Eye to Eye: Video over IP


TV-Bay Magazine
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Live video streaming via Internet Protocol is perhaps most familiar in the form of Skype’s free-of-charge online videophone service. Skype is a very easy way for an on-location broadcaster to get a video contribution back to base. A safer and more conventional technique, as with a reporter-to-anchor interview, is to live-stream video via one’s own IP encoder straight into the studio for immediate viewing over a terrestrial and/or satellite network. If time is not so critical, the story can simply be emailed as a file straight out of the reporter’s camcorder.
Live streaming via IP also offers the option of one-to-many near-live content distribution if speed happens to be a vital issue. This is a big subject, encapsulated here into a summary of the latest equipment on offer from the major suppliers.
Ateme’s CM4101 IP encoder is intended for use in contribution and distribution. It can be upgraded from SD to HD, in MPEG-2 or MPEG-4, 4:2:0 8-bit up to 4:2:2 10-bit. It is also capable of streaming AVC-I frame only MPEG-4 up to 150 megabits per second. From the same company, the DR8400 is an integrated receiver/decoder designed for high quality contribution. It has a double built-in DVB-S/S2 demodulator, IP Gigabit and ASI with a transport stream speed of up to 200 megabits per second. Decoding speed is up to 80 megabits per second. The DR8400 is also capable of decoding AVC-I frame streams of up to 150 megabits per second. It includes full front panel control and an unique and a browser-based user interface with monitoring features.
Blackmagic’s ATEM Television Studio allows live production and simultaneous generation of H.264 files for the web. Suggested applications include local government meetings, school productions and community events. The basic ATEM switcher is a chassis with a software-based control panel plus the option of hardware control. Blackmagic also offers DeckLink cards which can be used for streaming when combined with compatible software such as Adobe Flash Media Encoder.
Digital Rapids’ new carrier-grade StreamZ Live Broadcast hybrid live encoder can perform simultaneous H.264 or MPEG-2 encoding for traditional television applications. It can also handle and multi-format encoding (including adaptive bit rate streaming) for any-screen delivery to devices such as mobile phones, tablets and personal computers, all in a single encoder.
Envivio’s 4Caster C4 Gen 3 encoder/transcoder is designed to produce live video streams for mobile television, online television and Internet Protocol television from a single platform. It incorporates an Intel Xeon Processor 5600 Series and is firmware-upgradeable to support future formats including 1080p 3D.
Exterity has added to its AvediaStream encoder family the multi-codec e26xx and e36xx ranges, designed for live streaming to mobile devices and for digital signage integration. Video can be streamed to computer desktops, television receivers and digital signage systems using the IP network as well as over Wi-Fi and mobile networks to mobile devices such as phones and tablets. The AvediaStream modules support MPEG 2 and H.264 encoding at up to HD resolutions and accept a variety of SD, HD and PC video inputs.
Haivision’s new KulaByte internet encoder is scheduled for introduction at NAB 2012. Software-based, it is designed for streaming to Dynamic Flash and Adaptive HTTP Live Streaming networks. Also new is the Viper KB. Via its touch-screen interface, users can stream full HD at multiple bitrates for Dynamic Flash and Adaptive HTTP Live Streaming networks.
Harmonic’s ProMedia Capture video ingest engine allows real-time ingest of live and tape-based HD/SD video for file-based production or distribution to multiple screens. Applications include video mastering, repurposing, archiving, and video-on-demand. It uses ProMedia Carbon transcoding software to record directly on ingest without requiring an intermediate transcoding step. A browser-based graphic interface allows control of two independent ingest channels and video recorders. ProMedia Capture preserves non-video or audio essence data. The system can be used as a standalone device with 1.3 terabytes of on-board storage, or integrated with Omneon MediaGrid shared storage and the Harmonic Workflow System.
NCast’s Telepresenter family of multimedia production devices, distributed in Britain by Techex, includes the Telepresenter M3, the N-Way server, and the new MD-1 media player. Each Telepresenter contains a capture processor, a Media Composer and encoder, a streaming server and a digital recorder in one chassis. Each accepts multiple media streams and will record and/or webcast them.
Teracue’s ENC-300-DVI-Portable is is intended primarily for digital signage streaming. An integral H.264 SD/HD video encoder processes DVI with analogue audio. It also handles HDMI with embedded audio signals at up to 1920 x 1080 pixels resolution. Special DVI formats, such as 1600 by 1200 or 1920 x 1200, can also be processed.
Teradek's Cube is claimed to be the world's first camera-top H.264 HD video encoder. It mounts easily to any camera using a 1/4-20 screw or hot shoe and streams HD video up to 1080p over IP. The Cube requires 3 watts of 9 to 24 volts direct current. It has wired Ethernet and Wi-Fi outputs and a choice of HD-SDI or HDMI inputs.
ViewCast’s new Osprey 820e is a dual input card which can ingest SD or HD analog video as well as VGA, HDMI and DVI. It also comes with a ViewCast SimulStream driver which allows simultaneous feed to multiple encoders. Features include the ability to integrate audio and video via a traditional graphics interface. The Osprey 820e also expands the ViewCast digital capture card line by enabling a broader range of cameras to capture digital video. SimulStream can be used to create and manage live streams and create multiple streams of the same type with independent settings of size, scale, logos and bit rates. It also allows logo overlays with dynamic positioning.
Me-too.tv
Streaming issues apart, video over IP also allows anyone to establish a television channel. The cheapest way is to register relevant-name-here-dot-tv and rent space with a web host service. Voil, you are in business.
A small detail outstanding is whether the channel can turn a profit, either by selling downloads or carrying advertising......

Tags: iss064 | streaming | ip | video over ip | ateme | blackmagic | atem | digital rapids | streamz | envivio | 4caster | haivision | kulabyte | harmonic | ncast | telepresenter | teracue | enc-300 | teradek cube | viewcast | N/A
Contributing Author N/A

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    Cinegy: Multiviewer at NAB 2013

  • Telestream Vantage v5 at NAB 2013

    Telestream Vantage v5 at NAB 2013

  • Autocue at NAB 2013

    Autocue at NAB 2013

  • Cobham: Mini RF Transmitters at NAB 2013

    Cobham: Mini RF Transmitters at NAB 2013

  • Cobham: RF Transmitter at NAB 2013

    Cobham: RF Transmitter at NAB 2013

  • Thear Technology at BVE 2013

    Thear Technology at BVE 2013

  • TSL Systems at BVE 2013

    TSL Systems at BVE 2013

  • Ianiro at BVE 2013

    Ianiro at BVE 2013

  • Guntermann and Drunck GmbH at BVE 2013

    Guntermann and Drunck GmbH at BVE 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Pinknoise at BVE North 2012

    Pinknoise at BVE North 2012

  • Polecam at BVE North 2012

    Polecam at BVE North 2012

  • Bexel at NAB 2012

    Bexel at NAB 2012

  • Vinten at NAB 2012

    Vinten at NAB 2012

  • Visionary Solutions at NAB 2012

    Visionary Solutions at NAB 2012

  • Polecam at NAB 2012

    Polecam at NAB 2012

  • Sachtler at BVE 2012

    Sachtler at BVE 2012

  • Trilogy at BVE 2012

    Trilogy at BVE 2012

  • Chyron at BVE 2012

    Chyron at BVE 2012

  • Autocue at BVE 2012

    Autocue at BVE 2012

  • Teradek at BVE 2012

    Teradek at BVE 2012

  • Ianiro at BVE 2012

    Ianiro at BVE 2012

  • IOV at ProVideo2011

    IOV at ProVideo2011

  • Thear Technology Limited at ProVideo2011

    Thear Technology Limited at ProVideo2011

  • Hague Camera Supports at ProVideo2011

    Hague Camera Supports at ProVideo2011

  • TNP and Rotolight at BVE North 2011

    TNP and Rotolight at BVE North 2011

  • Ianiro at BVE North 2011

    Ianiro at BVE North 2011

  • Elemental Technologies at IBC2011

    Elemental Technologies at IBC2011

  • Datavideo at IBC2011

    Datavideo at IBC2011

  • Sachtler at IBC2011

    Sachtler at IBC2011

  • Tiffen at IBC2011

    Tiffen at IBC2011

  • Marshall Electronics at IBC2011

    Marshall Electronics at IBC2011

  • Autocue at IBC2011

    Autocue at IBC2011

  • Nevion at IBC2011

    Nevion at IBC2011

  • Pixel Power at IBC2011

    Pixel Power at IBC2011

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • ATEME at NAB 2014

    ATEME at NAB 2014

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Garland at BVE 2017

    Garland at BVE 2017

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

    Blackmagic Design Resolve 14, ATEM, URSA Mini PRo and more from IBC 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Blackmagic Design at NAB 2012

    Blackmagic Design at NAB 2012

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

    Blackmagic introduces Blackmagic RAW (BRAW) at IBC 2018

  • Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

    Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic Davinci Resolve 15 at NAB 2018

    Blackmagic Davinci Resolve 15 at NAB 2018

  • Blackmagic Design Ultimatte at IBC 2017

    Blackmagic Design Ultimatte at IBC 2017

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Blackmagic MultiView at IBC 2014

    Blackmagic MultiView at IBC 2014

  • Blackmagic and Fusion at IBC 2014

    Blackmagic and Fusion at IBC 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • Den Lennie considers what kit and cameras to buy for 2015

    Den Lennie considers what kit and cameras to buy for 2015

  • BeSteady on the Production Gear stand at BVE 2014

    BeSteady on the Production Gear stand at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • Holdan on BroadcastShow Tour May 2013

    Holdan on BroadcastShow Tour May 2013

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Holdan and DaVinci at BVE North 2011

    Holdan and DaVinci at BVE North 2011

  • AMD at IBC2011

    AMD at IBC2011

  • Global Distribution at IBC2011

    Global Distribution at IBC2011

  • Haivision at NAB 2014

    Haivision at NAB 2014

  • Haivision: Video Cloud at NAB 2013

    Haivision: Video Cloud at NAB 2013

  • Haivision at IBC 2012

    Haivision at IBC 2012

  • Harmonic at IBC 2014

    Harmonic at IBC 2014

  • The Teracue Application Cloud show at IBC 2018 (German version)

    The Teracue Application Cloud show at IBC 2018 (German version)

  • The Teracue Application Cloud show at IBC 2018

    The Teracue Application Cloud show at IBC 2018

  • Teracue IQ Grid and Media Excel shown at BVE 2018

    Teracue IQ Grid and Media Excel shown at BVE 2018

  • Teracue ICUE-GRID Video Wall at IBC 2017

    Teracue ICUE-GRID Video Wall at IBC 2017

  • Teracue MC-TRANS Live Encoder at IBC 2017

    Teracue MC-TRANS Live Encoder at IBC 2017

  • Teracue encoders at IBC 2016

    Teracue encoders at IBC 2016

  • Teracue ICUE-GRID and MC-ROUTE at IBC 2016

    Teracue ICUE-GRID and MC-ROUTE at IBC 2016

  • Teracue auf IBC 2016 (Deutsch version)

    Teracue auf IBC 2016 (Deutsch version)

  • Holdan and Teradek at BVE North 2011

    Holdan and Teradek at BVE North 2011


Related Shows
  • Larry Jordan with Thom Holliday talk streaming at BVE 2016

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Articles
Using Wireless Transmission
Jeremy Benning Wireless acquisition is a staple of live sports, entertainment and reality shows where cable free capture permits shots not previously possible, for health and safety reasons, and gives the camera-operator greater artistic licence to roam. The same is increasingly true of narrative drama where cinematographers are keen to work handheld or Steadicam where that helps tell the story. Any equipment which frees their movement and time by being lighter, easier to use and reliable in performance is going to tick a lot of boxes.
Tags: iss134 | wireless | 4k | transmission | Jeremy Benning
Contributing Author Jeremy Benning Click to read or download PDF
An Epiphany Moment
Peter Savage 2 I had been negotiating the sale of my company and had reached the really hard end of the bargain. We were close to agreeing the final sum after a lot of too-much-give-and-not-enough-take negotiation. The solicitors were calling me, keen for a deal. It had come down to one sticking point and, in my hard ball “I am the Wolf of Wall Street” guise, I wasn’t going to let it go. It would make a value difference of 1.5% on the total outcome. Not much, you might think, but I had already nearly fallen out with the solicitors over their fees and I was giving my advisors an extremely hard time because the corporate adviser couldn’t see how I had already given more than an inch and the buyers were taking more than a mile. I was not going to let them win.
Tags: iss134 | azule | finance | Peter Savage 2
Contributing Author Peter Savage 2 Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
University and Mental Health
Rhiannon Jenkins University study and mental health has been in the media quite a bit over the last year, and I’m sure there are many people wondering what is going on? The issues are complex, and I suppose the focus of employability off the back of a degree course has raised the stress stakes for a lot of young people. I’m only qualified to talk about this from my perspective, and my story began when I joined a course not knowing I had a mental health condition.
Tags: iss134 | portsmouth uni | mental health | student | tvfutures | Rhiannon Jenkins
Contributing Author Rhiannon Jenkins Click to read or download PDF
Protecting the continuity of transmission
Lorna Garrett Your viewers love you. You consistently bring them their preferred channels 24/7. They’ve come to rely on you for their viewing pleasure. They never miss cheering on their beloved sports teams. They’re the envy of their friends as they watch live concerts of their favourite bands. They gather the family around and catch up on their must-see shows. They don’t have a bad word to say about you.
Tags: iss134 | garland | gpl | streaming | artel | disaster recovery | Lorna Garrett
Contributing Author Lorna Garrett Click to read or download PDF