Four must-haves for modern media workflows: Enhancing your MAM solutions


Laurent Fanichet
by Laurent Fanichet
Issue 97 - January 2015

It's always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn't keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietary file and file system formats. In the last decade or so, IT-based solutions have finally caught up, and open solutions for shared storage are now readily available at price points affordable for even boutique post houses.

So now that we've made the shift from digital SD to HD, there's the push toward the quality viewing experience that 4K brings. At the same time, new avenues for distribution are driving workflows to provide quick and direct access to all content for monetisation and reuse, not just work-in-process content. For most facilities, this means implementing new strategies to enhance their MAM and existing workflow, starting with four key issues to consider before making any decisions.

1. 4K content and the need for speed

At IBC 2014 in September, virtually every storage vendor claimed to offer a solution for 4K workflows. But what are they truly offering? 4K technically is just a frame size - 4096 pixels x 2160 lines for cinema or 3840 x 2160 for consumer-but to achieve the quality that people expect from 4K, you need more than just a high-resolution image. You also need a frame rate of 24 frames per second or greater, and a compression codec that doesn't degrade the 4K image quality. After all, to your creative team 4K is 4K raw, not a low resolution codec like most vendors were offering.

The dirty little secret is that it's difficult to stream 4K content at this rate without dropping frames on a shared storage system, so to support their 4K raw claims some workflow storage vendors are reverting back to direct attached storage or proxy editing. Going that route requires modifying your MAM workflow for 4K to download locally for edit instead of accessing directly from shared storage. That means giving up to the collaborative environment that's shortened your production cycles so you can meet the tight deadlines that drive this competitive industry.

The good news is that there are industry-standard, high-performance solutions available that don't require you to disrupt your workflow with tedious downloads and uploads to and from direct attached storage. So when you investigate storage for 4K workflows, your key questions should be: What frame rate does it support? With which 4K codec? Is it 4K raw? Does it work with shared storage or only local storage? How many concurrent streams can it support?

2. Ingest, distribute and the need to scale

Higher-resolutions workflows are not just about increasing storage performance, they're about increasing storage capacity by 3-4 times more than HD, depending on codec. And that's not the only trend that is driving the storage explosion. Much of the storage demand starts right at capture, with live events now being shot with more cameras, and in feature production, with cameras less likely to be shut off between takes.

In facilities that turn projects frequently, the large-scale file creation that happens when files are ingested or file deletion when a project is completed often conflicts with times when users need high-performance access. If the storage can't handle it, facilities are often forced to set up "delete windows" of limited file system access. With tight production deadlines, this can make the difference in being on schedule or off.

The heavy storage consumption continues through the workflow with transcoders spitting out more distribution formats for more connected devices, and content owners creating more second screen content for both live and on-demand markets. And if you're storing content in single-file-per-frame formats like DPX or generate large numbers of files as in VFX, your storage will need to scale accordingly without degrading performance.

So in addition to asking what a storage system's capacity is, you should ask: How easy is it to expand capacity? What's the maximum number of files (not just TB) this storage system can support? Does access performance degrade as the storage fills, as the number of files increases or as files are deleted?

3. Monetisation and the need for longer-term access

At a time when there are more ways to monetise and reuse content than ever before, keeping digital assets accessible to production teams has only become more challenging due to these capacity demands. The all-too-common strategy is to store as much content on high-performance storage as budgets permit, then move older content to offline tape archives as storage fills. In many facilities, unused raw footage is simply deleted after the project is complete with no regard for its future potential.

With a storage architecture that allows content to be stored on less expensive, but secure, digital media, content owners can capitalise on enormous revenue opportunities. The trick is ensuring it still allows direct, seamless access by production teams. Popular storage options include object storage-based solutions, which offer disk-speed access to petascale content, and LTO/LTFS digital tape solutions that are an even more economical choice, particularly for content owners that want to store copies offsite for disaster recovery.

You'll need to find a solution that integrates into your workflow and is economical even after you factor in management. Key questions to ask include: Which types of archive media does the storage system support? Is there automation to migrate content to the archive based on policy? Can archived content be quickly, easily and directly accessed by users? What are the limits to the archive's scale?

4. The need for the cloud

Content production has never been a simple process, but the number of moving parts and scale involved has grown to global proportions. There's more pressure to transcode and deliver content worldwide on more platforms that ever before. And do all this without the added complexity of making and transmitting duplicate copies between remote teams.

That's why many content producers are looking to the cloud to share content across distributed teams. The sticking point is that most public cloud offerings were designed as development platforms for software vendors to build applications and services around and have little, if any, integration for the complex multistage workflows that are common in media production.

Public clouds often require users to adopt new unproven and unfamiliar tools and move assets between stages of the public cloud without careful regard for security or QA checks.

The ideal solution moves the same workflow your team uses today to the cloud so your team can work remotely, sharing content stored on economical, robust storage with the scalability, flexibility and security your team needs. Key questions to ask: Was the cloud built specifically for the demands of media workflows? How much will my workflow or users have to change their daily processes to access cloud-based content? Are the workflow tools for ingest, editing and transcoding available in this solution? Will they work with lower bandwidth connections?

In a business where bigger is always better, and change is the only constant, you need higher performance, greater scale, easier long-term access and the distributed access of the cloud.

You can't afford to do anything else but go big, or go home.


Tags: iss097 | MAM | media | workflow | post production | 4k | Laurent Fanichet
Contributing Author Laurent Fanichet

Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Metus MAM and Ingest at IBC 2013

    Metus MAM and Ingest at IBC 2013

  • TMD at NAB 2013: MediaFlex Reporting Module

    TMD at NAB 2013: MediaFlex Reporting Module

  • TMD at NAB 2013: MediaFlex Systems

    TMD at NAB 2013: MediaFlex Systems

  • Cloud Media Management with Medway from Marquis Broadcast at IBC 2017

    Cloud Media Management with Medway from Marquis Broadcast at IBC 2017

  • Hybrid Cloud Media Aggregation from Cantemo at NAB 2017

    Hybrid Cloud Media Aggregation from Cantemo at NAB 2017

  • Media Asset Management Software from Blue Lucy at NAB 2017

    Media Asset Management Software from Blue Lucy at NAB 2017

  • Mediaflex UMS Platform from TMD at NAB 2017

    Mediaflex UMS Platform from TMD at NAB 2017

  • New CEO and news update from TMD at NAB 2017

    New CEO and news update from TMD at NAB 2017

  • NETIA at BVE 2015

    NETIA at BVE 2015

  • Dalet at IBC 2014

    Dalet at IBC 2014

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • TMD at NAB 2013: Content Intelligence

    TMD at NAB 2013: Content Intelligence

  • Prime Focus Technologies at IBC 2016

    Prime Focus Technologies at IBC 2016

  • ERA - Cloud Services - at BVE 2015

    ERA - Cloud Services - at BVE 2015

  • EditShare at BVE 2015

    EditShare at BVE 2015

  • Tedial at IBC 2014

    Tedial at IBC 2014

  • TMD summarises their work this year at IBC 2014

    TMD summarises their work this year at IBC 2014

  • Metus at IBC 2014

    Metus at IBC 2014

  • EditShare on BroadcastShow LIVE at IBC 2013

    EditShare on BroadcastShow LIVE at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • Dalet at NAB 2012

    Dalet at NAB 2012

  • Broadway Systems at NAB 2012

    Broadway Systems at NAB 2012

  • Workflow Solutions from Pronology at NAB 2017

    Workflow Solutions from Pronology at NAB 2017

  • Pronology at IBC 2014

    Pronology at IBC 2014

  • Editshare at NAB 2012

    Editshare at NAB 2012

  • IPV at IBC2011

    IPV at IBC2011

  • Be More with Clear from Prime Focus Technologies at NAB 2017

    Be More with Clear from Prime Focus Technologies at NAB 2017

  • Object Based Storage Solutions from Object Matrix at NAB 2017

    Object Based Storage Solutions from Object Matrix at NAB 2017

  • Blue Lucy at IBC 2015

    Blue Lucy at IBC 2015

  • Metus at NAB 2014

    Metus at NAB 2014

  • Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

    Nexidias Drew Lanham on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • Cinegy: Multiviewer at NAB 2013

    Cinegy: Multiviewer at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • VIZRT at BVE 2012

    VIZRT at BVE 2012

  • PlayBox Technology at BVE North 2011

    PlayBox Technology at BVE North 2011

  • Netia at IBC2011

    Netia at IBC2011

  • Globecast at IBC2011

    Globecast at IBC2011

  • Snell Advanced Media (SAM) 4k workflow at IBC 2015

    Snell Advanced Media (SAM) 4k workflow at IBC 2015

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Streaming Media with Interra Systems at NAB 2017

    Streaming Media with Interra Systems at NAB 2017

  • Social Media Virtual Production Switching from Sony

    Social Media Virtual Production Switching from Sony

  • Xytech and Media Pulse at IBC2018

    Xytech and Media Pulse at IBC2018

  • Soft step migration to IP with Media Links at NAB 2018

    Soft step migration to IP with Media Links at NAB 2018

  • 3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018

    3D Storm discuss IP and NDI for Live Media Server and Live CG Broadcast at NAB 2018

  • Teracue IQ Grid and Media Excel shown at BVE 2018

    Teracue IQ Grid and Media Excel shown at BVE 2018

  • LiveCG Broadcast and LiveMedia Server from 3D Storm at BVE 2018

    LiveCG Broadcast and LiveMedia Server from 3D Storm at BVE 2018

  • Verizon Digital Media Services at IBC 2017

    Verizon Digital Media Services at IBC 2017

  • TMD Mediaflex-UMS at IBC 2017

    TMD Mediaflex-UMS at IBC 2017

  • Media Defined Networking from Media Links at IBC 2017

    Media Defined Networking from Media Links at IBC 2017

  • Media Links Net Gazer and Next Gen Media Gateway Device at IBC 2017

    Media Links Net Gazer and Next Gen Media Gateway Device at IBC 2017

  • Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

    Mission Critical IP Transport Solutions from MediaLinks at NAB 2017

  • Video Transport over IP from MediaLinks at NAB 2017

    Video Transport over IP from MediaLinks at NAB 2017

  • LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

    LiveMedia Server and Live Xpert from 3D Storm at NAB 2017

  • The Media Experience Studio from Verizon at NAB 2017

    The Media Experience Studio from Verizon at NAB 2017

  • Kit Financing with Medialease at NAB 2017

    Kit Financing with Medialease at NAB 2017

  • Get on the IP ladder with Netgazer from MediaLinks at NAB 2017

    Get on the IP ladder with Netgazer from MediaLinks at NAB 2017

  • Volicon Media Intelligence service at IBC 2016

    Volicon Media Intelligence service at IBC 2016

  • TMD Mediaflex-UMS at IBC 2016

    TMD Mediaflex-UMS at IBC 2016

  • Media Links at IBC 2016

    Media Links at IBC 2016

  • Brainstorm Multimedia at NAB 2016

    Brainstorm Multimedia at NAB 2016

  • Media Links at NAB 2016

    Media Links at NAB 2016

  • TMD Mediaflex at NAB 2016

    TMD Mediaflex at NAB 2016

  • Brainstorm Multimedia at IBC 2015

    Brainstorm Multimedia at IBC 2015

  • Five Arrows Media Finance at IBC 2015

    Five Arrows Media Finance at IBC 2015

  • Media Links at IBC 2015

    Media Links at IBC 2015

  • Snell Advanced Media (SAM) Biometrics technology at IBC 2015

    Snell Advanced Media (SAM) Biometrics technology at IBC 2015

  • Snell Advanced Media (SAM) at IBC 2015

    Snell Advanced Media (SAM) at IBC 2015

  • TMD Mediaflex at IBC 2015

    TMD Mediaflex at IBC 2015

  • VOLICON Media Intelligence Platform at NAB 2015

    VOLICON Media Intelligence Platform at NAB 2015

  • TMD Mediaflex at NAB 2015

    TMD Mediaflex at NAB 2015

  • NETIA Media Assist at NAB 2015

    NETIA Media Assist at NAB 2015

  • CHYRONHEGO STUDIO MEDIAMAKER at NAB2015

    CHYRONHEGO STUDIO MEDIAMAKER at NAB2015

  • Brainstorm Multimedia at BVE 2015

    Brainstorm Multimedia at BVE 2015

  • TMD Mediaflex at IBC 2014

    TMD Mediaflex at IBC 2014

  • Brainstorm Multimedia at NAB 2014

    Brainstorm Multimedia at NAB 2014

  • Pilat Media on BroadcastShow LIVE at IBC 2013

    Pilat Media on BroadcastShow LIVE at IBC 2013

  • Softron Media Services on BroadcastShow LIVE at IBC 2013

    Softron Media Services on BroadcastShow LIVE at IBC 2013

  • Wowza Media Systems on BroadcastShow LIVE at IBC 2013

    Wowza Media Systems on BroadcastShow LIVE at IBC 2013

  • Blue Lucy Media at IBC 2013

    Blue Lucy Media at IBC 2013

  • Softron Media at IBC 2013

    Softron Media at IBC 2013

  • Brainstorm Multimedia: Aston3D at NAB 2013

    Brainstorm Multimedia: Aston3D at NAB 2013

  • Tightrope Media at IBC 2012

    Tightrope Media at IBC 2012

  • Blue Lucy Media at BVE 2012

    Blue Lucy Media at BVE 2012

  • Pilat Media at IBC2011

    Pilat Media at IBC2011

  • SysMedia at IBC2011

    SysMedia at IBC2011

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Telestream Wirecast and Switch at IBC 2014

    Telestream Wirecast and Switch at IBC 2014

  • Telestream Vantage support for DPP at IBC 2014

    Telestream Vantage support for DPP at IBC 2014

  • Telestream Enterprise at NAB 2014

    Telestream Enterprise at NAB 2014

  • Telestream Switch at NAB 2014

    Telestream Switch at NAB 2014

  • Metus on BroadcastShow LIVE at IBC 2013

    Metus on BroadcastShow LIVE at IBC 2013

  • Volicon on BroadcastShow LIVE at IBC 2013

    Volicon on BroadcastShow LIVE at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • Vimond Control Center at NAB 2013

    Vimond Control Center at NAB 2013

  • Marquis Broadcast at NAB 2012

    Marquis Broadcast at NAB 2012

  • TMD at NAB 2012

    TMD at NAB 2012

  • Tedial at IBC2011

    Tedial at IBC2011

  • Garland at BVE 2017

    Garland at BVE 2017

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • 3D Storm with LiveXpert at BVE 2017

    3D Storm with LiveXpert at BVE 2017

  • KitPlus Show 2015 Highlights

    KitPlus Show 2015 Highlights

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • Volicon at IBC 2015

    Volicon at IBC 2015

  • Movidiam at BVE 2015

    Movidiam at BVE 2015

  • Winner of the LP54 Miller Classic

    Winner of the LP54 Miller Classic

  • Tour Seminar - Everything you need to know about drones...

    Tour Seminar - Everything you need to know about drones...

  • BroadStream ARMADA at IBC 2014

    BroadStream ARMADA at IBC 2014

  • openTruck from Ross Video at IBC 2014

    openTruck from Ross Video at IBC 2014

  • WohlerGateway at IBC 2014

    WohlerGateway at IBC 2014

  • Pixel Power Buzz at IBC 2014

    Pixel Power Buzz at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • Nugen Audio at NAB 2014

    Nugen Audio at NAB 2014

  • PacTV Truck at NAB 2014

    PacTV Truck at NAB 2014

  • Volicon at NAB 2014

    Volicon at NAB 2014

  • Ross Video at BVE 2014

    Ross Video at BVE 2014

  • Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

    Orad Hi Tec Systems on BroadcastShow LIVE at IBC 2013

  • Brainstorm on BroadcastShow LIVE at IBC 2013

    Brainstorm on BroadcastShow LIVE at IBC 2013

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • SMPTE on BroadcastShow LIVE at IBC 2013

    SMPTE on BroadcastShow LIVE at IBC 2013

  • Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

    Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

  • Marshall Monitors at IBC 2013

    Marshall Monitors at IBC 2013

  • File Catalyst at NAB 2013

    File Catalyst at NAB 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • StreamUK at BVE North 2012

    StreamUK at BVE North 2012

  • Marshall at IBC 2012

    Marshall at IBC 2012

  • Doremi at IBC 2012

    Doremi at IBC 2012

  • TMD at IBC 2012

    TMD at IBC 2012

  • Look Listen Experience in Manchester

    Look Listen Experience in Manchester

  • Cinegy at NAB 2012

    Cinegy at NAB 2012

  • Digital Nirvana at NAB 2012

    Digital Nirvana at NAB 2012

  • ERA at BVE 2012

    ERA at BVE 2012

  • ERA at BVE North 2011

    ERA at BVE North 2011

  • AKA Design at BVE North 2011

    AKA Design at BVE North 2011

  • Altered Images at BVE North 2011

    Altered Images at BVE North 2011

  • Avid at BVE North 2011

    Avid at BVE North 2011

  • TMD at IBC2011

    TMD at IBC2011

  • Avid at IBC2011

    Avid at IBC2011

  • WOWZA at IBC2011

    WOWZA at IBC2011

  • EMEA Gateway at IBC2011

    EMEA Gateway at IBC2011

  • Digital Rapids at IBC2011

    Digital Rapids at IBC2011

  • Marshall Electronics at IBC2011

    Marshall Electronics at IBC2011

  • ChyronHego show their PRIME Workflow at IBC 2018

    ChyronHego show their PRIME Workflow at IBC 2018

  • All IP Workflow from Quantum with Xcellis Workflow Storage solutions at NAB 2018

    All IP Workflow from Quantum with Xcellis Workflow Storage solutions at NAB 2018

  • Object Matrix Hybrid Workflow and Artifical Intelligence at NAB 2018

    Object Matrix Hybrid Workflow and Artifical Intelligence at NAB 2018

  • LIVEU Workflow solutions at NAB 2015

    LIVEU Workflow solutions at NAB 2015

  • TMD talk workflow on BroadcastShow LIVE at IBC 2013

    TMD talk workflow on BroadcastShow LIVE at IBC 2013

  • Quantels Stream-based Workflows at IBC 2013

    Quantels Stream-based Workflows at IBC 2013

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Atomos talking 4K on BroadcastShow LIVE at IBC 2013

    Atomos talking 4K on BroadcastShow LIVE at IBC 2013

  • SGL Broadcast at IBC 2015

    SGL Broadcast at IBC 2015

  • Tiger Technology at BVE 2015

    Tiger Technology at BVE 2015

  • ERA - Adobe Anywhere - at BVE 2015

    ERA - Adobe Anywhere - at BVE 2015

  • Broadstream Solutions at NAB 2014

    Broadstream Solutions at NAB 2014

  • ERA at BVE 2014

    ERA at BVE 2014

  • ERA Avere at BVE 2014

    ERA Avere at BVE 2014

  • Pixel Power on BroadcastShow LIVE at IBC 2013

    Pixel Power on BroadcastShow LIVE at IBC 2013

  • Broadstream Solutions on the Oasys stand at IBC 2013

    Broadstream Solutions on the Oasys stand at IBC 2013

  • Oasys Chameleon at IBC 2013

    Oasys Chameleon at IBC 2013

  • Loft London Solutions with Cubix on the Oasys stand at IBC 2013

    Loft London Solutions with Cubix on the Oasys stand at IBC 2013

  • Yospace: Advert Insertion at NAB 2013

    Yospace: Advert Insertion at NAB 2013

  • Telestream Vantage v5 at NAB 2013

    Telestream Vantage v5 at NAB 2013

  • Telestream at BVE 2013

    Telestream at BVE 2013

  • Guntermann and Drunck GmbH at BVE 2013

    Guntermann and Drunck GmbH at BVE 2013

  • Tedial at NAB 2012

    Tedial at NAB 2012

  • Root6 at NAB 2012

    Root6 at NAB 2012

  • PlayBox Technology at BVE 2012

    PlayBox Technology at BVE 2012

  • Suitcase TV at IBC2011

    Suitcase TV at IBC2011

  • Net Insight at IBC2011

    Net Insight at IBC2011

  • TSL at IBC2011

    TSL at IBC2011

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

    Davinci Resolve 14 with Fairlight from Blackmagic Design at NAB 2017

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • SGO at IBC2011

    SGO at IBC2011

  • Matrox Unveils Monarch EDGE 4K Contribution Encoder at IBC 2018

    Matrox Unveils Monarch EDGE 4K Contribution Encoder at IBC 2018

  • 12G 4K microMUSA Jackfield and Fibre Termination Solutions from Canford at IBC 2018

    12G 4K microMUSA Jackfield and Fibre Termination Solutions from Canford at IBC 2018

  • Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

    Blackmagic Design Pocket Cinema Camera BMPCC 4K at IBC 2018

  • Apantac 4k UHD HDMI/DVI Multiviewer with KVM at IBC 2018

    Apantac 4k UHD HDMI/DVI Multiviewer with KVM at IBC 2018

  • JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

    JVC 4K Connected Camera GY-HC550 and 500 at IBC 2018

  • IMT Vislink HCAM 4k UHD transmitter at IBC 2018

    IMT Vislink HCAM 4k UHD transmitter at IBC 2018

  • Blackmagic Pocket Cinema Camera 4K at NAB 2018

    Blackmagic Pocket Cinema Camera 4K at NAB 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • 4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018

    4K UHD Multi-viewer HDMI 2.0 from Apantac at NAB 2018

  • Omnitek Updates for Ultra 4k Toolbox at NAB 2018

    Omnitek Updates for Ultra 4k Toolbox at NAB 2018

  • 4k and HEVC with Garland at BVE 2018

    4k and HEVC with Garland at BVE 2018

  • 6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

    6K Sony Venice and Sony 4k Palm Camcorders at IBC 2017

  • JVC 4K UHD Monitors at IBC 2017

    JVC 4K UHD Monitors at IBC 2017

  • The CFU5 4k Transmitter from Vislink at IBC 2017

    The CFU5 4k Transmitter from Vislink at IBC 2017

  • Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

    Wireless 4K Transmitter from DTC Domo Broadcast at IBC 2017

  • AJA Thunderbolt 3 IO 4k Plus at IBC 2017

    AJA Thunderbolt 3 IO 4k Plus at IBC 2017

  • HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

    HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

  • Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

    Quad 4k Capture and Stream with Maevex from Matrox at NAB 2017

  • 4k 60 Matrix from GDSYS at NAB 2017

    4k 60 Matrix from GDSYS at NAB 2017

  • HEVC 4k Encoding from Aviwest at NAB 2017

    HEVC 4k Encoding from Aviwest at NAB 2017

  • Apantac 4k live demo at NAB 2016

    Apantac 4k live demo at NAB 2016

  • Omnitek Ultra 4K Tool Box at IBC 2015

    Omnitek Ultra 4K Tool Box at IBC 2015

  • MULTIDYNE Silverback 4k at NAB 2015

    MULTIDYNE Silverback 4k at NAB 2015

  • Panasonic Lumix GH5 at BVE 2017

    Panasonic Lumix GH5 at BVE 2017

  • Ikegami 8k camera at IBC 2016

    Ikegami 8k camera at IBC 2016

  • Ikegami HQLM-3120W monitor at IBC 2016

    Ikegami HQLM-3120W monitor at IBC 2016

  • Ikegami UHK-430 camera at IBC 2016

    Ikegami UHK-430 camera at IBC 2016

  • Video Devices PIX-E at IBC 2016

    Video Devices PIX-E at IBC 2016

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • JVC GY-LS300 at IBC 2015

    JVC GY-LS300 at IBC 2015

  • AVIWEST at IBC 2015

    AVIWEST at IBC 2015

  • BBright at IBC 2015

    BBright at IBC 2015

  • Thomson Video Networks at IBC 2015

    Thomson Video Networks at IBC 2015

  • Lynx Technik at IBC 2015

    Lynx Technik at IBC 2015

  • JVC at BVE 2015

    JVC at BVE 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • Gearhouse Broadcast at BVE 2015

    Gearhouse Broadcast at BVE 2015

  • KITPLUS rig setup at IBC 2014

    KITPLUS rig setup at IBC 2014

  • Tektronix at IBC 2014

    Tektronix at IBC 2014

  • Cooke Optics technology at IBC 2014

    Cooke Optics technology at IBC 2014

  • Cooke Optics talk anamorphic at IBC 2014

    Cooke Optics talk anamorphic at IBC 2014

  • JVC GY-LS300 prototype at IBC 2014

    JVC GY-LS300 prototype at IBC 2014

  • MultiDyne SilverBACK at IBC 2014

    MultiDyne SilverBACK at IBC 2014

  • BBright at IBC 2014

    BBright at IBC 2014

  • Hitachi at IBC 2014

    Hitachi at IBC 2014

  • Guntermann and Drunck DP-HR range at IBC 2014

    Guntermann and Drunck DP-HR range at IBC 2014

  • Ateme at IBC 2014

    Ateme at IBC 2014

  • Matrox Monarch HD at NAB 2014

    Matrox Monarch HD at NAB 2014

  • Elemental Technologies Software-Defined Video at NAB 2014

    Elemental Technologies Software-Defined Video at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Guntermann and Drunck at NAB 2014

    Guntermann and Drunck at NAB 2014

  • Matrox Mojito at NAB 2014

    Matrox Mojito at NAB 2014

  • Matrox Capture Card at NAB 2014

    Matrox Capture Card at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Guntermann and Drunck at BVE 2014

    Guntermann and Drunck at BVE 2014

  • Philip Bloom on Tour in Belfast

    Philip Bloom on Tour in Belfast

  • Cinegy on BroadcastShow LIVE at IBC 2013

    Cinegy on BroadcastShow LIVE at IBC 2013

  • Blackmagic Design on BroadcastShow LIVE at IBC 2013

    Blackmagic Design on BroadcastShow LIVE at IBC 2013

  • Miranda on BroadcastShow LIVE at IBC 2013

    Miranda on BroadcastShow LIVE at IBC 2013

  • Snell on BroadcastShow LIVE at IBC 2013

    Snell on BroadcastShow LIVE at IBC 2013

  • JVC GY-HM600 series camera updates at IBC 2013

    JVC GY-HM600 series camera updates at IBC 2013

  • ATEME at IBC 2013

    ATEME at IBC 2013

  • Multidyne SilverBack, BullDog and Spider at IBC 2013

    Multidyne SilverBack, BullDog and Spider at IBC 2013

  • Cinegy at IBC 2013

    Cinegy at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • MultiDyne: SilverBACK at NAB 2013

    MultiDyne: SilverBACK at NAB 2013

  • Quantel Pablo Rio at NAB 2013

    Quantel Pablo Rio at NAB 2013

  • Blackmagic Design: Products at NAB 2013

    Blackmagic Design: Products at NAB 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • JVC at BVE 2012

    JVC at BVE 2012


Related Shows
  • Media Management discussed at BVE

    Media Management discussed at BVE


Articles
Sony HDC-4800 Review
Andy McKenzie First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern sports production.” Deliveries began in mid 2017 and, after careful preliminary evaluation, we invested in several systems for our hire fleet ahead of the FIFA World Cup in Russia.
Tags: iss134 | review | hdc-4800 | sony | finepoint | Andy McKenzie
Contributing Author Andy McKenzie Click to read or download PDF
What content providers need to know about OTT
Hiren Hindocha As OTT (Over-The-Top) technology has gotten more mature and established robust standards over the years, the concept of OTT monitoring is gaining popularity. With customer expectations soaring, it’s vital for OTT providers to deliver superior quality content. To deliver Quality of Experience (QoE) on par with linear TV broadcast, the entire system, starting from ingest to multi-bitrate encoding to delivery to CDN must be monitored continuously.
Tags: iss134 | ott monitoring | qos | logging | compliance | dash | atsc | cloud | Hiren Hindocha
Contributing Author Hiren Hindocha Click to read or download PDF
Protecting the continuity of transmission
Lorna Garrett Your viewers love you. You consistently bring them their preferred channels 24/7. They’ve come to rely on you for their viewing pleasure. They never miss cheering on their beloved sports teams. They’re the envy of their friends as they watch live concerts of their favourite bands. They gather the family around and catch up on their must-see shows. They don’t have a bad word to say about you.
Tags: iss134 | garland | gpl | streaming | artel | disaster recovery | Lorna Garrett
Contributing Author Lorna Garrett Click to read or download PDF
Shedding Light on the Blackmagic Pocket Cinema Camera 4k BMCPP4K
Garth de Bruno Austin “What is it about light that has us craving it?” Is the question asked in the opening seconds of Garth de Bruno Austin’s latest short, The Colour of Light. Exploring this natural, human need as well as our innate desire to control it, Garth’s film showcases everyday people going about their lives in differing degrees of luminance, whether that be an artificial streetlight or a natural morning sunrise.
Tags: iss134 | blackmagic | cinema camera | 4k | cpp4k | Garth de Bruno Austin
Contributing Author Garth de Bruno Austin Click to read or download PDF
The brave new world of software based production
Boromy Ung In today’s rapidly evolving broadcast industry, the only constant media organizations can truly count on is change — and the need to adapt as rapidly and cost-effectively as possible. One of the biggest agents of change is the IP revolution, driving broadcasters to migrate their operations to all-software solutions running on commodity, IT-based technologies.
Tags: iss134 | chyronhego | graphics | sports | ott | Boromy Ung
Contributing Author Boromy Ung Click to read or download PDF