Eye to Eye Video acquisition and production


BVE2009 in London, February 17-19 offers UK-based programme-makers a useful opportunity to try out the latest video acquisition and production equipment ahead of NABshow2009 and its loud after-echo, IBC. The following outlines some of the new front-end kit likely to be on display at Earls Court.


Cameras and camcorders
ARRI will be exhibiting its D-21, claimed to be the only camera capable of simultaneously delivering raw data and HD. Its Super 35-sized CMOS sensor has the same cinematic depth of field as 35 mm film and the industry-standard PL lens mount accepts the same prime, zoom and speciality film lenses used on 35 mm film cameras. The sensor is 4:3 aspect ratio but designed to accommodate all image formats, including anamorphic 2.40:1. Other film-style features include variable frame rates from 1 to 60 fps (D-21)/1-30 fps (D-21 HD) and exposure-compensated speed ramps.
Canon will show its new XH G1S and XH A1S: two handheld HDV1080i camcorders developed from the XH G1 and XH A1. Enhancements made over the earlier models include a redesigned lens "for more comfortable operation", improved audio features and an expanded range of shooting options.

Hitachi'sSK-HD1000 is a newdockable HD studio and field production camera. It is offered with a wide range of interface and recorder options including digital fibre or triaxial cable, P2-format dockable recorder, plus a low-latency HD wireless link with diversity transmission. Hitachi is also introducing a new range of 9 inch colour LCD and 5 inch monochrome CRT viewfinders, a new remote control panel (RU-1200JY), master setup unit (SU-1000) and studio/field adapter (SA-1000).

Ikegami will show its flash-memory-based GF series tapeless HD/SD production system. This includes the HDS-V10 camcorder, the GFS-V10 recorder, and 64 gigabyte storage media which can capture two hours of 50 Mbit/s HD video. The HDS-V10 has a three-CCD imager providing 1080i or 720p HDTV format support, multiple digital recording modes, and a retro-loop standby recording mode. A USB port allows access to file-based video even when a GF memory is not installed in the camcorder or the deck.

JVC has expanded its ProHD camcorder line-up by introducing two solid state camcorders. The hand-held GY-HM100 3-CCD camcorder was introduced in January and the compact shoulder GY-HM700 is scheduled for introduction in February. Both camcorders record 35 Mbit/s high definition video and uncompressed audio directly to SDHC in the native QuickTime format used by Apple Final Cut Pro. The cameras have two memory card slots accommodating up to 64 gigabtes of storage, enough for up to six hours of continuous HD recording. The cameras automatically begin recording on the second card when the first card is full. JVC claims that the per-minute cost of SDHC memory is comparable to professional video tape and that SDHC is the first practical solid state medium affordable enough to be used for archiving.


Above ground, under water
High Level TV is a service company offering an alternative to manned helicopters or traditional cranes for capturing a high-level view at sporting events, news incidents or live music festivals. It offers for hire a broadcast-quality camera on a fully controllable hydraulic pole which can be extended up to 24 metres. The pole is set on the roof of the van and controlled from inside the vehicle. The camera can rotate a full 360 degrees, panning and tilting and zooming as required.

Polecam's FishFace is a combined underwater head and waterproof HD/SD camera housing for the Polecam rig. It will be offered for the first time for use with whatever immersion support the camera operator chooses. The housing comes complete with a clamp and threaded tripod-mounting socket for attachment to the support device. A waterproof gland seals the camera cable at the entry to the housing, eliminating the need to cut and resplice the cable. A waterproof plug and socket are provided for iris control. Head and waterproof housing can be used down to 4 metres on a Polecam rig or to a depth of 10 metres as an independent system. The head has the same fully unrestricted movement as a standard Polecam dry head, including 360 degree pan capability.

Lenses and Lights

Pyser will show three new Fujinon lenses for the 1/2-inch XDCAM HD tape format. The XS17.5.5BRM is standard HD lens "at a terrific price" to match Sony's new cameras. The XS13x3.3BRM gives a horizontal field of view of almost 94 degrees and is claimed to be the widest zoom lens available for this or any other broadcast video camera. The Fujinon HSS16x4.6BERM is also available in 2/3 inch format as the HA16x6.3BERM. This gives a 74 degree field of view but has a 16:1 zoom range.

Balcar's Monolite fluorescent lamps will be shown by Pyser. This is a single-tube fitting with a high-efficiency reflector for low-ceiling studios. The Quadlite is now available with an IP interface so that it can be used as a hub to control a DMX lighting rig from a remote location. The N-Lite is an EFP/ENG fluorescent light. It is multi-voltage, DC or mains, and available with daylight or tungsten colour temperature tubes.

Power supplies
PAG's new low-cost L95e battery is claimed to use advanced Li-Ion cell technology combining a 95 watt-hour capacity with a weight of only 745 g. Two L95e batteries are designed to provide enough power for a whole day's shooting with normal camera and lighting set-ups. The battery is available in PAGlok and V-Mount formats.


Prompters
Autocue has added Windows Vista and Apple OS-X compatibility to its QPro and QStart prompting software, including support for Windows-emulating software running on OS-X. The upgrade to the new version of the software will be offered at reduced cost to existing customers.

Portaprompt will exhibit three new wireless prompting systems: a three-button key fob prompting control designed to fit in a presenter's hand; a variable speed wireless hand remote prompting control with dual-button programmable functions for scroll direction, page jumping and story selection; plus the Accelerator prompting foot control which can link to other foot or hand controls for multi-presenter programmes.

Vinten'sVision iScript package is based on a pan and tilt head with pre-set counterbalance and twin telescopic pan bars. This is bundled with an Autoscript GoPrompt 12 portable prompter with wireless controller. The ENG version includes plus a Petrol flight case (optional for the Studio system).




Tags: bve | iss027 | bve2009 | acquisition | production | arri | canon | hitachi | ikegami | jvc | polecam | pyser | balcar | pag | autocue | portaprompt | vinten | autoscript | N/A
Contributing Author N/A

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    The Vision Charity at BVE North 2011

  • Vision Research at BVE North 2011

    Vision Research at BVE North 2011

  • The Mic Store at BVE North 2011

    The Mic Store at BVE North 2011

  • Shure at BVE North 2011

    Shure at BVE North 2011

  • StreamUK at BVE North 2011

    StreamUK at BVE North 2011

  • Sennheiser at BVE North 2011

    Sennheiser at BVE North 2011

  • Lynx Technik at BVE North 2011

    Lynx Technik at BVE North 2011

  • Source Distribution and Genelec at BVE North 2011

    Source Distribution and Genelec at BVE North 2011

  • HHB and Soundfield at BVE North 2011

    HHB and Soundfield at BVE North 2011

  • Ianiro at BVE North 2011

    Ianiro at BVE North 2011

  • Jigsaw at BVE North 2011

    Jigsaw at BVE North 2011

  • Oxygen DCT at BVE North 2011

    Oxygen DCT at BVE North 2011

  • Pixelution at BVE North 2011

    Pixelution at BVE North 2011

  • PlayBox Technology at BVE North 2011

    PlayBox Technology at BVE North 2011

  • Riedel at BVE North 2011

    Riedel at BVE North 2011

  • Source Distribution and Rode at BVE North 2011

    Source Distribution and Rode at BVE North 2011

  • AKA Design at BVE North 2011

    AKA Design at BVE North 2011

  • AKM Music at BVE North 2011

    AKM Music at BVE North 2011

  • Altered Images at BVE North 2011

    Altered Images at BVE North 2011

  • Argosy at BVE North 2011

    Argosy at BVE North 2011

  • Audio Developments at BVE North 2011

    Audio Developments at BVE North 2011

  • Avid at BVE North 2011

    Avid at BVE North 2011

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • IDX at BVE North 2011

    IDX at BVE North 2011

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • Hireacamera at BVE North 2011

    Hireacamera at BVE North 2011

  • Holdan and Teradek at BVE North 2011

    Holdan and Teradek at BVE North 2011

  • Holdan and Panasonic at BVE North 2011

    Holdan and Panasonic at BVE North 2011

  • BVE North 2011

    BVE North 2011

  • HHB and TC Electronic at BVE North2011

    HHB and TC Electronic at BVE North2011

  • Elemental Technologies - AWS acquisition at NAB 2016

    Elemental Technologies - AWS acquisition at NAB 2016

  • Elemental Technologies - Amazon acquisition at IBC 2015

    Elemental Technologies - Amazon acquisition at IBC 2015

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Social Media Virtual Production Switching from Sony

    Social Media Virtual Production Switching from Sony

  • The Latest Production Control Solution from TSL Products at IBC 2018

    The Latest Production Control Solution from TSL Products at IBC 2018

  • Live Production with ChyronHego at NAB 2018

    Live Production with ChyronHego at NAB 2018

  • Playbox Production Air Box shown at IBC 2017

    Playbox Production Air Box shown at IBC 2017

  • The all in one production system from Ross Video at NAB 2017

    The all in one production system from Ross Video at NAB 2017

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • Autocue at NAB 2012

    Autocue at NAB 2012

  • AQ Broadcast at NAB 2014

    AQ Broadcast at NAB 2014

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • NewTek at IBC 2015

    NewTek at IBC 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • NewTek TalkShow at IBC 2014

    NewTek TalkShow at IBC 2014

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • SGL at NAB 2014

    SGL at NAB 2014

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • NewTek on BroadcastShow LIVE at IBC 2013

    NewTek on BroadcastShow LIVE at IBC 2013

  • Sound Devices on BroadcastShow LIVE at IBC 2013

    Sound Devices on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • Sound Devices PIX260i Recorder at IBC 2013

    Sound Devices PIX260i Recorder at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Pixel Power at NAB 2013

    Pixel Power at NAB 2013

  • Miranda at NAB 2012

    Miranda at NAB 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • SGO at IBC2011

    SGO at IBC2011

  • Jonathan Harrison interviews Dedo Weigert with the DEDOLIGHT DLED3

    Jonathan Harrison interviews Dedo Weigert with the DEDOLIGHT DLED3

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Featured Clip: Geoff Boyle comments on NAB 2012

    Featured Clip: Geoff Boyle comments on NAB 2012

  • Cooke at IBC2011

    Cooke at IBC2011

  • Root6 at IBC2011

    Root6 at IBC2011

  • Codex at IBC2011

    Codex at IBC2011

  • Canon on BroadcastShow LIVE at IBC 2013

    Canon on BroadcastShow LIVE at IBC 2013

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • Tiffen at NAB 2012

    Tiffen at NAB 2012

  • MTF at IBC2011

    MTF at IBC2011

  • Hitachi at IBC 2014

    Hitachi at IBC 2014

  • Gearhouse Broadcast on Tour May 2013

    Gearhouse Broadcast on Tour May 2013

  • Global Distribution at IBC2011

    Global Distribution at IBC2011

  • Ikegami 8k camera at IBC 2016

    Ikegami 8k camera at IBC 2016

  • Ikegami HQLM-3120W monitor at IBC 2016

    Ikegami HQLM-3120W monitor at IBC 2016

  • Ikegami UHK-430 camera at IBC 2016

    Ikegami UHK-430 camera at IBC 2016

  • JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

    JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

  • The New JVC GYH-C900 - Connected Cam at NAB 2018

    The New JVC GYH-C900 - Connected Cam at NAB 2018

  • JVC 4K UHD Monitors at IBC 2017

    JVC 4K UHD Monitors at IBC 2017

  • GY-LS300 Camera from JVC at NAB 2017

    GY-LS300 Camera from JVC at NAB 2017

  • JVC at IBC 2016

    JVC at IBC 2016

  • JVC at NAB 2015

    JVC at NAB 2015

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • JVC concept products at NAB 2014

    JVC concept products at NAB 2014

  • JVC GY-HM600 series camera updates at IBC 2013

    JVC GY-HM600 series camera updates at IBC 2013

  • JVC GY-HM650 upgrade at NAB 2013

    JVC GY-HM650 upgrade at NAB 2013

  • JVC GY-HM70 at NAB 2013

    JVC GY-HM70 at NAB 2013

  • JVC at IBC 2012

    JVC at IBC 2012

  • JVC at NAB 2012

    JVC at NAB 2012

  • JVC Professional at ProVideo2011

    JVC Professional at ProVideo2011

  • Kit Overview from IBC 2015

    Kit Overview from IBC 2015

  • Belfast TOUR

    Belfast TOUR

  • Polecam talk accessories on BroadcastShow LIVE 2013

    Polecam talk accessories on BroadcastShow LIVE 2013

  • Polecam at IBC 2016

    Polecam at IBC 2016

  • Polecam at IBC 2015

    Polecam at IBC 2015

  • Polecam Antelope Pico at IBC 2014

    Polecam Antelope Pico at IBC 2014

  • Polecam presents award to AMS Pictures at NAB 2014

    Polecam presents award to AMS Pictures at NAB 2014

  • Polecam talk high speed on BroadcastShow LIVE at IBC 2013

    Polecam talk high speed on BroadcastShow LIVE at IBC 2013

  • Polecams range of accessories and minicams at IBC 2013

    Polecams range of accessories and minicams at IBC 2013

  • Polecam: Z10 zoom lens at NAB 2013

    Polecam: Z10 zoom lens at NAB 2013

  • Polecam at IBC 2012

    Polecam at IBC 2012

  • Polecam at NAB 2012

    Polecam at NAB 2012

  • Polecam at IBC2011

    Polecam at IBC2011

  • Steffan does the Surf Forecast

    Steffan does the Surf Forecast

  • PAG talk about flying with batteries at IBC 2014

    PAG talk about flying with batteries at IBC 2014

  • PAG Batteries at NAB 2014

    PAG Batteries at NAB 2014

  • PAG at IBC 2012

    PAG at IBC 2012

  • PAG at IBC2011

    PAG at IBC2011

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • Autocue DSLR Prompter using iPad at IBC 2013

    Autocue DSLR Prompter using iPad at IBC 2013

  • Autocue at NAB 2013

    Autocue at NAB 2013

  • Autocue at IBC 2012

    Autocue at IBC 2012

  • Autocue at IBC2011

    Autocue at IBC2011

  • Portaprompt at IBC 2015

    Portaprompt at IBC 2015

  • IP Prompting from Portaprompt at IBC 2018

    IP Prompting from Portaprompt at IBC 2018

  • Portaprompt Motorised Conference Pole Overview

    Portaprompt Motorised Conference Pole Overview

  • IP Prompting from Portaprompt at IBC 2017

    IP Prompting from Portaprompt at IBC 2017

  • Portaprompt at IBC 2016

    Portaprompt at IBC 2016

  • Vinten at IBC 2012

    Vinten at IBC 2012

  • Vinten Radamec at IBC 2012

    Vinten Radamec at IBC 2012

  • Vinten Radamec at NAB 2012

    Vinten Radamec at NAB 2012

  • Vinten at NAB 2012

    Vinten at NAB 2012

  • Autoscript at IBC 2012

    Autoscript at IBC 2012

  • Autoscript at IBC2011

    Autoscript at IBC2011


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Shedding Light on the Blackmagic Pocket Cinema Camera 4k BMCPP4K
Garth de Bruno Austin “What is it about light that has us craving it?” Is the question asked in the opening seconds of Garth de Bruno Austin’s latest short, The Colour of Light. Exploring this natural, human need as well as our innate desire to control it, Garth’s film showcases everyday people going about their lives in differing degrees of luminance, whether that be an artificial streetlight or a natural morning sunrise.
Tags: iss134 | blackmagic | cinema camera | 4k | cpp4k | Garth de Bruno Austin
Contributing Author Garth de Bruno Austin Click to read or download PDF
Using Wireless Transmission
Jeremy Benning Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes.
Tags: iss134 | wireless | 4k | transmission | Jeremy Benning
Contributing Author Jeremy Benning Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
An Obituary to Timecode
Bruce Devlin - new A stoic and persistent character that stubbornly refused to change with the times, Timecode has finally passed on, but no-one has noticed. A long-lasting industry veteran, Timecode was brought into this world at an uncertain date in the late 1960s due to the needs of analogue tape workflows and the demand for synchronisation between audio and video devices. A joint activity between SMPTE and the EBU led to the work on Time and Control codes starting its journey to standardisation in the early 1970s.
Tags: iss134 | timecode | smpte | ebu | edit | Bruce Devlin - new
Contributing Author Bruce Devlin - new Click to read
The Wireless Way to 4k
JP Delport DTC’s AEON group of products have been specifically designed for the 4K market. We encode with the more efficient HEVC algorithm, which means we are taking a 12G signal and compressing it to a bitrate that can be managed over an RF link. So what makes this a leading idea in the 4K revolution?
Tags: iss134 | wireless | 4k | transmission | JP Delport
Contributing Author JP Delport Click to read or download PDF