Game Set Match

Nico Lewis TV-Bay Magazine
Read ezine online
by Nico Lewis & Jon Ridel
Issue 89 - May 2014

Sports events such as the Super Bowl, the Winter Games in Sochi and the Wimbledon Championships are among the most prestigious jobs for broadcast companies. The larger the event, the more viewers it reaches and consequentially, the more complicated and important the communication system becomes. Without communications any sports coverage will grind to a halt. A reliable, non-blocking, high performance system is therefore essential when planning the broadcast of a sport event. To understand the communication challenges faced by broadcast companies during sport events, we had a look at three esteemed events and examined how intercom solution designers and manufacturer RTS rise to the occasion.


When it comes to broadcast, communication is everything. Heads of production need to be able to speak with their crew, directors with their cameramen, OB trucks with their head offices. In broadcasting, nothing can happen unless everyone can talk and communicate with each other, explains Nico Lewis, Senior Sales Manager RTS Intercoms. A case in point is the annual broadcast of the Wimbledon Championships. For years, NEP Visions has provided the faculties for regular client ESPN. 2014 however will see a novelty with NEP Visions supplying the faculties for the host and domestic coverage of BBC. Even though you can never be content with compromise on any production, Wimbledon is especially exacting. Everyone involved not just the players, but the broadcasters, technicians and service personnel are stretched to their utmost, says Paul Fournier, Head of Sound at NEP Visions. For years, NEP Visions has therefore relied on equipment from RTS to secure communications.

Broadcast companies such as NEP Visions place high expectations in the intercom systems they use. The broadcast market needs state-of-the-art, robust and reliable digital technology that gives the right return on investment, a guarantee that it works non-blocking 24/7, is easy and intuitive to operate and industry standard, says Nico Lewis, Senior Sales Manager RTS Intercoms. Integration with other systems such as commentator systems, audio desks, telephone, IP, virtual and integrated wireless are also trends we are experiencing.

Key for Lewis colleague Jon Ridel, Sales Manager UK & Ireland, is the reliability of an intercom system: It is our responsibility to provide reliable solutions that will give mission critical infrastructures for the users on a long-term basis that can be relied on. RTS therefore delivers fully redundant matrix systems and offers the possibility to connect systems redundant over IP, copper or fibreglass cables. However third-party elements can still influence the system. Our control is therefore managed from the digital matrix, explains Lewis. If the computer system stops, the RTS intercom continues none blocking. A multi-use of computers to eliminate this is also possible. The new ADAM technology for example offers full redundant master controller, redundant digital multi channel MADI, OMNEO via TCPIP with RSTP redundant protocol. Over Ethernet, RTS can trunk up to 255 systems fully redundantly.

A communication systems flexibility is just as indispensable when it comes to broadcasting sports events. Changes to the configuration of the system or its possible extension need to be kept in mind. Through the modular set-up of its systems, RTS allows for alterations of its intercom solutions on the fly: Our systems allow for very easy expansion of further ports or keypanels, says Jon Ridel. Our analogue cards provide both audio 4 wire and keypanel connectivity, our software provides useful and time-saving tools such as copy and paste as well as find and replace. By allowing software pre-configuration beforehand, once a new keypanel is added to a live system, it will work instantly. Implementing RTS software provides users complete control over intercom systems from any standard Windows computer. Users can configure keypanel settings, assign user rights and even link matrices together without needing to reset the matrix system. At the same time, individual users can configure their keypanel settings remotely. Via the matrix, altered keypanel settings are sent to the computer directly, ensuring that the set-up visible on the computer screen is always up to date. Jon Ridel: Using OMNEO enabled keypanels, standard network devices and cables can be used, ensuring that the customer does not need to provide dedicated cables to areas for additional keypanels.

In April 2013, RTS introduced its first OMNEO-compatible intercom matrix products. The new RTS ADAM OMNEO interface cards transform the RTS ADAM intercom system into a flexible, IP-based intercom network. OMNEO media networking architecture goes beyond traditional AVB solutions by incorporating both industry standard Open Control Architecture (OCA) control, as well as IP-based programme transport using Audinates Dante, ensuring future interconnectivity with a growing number of devices.
RTS ADAM OMNEO products open the door to deploy ADAM intercom systems over any standard IP-based network. Most importantly, with OMNEO users are not locked in to other vendors proprietary backbone infrastructure. This makes RTS the leading IP open network solution for professional production intercoms. With RTS + OMNEO, such essential tasks as deploying intercom user stations, linking via trunking and interfacing to third party devices is now easier and more flexible. The addition of RTS ADAM OMNEO cards to any compatible RTS ADAM system means even existing installations can be networked over standard IP hardware with high quality, ultra-low-latency audio.

In sport broadcasts mostly use large multi-camera systems installed in OB trucks. For the production companies, it is important that the build-up goes fast and easy to save time and therefore keep the cost down. Additionally, OMNEO systems enable better quality due to its extremely low latency, says Nico Lewis. Users can utilise OMNEO over existing LAN, in many cases this is already provided. If not, it is easy to set up.
Super Bowl

This years Super Bowl was the first large-scale remote broadcast event to utilize an intercom system incorporating OMNEO. The primary provider of mobile production facilities was Game Creek Video of Hudson, New Hampshire, which had four trucks working for Fox at MetLife Stadium as well as a further truck at Times Square in New York City.

The hub of the Super Bowl communications system was the Comms Cabin at MetLife Stadium, where one full-size ADAM and one mid-size ADAM-M were merged into a single system using a TBX-Tribus fibre card. The ADAM frames were loaded with OMNEO, RVON, and MADI cards, from which connections were made to ADAM frames in the local trucks as well as to a huge array of keypanels in and around the stadium, such as the executive viewing area, green rooms, and edit/operations areas. Fox LA was connected via both RVON and TIF, and RVON was used at Times Square for local connections within the set and to/from the facilities at the Millennial Hotel where temporary editing rooms were established. In all the system included 680 end-points.

The 64 paths of trunking that linked the two production compounds together were handled exclusively by OMNEO, with RVON backup in place but not needed. The connection from our MetLife and Times Square OMNEO networks to the fibre access point was copper Ethernet, Mike Gilman, CTO of Gilman Technologies, says. The connectivity company took those feeds and multiplexed them into the communications portion of the fibre bridge between the sites. The result was that we had less than 1.6 milliseconds of delay over a 17-mile link. Within the MetLife compound itself we used the fibre connections available on the OMNEO cards which can theoretically achieve latencies as low as 0.15 milliseconds. The quality was excellent and the latency was very low, Jason Taubman, Game Creeks VP of design and new technology, agrees. For the users it was just like everyone was on one central intercom, right there in the same building. So by taking on the lead role for the connection across the river OMNEO came in and kind of saved the day.
We have a legacy investment in RTS gear, it works well, and its well understood by all of our clients, Taubman says. And then we have situations like the Super Bowl, where something comes up that requires us to think outside the box, and we are able to do it with new technology that is still completely compatible with our existing system. We have a lot of tricks that we can pull from within the RTS product line, and OMNEO represents the latest cutting edge example of that. It really was the thing that enabled success on this particular project.

According to Lewis, clients choose RTS for a number of reasons. RTS has been a world leader in the intercom business for many years. The combination of having the largest install base worldwide and being part of a large multinational company like Bosch is important for prestigious broadcast companies such as our long-term customer NBC, says Lewis, because companies of this size need to relay in a trustworthy technology partner for a long time period. Additionally, all our products are backward-compatible, which means that our users investment is protected as our latest developments can be implemented through updates.

New technologies such as OMNEO will have a vast effect on broadcasting, Jon Ridel predicts: It will mean more operators in remote areas can have intelligent communication via a keypanel because standard network devices and cabling can be used whereas in the past this may have been a problem due to running extra specialist cabling. OMNEO allows for a network connection to be provided to a remote area, and then subsequent keypanels can be daisy-chained from each other to provide up to a total of 20 in an area without the need for running 20 individual cables back to the matrix. The other network connections can be used to connect third party network devices such as laptops in remote areas to configure the system with the software, which previously would have been a challenge for our customers. The future looks bright with OMNEO, agrees Nico Lewis. With this new technology, RTS will win the hearts of the existing RTS users and the newcomers in this world because it is the future of digital intercom.

RTS was a key player during the Winter Games in Sochi: What was your involvement?

There were a number of facilities at the Winter Games that used RTS intercoms. These included the Arena Fischt where the opening and closing ceremonies of both the Olympic and Paralympics Games took place, the Iceberg, Adler and Ice Cube Arenas as well as two training centres.

Additionally, the International Broadcast Centre (IBC) in Sochi was managed by OBS, the Olympic Broadcasting Systems, who used a multi-frame with TBX redundant fibre connection and full RVON IP infrastructure. Other international companies and OB trucks were connected with the IBC through 4 wire. Additionally, NBC used the latest RTS RP1000 high-res display keypanels.

What was the configuration?

The systems were based on the RTS digital matrix technology and classic RTS keypanels. Depending on the distance between the users, we used embedded fibre technology to overcome long distances. The connection between the facilities and the IBC was based on 4 wire.

Was there a test phase?

The companies that did the installation always had to agree on a final end test before handing over the systems. Because the RTS intercom systems are easy to setup and control, we did not have to support the final test phase. It was setup, test and the system worked. That simple!

Did the systems have to be compatible with other systems? If so, how was this achieved?

We managed to integrate some systems intelligently with other third party systems, but the majority of the systems were using 4 wires to bring intercom in and out between individual broadcasters and the IBC.

What feedback did you receive?

We received many happy and positive reactions on Facebook and Twitter from operators and engineers on the spot. Additionally, we received great feedback from the IBC that these games were again a great success thanks to good and reliable intercom.

Tags: iss089 | RTS | Superbowl | Wimbledon | Sochi | broadcast communication | Nico Lewis
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Submitted by Duncan Payne Read this article in the tv-bay digital magazine
The dangers of live streaming without a license
Joseph Adamson The entertainment industry is visual and sound driven. Without these two elements there would be no such a thing as entertainment. Its obvious that there are people who create sound/s and visuals. Copyright laws were created to protect the industry and these artists. Many organisations have been created to look after musician, writers, poets and filmmakers. For example there are a number of bodies especially the MCPS [Mechanical-Copyright Protection Society], which is responsible for collecting royalties and licensing of music on behalf of musicians and music producers.
Tags: iss128 | ail | youtube | streaming | license | Joseph Adamson
Submitted by Joseph Adamson Read this article in the tv-bay digital magazine
When a lens is more than just a lens
KitPlus Matching shots between different cameras can be tricky at the best of times. But how do you match lens characteristics between a live action shoot and a CGI composition? The CP.3 XD lenses from Zeiss offer an efficient solution to this with their frame accurate meta-data.
Tags: iss128 | zeiss | lenses | lens | prime | cp.3 | cgi | vfx | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Growing a news agency from the inside out
Lorna Garrett Growing a new media outlet in todays highly competitive market requires taking a strong look at the new ways media is being consumed. Many of the most successful recent startups are community focused, often finding a niche market that wants to be engaged in a way they perceive themselves. Al-Araby TV is a London-based news and current affairs satellite channel that has set out to do just that for Arab citizens.
Tags: iss128 | gpl | garland | al-araby | teracue | x-player | amino | aminet | icue | Lorna Garrett
Submitted by Lorna Garrett Read this article in the tv-bay digital magazine
Marjan Television Network - a case study
Ian Muir Internet and Satellite content distribution now allows production companies and broadcasters to send targeted TV programmes and video to widely dispersed audiences all over world, whilst located where theres easy access to the technology, equipment and expertise to produce top quality programmes.
Tags: iss128 | ac ent | lighting | chroma-q | space force | fresnel | quasar | q-led | lumipix | stark400 | Ian Muir
Submitted by Ian Muir Read this article in the tv-bay digital magazine
The Transition to a full end to end IP video solution
Brian Olson Most video professionals will agree that the future is IP. The question is, when and how do they make this transition? With manufacturers just introducing new IP products, many people are observing and waiting. However, the reality is that the move to IP is already rapidly taking place and is more transformational than the move from analogue to digital, SD to HD, or HD to UHD/HDR. IP will change the way that people interact with video, making it more flexible, more accessible, more scalable and will provide more opportunities for content delivery
Tags: iss128 | newtek | ptz | ip | uhd | streamstar | xsplit | vmix | ndi | Brian Olson
Submitted by Brian Olson Read this article in the tv-bay digital magazine
Peace of mind in a complicated world
Alan Wheable For many in the broadcast industry these are challenging times. With competition coming from all angles and different technological camps advocating different approaches to infrastructure and the way forwards. With the number of different variables increasing, the choices of whether to use SDI or IP infrastructures, and the choices around HDR and WCG let alone the on-going distraction of UHD / 4K.
Tags: iss127 | omnitek | smpte 2110 | ip | ultra tq | 2022-6 | Alan Wheable
Submitted by Alan Wheable Read this article in the tv-bay digital magazine
Power linking just got better
Yasushi Wada Sometimes batteries can be interesting and this year with IDX is one of those years with not only improvements in the V-Lock range there are significant changes within the 7.2volt area. Firstly and for the very first time in Europe the updated Power Link battery system the IPL range will be shown on the IDX stand at IBC
Tags: iss127 | idx | battery | power | v-lock | vl-2000s | ipl-150 | ipl-95 | Yasushi Wada
Submitted by Yasushi Wada Read this article in the tv-bay digital magazine
Image processing with Ikegami
Michael Latzch What do you see as the trend thats most impacting the image-processing sector at this moment in time?
Tags: iss127 | ikegami | hdr | vr | 4k | ptz | Michael Latzch
Submitted by Michael Latzch Read this article in the tv-bay digital magazine
Cellular, Satellite or Fixed Link - how do you choose
Lorna Garrett Having a choice is a good thing. Take apples, for example. While one may look pretty much the same as the next, we know that the subtle differences between varieties can make a huge difference in how we choose to use them some are best for pies, some better for cider, and others just perfect for eating from the tree.
Tags: iss127 | liveu | garland | tranmission | uplink | cellular | Lorna Garrett
Submitted by Lorna Garrett Read this article in the tv-bay digital magazine
Multi-camera fly-away for live music production
Aaron Dunleavy A specialist in multi-camera concert films and music documentaries, Toward Infinity began working with Trickbox TV around 18 months ago. Run by Producer, Director and Editor Tim Sidwell and Producer and DP Jeremy Mason, Toward Infinity is a creative collaboration that works with top flight venues including: Royal Albert Hall, Wembley Arena, the O2 Arena, Shepherd's Bush Empire and the London Forum, with artists in all genres.
Tags: iss127 | trickbox | multicamera | flyaway | Aaron Dunleavy
Submitted by Aaron Dunleavy Read this article in the tv-bay digital magazine
Atomos Ninja Inferno REVIEWED
Daniel Peters Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear to fund his most recent short film Deserted in Paris, after he went over budget due to lost locations and actors pulling out.
Tags: iss127 | atomos | inferno | ninja | review | prores | dnxhr | gh5 | fs7 | lut | Daniel Peters
Submitted by Daniel Peters Read this article in the tv-bay digital magazine
Top Tips on becoming an IBC Jedi
Aaron Dunleavy IBC is upon us once more. The doors of the RAI will open for the European electronic media and entertainment industry to scrum together to gather inspiration, keep abreast of developments in tech, and generally take the temperature of the industry. 
Tags: iss127 | ibc | mtf | lenses | adapters | Aaron Dunleavy
Submitted by Aaron Dunleavy Read this article in the tv-bay digital magazine
5 reasons to use a soft box with LED lighting
James Mathers LEDs are a highly efficient light source, and putting aside any color spectrum issues, (that have generally been improving) they still have limitations for lighting people. The naked illumination coming off a single emitter, or an array making up a larger fixture, such as a panel, is just not the soft, beautiful glow that we seek for human subjects.
Tags: iss127 | led lighting | softbox | soft box | James Mathers
Submitted by James Mathers Read this article in the tv-bay digital magazine
TV Futures - Running around for clients
Joseph Long My second year at the University of Portsmouth seemingly began in a familiar fashion to the previous year. We sat in a large lecture theatre and listened intently to our course leader, who gave an outline as to what students on the BSc Television and Broadcasting course should be expect experience-wise from the up-and-coming year....
Tags: iss127 | ccitv | tvfutres | training | portsmouth | university | Joseph Long
Submitted by Joseph Long Read this article in the tv-bay digital magazine
50 years in and the show must go on
John Smith -new At IBC we always look forward to meeting old faces and new. For those more recently acquainted with the broadcast industry, you may not realise IBC was born half a century ago in London. In 1967 the show, held at the Royal Lancaster Hotel, attracted just 32 exhibitors and 500 delegates. However, its popularity grew and the exhibition quickly upgraded with a move to the Grosvenor House Hotel in London, followed by the Wembley Conference Centre, before moving to Brighton.
Tags: iss127 | medialinks | ibc | amsterdam | John Smith -new
Submitted by John Smith -new Read this article in the tv-bay digital magazine
Managing colour from aquisition to delivery
Ollie Kenchington

Start with calibration

The right colour management process can be the difference between being certain of what the end results are going to be, and having to spend time fixing things in post production.

Tags: iss127 | calibration | colour | x-rite | xrite | colorpassort | colorchecker | Ollie Kenchington
Submitted by Ollie Kenchington Read this article in the tv-bay digital magazine
A bluffers guide to image stabilisation
Mike Colyer One of the greatest challenges I face when designing a Special Camera system is how to minimise such vibrations, be they the very passive such as vibrations from a human wearing a camera system (10 20Hz), or more pronounced (try strapping a camera to a race car!).
Tags: iss127 | stabilisation | eis | ois | Mike Colyer
Submitted by Mike Colyer Read this article in the tv-bay digital magazine