How the cloud is changing the post production landscape


Stephen Streater TV-Bay Magazine
Read ezine online
by Stephen Streater
Issue 85 - January 2014
 
 
For many years, the pace of change in mass market IT has dwarfed that of broadcast technology. For example, consumer cameraphone resolution has increased over the last ten years by 30,000%. In comparison, broadcast resolution hasn't changed significantly. The development costs of consumer cameras are amortised over 1,000,000,000 units - there is no way the broadcast industry can compete on the pace of progress.

The needs for cameras from consumers and broadcast are not aligned, so production cannot benefit directly from this mass market.

But in post production, large parts of the IT infrastructure are exactly those which benefit from the latest revolution in mass market IT. Computer processing power, storage and internet access, all fuelled by mass market consumer demand, are exactly the features offered by the cloud.

As new technology enables more and more of the broadcast workflow to move into the cloud, little more than a modest computer and an Internet connection is needed to be able to create in the cloud. Processor speed, file size, and security are no longer issues. Now, instead of transitioning to newer and newer generations of broadcast hardware, were moving from one IT solution to another.

Nowhere is this notion more apparent than in post-production. Every calculation or data fetch in post-production that is currently carried out on a local PC could be carried out in the cloud.

What Makes the Cloud Suited for Post-Production?


Just as electricity is provided more economically by large-scale suppliers, processing and storage requirements can often be met more economically by cloud services. And just as electricity comes to us directly via connection to a power grid, data comes directly to a computer via connection to the Internet. In addition, cloud services from different providers interact through automated interfaces, providing a highly flexible way of using different suppliers throughout the workflow. However, when it comes to video post-production, not just any cloud service will do. Generic cloud-computing providers, such as Amazon Web Services, are built for IT and consumer data rather than the voluminous data and performance requirements associated with broadcast video. The requirements for editing video are onerous, with large amounts of data needing real-time response. Rendering effects and transitions in a generic cloud environment are expensive, and the unresponsiveness would be frustrating for users accustomed to desktop solutions. Building a broadcast post-production operation on a generic cloud infrastructure is expensive and doesn't meet broadcast reliability requirements.

Dedicated platforms optimised for broadcast applications not only offer lower cost and responsive performance, but also control of where data is stored for legal and regulatory reasons. A cloud service lives or dies by its service quality. Over time, competition will fix reliability.
 
 
 
Capacity and Efficiency

The capacity of the Internet and cloud services is essentially unlimited, with supply expanding to meet demand. Storage and Internet speed nearly double every year, and new solutions from the world of mobile are improving power consumption within the cloud.

I have always found that the greatest efficiencies come from using client computers to undertake as much of the workload as possible. Though it might sound odd for a cloud solution, such a scenario provides immediate scalability, reduces latency to negligible levels, and significantly cuts costs. In fact, combining client processing with a dedicated cloud model allows us to give our FORscene clients unrivalled value for money.

Better Picture Quality

The cloud is currently well-suited to the post-production tradition of working with proxies, a method that for the foreseeable future will be more efficient than working with high-resolution sources. These proxies will continue to improve in quality and resolution, with, for example, higher resolutions for fine-cut editing than for logging.

I already make home videos in 4K in the cloud. Over time, connection speed has doubled every year, and storage costs have halved. As these factors continue to improve, the cloud will look more and more attractive as an alternative in a wide range of post-production workflows.

FORscene has supported SD proxies for six years (though productions tend to use lower resolution to save cost). Conforming from original HD sources ensures minimal generation loss on the final output.

Limitless Features

A decade ago, technical limitations such as computer speed, bandwidth, and storage constrained viable cloud-based post-production functionality. Since then, computers have become 20 times faster, Internet connections 1,000 times faster, and disk storage 1,000 times larger, thereby eliminating technical constraints on features and functionality.

Technology has made it easy to do post-production in the cloud. Now the focus is on improving and perfecting reliability, responsiveness, interface design, price, and integration.

Security

Data security is an issue with any IT-based system. The risks of losing data can be mitigated by keeping multiple copies of data in multiple sites something that is much easier for a cloud provider to do well than for an individual broadcaster.
 
 
 
Workflows and Adoption

Workflow changes take people out of their comfort zones and therefore happen much more slowly than changes to the underlying technology. When FORscene launched a decade ago, people were understandably cautious. However, now people use the cloud in their everyday lives, they are more open to adopting it professionally. An increasingly technology-literate young workforce already fluent with cloud technologies in their personal lives will accelerate cloud acceptance and adoption.

Beyond Post-Production

The future of cloud-based broadcast infrastructures goes well beyond editing. Maintaining different silos of equipment for different stages of post-production becomes less important as the cloud offer extends. Already, the cloud offers ingest, graphics creation, post-production, publishing, hosting, search, distribution, and advertising.

Producers of genres such as near-live sports for Internet and mobile distribution can already do all their post-production in the cloud. Dedicated cloud post-production platforms such as FORscene can take in multiple live HD video feeds (at one point during testing for the Summer Games, there were 200!), incorporate graphics from various cloud creation systems, perform all the editing and finishing, conform at full resolution, and hand over to another cloud solution for volume distribution. Clients can (and do) mix and match. In fact, Microsoft Azure is designed for just such a scenario.

Conclusion

The relentless advances in technology are transforming post-production. Traditional desktop IT solutions are being replaced with more cost-efficient and productive cloud-based solutions. This technology change is transforming the distribution and consumption end of the business as well. Suppliers of traditional post tools would do well to embrace the unending power of the cloud.
 

 


Tags: iss085 | forbidden technologies | forbidden | cloud | editing | storage | post production | changes | new | software | forscene | Stephen Streater
Submitted by Stephen Streater Read this article in the tv-bay digital magazine
Article Copyright tv-bay limited. All trademarks recognised.
Reproduction of the content strictly prohibited without written consent.

Related Interviews
  • Prime Focus Technologies at IBC 2016

    Prime Focus Technologies at IBC 2016

  • Prime Focus Technologies at NAB 2016

    Prime Focus Technologies at NAB 2016

  • Forscene at NAB 2016

    Forscene at NAB 2016

  • Elemental Technologies cloud innovations at NAB 2016

    Elemental Technologies cloud innovations at NAB 2016

  • Storage DNA at BVE 2016

    Storage DNA at BVE 2016

  • SGL Broadcast at IBC 2015

    SGL Broadcast at IBC 2015

  • Playbox at IBC 2015

    Playbox at IBC 2015

  • FORSCENE Cloud Editing at NAB 2015

    FORSCENE Cloud Editing at NAB 2015

  • ERA - Cloud Services - at BVE 2015

    ERA - Cloud Services - at BVE 2015

  • Tiger Technology at BVE 2015

    Tiger Technology at BVE 2015

  • ERA - Adobe Anywhere - at BVE 2015

    ERA - Adobe Anywhere - at BVE 2015

  • Grass Valley at BVE 2015

    Grass Valley at BVE 2015

  • NETIA at BVE 2015

    NETIA at BVE 2015

  • Forscene at IBC 2014

    Forscene at IBC 2014

  • Thomson Video Networks at IBC 2014

    Thomson Video Networks at IBC 2014

  • Comigo at IBC 2014

    Comigo at IBC 2014

  • Fibrenetix with StorageDNA at IBC 2014

    Fibrenetix with StorageDNA at IBC 2014

  • Quantel LiveTouch at IBC 2014

    Quantel LiveTouch at IBC 2014

  • Quantel deal with AFP at IBC 2014

    Quantel deal with AFP at IBC 2014

  • Snell Kahuna Production Switcher at IBC 2014

    Snell Kahuna Production Switcher at IBC 2014

  • Fibrenetix with Quadrus at IBC 2014

    Fibrenetix with Quadrus at IBC 2014

  • ChyronHego Metacast at IBC 2014

    ChyronHego Metacast at IBC 2014

  • Editors Keys at NAB 2014

    Editors Keys at NAB 2014

  • Elemental Technologies Software-Defined Video at NAB 2014

    Elemental Technologies Software-Defined Video at NAB 2014

  • Elemental Technologies HEVC solutions at NAB 2014

    Elemental Technologies HEVC solutions at NAB 2014

  • Elemental Technologies Multiscreen Solutions at NAB 2014

    Elemental Technologies Multiscreen Solutions at NAB 2014

  • Facilis at NAB 2014

    Facilis at NAB 2014

  • GB Labs Space at NAB 2014

    GB Labs Space at NAB 2014

  • ERA at BVE 2014

    ERA at BVE 2014

  • ERA Avere at BVE 2014

    ERA Avere at BVE 2014

  • Forbidden Technologies FORscene at BVE 2014

    Forbidden Technologies FORscene at BVE 2014

  • Forbidden Technologies FORscene App at BVE 2014

    Forbidden Technologies FORscene App at BVE 2014

  • Haivision on BroadcastShow LIVE at IBC 2013

    Haivision on BroadcastShow LIVE at IBC 2013

  • Front Porch Digital on BroadcastShow LIVE at IBC 2013

    Front Porch Digital on BroadcastShow LIVE at IBC 2013

  • Sonnet Technologies on BroadcastShow LIVE at IBC 2013

    Sonnet Technologies on BroadcastShow LIVE at IBC 2013

  • EditShare on BroadcastShow LIVE at IBC 2013

    EditShare on BroadcastShow LIVE at IBC 2013

  • Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

    Harmonics Tom Lattie on BroadcastShow LIVE at IBC 2013

  • Forbidden Technologies on BroadcastShow LIVE at IBC 2013

    Forbidden Technologies on BroadcastShow LIVE at IBC 2013

  • Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

    Cambridge Imaging Systems on BroadcastShow LIVE at IBC 2013

  • Digital Vision on BroadcastShow LIVE at IBC 2013

    Digital Vision on BroadcastShow LIVE at IBC 2013

  • Aframe Cloud Video at IBC 2013

    Aframe Cloud Video at IBC 2013

  • Tony Taylor from TMD talks about LTFS at IBC 2013

    Tony Taylor from TMD talks about LTFS at IBC 2013

  • Tony Taylor from TMD talks about Mediaflex CI

    Tony Taylor from TMD talks about Mediaflex CI

  • Tony Taylor from TMD talks about Post Production

    Tony Taylor from TMD talks about Post Production

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • Facilis at IBC 2013

    Facilis at IBC 2013

  • Global Distribution with mLogic at IBC 2013

    Global Distribution with mLogic at IBC 2013

  • Lightworks on BroadcastShow Tour May 2013

    Lightworks on BroadcastShow Tour May 2013

  • Scott Hill uses EditShare: Lightworks at NAB 2013

    Scott Hill uses EditShare: Lightworks at NAB 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Dalet at NAB 2013

    Dalet at NAB 2013

  • Haivision: Video Cloud at NAB 2013

    Haivision: Video Cloud at NAB 2013

  • Facilis at NAB 2013

    Facilis at NAB 2013

  • SGL at NAB 2013

    SGL at NAB 2013

  • Tedial at NAB 2013

    Tedial at NAB 2013

  • Object Matrix at BVE 2013

    Object Matrix at BVE 2013

  • Facilis Technology at BVE 2013

    Facilis Technology at BVE 2013

  • AJA at BVE 2013

    AJA at BVE 2013

  • Autodesk at NAB 2012

    Autodesk at NAB 2012

  • Editshare at NAB 2012

    Editshare at NAB 2012

  • Haivision at NAB 2012

    Haivision at NAB 2012

  • Chyron at NAB 2012

    Chyron at NAB 2012

  • Nexsan at NAB 2012

    Nexsan at NAB 2012

  • Arkivum at BVE 2012

    Arkivum at BVE 2012

  • Facilis at BVE 2012

    Facilis at BVE 2012

  • TSL at BVE 2012

    TSL at BVE 2012

  • Real Life Kit at ProVideo2011

    Real Life Kit at ProVideo2011

  • Avid at BVE North 2011

    Avid at BVE North 2011

  • Suitcase TV at IBC2011

    Suitcase TV at IBC2011

  • Sonnet Technology at IBC2011

    Sonnet Technology at IBC2011

  • SGO at IBC2011

    SGO at IBC2011

  • ATTO Technology at IBC2011

    ATTO Technology at IBC2011


Related Shows
  • StorageDNA LIVE at BVE 2016

    StorageDNA LIVE at BVE 2016


Articles
Who really benefits from the Cloud?
Jayson Tomlin - new The transition to "the cloud" in our industry has been challenging. Why is it so important to have cloud technologies? What do customers really expect? The term "cloud" has been used to such an extent that it has diminished the real and actual importance of what's really going on - off-premise compute power.
Tags: iss123 | cloud | daw | tv solutions group | off premise | dolby | audio | Jayson Tomlin - new
Submitted by Jayson Tomlin - new Read this article in the tv-bay digital magazine
Swimrun World Championships - LiveU report
Kim Svensson - new Through the open waters and across the islands of the Swedish wilderness, battling the elements in the OTILLO Swimrun World Championship isn't for the faint-hearted. The total distance is 75 kilometres, of which 10 km are open-water swimming and 65 km are trail-running, presenting a huge physical - and doubtless mental - challenge. Taking place in early September, competitors battle along remote islands that form the archipelago to the south east of Stockholm.
Tags: iss123 | liveu | swimrun | blackmagic atem | tvone scaler | Kim Svensson - new
Submitted by Kim Svensson - new Read this article in the tv-bay digital magazine
More than just selling cable
Chris Smeeton - new Choices facing technology decision-makers are becoming increasingly complex due to rapid changes in the industry like broadcast and IP technology convergence, multiplatform demands, and the rise of 4K and 8K. It is now a constant challenge to balance the need to maintain already-installed equipment and fulfil the desire to provide the highest resolution picture and sound.
Tags: iss123 | argosy | cable | infrastructure | hd-sdi | 4k | coaxial | Chris Smeeton - new
Submitted by Chris Smeeton - new Read this article in the tv-bay digital magazine
A Software Based Approach to Video Monitoring
Anupama Anantharaman - new Real-time content monitoring is a mission-critical operation for broadcasters, telecom, and satellite operators. Traditionally, service providers have used monitoring systems based on specialized hardware with a dedicated, fixed interface designed to monitor a specific number of video feeds. Yet, bespoke hardware solutions require a substantial amount of manpower, have a higher cost of ownership than software, and are inflexible.
Tags: iss123 | monitoring | virtualization | interra | orion | Anupama Anantharaman - new
Submitted by Anupama Anantharaman - new Read this article in the tv-bay digital magazine
New workflows floating on the horizon
Lee Sheppard - new The way in which we consume content has fundamentally changed. We want to watch what we want, when we want, where we want and how we want, and we want to find programmes quickly, preferably in HD or increasingly UHD. Content is king and in order to satisfy consumer requirements it is essential media companies can locate their material quickly and easily.
Tags: iss123 | mam | pam | sgl | Avid | Grass Valley | Marquis | SAM | VSN | CatDV | Lee Sheppard - new
Submitted by Lee Sheppard - new Read this article in the tv-bay digital magazine
Being a Content Creator
Josh Round When I began the Television and Broadcasting course at the University of Portsmouth, I had my mind dead-set on what I wanted to do in the world of television. More than anything, I wanted to work for Children's BBC, ideally as a presenter, and as I come towards the end of my second year, I am still very much in pursuit of this dream.
Tags: iss123 | citv | portsmouth uni | student | Josh Round
Submitted by Josh Round Read this article in the tv-bay digital magazine
Streaming and the need for continued innovation
Jon Schorah - new In a fast-changing world, audio producers need to adapt quickly in order to keep up. Media consumption is changing - fast. Almost without anyone noticing, we have passed the tipping point. Only a few years ago we were discussing streaming as an emerging technology; yet now, according to a recent Deloitte survey, streaming has overtaken live TV as the preferred viewing method in the U.S. YouTube viewing figures continue to surge.
Tags: iss123 | nugen | audio | streaming | youtube | Jon Schorah - new
Submitted by Jon Schorah - new Read this article in the tv-bay digital magazine
Driving the Bandwidth Conundrum
Dick Hobbs - new At the time of writing, there is a story on the IBC website with the headline "In five years the problem won't be bandwidth, but knowing what to do with it". That seemed to me to be an interesting assertion, so I read on.
Tags: iss123 | dick hobbs | bandwidth | ibc | ngmn | Dick Hobbs - new
Submitted by Dick Hobbs - new Read this article in the tv-bay digital magazine
Does the cloud have substance?
Ciaran Doran - new Just at the moment, every customer we talk to wants to move to the cloud. It is not just a techno-buzzword: people are really attracted by it. The idea of getting rid of all hardware and letting someone else worry about keeping machine rooms alive seems like a good plan.
Tags: iss123 | pixel power | cloud | aims | virtualization | Ciaran Doran - new
Submitted by Ciaran Doran - new Read this article in the tv-bay digital magazine
OBs are still outside and so are broadcasts
Mike Ransome - new With the advent of new and emerging technologies, and with the one getting the most oxygen at the moment being video over IP, a number of people are asking whether the ability to move control rather further way from an event has, or will, change the nature of OB production.
Tags: iss123 | remote production | ob truck | presteigne | ip | Mike Ransome - new
Submitted by Mike Ransome - new Read this article in the tv-bay digital magazine
Live Remote Production Over IP
John Smith -new As broadcasters migrate to a more ubiquitous IP transport and switching network infrastructure, a key benefit is that the variable expenditures of remote on-site live productions can be dramatically reduced, as it is no longer necessary to carry the high field costs associated with these activities.
Tags: iss123 | medialinks | ip | remote production | John Smith -new
Submitted by John Smith -new Read this article in the tv-bay digital magazine
5G Streaming - The Rollout
Steve Plunkett - new 5G will bring significant improvements in bandwidth per device, capacity per network and reduced latency per session. These are all very important features for video both today and going forward. The growth of new formats such as UHD, AR, VR and 360 video place much greater demand on the networks that serve consumer devices, so 5G will be essential to accommodate this demand.
Tags: iss123 | vod | 5g | ott | ericsson | virtual reality | vr | 360 | Steve Plunkett - new
Submitted by Steve Plunkett - new Read this article in the tv-bay digital magazine
Pushing the Boundaries for OTT
Yaniv Ben-Soussan -new OTT video consumption is gaining traction in Western Europe, with 55 percent of UK broadband households and 51 percent of homes in France watching TV programming and movies online, according to Parks Associates. OTT subscriptions are especially popular with today's Millennial population, as Parks Associates found that 23 percent of Millennial heads of household in the U.S. are OTT-only households.
Tags: iss123 | ott | cloud | harmonic | pure compression engine | Yaniv Ben-Soussan -new
Submitted by Yaniv Ben-Soussan -new Read this article in the tv-bay digital magazine
What is the future of video contribution?
Mark Andrews - new Live Streaming is a generic term and can apply to any part of the process from capture on the camera where video is immediately streamed, to the process of playout on any device. Playout is a huge subject in itself. However "video contribution" is considered the terminology used to capture at the camera end, and to deliver live video from the camera to where ever it needs to go.
Tags: iss123 | soliton systems | streaming | hevc | telecaster | 3g | 4g | h.265 | lte network | Mark Andrews - new
Submitted by Mark Andrews - new Read this article in the tv-bay digital magazine
Mr Cloud, as much about cashflow balance as technology
Bruce Devlin - new It was an ordinary Tuesday, the last day of February 2017. It was getting late in the day and I was online doing my monthly management accounts and was just finishing the data entry for a very long Invoice when refreshing the expenses Tab on my browser showed this delightful picture.
Tags: iss123 | cloud | mrmxf | aws | amazon web services | Bruce Devlin - new
Submitted by Bruce Devlin - new Read this article in the tv-bay digital magazine
What Virtual Dreams Are Made Of
Mike Jacobs - new As you might expect, virtualisation is now a very common topic in terms of the questions we get from customers and partners and it also appears in almost all RFPs that we take part in.
Tags: iss123 | cinegy | nvidia | ip-based broadcast | cloud | Mike Jacobs - new
Submitted by Mike Jacobs - new Read this article in the tv-bay digital magazine
Sennheiser Digital 6000 review
KitPlus Originally founded in 1945 from a university research lab Sennheiser is of course a globally respected brand and have recently launched the Digital 6000 series as an addition to its pro wireless range. KitPlus were invited to a take a look together with a live music event featuring the system in Hannover last month.
Tags: iss123 | sennheiser | d6000 | microphone | d9000 | digital 6000 | em6000 | dante | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
DaVinci Resolve Mini Panel from Blackmagic Design - Reviewed
Rebecca Goodeve - new Blackmagic's new, more affordable control surface for professionals is probably the most perfect panel I've ever used......
Tags: iss123 | blackmagic design | minipanel | davinci | grading | Rebecca Goodeve - new
Submitted by Rebecca Goodeve - new Read this article in the tv-bay digital magazine
The Transistion in Audio Monitoring
Shane Toven As signal chains have become increasingly complex, the challenges involved in managing and monitoring these paths have multiplied exponentially. Over the past few decades, we've migrated from handling a single channel of content using composite video and analog audio pairs, to elaborate multi-channel facilities routing HD video with embedded audio over SDI or in many cases discrete AES pairs. These audio signals are often a mix of 5.1 and stereo programs and in many cases encoded to or decoded from Dolby at some point in the chain.
Tags: iss122 | aes | ebu r128 | atsc a85 | aes67 | Shane Toven
Submitted by Shane Toven Read this article in the tv-bay digital magazine
The Benefits of LED Lighting in Broadcast
Rod Aaron Gammons The humble LED studio light has come a long way since its introduction. In the early days adoption was low, while scepticism that the quality and functionality of LEDs could rival traditional tungsten lighting was high. There has been a period of adjustment, challenges (particularly around light quality and manufacturing) overcome and the broadcast, media and entertainment industry has gradually grown more accepting of the technology and its benefits.
Tags: iss122 | rotolight | led lighting | celbro studio | bbc | mtv | trt | anova pro | Rod Aaron Gammons
Submitted by Rod Aaron Gammons Read this article in the tv-bay digital magazine
What are the challenges of AoIP
Craig Newbury At the setup of a recent Outside Broadcast (OB), I was privy to an attempt to pass a signal across two independent Audio over IP (AoIP) enabled trucks. In an SDI world, this bridge would have been as simple as coupling two BNC cables together, but here the engineers quipped about the additional and sometimes challenging processes of connecting one truck's IP router to the other's. What range, what subnet, what protocol? And so, I was introduced first-hand to some of the practicalities of transitioning from SDI to AoIP within a live production environment.
Tags: iss122 | aoip | madi | wohler | Craig Newbury
Submitted by Craig Newbury Read this article in the tv-bay digital magazine
Libec TH-X Tripod review
Nick Robbins It is worth highlighting that I am primarily an Editor. Like many of us, over the years I have regularly been involved in the entire creative process in some capacity but increasingly I am asked to go out and film the simpler corporate jobs such as exhibition stands or a 'piece to camera' for YouTube, Vimeo etc. and embedded into the customer's web site. These tend to be the jobs which wouldn't happen at all if the client had to pay for the whole package; camera, sound, director, kit hire, etc.
Tags: iss122 | libec | th-x | tripod | Nick Robbins
Submitted by Nick Robbins Read this article in the tv-bay digital magazine
The Future of Bournemouth Air Festival
Georgia Tolley For the past two years I have had the opportunity to present live at the Bournemouth Air Festival (BAF), which, as a Television & Broadcasting student from the University of Portsmouth, was a fantastic way to see first-hand how an outside broadcast works...whilst getting paid!
Tags: iss122 | portsmouth uni | citv | baf | bournemouth air festival | Georgia Tolley
Submitted by Georgia Tolley Read this article in the tv-bay digital magazine
A transformation in aquisition technology
Malcolm Harland KitPlus spoke with Malcolm Harland of Garland Partners to find out how the requirements and capabilities of acquisition technologies have changed since the early 2000s and what the state of play now is.
Tags: iss122 | garland partners | liveu | lu600 | h.265 | hevc | Malcolm Harland
Submitted by Malcolm Harland Read this article in the tv-bay digital magazine
Not all power is created equal
Jose Flores Battery companies are quickly coming to realize that as new technologies continue to emerge, power solutions cannot be a one-size-fits-all commodity. There is no single battery for every situation, but instead a myriad of choices to accommodate even the most complex requirements. Below are five common videographer or photographer scenarios with the corresponding power option that will best fit the situations' needs
Tags: iss122 | power | battery | core | swx | Jose Flores
Submitted by Jose Flores Read this article in the tv-bay digital magazine
Libec HFMP out of the box review
KitPlus Just before we all broke up for Christmas we took delivery of a new 'thing' at KitPlus HQ. Our first reaction was surprise and a little curious as to how it was going to make itself useful. What's the point?
Tags: iss122 | libec | hfmp | monopod | idx | hands free monopod | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
Dick Hobbs is counting heads
Dick Hobbs. Now I am absolutely not going to get into politics in this column. But as I wrote last month, I am a bit concerned about truth and honesty. As I am sure we all are.
Tags: iss122 | dick hobbs | cnet | neilsen | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
The now and how of LED Lighting
Tama Berkeljon LED lighting has come a long way from the days when companies like Outsight were ridiculed by major manufacturers at trade shows because, the manufacturers asserted, technology couldn't be entrusted with the requirements of our industry.
Tags: iss122 | led lighting | outsite | cri | tlci | dmx control | Tama Berkeljon
Submitted by Tama Berkeljon Read this article in the tv-bay digital magazine
Consumer of the shelf technology is coming
Bruce Devlin I had the privilege last week of sitting in a strategy session of the Digital Production Partnership where we were concerned with predicting the future. As Niels Bohr once famously said, "Predictions are really hard - especially when predicting the future". One of the attendees made a comment about camera technology and I instantly thought about the latest greatest and most expensive High Dynamic Range, Wide Colour Gamut, Low Noise, High Sensitivity wonder-device that are being talked about at the technological bleeding edge of the industry.
Tags: iss122 | gopro | cots | class | mrmtf | dpp | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Polecam user review
Phil Vinter When it comes to filming from above, drones have dominated in recent years. But restrictions on where and when they can be used means there is still a demand for traditional style jibs.
Tags: iss122 | polecam | review | Phil Vinter
Submitted by Phil Vinter Read this article in the tv-bay digital magazine
How to illuminate a better shot
Chuck Edwards LED (Light Emitting Diode) technology built for the general lighting market is designed to meet very different criteria than the critical lighting requirements for image capture. While LEDs may be a suitable lighting option for some photography and videography, critical applications, such as feature film, production requires users to understand the limitations, capabilities and advantages of the many types of LED technologies and fixtures available on the market today.
Tags: iss122 | led | lighting | cct | rpt | remote phosor technology | Chuck Edwards
Submitted by Chuck Edwards Read this article in the tv-bay digital magazine
Grading Quantum Break
Juan Ignacio Developed by Remedy Entertainment, published by Microsoft Studios and produced by Lifeboat Productions, the sci-fi game Quantum Break is an interactive and integrated live-action TV show that features actual characters chosen by the players game choices.
Tags: iss121 | grading | quantum vbreak | remedy entertainment | vfx | mistika | Juan Ignacio
Submitted by Juan Ignacio Read this article in the tv-bay digital magazine
Challenges for MAM with varying production types
Jonathan Aroesty Many media asset management platforms are designed to handle the immense number of assets needed for today's fast-moving, content-heavy productions. Since every production is unique, each has its own set of asset management requirements and workflow needs. While the unique workflows vary, a common necessity for an easy-to-use interface with the ability to efficiently organize and manage large amounts of content is required, regardless of the type of production you are working on.
Tags: iss121 | pronology | mam | media asset management | Jonathan Aroesty
Submitted by Jonathan Aroesty Read this article in the tv-bay digital magazine
Small post houses delivering a big service
Jack Wenzinger In today's fast-paced world of video production, the importance of a well-organized, responsive media asset management system cannot be overstated. After all, time is money, and the more quickly people can find and retrieve the exact content they need, the more quickly they can complete their video projects ¦ and capitalize on the content.
Tags: iss121 | wazee | post | mam | Jack Wenzinger
Submitted by Jack Wenzinger Read this article in the tv-bay digital magazine
The future of post production
KitPlus

Love it or hate it, 2016 will certainly be a year to remember, for many reasons.

In the world of post-production, we've seen high dynamic range become incorporated into UK studio pipelines for the very first time. We watched Ang Lee demonstrate exactly what you can do by shooting at 120 frames per second in combination with stereo 3D. We've even become stunned spectators as film steadily makes a comeback as a creative medium, and VR goes from tinkerer specific to becoming a fully-fledged consumer technology to buy.

Tags: iss121 | blackmagic design | post production | hdr | rec 709 | rip hamton oneil | simon westland | KitPlus
Submitted by KitPlus Read this article in the tv-bay digital magazine
MAM needs to adapt or die
Tim Child The media landscape has shifted dramatically over recent years. Content providers are under increasing pressure to deliver compelling content to multiple platforms. Also, the production and distribution of video is no longer limited to traditional broadcasters, which face rising competition from a range of media providers. We are also seeing a massive increase in video being produced to broadcast quality by companies using it for other purposes, such as marketing, site surveys, internal communications, and a whole host of other applications.
Tags: iss121 | mam | cantemo | hybrid cloud | virtual reality | Tim Child
Submitted by Tim Child Read this article in the tv-bay digital magazine
The secret to global Gogglebox success
Chris Cooper People all over the world love watching other people watch TV. What many of us thought was a ridiculous notion when Gogglebox first aired in the UK in 2013, has since become a worldwide phenomenon. 'Gogglebox is held up by the global industry and broadcast community as an example of excellence in audience engagement and production innovation, and is being produced in local versions around the world.
Tags: iss121 | forscene | gogglebox | ch4 | kite entertainment | marjan tv | studio lambert | Chris Cooper
Submitted by Chris Cooper Read this article in the tv-bay digital magazine
Smarter Branding
James Gilbert The past decade of multi-channel digital broadcasting has created a paradox. The addition of OTT, VoD and other online services only serves to add to it.
Tags: iss121 | branding | graphics | pixel power | James Gilbert
Submitted by James Gilbert Read this article in the tv-bay digital magazine
5 top tips to getting the grade you want
Tom Russell Generally speaking, a grade session can be broken down into two distinct parts - managing the people involved and managing the grade itself. As colourists, we know that unless both of these criteria are satisfied, it is likely that the client will walk away from the project unhappy and not return to us with the next job.
Tags: iss121 | grading | top tips | Tom Russell
Submitted by Tom Russell Read this article in the tv-bay digital magazine
Mixing console displays - central to usability
Paul Hooper Since the introduction of assignable controls on mixing consoles, it has been essential to provide sound engineers with a clear picture of what the function and status is of each fader and other associated controls. Consoles can have over 100 faders. To allow the sound operator to keep track of the function of each panel and its current settings, clear, compact displays are needed.
Tags: iss121 | calrec | consoles | Paul Hooper
Submitted by Paul Hooper Read this article in the tv-bay digital magazine
Mr MXF thinks the future is made of components
Bruce Devlin The recent SMPTE IMF plugfest that was kindly hosted by Fox in Burbank gave the vendors, users and content owners a chance to discuss the fine details of the IMF standard and to get excited about where it will take the Post Production community.
Tags: iss121 | imf | smpte | plugfest | st 2067 | class | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine
Assets in the air
Paul Wilkins People everywhere are talking about "the cloud", as if it is somehow something (1) new and (2) intrinsically exciting. It really is neither of those things. In the IT world, software as a service (SaaS) has been around since the 1960's when organisations bought the use of mainframe software on a time-sharing basis.
Tags: iss121 | tmd | cloud | mam | era | coeus | Paul Wilkins
Submitted by Paul Wilkins Read this article in the tv-bay digital magazine
6 Misapprehensions of MAM
Julian Wright Implementing a media management system is considered to be a risky business. The perceived complexity, upheaval and perception of failure can be so daunting that the risk may seem to outweigh the reward. But, like so many business technologies, MAM have been transformed in recent years and it's time to debunk some common MAM myths.
Tags: iss121 | mam | blue lucy | capex | Julian Wright
Submitted by Julian Wright Read this article in the tv-bay digital magazine
Dick finds the truth out there
Dick Hobbs. The Oxford English Dictionary has determined that its word of the year for 2016 was "post-truth". We'll skip over the fact that it is, clearly, two words.
Tags: iss121 | dick hobbs | michael gove | smpte | fake news | Dick Hobbs.
Submitted by Dick Hobbs. Read this article in the tv-bay digital magazine
Outside the fixed curriculum
Emma Benson If you're wondering whether or not to do some extracurricular work outside of your timetabled course, the answer should always be yes. The more you further your experience and skills the brighter your future will look
Tags: iss121 | citv | portsmouth university | student | Emma Benson
Submitted by Emma Benson Read this article in the tv-bay digital magazine
Sully - Grading a miracle
Maxine Gervais We all know the story. On 15 January 2009 an Airbus A320 took off from LaGuardia airport in New York, heading for Charlotte. Just a couple of minutes later the plane flew through a flock of Canada geese and blew out both engines. Knowing the risk of crashing into heavily populated areas, Captain Chesley Sullenberger - Sully - aimed for the only long flat surface he could see: the Hudson River.
Tags: iss121 | sully | grading | filmlight | Maxine Gervais
Submitted by Maxine Gervais Read this article in the tv-bay digital magazine
Trends in IP based broadcast
Glodina Lostanlen The momentum behind moving media operations to IP-based environments is unstoppable and to stay ahead of the competition these days, companies need to be migrating operations away from rigid, single-purpose components and towards software-based common computing resources.
Tags: iss120 | ip broadcast | imagine | cots | SMPTE | AMWA | VSF | EBU | Glodina Lostanlen
Submitted by Glodina Lostanlen Read this article in the tv-bay digital magazine
Live streaming and the power of your own channel
Liam Laminman We've just celebrated 80 years of television. And it's been quite a journey from the birth of television to where we are now.
Tags: iss120 | trickbox | streaming | facebook live | youtube | ota | Liam Laminman
Submitted by Liam Laminman Read this article in the tv-bay digital magazine
The world is not flat
David Schleifer The world is all around us. We have a lot of cues that make us aware of how we fit into a 3D space. Many of these cues, senses and reactions are survival instincts. For example, the ability to hear someone walk up behind us, to see movement in our peripheral vision, a sense of how we are oriented when we move our bodies or swivel our head. All of this creates an overwhelming amount of data that we seamlessly interpret as we go around our day getting our morning coffee, driving, walking through crowds, diving into pools, and everything that we as people do in our lives.
Tags: iss120 | vr | 3d | primestream | David Schleifer
Submitted by David Schleifer Read this article in the tv-bay digital magazine
Mr MXF thinks the future is bright
Bruce Devlin I have had the good fortune to spend some time with students at Southampton Solent, The University of Surrey, Ravensbourne and Godalming College in the last few weeks. Although student numbers are down on the technology courses, enthusiasm is high and the passion for the broadcast and media industry is evident in the eyes of the stars of tomorrow.
Tags: iss120 | university | ravensbourne | surrey | class | Bruce Devlin
Submitted by Bruce Devlin Read this article in the tv-bay digital magazine