No matter how much money people spend on a camera there always seems to be a temptation to try and cut corners when it comes to tripods. I am not sure why this is the case but it's a regular occurrence when talking to people and it results in several problems.
The proliferation of mobile devices, on-demand content and the fragmentation of viewing habits makes the task of measuring TV audiences and the level of audience participation a bigger challenge than ever before. While the ways that consumers' access content may have changed radically, broadcasters' need for an accurate view of who is watching what, when and how haven't.
Whilst it might be argued that may be the only difference between LDs & DOPs, the same is not entirely true for Videographers & Broadcast Cameramen. That is not to say that Videographers are necessarily inferior to Broadcast Cameramen but certainly different.
The new iPad is a fantastic and innovative tool for practically anything, but now you can rely on it for your filmmaking needs as well. It may not be what Spielberg is using to shoot his next blockbuster, however it's rapidly becoming a must-have tool for filmmakers of all shapes and sizes around the world.
University radio is a great starting platform- hearing something being broadcast that started out as a few ideas in a notebook is quite incredible. My name is Lloyd Ashton and I'm currently a third year Television and Broadcasting student at the University of Portsmouth. Over the past three years, I have been introduced to many modes of broadcasting, yet it's radio that has left an everlasting impression.
As technology progresses, videographers find themselves dealing with smaller cameras that become the flavor of the week, but are soon replaced six months later by technology that makes them even tinier. With this has come a new way of thinking of camera support solutions. Fluid heads that were originally designed to support smaller, more entry-level type camera models are many times not able to handle all of the camera peripherals, such as lenses and monitors, employed in a more professional shoot.
2015 saw the maturing development of UHDTV 4K signal technologies and a growing agreement that both SDI and IP will exist in their respective strong application areas, as a solid engineering solution to the differing requirements of live signal handling and programme contribution.
Following on from a very successful IBC2015 in Amsterdam, we have been travelling across Europe to hold follow-on discussions with production companies and outside broadcast facility-providers. This series of customer meetings, product demonstrations and evaluations highlighted two key concerns currently relating to 4K/UHD television production: the relative merits of square-division and two-sample interleave.
With the advance of larger camera sensors, faster lenses and complex lighting systems, the role of the 1st AC (Assistant Camera) is more demanding than ever. Fortunately, the world of focus technology is developing new and innovative ways to step up and meet these demands head-on.
In a climate of growing global volatility it's no secret that travel risks have increased as we've seen with sad frequency in recent years. When things go wrong in a foreign country they can go very wrong and it can expose employers to major legal, reputational and business continuity risks.
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