G-Teching Storage to another level


Phil Vinter TV-Bay Magazine
Read ezine online
Download PDF
Download PDF

That heart-dropping, cold-sweat evoking moment your external hard drive fails to connect to the computer and you realise the precious project you’ve been working on for weeks is lost for good (unless you want to spank hundreds on a recovery service that may or may not retrieve some of the mangled data!)

Ah, the fun of video storage - it may not be the sexiest of the filmmaking disciplines, but it’s a critical part of the workflow. With file sizes getting ever bigger - to store 4K, 5K and, wait for it, 8K resolution footage, the demand for speed, space, and reliability is greater than ever.

Californian based G-Technology is one of the major players in the industry trying to ensure that the back end up keeps apace with seismic capture changes happening at the front end.

As part of the Western Digital group, which also includes SanDisk, the company boasts a broad skills and research base and pulls from different areas of the business to drive the development of it’s pro-end drives.

G-Technology recently unveiled its latest line of drives at a launch event at Jigsaw 24’s London offices. The triumvirate of new drives provide some impressive read and write speeds that would leave even the most data heavy motion graphics artists salivating.

The new storage systems are not cheap, but G-Tech’s sales pitch is ‘more time saved at the office leaves more time to tell stories’ - so spending a bit extra on super fast drives could be a long-term money saver.

And when I say super fast, I mean staggeringly fast. Each model in the new range of drives comes with Thunderbolt 3 connectivity and the top-specced G-Speed Shuttle SSD can transfer 1 terabyte of data roughly 4 hours of 4K footage - in just seven minutes now that’s fast!

The Speed Shuttle SSD has up to 8 SATA SSDs in a portable RAID unit and it can shovel data at rate of 2,800 MB/s for both reads and writes. Team it up with the right graphics card and computer and it has enough oomph to edit multiple streams of Apple’s new Pro-Res raw footage significantly reducing the pain of having to wait for hours as it churns your beautiful high-res footage into grainy proxies.

Judging by the direction of travel for the industry, this type of souped up system might become the norm sooner rather than later as VR and higher resolutions become ever more main stream.

The Speed Shuttle is also future-proofed, to a certain extent, as it comes with the ability to switch the SSDs for higher capacity units that might become available down the track.

Its relatively small stature and weight means it can be stored away in a Peli case and carried on location. It comes in both 8TB and 16TB flavours with punchy price points of £4,399.95 and £6,569.95 respectively, plus additional £259.95 if you want to splash out on the bespoke Peli-case.

The second new product is the Mobile Pro SSD, which is small and compact but still exceedingly zippy. It’s drop proof from up to 3 metres and can allegedly be run over by a car, which any busy videographer will tell you is reassuring to know.

It’s available in 500GB, 1TB and 2TB sizes and its light weight, slimline design is good for editing on the run. Again it’s not cheap coming in at £569.95 for the 500GB variety and £899.95 for the 1TB size. Bearing in mind you can purchase a 5TB drive (all be it a considerably slow one) for just over £100, there’s a serious choice to be made.

That said, if you can afford it, what price for being able to copy across your footage in super quick time at the end of a very long shoot?

The new G-Drive Pro SSD, which looks similar to the traditional G-Drives with the cheese grater front, based on Mac designs.

It’s designed for video editors who are working their machines 24/7 editing and exporting during the day, ingesting and uploading over night (or vice versa!).

Featuring two Thunderbolt 3 ports, to provide the option of daisy chaining, it also offers read and write speeds of well over 2000MB/S.

The price is £1,199 for a 1TB, £1,799.95 for a 2TB, £3,549.95 for a 4TB and £6,569.95 for an 8TB.

I haven’t had an opportunity to put these drives through their paces yet, but there’s no doubt that on paper the speed and reliability stats really stack up.


Tags: iss132 | gtechnology | western digital | san disk | speed shuttle ssd | mobile pro ssd | g-drive pro ssd | Phil Vinter
Contributing Author Phil Vinter

Read this article in the tv-bay digital magazine
Download PDF
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Articles
The Future of Broadcast Technology
Sebastian Richter

Spotlight on Sebastian Richter, Vice President Media Systems at Rohde & Schwarz.

We are currently in the middle of a transition phase with migration to several new technologies, from the move to IP-based infrastructure and the shift from linear to video-on-demand (VOD).
The question for all of us is how long that transition phase will last; it is going to be faster for some customers then for others – national broadcasters, for example – it will be a slower process.

Tags: broadcast | 5g | 5g broadcast | rohde and schwarz | Sebastian Richter
Contributing Author Sebastian Richter Click to read
Spotlight on James Gilbert, Director of Product and Solution Management
James Gilbert

Over the next eight years we are going to be in transition, and within that there will be vastly different rates of change among content owners and media organisations. As a technology provider the onus is on us to be flexible and adaptable to meet this wide range of requirements from our customers.

Tags: | James Gilbert
Contributing Author James Gilbert Click to read
Spotlight on Karl Mehring, Director of Professional Services, Broadcast, Amplifier and Media
Karl Mehring

How has the role of Professional Services evolved in recent years and what vision do you have of the broadcast technology business? Covering new opportunities that the move to remote brings, new technologies such as 5G broadcast & the impact on the broadcast industry, and the challenges for broadcasters and how can they overcome them.

Tags: COTS | cloud | remote production | distribution | 5g broadcast | Karl Mehring
Contributing Author Karl Mehring Click to read
The Future of Broadcast Technology
Manfred Reitmeier

Now that OTT and VOD have become more mainstream, many commentators talk about traditional broadcast methods, like terrestrial transmission, being a thing of the past. With so many new platforms and non-traditional content services carving out a growing slice of the market, you can be forgiven for thinking that linear over-the-air television is on its way out. The reality is that the industry must strike a balance between meeting consumers’ shifting habits and the business and operational needs of content providers.

Tags: Rohde Schwarz | 5g broadcast | Manfred Reitmeier
Contributing Author Manfred Reitmeier Click to read
A switch in time: how KVM can unlock the future of broadcasting
Chris Smeeton

One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the previous year.

Tags: KVM | ARGOSY | GDSYS | KVM Tech | Chris Smeeton
Contributing Author Chris Smeeton Click to read