There are many rules (more than 6) to working in the mountains & having just returned from the 75th running of the most famous Downhill Skiing event in the world - The Hahnenkamm in Kitzbuhel, Austria, here are a few essentials!
We filmmakers are very adept at wearing many hats. Producer, director, editor, cameraman, sound... it's the nature of boutique production. It can mean that you can make more money by doing more of the jobs yourself, but equally it can thin your resources out a little finely.
The highly competitive sport of track cycling emerged in Europe in the late 19th and early 20th century as a way to continue the sport year round, and velodromes soon became a common sight on the Continent. Whether indoors or out, track cycling is one of the world's most intriguing spectator sports and, as such, new ways of bringing its drama to multi-platform viewers are constantly being sought.
VG is a tabloid-format newspaper established in Oslo in 1945. Faced with the challenges that all newspapers face in the age of the video and the internet - fresh competition for readership and rapidly changing viewer expectations of what news is and how it's delivered - VG began using video online as early as 2001. Through the next decade it grew its use of video clips but there was always the desire to expand the use of live content to provide real value to readers and viewers.
The end of my third year of BSc Television and Broadcasting at the University of Portsmouth is drawing closer, meaning the end of my time at University. Several deadlines have come and gone, and my CCI management of Script Editing has slowed down. But I still can't comprehend this ending, as there is still much to do with several big deadlines left including my Documentary. But looming above it all is as always has been my Final year project.
Content owners, broadcasters, and operators worldwide typically provide a sizable library of VoD content and a limited offering of live/linear programming. This unbalanced ratio between VoD and linear TV offerings is historically shaped by two factors...
If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back.
Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers...
If you have got to the back of this magazine, you cannot fail to have noticed that it is issue number 100. I asked Simon Tillyer and Matt Robbins, the dynamic duo behind the publication, how it all started.
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