Highlighting YouTube Space


Peter Daffarn TV-Bay Magazine
Read ezine online

Video, by definition, requires space and light.

However, the right space, with the right light, can make or break a production.

YouTube parent company Google's new London HQ in Pancras Square at King's Cross is certainly the right space. In fact, it's so right they've called it YouTube Space London, a 20,000 square-foot, state-of-the-art facility for collaboration, learning and production.

The facility includes three studios that YouTube partners from the YouTube creator community throughout London and Europe can now use to generate content. In fact, YouTube Space London is offering "Short Shoots", which are one-day productions available to any YouTube creator whose channel has more than 10,000 subscribers. A short shoot production gets free access to one of the studios.

YouTube Space London includes a 500 sq ft green screen stage, plus two larger studios measuring 800 and 1,200 sq ft respectively and include a mix of 90W, 180W, 270W and 360W versions of Photon Beard Highlight LED remote phosphor lights, which augment existing lighting already owned by YouTube Space London. The smaller, 90W versions are installed in the green screen space and 360W models in the large studios.

Apart from being state-of-the-art from top to bottom, what makes this installation so significant is that it marks the world's first application of the Highlight LEDs, which use a new, Photon Beard-designed approach to remote phosphor technology. LED remote phosphor technology is a good solution for producing light that is suitable quality for image capture, but there are some subtle differences between television and film lighting that other remote phosphor devices do not address. Most other devices produce a lot of light from a flat panel at the front of the fixture. This then outputs a beam angle as much as 160 degrees, which can easily oversaturate a space with light. In short, the light beam is too broad and casts far more light than you would wish for a studio-based, television in particular, productions, which tend to focus on one or two characters.

Remote phosphor technology has been around for a while, but what makes our Highlight LED approach different is that we've taken the best available remote phosphor technology and combined it with a unique way of altering the optics, which makes it a very punchy, full spectrum LED luminaire with excellent CRI and TLCI.

The Highlight LEDs relate directly to 2,4,6, and 8 tube fluorescents and all the advantages those offer, but with far more 'punch', and without the unnatural tones usually found with many LED fixtures.

YouTube Space London wanted, above all else, high quality lighting that was focused and consistent, both of which are particularly crucial aspects for studio productions. And because Highlight LEDs have no moving parts and are passively cooled, they cost far less to run which has the added benefit of lower operating costs and superior ease of use. For example, colour temperatures can be easily changed by simply swapping phosphor panels, which is quick and convenient.

Our sister company, Projects Department, also custom-designed and supplied the lighting suspension systems in Studios 1 and 2, which includes a motorised truss solution using an ATC truss and Doughty motor/gearbox hoists.

Studio 3 and the common spaces were equipped with a single level lighting grid with integrated power and DMX controls.

The lighting control is also custom-designed and includes a touch screen and wireless app solution designed by Eaton/Zero88 that uses SCD servers to interface with either a touch screen in the studio or, for larger control requirements, by either an FLX in the main control room or a floating FLX plugged in locally in the studio.

YouTube Space London is truly an amazing place and I can't wait to see what emerges from the studios in which we were so heavily involved.

At the very least, I have no doubt that whatever is created is going to look very good indeed.


Tags: iss118 | youtube space | lighting | photon beard | highlight led | remote phosphor technology | Peter Daffarn
Contributing Author Peter Daffarn

Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Area 48 Color and more from BBS Lighting at IBC 2018

    Area 48 Color and more from BBS Lighting at IBC 2018

  • BBS Lighting Force 7 at NAB 2018

    BBS Lighting Force 7 at NAB 2018

  • DOP Choice Lighting Bracket and Snapbox at IBC 2017

    DOP Choice Lighting Bracket and Snapbox at IBC 2017

  • Hive Lighting at IBC 2015

    Hive Lighting at IBC 2015

  • FilmGear LED lighting at IBC 2015

    FilmGear LED lighting at IBC 2015

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • LCA - Snapgrid lighting control - BVE 2015

    LCA - Snapgrid lighting control - BVE 2015

  • Hive Lighting Wasp Plasma Par at IBC 2014

    Hive Lighting Wasp Plasma Par at IBC 2014

  • Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

    Lighting cameraman Jonathan Harrison shows the Celeb and Tegra at IBC 2013

  • Photon Beard at IBC 2016

    Photon Beard at IBC 2016

  • Photon Beard Platinum Blonde at IBC 2014

    Photon Beard Platinum Blonde at IBC 2014

  • Photon Beard Photon Beam at IBC 2014

    Photon Beard Photon Beam at IBC 2014

  • Photon Beard on BroadcastShow LIVE at IBC 2013

    Photon Beard on BroadcastShow LIVE at IBC 2013

  • Photon Beard: Cyc Hood at NAB 2013

    Photon Beard: Cyc Hood at NAB 2013

  • Photon Beard: Space Light at NAB 2013

    Photon Beard: Space Light at NAB 2013

  • Photon Beard: Square One Light at NAB 2013

    Photon Beard: Square One Light at NAB 2013

  • Photon Beard at IBC2011

    Photon Beard at IBC2011

  • Projects Department on BroadcastShow LIVE at IBC

    Projects Department on BroadcastShow LIVE at IBC

  • Dedolight Felloni Turbo and Felloni 3 shown at BVE 2018

    Dedolight Felloni Turbo and Felloni 3 shown at BVE 2018

  • Rotolight Anova Pro 2 shown at BVE 2018

    Rotolight Anova Pro 2 shown at BVE 2018

  • KitPlus filming rig used at NAB 2017

    KitPlus filming rig used at NAB 2017

  • Cirrolite and Kino Flo at BVE 2017

    Cirrolite and Kino Flo at BVE 2017

  • Cineo HS2 at IBC 2015

    Cineo HS2 at IBC 2015

  • LiteGear at IBC 2015

    LiteGear at IBC 2015

  • LiteGear LED LiteMat at IBC 2015

    LiteGear LED LiteMat at IBC 2015

  • Cineo Matchbox at IBC 2015

    Cineo Matchbox at IBC 2015

  • Litepanels at BVE 2015

    Litepanels at BVE 2015

  • LCA - LITEGEAR at BVE 2015

    LCA - LITEGEAR at BVE 2015

  • Rosco at BVE 2015

    Rosco at BVE 2015

  • Zylight Fresnel updates at IBC 2014

    Zylight Fresnel updates at IBC 2014

  • Zylight LED Fresnel at IBC 2013

    Zylight LED Fresnel at IBC 2013

  • Ianiro on BroadcastShow Tour May 2013

    Ianiro on BroadcastShow Tour May 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Jonathan Harrison at BVE North 2012

    Jonathan Harrison at BVE North 2012

  • Rotolight at NAB 2012

    Rotolight at NAB 2012

  • Litepanels at NAB 2012

    Litepanels at NAB 2012

  • Rotolight and TNP at BVE 2012

    Rotolight and TNP at BVE 2012

  • Datavision at BVE 2012

    Datavision at BVE 2012

  • Litepanels at BVE 2012

    Litepanels at BVE 2012

  • Rotolight at ProVideo2011

    Rotolight at ProVideo2011

  • Flaghead Photographic at ProVideo2011

    Flaghead Photographic at ProVideo2011

  • Jonathan Harrison at BVE North 2011

    Jonathan Harrison at BVE North 2011

  • Cirrolite at BVE North 2011

    Cirrolite at BVE North 2011

  • Litepanels at IBC2011

    Litepanels at IBC2011

  • PAG at IBC2011

    PAG at IBC2011

  • Gekko at IBC2011

    Gekko at IBC2011

  • IDX at IBC2011

    IDX at IBC2011

  • Full Spectrum Remote Phosphor Lights from Photon Beard at NAB 2018

    Full Spectrum Remote Phosphor Lights from Photon Beard at NAB 2018

  • Photon Beard at IBC 2015

    Photon Beard at IBC 2015

  • PhotonBeard - HMI Blonde - at BVE 2015

    PhotonBeard - HMI Blonde - at BVE 2015

  • PhotonBeard - LED Redhead - at BVE 2015

    PhotonBeard - LED Redhead - at BVE 2015


Related Shows
  • LED Lighting with Den Lennie at BVE

    LED Lighting with Den Lennie at BVE


Articles
What is next in OTT
Mary Kay Evans In the past year alone, we’ve seen a substantial increase in the amount of OTT content that’s being streamed. In the first quarter of 2018, there’s been a 114 percent year-over-year growth in streaming video hours, and those numbers are only expected to rise. With OTT revenue predicted to reach $16.6B in 2018, a 40% gain over last year, there’s no question that OTT is booming, and that there’s never been a more critical time to pay attention to the space.
Tags: iss133 | ott | verizon | cisco | Mary Kay Evans
Contributing Author Mary Kay Evans Click to read or download PDF
Peli Air 1507 Review
Phil Vinter Originally named after a bird that carries its precious cargo through the skies, it was, perhaps, only a matter of time before Peli released its Air range.
Tags: iss133 | peli | peli air 1507 | trekpak | Phil Vinter
Contributing Author Phil Vinter Click to read or download PDF
Ride along on the Tour de Tech at IBC
Lorna Garrett Finding your way through the halls and aisles of the massive IBC can feel a bit like attempting to complete all 21 stages of the Tour de France — but in far fewer days. But have no fear; your team at Garland is all geared up and ready to show you the best on show at this year's exhibition.
Tags: iss133 | garland | liveu | lu600 | media excel | teracue | wisi | broadcast wireless systems | bws | artel | ibc | Lorna Garrett
Contributing Author Lorna Garrett Click to read or download PDF
How todays technology platforms can make AMAZING seem mundane
Bruce Devlin - new Some things never change. It's September and it's time for another IBC. Maybe I'm getting old and maybe I have selective memory about the past, but recently there hasn't been the buzz of years gone by. Sure, as you wander around the vast halls there will be lots of enthusiastic sales people trying to give you the best demo possible, but something has changed and to survive, I believe that vendors and customers need to change too.
Tags: iss133 | ibc | class | vulture | imf user group | Bruce Devlin - new
Contributing Author Bruce Devlin - new Click to read or download PDF
Smashing the WTA Tour
Danny Ridler The Women’s Tennis Association (WTA) is the global leader in women’s professional sport with more than 2500 players representing nearly 100 nations competing for a record $146 million in prize money. The 2018 WTA competitive season includes 54 events and four Grand Slams in 30 countries. In 2017, the WTA was watched around the world by a total TV audience of 500 million – with host broadcast services provided by NEP UK.
Tags: iss133 | tennis | wta | nep | outside broadcast | ob | Danny Ridler
Contributing Author Danny Ridler Click to read or download PDF