2018
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Broadcast Bionics show the Bionics Studio at BVE 2018
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Glyph External Storage including the Studio and Atom raid at IBC 2017
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The Media Experience Studio from Verizon at NAB 2017
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Infinity Arm - Matthews Studio Equipment at NAB 2016
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CHYRONHEGO STUDIO MEDIAMAKER at NAB2015
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Studio Technologies at NAB 2012
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Combo Live 55 Pedestal from Miller at NAB 2017
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TSL Systems at BVE 2013
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Guntermann and Drunck GmbH at BVE 2013
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Vinten Radamec at NAB 2012
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Clear-Com Tempest at NAB 2012
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Sonifex at BVE 2012
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Xpertia at BVE 2012
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Blackmagic at IBC2011
Related Shows
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Boxx TV at BVE 2016
Articles
Grading BBC Sounds
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The BBC has launched its new personalised music, radio and podcast app with a campaign that follows one listener’s journey from meeting Kylie Minogue in a lift to Idris Elba on a bus.
BBC Sounds offers a single home for the BBC’s thousands of hours of audio content, including live and on-demand shows and special music mixes curated by artists.
BBC Creative, the broadcaster’s in-house creative division, took the brief to agency Riff Raff Films and Megaforce directing duo of Charles Brisgand and Raphaël Rodriguez who in turn brought on board regular collaborators Time Based Arts.
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Tags: iss135
| bbc
| grading
| bbc sounds
| davinici
| resolve
| blackmagic
| editing
| Simone Grattarola
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Switching to Internet Based Distribution
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"An IP status check for the broadcast industry", "Resistance is futile", "IP points the way forward for the broadcast industry"...
Yes, we've read the headlines too. But rather than force you into submission, scare you, or leave you feeling like you have no other choice, we want to give you the information that helps you to make a sensible decision about Internet-based distribution.
So what’s stopping you from making the switch right now?
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Tags: iss135
| ip
| internet
| distribution
| cerberus
| Chris Clark
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Test, Measurement and Standards
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The Alliance for IP Media Solutions (AIMS), is a non-profit trade alliance that fosters the adoption of one set of common, ubiquitous, standards-based protocols for interoperability over IP in the media and entertainment, and professional audio/video industries. |
Tags: iss135
| omnitek
| aims
| SNMP
| hdr
| ai
| Alan Wheable
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21st Century Technology for 20th Century Content
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A big challenge facing owners of legacy content is rationalising and archiving their tape and film-based media in cost effective and efficient ways, whilst also adding value. Normally the result of this is to find a low cost means of digitising the content – usually leaving them with a bunch of assets on HDD. But then what? How can content owners have their cake and eat it? |
Tags: iss135
| legacy
| digitising
| digitizing
| archive
| James Hall
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Future proofing post production storage
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Advancements in NVMe (Non-Volatile Memory Express), the storage protocol designed for flash, are revolutionising data storage. According to G2M Research, the NVMe market will grow to $60 billion by 2021, with 70 percent of all-flash arrays being based on the protocol by 2020. NVMe, acting like steroids for flash-based storage infrastructures, dynamically and dramatically accelerates data delivery. |
Tags: iss135
| nvme
| sas
| sata
| it
| storage
| post production
| Josh Goldenhar
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